Although the artwork wasn't totally to my taste, it grew on me. And the plot, the characters, and the tongue-in-cheek jokes were awesome. I think BallAlthough the artwork wasn't totally to my taste, it grew on me. And the plot, the characters, and the tongue-in-cheek jokes were awesome. I think Ballister Blackheart is my favorite anti-hero since Dr. Horrible. His nemesis, Ambrosius Goldenloin, is also pretty cool. ...more
First volume in a new YA dystopian series about some mer-people that come up out of the Atlantic and settle on Coney Island, NY, which becomes a refugFirst volume in a new YA dystopian series about some mer-people that come up out of the Atlantic and settle on Coney Island, NY, which becomes a refugee camp.The romance was a bit forced, imo, but the world-building and characters were great. Stupid cliff-hanger ending, though....more
Half graphic novel, half mystery - both featuring and aimed at teens. Pretty innovative, cool story, great use of the internet & cell phones in thHalf graphic novel, half mystery - both featuring and aimed at teens. Pretty innovative, cool story, great use of the internet & cell phones in the story: http://iamprincessxbook.tumblr.com/book
Recommended for 12 & up; if you're worried about graphic sex, there isn't any at all. Some violence, though most of it takes place "off screen". ...more
A YA novel that I really, really liked - despite the cover and the title, which made it seem like a rather trite teen romance.
Instead, it's a story abA YA novel that I really, really liked - despite the cover and the title, which made it seem like a rather trite teen romance.
Instead, it's a story about some rather damaged characters, and a fairly realistic look at high school bullying, cliques, foster-care, and good and bad parenting. And yeah, some romance with sex. That's not the focus of the story, though. ...more
This book is fantastic, in both the popular and archaic senses of the word. It is extraordinarily good or excellent, as Merriam-Webster and Dictionar This book is fantastic, in both the popular and archaic senses of the word. It is extraordinarily good or excellent, as Merriam-Webster and Dictionary.com define fantastic - but is also “conceived of unrestrained imagination”, “marked by extravagant fancy”, and colored with “extreme individuality”.
Sharman Apt Russell takes one of the most interesting historical accounts of American colonial history as the jumping off point for her book of marvels. Spanish nobleman Álvar Núñez Cabeza de Vaca, who accompanied Pánfilo de Narváez on an ill-fated expedition to Florida in 1528, was shipwrecked on Galveston Island, enslaved by Native peoples, and then escaped captivity with two other Spaniards and a Moroccan Berber. These four men – the only survivors of an expedition that began with over 400 men on five ships – healed sick and injured Native peoples with their ceremonies, traded, and traveled on a circuitous route across modern day Texas and Mexico that lasted for over six years, until they encountered Spanish slave-traders in northern Mexico and returned to Spain in 1537. Cabeza de Vaca published an account of his experiences in 1542; his Relación has served as a rich and insightful source of information on Native peoples and their environs for governments, anthropologists, scientists, and historians for centuries.
Teresa (of the New World) is the totally fictional - but not improbable in terms of parentage - daughter of Cabeza de Vaca and a woman of the people who live along the Gulf of Mexico. She comes of age on her father’s journey and in a colonial governor’s mansion in Mexico, with her roots in two worlds – the Old and the New, Spanish and Native. Teresa’s story is exquisitely researched (based on both Cabeza de Vaca’s Relación and historical descriptions of Spanish encomiendas, epidemics, and slavery in Mexico) - but it is also beautiful and full of the poetry of everyday life, death, and the natural world, and steeped in the magical realism of both Native beliefs and her father’s Catholic faith and Spanish folksongs.
I went and read a little about magical realism after finishing Teresa of the New World – I knew the story fit the genre, generally speaking, but wasn’t sure how to describe the genre. It turns out magical realism is rather hard to pigeonhole (see Alberto Álvaro Ríos’ website for definitions, defining narratives, meditations and notes on it), but I can safely say that Russell’s story blends historical accuracy with a fictional character who transforms the common into the awesome and unreal, utilizing magic intertwined with myth, surprising the reader with its forays across cultural boundaries.
Perhaps more importantly, a month after reading Teresa’s story, I still remember many of the images and characters vividly – and will for a long time (and not just because I plan to read it again). Not many books stick with me like this, or compel me to subsequent reads to appreciate different aspects of such a multi-layered story.
Some of the things I remember: the loads of firewood that the people carry, their hunger, the pits they dig for baking cactus, the fermented or ripe, red, prickly-pear fruits, mesquite pods, yucca plants and grass seeds, packrat nests, twisted juniper trees and peccaries, and mice, hares, rabbits, lizards, and ravens. Then there are the gardens of the governor’s mansion, with its herb gardens of yarrow and mint, sage and oregano, balm and lavender, and rosemary (one character’s body odor threatened to overwhelm the rosemary), and the kitchen work: tending fire, chopping vegetables, grinding corn, and cutting up duck, turkey, cow and deer. There are lavishly carved vines on a dark, polished walnut escritorio – a writing desk – and a pompous war horse “raised in the sweet perfume of the sweetest city of Spain” (p. 85) who isn’t afraid to bite and who raises his tail to deposit acrid but not unpleasant smelling piles of dung. I think Horse is the best fictional horse I’ve encountered since I read The Horse and His Boy in the early 1970’s.
Anyway, there are also mosquitoes and blackberries. There is the earth itself, with its beds of granite, limestone reefs filled with “curved shells, bony fish, and the long skeletons of monsters with pointed teeth and flippers and tails” (p. 157). And then there’s a jaguar and a child who comes near death from measles, which was deadly to the Indians who had no immunity to this and other Old World diseases.
One of the creepiest parts of Teresa’s story actually involves the horrible epidemics of the 16th century that may have contributed to the deaths of up to nine out of ten people in some communities:
“The women in the kitchen sang: Sarampión toca la puerta. Viruela dice: ¿Quién es? Y Escarlatina contesta: ¡Aquí estamos los tres! The cook would sometimes shout a little madly, “Sing it again!” And the women would sing again: Measles knocks at the door. Smallpox asks, Who’s there? And Scarlet Fever replies: All three of us are here!” (p. 53).
This was apparently (and perhaps still is?) a well-known song in many parts of Latin America, and fear - also known as Plague later in the book - turns out to be an important character in Teresa’s story, who doesn’t knock at the door so much as sneak and swagger in wearing different disguises.
Teresa of the New World is a story of marvels and heartbreak and endurance, illuminating a little known period of history, suitable for middle-grade readers without ever being too juvenile for adults. I did occasionally wish there was a map, perhaps on the endpapers. There are many sites online that attempt to trace Cabeza de Vaca’s journeys, but I also wanted to know where the Governor’s mansion was and the village of the Opata and where “the wise woman’s crumbling adobe with its flat space for a garden and white bluffs falling to a view below” (p. 178) was. I doubt that many other readers – especially the kids and teenagers that I sincerely hope will read this book – will feel the same need to locate Teresa’s journeys on any maps outside of those in their imagination. ...more
Free verse about the (partially imaged) life of Clara Lemlich, a labor activist/feminist in NYC in the early 1900's. It was interesting - and I likedFree verse about the (partially imaged) life of Clara Lemlich, a labor activist/feminist in NYC in the early 1900's. It was interesting - and I liked the story told in poetry - but I wanted more depth and details about her life and kind of poured over the photos in the back. ...more
The memories of a young African-American girl coming of age in 1950's, mostly on Air Force Bases in the western US. Duck and cover, segregation, boys,The memories of a young African-American girl coming of age in 1950's, mostly on Air Force Bases in the western US. Duck and cover, segregation, boys, dealing with a sister, wanting a horse, and poetry....more
While I loved the art and appreciated the story, with its multiple plotlines and ambiguity, my 14 y.o. daughter was frustrated by it and said it was oWhile I loved the art and appreciated the story, with its multiple plotlines and ambiguity, my 14 y.o. daughter was frustrated by it and said it was only 3.5 stars for her. I wonder if this is one of those award-winning books for children (or in this case, teens) that is better appreciated by adults?...more