I admit I found the characters too jaded for my tastes (twenty-three going on forty-three). I think that there could have been more opportunities to eI admit I found the characters too jaded for my tastes (twenty-three going on forty-three). I think that there could have been more opportunities to establish emotional connection to the characters in lieu of some of the focus on erotic sex. Readers who like New Adult themes may enjoy this more than I did. I'm not fond of the idea that very young people would act with these kinds of attitudes and destructive lifestyles.
It took me a while to process my thoughts after reading this. I love Christine Feehan's books. She's got her quirks, for sure, but she is one of my auIt took me a while to process my thoughts after reading this. I love Christine Feehan's books. She's got her quirks, for sure, but she is one of my autobuy authors for a reason. I liked this book, but I disliked some prominent aspects enough that I had to knock my rating down to 3.5 stars. I will try not to get too graphic in describing why, but I hope that no one is offended by any content in this review. I will refer to the hero as "the hero", because if I call him something else, it's a spoiler.
I am not an erotica fan when it comes to romance. This book has definitely crossed the line into erotica. In fact, some love scenes actually felt downright porny to me. There is actually too much sex in this book, and not because sex is not good or wrong, but it doesn't really add to the story after a certain point. Plus, some of the sex scenes were not appealing to my taste. Thankfully, there is no anal sex or content, but there were still some sex aspects I felt were not necessary in a romance novel. A lot of it ties into the hero's dominant proclivities. I know a lot of romance fans really like that D/s stuff, but I don't like it. I think it's counter to what I love about a deep, strong romantic bond. I like a mutual submission and I like that there's give and take and that both parties can be strong and gentle instead of one person always having the reins. I think that if a hero always wants control in the bedroom 100%, that says a lot about his personality as a partner, and that comes across loud and clear with the hero. I'm not for that in a relationship. If the author goes there, it needs to be well done, and so far, I don't think it's been done in a book to my satisfaction, not that I'm looking for that, because I'm not. In this book specifically, it was a big turnoff for me, more than anything else. Frankly, I love when the hero is all tough and lethal and growly, but the heroine has him wrapped around her little finger. That's really sexy to me. Not a hero who's always giving orders and wants control, even in the most intimate and safest of places, the bedroom. The bedroom needs to be a place of trust and absolute security. Not a place where the roles are so locked into place that it's all taking from one party (and I don't mean orgasms).
I have no problem with oral sex, but I don't like the forced/aggressive kind of aspect to it that has a certain name that won't go into on this review. There was another oral sex act that is straight out of a porno that I was like, "Not so much." I also don't like spanking used as punishment for a grown woman included in sex. Even if the heroine likes it, it feels wrong to me. Your mileage may vary.
I love stalkerific heroes like a house on fire. I like when the hero is crazy and even obsessed with the heroine. I find that highly appealing. But there is a limit to it in this way: I don't like when the hero is super-controlling or dominant. Especially in bed. And also in that he wants the heroine to live life according to his rules. I'm not against a hero who wants to protect the heroine and feels like he knows best. Especially if he does know more about keeping the heroine safe than she does. But he shouldn't feel like he has the right to administer corporal punishment if she fails to follow his instructions. I mean, Really???
I don't like that a hero always wants sex to be his way and feels like he has to train his heroine to accommodate his needs. In that sense the hero crosses the line with me. He made a point of saying that he was a rough man and he had certain needs. He had already determined that was his woman, and he would have to train her to his way of doing things. To me, that's not really showing love. Love is when you accept people for who they are essentially. You don't try to change them, making the assumption that they will like changing for you and doing things your way. He knew how Catarina grew up, but he didn't even try to gentle himself for her, considering that she had been in a controlling situation her whole life before him. While the hero did love Catarina, and he cared for her and made sure her needs were met, I felt their relationship was a 60/40 relationship, with the balance his way. Catarina is very young, and I can't help wondering if she's happy with the hero just because he's all she's known other than the life she ran away from. She loves that he focuses on her, compliments her and takes care of him, and is willing to accept his need for control. She loves what he does to her sexually, but how does she know she wouldn't like a more gentle lover? She doesn't. As she grows, I feel that she will eventually find that control to be a stranglehold on her. I could be wrong, but I don't think I am.
I loved Catarina. She was a cool heroine. I liked the aspect of her being a master chef and barista, and that she taught herself to read. I liked that she had found a home at the dojo and working in the cafe shop, her own life, what she deserved.. The hero frankly ruined that for her. I didn't mind that she was complaint and submissive. Truth be told, she was way too good for the hero. I think he needed to work harder to be worthy of her in my eyes. To clarify, I felt like she needed a different hero based on her past. The hero was a bit too much like the man she was running away from, and if that is the case, I think the resolution could have been stronger than how it occurred. There was one aspect I loved, because you could see how deeply the hero cared for the heroine at what happens near the end. I'm sorry that it took this, frankly. I think there needed to be more of a confrontation between the hero and Rafe, the man she was running away from. Instead, there was the big smack down but no words exchanged as humans. I would have loved seeing the hero hand the jerk the beating he deserved. I feel that Feehan always writes awesome heroines and I usually love her heroes, with rare exception. This hero is definitely an exception for me.
I always like the parts of this series where the hero and heroine run as big cats. I think that part was too short. I'm a cat fancier, and I always get a kick out of the H/h running free together. I would easily have sacrificed one or more love scene for more of this. It's one of the best aspects of this series. The animal nature is so integral to the characters, and it should be more of a plot element than making the hero require rough sex.
It was great to see Emma and Jake again. It made me want to reread Burning Wild again. I just might!
Despite its issues, this was a very readable book, and I couldn't hardly put it down. Feehan knows how to write paranormal romance and compelling stories. I think I expect a lot from her, so that's part of why I was disappointed with this book. I feel that the hero just didn't work for me, and the sex aspects were unnecessary and unappealing. I still have high hopes for Elijah's book. I have been wanting his story for a long, long time....more
I loved this book. It was delightful, from beginning to end. I was searching for how to classify it, and in the afterward, Ms. Berry mentioned the terI loved this book. It was delightful, from beginning to end. I was searching for how to classify it, and in the afterward, Ms. Berry mentioned the term, British Farce. And that's what this is. I am all for Girl Power, and this book is very much about girl power and the bond between girls/women. Not only is this a sisterhood bonding story, it's also a bit like Oceans Eleven, one of those caper-type stories where you have a disparate group of individuals who are thrown together under a common bond. I'd call these girls the Scandalous Seven. You have Dear Roberta, Dull Martha, Pocked Louise, Dour Elinor, Stout Alice, Disgraceful Mary Jane and their de facto leader, Smooth Kitty. Each girl brings a different characteristic to the book, and I loved each and every one of them. I just wanted to give them all a hug (even Elinor, whose obsession was death was a little bit disturbing at times).
Such a dark subject, a double murder at a quiet ladies school. However, Berry handles it with a deft touch. Instead of spending too much time dwelling on the horror of the girls' predicament, the reader is focused on how these girls react to it and take measures to prevent their sisterhood from ending prematurely. I like the way they work together, and despite the typical occasional squabbles among young women, they look out for each other and validate each other.
I loved the humor. It was mostly subtle, but sometimes laugh out loud. It reminds me very much of British comedy with some British mystery thrown in.
There is a nice dose of romance, because, well they are young women, and romance is often a factor. However, the youngest, Pocked Louise, could give a fig for boys. She's our resident sleuth, and a very smart sleuth she is and she thinks boys are foul. The other ladies, all seem to find guys who prick their fancy. Even Smooth Kitty, who thinks she's got everything all figured out. It thought it was so funny how big a flirt Disgraceful Mary Jane was, and a very unrepentant one at that!
I have been quite stingy with five star ratings lately, but I can't talk myself out of giving one for this book. I am very thankful to Olga Godim for bringing "The Scandalous Sisterhood of Prickwillow Place" to my attention. It was scandalously good!...more
I loved this book from beginning to the end. I was so excited to get this as a review ARC, even though I haven't had a chance to read the first two boI loved this book from beginning to the end. I was so excited to get this as a review ARC, even though I haven't had a chance to read the first two books in this series yet. Alexander is a scoundrel, but you definitely want him to catch Sophie. Great chemistry, and wonderful romance. A five star read!
Lady Ayla is threatened with either marriage to the powerful, conquering lord Margrave von Falkenstein or for her lands to be confiscated and Synopsis
Lady Ayla is threatened with either marriage to the powerful, conquering lord Margrave von Falkenstein or for her lands to be confiscated and her people killed in war. With her father ailing from a long-term degenerative condition, she has assumed command of his lands in his stead. She refuses the Margrave's offer of marriage, knowing that it will mean war, because she realizes giving into him is the wrong decision to make for herself and her people. On a trip through a nearby forest to notify her vassals of her need for men to protect Luntberg Castle and its villagers, she is robbed by the fearsome, dreaded, red-armor-wearing Robber Knight, who dares to take her money, property and her beloved horse, although he spares her life and doesn't harm a hair on her head. Lady Ayla vows to see him caught and hanged.
When Ayla and her steward find a sole-surviving, wounded man in a field of bloody, mutilated bodies, they bring him back to the castle. His name is Reuben, and he claims to be a merchant, but he is really the same Red Knight. If he reveals his identity, he will be hanged as a thief. And he is too weak to flee for his life from his wounds and a subsequent fever and infection. As he is nursed back to health by the beautiful Lady Ayla, his cynicism and overpowering self-interest gives way to love. Can Ayla keep her people safe from a deadly siege, and avoid falling for a man below her station who she believes is not telling her the whole truth about his identity?
The Robber Knight is an entertaining trip back in time to the medieval era. The narrative voice is lively, with subtle humor and vivid characterizations. Reuben is the perfect rogue character, a man who hasn't decided if he wants to take the trouble to be a better man again, until Lady Ayla shows him he is capable of it. Ayla is sweet and determined, a woman of her times. Beneath her ladylike exterior, she has the heart of a lion and a backbone of steel. The secondary characters, such as the old vassal but still capable knight and fighter, Sir Isenbard, are well-developed.
Mr. Thier clearly has a background in medieval history, and a talent for writing a story that is enlightening about the period, but in a very entertaining, readable fashion. The depiction of medieval castle warfare is lifelike and realistic without being overly graphic. The reader learns the ins and outs of protecting a castle against invaders alongside Lady Ayla, and her people, most of whom have lived in a time of peace and whose war skills are limited to non-existent. I cheered along with them as they survived numerous assaults due to the advice of the injured Reuben.
Readers who enjoy romance stories will appreciate the slow build of attraction and feelings between Ayla and Reuben. The author makes the most of their every moment together to show romantic tension and growing love between the characters.
The Robber Knight is a story that will appeal to readers who have interest in the medieval period. It's an edifying read, flows and keeps the reader's interest with engaging characters and a well-paced narrative. This reader recommends it, despite the fact that the cliffhanger ending pricks at one of the biggest pet peeves of mine.
This is well-written and has an authentic feel for a Regency romance, but the male lead, Ned, isn't very likable for a significant portion of the bookThis is well-written and has an authentic feel for a Regency romance, but the male lead, Ned, isn't very likable for a significant portion of the book, and Phoebe's personality seemed too buried under governess reserve, so I didn't bond as much to either of them. For that reason, I would have to give this one a 3.5/5.0 star rating.
I haven't decided how I feel about this book. One one level, it was a very satisfying read. But there is something I felt didn't quite ring for me. II haven't decided how I feel about this book. One one level, it was a very satisfying read. But there is something I felt didn't quite ring for me. I pretty much loved Tiffany from page one. She was a real person. She had emotions that were authentic considering what she'd gone through. I liked that while she had valid reasons to run in the other direction from a relationship (especially the one he was offering) with Ryzard, she was also brave enough to come out of her half-life she'd lived since her terrible accident on her wedding day. Also the cocoon her family kept her in. I like that Tiffany is a modern woman but her values aren't too out there where I can't sympathize. I'm not here to judge, but I don't like promiscuous heroines who don't have any twinges about casual sex. In all fairness, I don't like that in a hero, and I'm not into double standards. But as a woman, I think it bothers me in a different way and more personal when it's the heroine. I was worried at first that the book would go in that direction, considering the way she and Ryzard first got together. But surprisingly, I didn't have any qualms about it.
I am not a fan of affair romance stories. I like to know that the couple will stay together, and they don't have one foot out the door the whole time they are together. I think that was one thing that bothered me about this book. I could understand both characters were deeply wounded emotionally, but I felt a pang every time they would reference that their time together was a short-lived affair. I feel that Tiffany deserved better than a man who couldn't give her love or his heart because he was hung up on a dead woman. Especially with all she'd gone through and the double standards her family forced on her.
Yes, I think that was the issue I had with this book. Ryzard didn't realize until the end how much he was shortchanging and cheating Tiffany out of. While she wasn't a punching bag and she showed a lot of maturity and self-possession, it was clear she fell in love with him, and he was holding that back, while demanding everything he could get from her.
Ryzard wasn't a bad hero, but he's not a great one either. I like a hero who is completely head over heels for the heroine (or at least has strong feelings for her that develop reasonably early), and I didn't feel that from Ryzard until later on. There was something that compelled him about her, and while he kept telling himself to walk away, he couldn't. But I think it felt mainly sexual to me for most of the book. In some ways, Tiffany needed the confidence of having a man who was so attracted to her, but she needed a man who loved her deeply (with the attraction part flowing out of the emotion), considering her past. So he didn't quite live up to my expectations in that regard. I did like that he was a different sort of hero. The survivor of a revolution, who was trying to put his country back together.
I'm kind of confused about the Q Virtus club. The author's descriptions left me in the dark about how the club worked. I think the descriptions could have been clearer. It's an interesting concept to build a book series around. I hope it doesn't end up being too much of a sex/illicit encounters storyline throughout this series, because that doesn't appeal to me. If there is a way to build a story that goes beyond that idea of sybaritic luxury and discretion used for sexual gratification, I think this will turn out to be a fun concept. I would love to see some sort of spy angle involved with this series, considering the high tech nature of the club.
With all my misgivings, I was very drawn into this book and I couldn't put it down. So I would give this one 3.5/5.0 stars. Overall, I think Dani Collins is a new writer with promise. Collins can write a very effective, sexy love scene and she also writes a passionate love story, and I like the way she developed Tiffany. I will read more of her books....more
I was so enthralled with this book, I didn't want to put it down. It has the intensity that I crave in a historical romance with excellent writing. ThI was so enthralled with this book, I didn't want to put it down. It has the intensity that I crave in a historical romance with excellent writing. The characters had a complexity that made them real people, and not always in good ways. Our hero lives up to the scoundrel name for sure, but his path of redemption makes for delectable reading.
I have to give this one 4.5 stars, because it's just that good. I am adding Juliana Gray to my must read HR author list.
As much as I enjoyed the first book in the series, The Unexpected Duchess, I loved this one even more. The author's take on Shakespeare's "Twelfth NigAs much as I enjoyed the first book in the series, The Unexpected Duchess, I loved this one even more. The author's take on Shakespeare's "Twelfth Night" and the engaging comedy of manners humor, along with a sighworthy romance, really won me over. I'm looking forward to Jane and Garrett's story next. They really strike sparks off each other. Definitely recommend this series!
What if a powerful supervillain ended up in witness protection, working a regular office job like the average Joe?
That is the scenario that Ed BrubakeWhat if a powerful supervillain ended up in witness protection, working a regular office job like the average Joe?
That is the scenario that Ed Brubaker presents his readers in the series "Incognito."
Zack Overkill was 'a very villainous fellow,' it was all he knew. And then his world changed. His brother was killed and he woke up in a secret government hospital and he was given drugs to deactivate his supernatural abilities and he was under the oversight of SOS, who had once been his greatest adversaries.
Zack hates his new life. He feels empty and useless, until he begins going out at night as a masked avenger, saving people, not out of altruism, but because it staves off his sense of boredom. But his past is catching up with him.
This is noir meets comic book superheroes and villains, and it's very well done. The tone is unapologetically 'adult', with plenty of foul language, violence, and some sexual content. However, there is something quite fascinating about this book. Maybe it's the whole concept. Or maybe it's the fact that Zack's situation is compelling. Readers can feel his pain, especially if your workday has ever felt like the movie "Office Space." And imagine going from being a supervillain to a working stiff who has the strength of the average sedentary young male. Brubaker allows the readers to walk in the shoes of a supervillain and watch his view of the world change. Zack comes to realize that why kill, steal and rampage for no reason, when once's powers can be strategically employed for something of more value? Can there be a better worldview than nihilism? Can people you once viewed as your enemies become your allies for a greater purpose?
There are some disturbing scenes in this book, but then we are dealing with plenty of amoral villains and psychopaths, and even some of the office joes and janes are not exactly admirable in their choices. I didn't care for that, but I did like that Zack's view on things is evolving, and he realizes he doesn't have to be enslaved to his past identity or even who others see him as.
I was nervous about this book, because I love this time period, but I don't care much for estranged married couple romance. However, Ms. Raybourn tackI was nervous about this book, because I love this time period, but I don't care much for estranged married couple romance. However, Ms. Raybourn tackles both with beautiful grace. This book has wonderful atmosphere and Evie and Gabriel are both very endearing characters. The adventure was a much appreciated bonus.
I was not a fan of Tate. He was arrogant and narcissistic and clueless about how much he hurt Malene. Pretty much my least favorite kind of man and heI was not a fan of Tate. He was arrogant and narcissistic and clueless about how much he hurt Malene. Pretty much my least favorite kind of man and hero. But I loved Malene, and the spy action and romance was well-done. Not my favorite in the series, but still pretty good.
Sherry Thomas has proven herself as an author who uses the written word with a palpable love and respect for its power. I haven't had much luck with YSherry Thomas has proven herself as an author who uses the written word with a palpable love and respect for its power. I haven't had much luck with Young Adult books lately (with a few exceptions). They don't delve as deep as I would like, and rely on conventions and mechanisms that I find irritating. With "The Burning Sky", Thomas has encouraged my long held belief that young adult books can be vibrant, intelligent, thought-provoking, engaging, and have the substance I long for in a book.
The world-building in this book is careful and thorough without being too dogmatic or dragging down the narrative pace. I appreciated the manner in which Thomas layers her storytelling so that it feels as though I can delve deeper into this world, if I so choose, without the foundations falling apart or revealing nothing but wooden planks or steel girders. Instead, I felt as though this story is barely scratching the surface. At the same time, she doesn't resort to the most hated of all YA devices, the cliffhanger. Yet, this is obviously a story that promises to continue into at least a few volumes, but she concludes it in a satisfying manner that allows the reader to choose to read the next book, instead of being blackmailed into continuing the series.
I also loved the characterization. Iolanthe is a heroine who feels real. She has strengths and weaknesses. She is sympathetic, without being perfect. "The chosen one" storyline can get a little stale, but it's well handled in Thomas' hands. I root for her to find her way in a crazy reality and to be herself, but also do what is right. Titus is about the most perfect prince I've read. Perfect in the best way. He's got an edge that I love. He's flawed but also incredibly appealing. His inner vulnerabilities have been camouflaged very carefully by an arrogant, bitingly sarcastic mien. I had to remind myself that he was jailbait, because I was seriously crushing on him. He's a man with a mission, and nothing will sway him from it, not even the threat of his future demise. Even though Iolanthe has a valid reason to dislike him, I can identify with her struggles not to fall in love with him. While Titus is using Iolanthe and he knows it, it's clear he wishes he could be with her free of the rigid burden that binds them together, but also drives a wedge between them. But he's willing to do the wrong thing for right reasons. I loved that about him. Watching these two fall in love was very satisfying in a way that I crave from a good romance novel. The great thing is the love story is a viable and intrinsic part of a smart, intelligent epic-style fantasy.
The fantasy elements stand up to close scrutiny. Readers who loved the Narnia and Harry Potter series, along with fans of Howl's Moving Castle will be very happy with this novel. The concept of a mage world that borders on the mundane, human world has always appealed to me. I often wished my closet hid a doorway to a fantasy world. I freely admit it. And there is also an alluring nod to fairy tales in that Prince Titus has a book that allows him and his new protege Iolanthe to train and hone their mage skills. While Titus acts as a mentor to Iolanthe, she doesn't sacrifice any strength or identity in the process. It's clear that Titus can't help but look up to Iolanthe as a gift who can bring restoration to his world, and he is willing to take incredible risks and sacrifices for her to achieve her potential.
The action and fantastic scenes are beautifully described. I felt like I could see them on a big movie screen. The use of legendary creatures made me shriek in joy in a very ladylike fashion inside. I didn't care about being a princess, but I sure did love the Pegasus, unicorns and dragons. I would like to see this series as movies, well done, of course.
I can't say enough good things about this novel. I'm ashamed I put off reading it for so long. But it's one of those great accidents that I read this when I needed to. While I admire Thomas as a historical romance novelist, I hope she continues writing fantasy, Young Adult or otherwise, since that is my second love.
Changes is a wonderful example of what historical romance can accomplish in giving us a spotlight into history. History is alive and vivid, and we canChanges is a wonderful example of what historical romance can accomplish in giving us a spotlight into history. History is alive and vivid, and we can learn so much from it. Why not wrap that history lesson in a human story about two people who are very different, but connect through the love they share, and in the process learn that humans are all the same deep down?
A good 'what if' book about the period when 18-yr-old William Shakespeare comes to London to begin his career as an actor/playwright, and the incredibA good 'what if' book about the period when 18-yr-old William Shakespeare comes to London to begin his career as an actor/playwright, and the incredible young woman who could have been his muse.
I thoroughly enjoyed this book. The writing is sly, sensual, humorous and firmly ensconced in the period. Even if I wasn't the biggest Anne Stuart fanI thoroughly enjoyed this book. The writing is sly, sensual, humorous and firmly ensconced in the period. Even if I wasn't the biggest Anne Stuart fan on earth, I will still have found this book utterly enchanting.
I was really nervous with the storyline because I hate adultery with a burning passion. I'm happy with how things unfolded. There was no line crossing in this book that I couldn't live with. While Lord Kilmartyn is supposed to be a sleazy rake, I was completely in love with him quite early on in the book. I found him very seductive and I could see why Bryony fell for him, despite being a very sensible young woman. I liked the importance of his Irish heritage to his persona, and how it had gotten him into a shaky situation of late, but defined him in a way that he couldn't turn his back on. I wish that Ms. Stuart had delved more into where his marriage went wrong, but I got the impression that he wanted to be a good husband to his wife at some point, and he loved her, but now he hated her. In some books with the unrepentant, adulterous rake, I question the character's ability to remain faithful to the heroine, but I have no doubt that Kilmartyn would be capable of that with Bryony. His caring for her when she was in need was very touching and showed more than words.
I also loved Bryony as a character. Her pain in feeling unloved and unattractive because of her smallpox scars made sense. While it scarred her self-esteem, she was still a strong-minded person and no fainting flower in the face of her family's recent change in fortunes. I like her pluck and how her natural personality comes out in her interactions with Kilmartyn. I rooted for her to get him, and win him over in a way that didn't cross the line into adultery or illicit affair territory and I was glad Ms. Stuart gave her that happy ending with no compromise in that area.
The secondary characters are a fun addition to the book, with a little bit of the "Upstairs, Downstairs" vibe as Bryony gets engrossed in the world of the servants and they take her in, especially Mrs. Harkins the kindly chef.
I confess I read the last book before this, so I sort of know how it ends, but it didn't spoil things for me. There is still plenty of mystery in the storyline with what happened to Bryony and her sisters' father to keep the story interesting. That is if steamy romance with a soon-to-be reformed rake isn't enough to keep things exciting.
Never Kiss a Rake is a promising start to this newest historical romance series by Ms. Stuart. She brings all the steamy romance and engaging characters that make her books delicious reads for me. I hope to read Never Trust a Pirate very soon....more
The Informationist has one of the most daring and distinctive heroines I've personally read about. Vanessa Michael Monroe is practically a force of naThe Informationist has one of the most daring and distinctive heroines I've personally read about. Vanessa Michael Monroe is practically a force of nature. Her personality is hard to pin down, even if you know her very well, which few people do. And she makes a very bad enemy. While some characters might go to Africa to run away from their past or to define a new life for themselves, Monroe is the opposite. She was born in Africa and raised there. Although she is Caucasian American descent, Africa flows in her veins and helped to make her who she was, and not all in good ways.
Monroe doesn't let fear define her, instead she walks in defiance of it. Being afraid is not her problem. It's the rage and anger she keeps under lock and key. She struggles against demons from her past that simmer in her blood and make her heart beat fast with the tribal beat of war. Control is a way of life when she knows just what she's capable of. Yet, she is unafraid to go into dangerous places when others would shirk such a responsibility. When Emily Burbank's adoptive father contacts her to find out what happened to his daughter in Africa four years ago, she is going to have to go back to the place she was born and face her ugly past.
I love to read about heroines who are tough and resourceful. Who can kick butt just like the action heroes. Monroe is definitely one of those kinds of heroines. I like that she is very adaptable and clever about thinking through situations. While she has other weapons, she uses the one between her ears very well. Her personality is really abrasive and she's not what I would consider a typical "likable" heroine. And yet, there is something about her that resonates with me. I like that she is such a survivor. I mean, who could go through what she did and still be 100% sane and free of scars? She actually is quite sane, although I think deep down, she fears what lurks in the abyss she keeps locked away inside. She's sort of the opposite of Kurtz in The Heart of Darkness. She's been there and she walked away. It holds no appeal for her.
I liked the complex relationship that Monroe has with Francisco. I didn't expect it, yet when it happened, I thought, "Of course." I knew that Monroe would have to come full circle and get closure about Africa in order to heal. That process was ugly and painful, but necessary. I also liked her relationship with Miles. Each encounter helped to shape her in different ways, as relationship with others should do.
While I didn't like everything about the narrative, I did like how the author builds tension and unfolds the story, and keeps me guessing what's going to happen next. While one could easily draw conclusions about what happened in Equatorial Guinea, it's different from what I thought, and complicated. I think this is a book that lends itself well to audio, because some of the written facts about Emily's disappearance and the various places she went/the stonewalling she encounters, and Monroe's search in those places might be a bit dry on paper. I also think that some of the action scenes could have been more suspenseful and intensely written. There was a sense of risk, but it was a bit muted at times. As far as the narrator, I liked her voice a lot. She captures who Michael aka Monroe very well.
This is one of those books that doesn't build up one's faith in humanity. Corruption runs so deep and twisted in this world, and some places are built on this foundation. And while some of us who are lucky to live in a more lawful country, those same individuals go to other places in the world and make things worse in their conquest for power and money because they can get away with that in some places in the world, where life is cheap. Like some of my other thriller/suspense/action hero favorites, Monroe is there to teach them a lesson, but in her case, that lesson is a costly one for her as well.
I couldn't imagine living the life that Vanessa Michael Monroe has lived. One of the things I love about fiction is that I can go on a journey with a distinctive heroine like Monroe and see life through her lenses. I can feel her pain and her anger and experience the victories and defeats she has, and it helps me to understand that life is a complicated thing, but we can make it through things we never imagined possible.
This book might not work for everyone, but I found it interesting and thought-provoking. It felt unique and Monroe is an unforgettable heroine. She's kind of lawless in some ways, but deep down, she has a code that she won't stray from. She's a complicated women. Readers who enjoy this kind of heroine or a reader looking for something different might enjoy The Informationist....more
Emma, daughter of Lord Grey, and Richard, Lord Hamilton are kindred souls, with the same robust appreciation for life and wicked sense of humoSynopsis
Emma, daughter of Lord Grey, and Richard, Lord Hamilton are kindred souls, with the same robust appreciation for life and wicked sense of humor. They fall in love and are engaged to marry, but they have to convince Emma's uncle, the powerful Duke of Arden that they shouldn't have to wait a year to marry. When the Duke orders Emma to spend time at his country estate, Richard hatches a plan to masquerade as the new head gardener for the Duke of Arden so he can be near Emma. He also intends to romance Emma as the gardener so that the Duke will look more favorably on him as Lord Hamilton and Emma's true suitor. His plan turns out to be more complicated than he thinks when he has to take on all the head gardener's work for real, deal with the teasing of the other servants, spend time with Emma, and avoid Lady Babbage, the Duke's controlling sister's machinations. He calls in his friend, Lord Raikes to pretend to be him when the Duke invites Lord Hamilton (his true identity) to visit. The plot thickens when Lord Raikes, who is pretending to be him, develops a reciprocated strong attraction to Lady Catherine, the Duke's daughter and Emma's cousin. Lady Babbage turns out to be a blackmailer with lots of enemies among the house party attendees, which will have its own consequences. Richard's little wager with Emma to see if he could get her uncle to agree to a quicker marriage within a month's time, and the ensuing complications, makes for a caper of a read.
The Wicked Wager is a light historical romance with a dash of mystery that makes for an entertaining read. I appreciated the humor, light and sly, with some hilarious, laugh-out-loud moments. While I liked Emma and Richard, I connected more with Lord Raikes and Catherine. They had great chemistry, and while they fought a lot, you could see the tension sizzle between them, as they realize that they weren't supposed to like each other that way. The mystery plays a bigger role towards the end, which made me feel that it should have been more evenly integrated into the story.
The Wicked Wager was a fast-paced, enjoyable novel with some funny comedy of errors moments and engaging characters. Its strength lies in the humorous interactions between the characters, and the romantic tension between Lord Raikes and Catherine. Unfortunately, I didn't feel quite as much chemistry between Emma and Richard, compared to the secondary couple. Additionally, the mystery aspect felt uneven in its execution. It could have been stronger and more consistently integrated throughout the entire novel. Overall, The Wicked Wager is a story that readers who enjoy the Regency period would probably appreciate.