“A story has no beginning or end. Arbitrarily one chooses that moment of experience from which to look back or from which to look ahead,” Author Richm“A story has no beginning or end. Arbitrarily one chooses that moment of experience from which to look back or from which to look ahead,” Author Richmond writes. Ellie’s life has been shaped by her sister’s unsolved murder, and the “true crime” account of it written by a professor, Andrew Thorpe, she once intimately trusted. That book revealed Lila’s math professor and secret married lover as the perp. But Ellie begins to question everything she thought was true when a chance meeting in an unlikely place yields Lila’s notebook that she used to jot down mathematical equations, leading her on a search to discover what really happened that fateful night.
I read an ARC of this novel which describes the book like this: “A riveting family drama about the stories we tell – a novel of astonishing depth and beauty, at once heartbreaking, provocative, and impossible to put down.” Jacket copy often exaggerates, but in this case I wholeheartedly agree with it. I bought a copy of this for my “keeper” bookshelf and it is one of favorites reads of 2008.
The narrative is very much about how little twists of fate can alter our life stories. For example, if Ellie had let Lila take the car that Wednesday, she might still be alive, Ellie’s parents might still be together, Ellie might be married and have kids by now. Stories and the endless variations of storytelling are themes in counterpoint with the very strict and exact nature of mathematics. I loved how all the pieces of the story fit together in the end like a perfect mathematical proof.
Thorpe once said in one of the classes Ellie attended that “in order for a book to be really good, it’s not enough to develop the major characters. The minor ones, too, have to be distinct. When readers close the book, they should remember everyone who walks across the page.” I do.
There is a smattering of mathematical talk that went way over my head, but I still found it fascinating. Ellie also has a very interesting job. Due to her great sense of smell, she works as a coffee cupper, looking for great coffee beans all over the world. Having learned a lot about fruit (thanks to a job I did for Passina) and pistachios (thanks to a lobbyist I met at a party on Capitol Hill), I really enjoyed learning more about coffee.
Extremely highly recommended!
"A story does not only belong to the person who was telling it. It belongs, in equal measure, to the one who was listening."...more
There are so many reasons to love this novel, but my top three were the pitch-perfect spooky atmosphere, the romance, and the mystery.
Atmosphere: WintThere are so many reasons to love this novel, but my top three were the pitch-perfect spooky atmosphere, the romance, and the mystery.
Atmosphere: Winters really makes 1918 California come alive. You feel the fear of the Spanish Flu, the uncertainty brought about by the war and the desperation of the people who went to the spiritualists to find out about the well-being of their loved ones.
Romance: I fell hard for this novel because of the connection between Mary Shelley and Stephen. By the time the novel opens, Stephen has already been shipped off to fight in Europe - so we mostly see their relationship develop via his letters (swoon!) and a flashback of their first kiss (double swoon!). And man .... I felt sooo bad for both of them. I ached for them to be back together.
Mystery: Mary Shelley was so determined to set things right for Stephen - even if it cost her her life. I admire that kind of moxie and dedication. And that's how Winters manages to up the stakes even more - Mary Shelley has to solve a whole mystery involving Stephen. This mystery was so well plotted, too. I totally didn't see those reveals coming.
Wonderful novel that I'll be recommending over and over again for years to come....more