This is one of those books that I didn't really love, but I respected many of the things it was trying to do. Found the first half slow, and the seconThis is one of those books that I didn't really love, but I respected many of the things it was trying to do. Found the first half slow, and the second half quite a bit better.
Of course, I am now really excited about the prospect of more Abhorsen books. I think I need to re-read the all in my not-so-copious spare time....more
There was much rejoicing when the ARC of this arrived in the mail this week. I devoured it in one night, staying up nearly until 2 AM to finish it.
ThiThere was much rejoicing when the ARC of this arrived in the mail this week. I devoured it in one night, staying up nearly until 2 AM to finish it.
This is a tough book to write up. It's definitely the middle book of a trilogy, and I can already tell that the wait for Quintana of Charyn is going to be killer. Honestly, in a lot of ways I think the jury is out on the overall plot of this one until we get the resolution of some narrative threads in the follow-up.
Froi of the Exiles is definitely concerned with many of the same themes as Finnikin of the Rock (family, culture, violence, loss, trauma, and gender roles, just to start with) but it approaches them slantwise. Everything's a little more ambiguous than it was in Finnikin of the Rock because this about Froi, and Quintana, and Charyn, and nothing about those three is simple. That doesn't make it worse, but it does make it a more challenging read. The writing here is riskier and gutsier; it's also perhaps not quite as consistently successful. Again, I think what happens in Quintana of Charyn will really effect what I end up thinking of this book down the road.
The tone of the writing, perhaps because (view spoiler)[the story takes place largely in a court, rather than on the road, (hide spoiler)] sometimes felt wobbly. And I say this as someone who generally loves Marchetta's prose.
(view spoiler)[For me, the strongest part of the novel was actually the subplots--Beatriss's and Lucian and Phaedre's stories hit me hard. I liked how Beatriss's plot complicated what we already knew of life in Lumatere during the ten years of the curse. Froi's plot was harder to read. This is partly because I really missed Finnikin and Evanjalin/Isaboe; partly because the character of Quintana didn't work for me in a way that Evanjalin did. The worldbuilding was a little shakier; it didn't feel as whole as that of Lumatere, and that pulled me out of the story enough that I started noticing funny character and place names. But I loved what we ended up learning about the other last-borns, and the way Froi was caught between Charyn and Lumatere. The revelations are a bit too easy to guess--sometimes that's not a problem (it's easy for us to guess that Froi is a Charynite, even though it takes a long time for that penny to drop for him) and sometimes it sort of is (it's also too easy to figure out Gargarin and Lirah are his parents, and that does sort of hurt the impact of that moment in the story). (hide spoiler)]...more
Middle-of-the-road YA novel about a girl in her last year of high school coping with the unexpected reappearance of her biological father, family dramMiddle-of-the-road YA novel about a girl in her last year of high school coping with the unexpected reappearance of her biological father, family dramas and mysteries, and the romantic interest of two very different boys. It's nowhere near the level of Saving Francesca and Jellicoe Road, though you can see how it's an earlier work by the same writer: the story elements are familiar, even if they aren't as effective. In particular, this lacks the emotional sweep of Marchetta's later work (the central romance is intense, but less convincingly so) and the more polished prose of Jellicoe Road and Finnikin of the Rock, and the revelations of the second half of the book are far too easy to guess in advance. If you're going to read Marchetta, read this first; otherwise, you'll probably be find it something of a letdown....more
In a nice change of pace, the hero here wasn't cut exactly from the usual template. It's a shame that he went closer and closer to said template as thIn a nice change of pace, the hero here wasn't cut exactly from the usual template. It's a shame that he went closer and closer to said template as the story went on....more
I think of Laurens' Cynster books as pure fluff reading, but I think I may have finally reached the point where I can't read anymore of them. It's tooI think of Laurens' Cynster books as pure fluff reading, but I think I may have finally reached the point where I can't read anymore of them. It's too much of the same characters, just with different hair and eye colors. A little variation on the formula, please?...more
In general, I read Laurens' Cynster novels when I'm particularly hard up for a fluff romance read, but the sheer ridiculousness of this one (witches oIn general, I read Laurens' Cynster novels when I'm particularly hard up for a fluff romance read, but the sheer ridiculousness of this one (witches of Scottish vales!) makes this one a particularly borderline read....more
**spoiler alert** I sometimes feel the entire Cynster series should have the tag line "Stephanie Laurens likes alpha males more than you!" That said:**spoiler alert** I sometimes feel the entire Cynster series should have the tag line "Stephanie Laurens likes alpha males more than you!" That said: I mock, but I also still read when I feel like fluff. Laurens isn't my first choice when it comes to trashy romance, but she'll do in a pinch.
It's both a shame and a cheat, though, to have the most unlikable family member be the villain in this and in other Cynster novels. ...more
**spoiler alert** I tend to be cynical about promotional blurbs on a book cover; I see enough of them to start noticing when a circle of writer friend**spoiler alert** I tend to be cynical about promotional blurbs on a book cover; I see enough of them to start noticing when a circle of writer friends gets caught in the endless "let me blurb your book" cycle! But this book caught my attention because it had blurbs from Melina Marchetta and Megan Whalen Turner, two of my favorite YA authors...and two who don't blurb every other book that shows up on the new shelf.
It's sort of an odd duck of a book. It follows Cam Attling, who survived a war but lost his arm, as he tries to settle into his old life...and failing at that, goes off to seek a new one. That could be a fairly simple story, but Hinwood chooses to tell this one in an unusual way, from multiple points-of-view. There's Pin, Cam's younger sister; Graceful Fenister, his betrothed; Gyaar, the Uplander lord who cut off Cam's arm but spared his life; and so on.
I love books that ask the question "what happens when the war is over?" and I have a lot of patience for narrative tricks, so you might think this book was perfect for me. Not quite. I found it very readable--I went through it on one sitting on a sunny Sunday afternoon--but I never became emotionally engaged in the lives of these characters. (Marchetta's work offers a good contrast here--her books reliably leave me in tears by their ends.)
I think I was distanced from the story partly because I wasn't sure what to make of the backstory and worldbuilding here. Cam is the survivor of a war between the Uplanders and the Downlanders. The Downlanders are vaguely based on pre-industrial European cultures, and the the Uplanders vaguely based on East Asian cultures (I suspect mostly Japan). Neither of the cultures felt entirely authentic to me, but that was especially true of the Uplanders, and I am so, so tired of people co-opting Asian cultural details to do lazy worldbuilding.
Anyway, an interesting effort, but not something I feel like I can strongly recommend....more
**spoiler alert** I started reading this book during my lunch break, and when I came home in the evening, I skipped dinner so I could plop down on my**spoiler alert** I started reading this book during my lunch break, and when I came home in the evening, I skipped dinner so I could plop down on my couch and finish it.
Five years after Saving Francesca, Tom Mackee has hit rock bottom. He's dropped out of uni, working dead-end jobs (with former friends, no less), and living with his aunt Georgie. Georgie, who's unmarried and pregnant, has troubles of her own. And the entire Finch-Mackee clan is still grieving from the loss of Tom's uncle Joe two years earlier in the London tube bombing.
I liked all the ways this novel resists sequelitis. Example: Francesca still battles depression--it's not magically cured with the happy ending wand. That's why I can even forgive the novel for something at coy as having a wee crossover with the otherwise unrelated Jellicoe Road (and okay, I sort of loved it that Justine's violinist ended up being Ben Cassidy).
Marchetta lets Tom be unlikable and a genuine fuck up. But even in their brokenness, the humanity of Marchetta's characters shines through. And that's why I found myself reading so intently. Maybe it was sort of safe bet that Tom and Tara would find their way toward some sort of reconciliation, that Tom would land on his feet, that Tom's family would come back together. But I still had to know exactly how all that would happen, and I kept reading until I did....more
Francesca's in her first year at a school she hates, separated from the friends she relied upon at her old school, and dealing with her mother's battlFrancesca's in her first year at a school she hates, separated from the friends she relied upon at her old school, and dealing with her mother's battle with depression.
I've been reading Melina Marchetta's books in reverse chronological order, and going backwards, I can see how she's grown as a writer. Saving Francesca is a very good read--the school life feels authentic, the characters are vivid, and the depiction of the spiraling effects of depression on a family is true enough that it makes me want to cry. On the other hand, it's a much more conventional work than both Jellicoe Road and Finnikin of the Rock. It's less ambitiously structured. To someone who's read the later books, sometimes the characters--as interesting as they are--feel like rough drafts of characters that Marchetta does later. And Marchetta's rough drafts are better than most people's final work, but still.
I do like that the protagonist of this story isn't always strong or likable. It's an interesting contrast to Marchetta's later books, where the protagonists are almost impossibly intense about life. Francesca isn't intense in that way at all; in fact, when we meet her, she's always hiding who she is and what she wants. She makes decisions out of cowardice and uncertainty and fear. So she's actually a more authentic portrait of what it's like to be a teen than someone like, say, Taylor Markham or Evanjalin. And as a reader, sometimes you want to read about a Taylor or an Evanjalin. And sometimes you want to read about a Francesca, because you understand exactly why she wants to go back to her comfortable existance at Stella's, even though it obviously was pretty terrible all along....more