I liked this, although I thought the beginning was slow and the ending a bit abrupt. Really nice paranormal atmosphere, and I'm a sucker for the WWIII liked this, although I thought the beginning was slow and the ending a bit abrupt. Really nice paranormal atmosphere, and I'm a sucker for the WWII setting.
I was nervous about this book, because I love this time period, but I don't care much for estranged married couple romance. However, Ms. Raybourn tackI was nervous about this book, because I love this time period, but I don't care much for estranged married couple romance. However, Ms. Raybourn tackles both with beautiful grace. This book has wonderful atmosphere and Evie and Gabriel are both very endearing characters. The adventure was a much appreciated bonus.
Non-stop adventure and intrigue with very poignant human drama. Like a good spy/adventure novel with a healthy dose of weird/supernatural/sci-fi fictiNon-stop adventure and intrigue with very poignant human drama. Like a good spy/adventure novel with a healthy dose of weird/supernatural/sci-fi fiction thrown in.
After reading Ms. St. James first book, The Haunting of Maddy Clare, I made a note to keep reading her books. I was that impressed. I am quite fond ofAfter reading Ms. St. James first book, The Haunting of Maddy Clare, I made a note to keep reading her books. I was that impressed. I am quite fond of the early 20th Century period in a fictional setting, and this seems to be a particular area of interest for her as well. With this book, she focused on the troubled homefront of Post-WWI England, when veterans are coming back from the war damaged, both in body and in mind. Kitty Weekes is desperate for a job, desperate enough to take a job at Portis House, an isolated mental health facility for veterans. She lies about being a nurse, and she's caught in her lie, but the Matron allows her to keep the job anyway, as she's that desperate for another 'nurse'. Kitty soon realizes just how wrong things are at Portis House, but it's not like she has anywhere else to go.
"Silence for the Dead" is Gothic fiction, and the author does choose a fearsome setting in a haunted mental hospital. Unfortunately, this book lacked the degree of authentic and effective atmosphere that this story cried out for. I expected to be really unsettled by this story, considering its setting in an asylum with a troubled history as a family home whose family disappeared under decidedly strange circumstances. It seems to suggest some very powerful emotions of fear of isolation, abandonment and entrapment. However, I felt that things just didn't come together very well. I thought that some unsettling events that occur in the house would be explained or tie more strongly into the story and origin of the haunting, but they weren't in a satisfactory way. Don't get me wrong. There were some parts that were quite eerie. However, I think that this story could have been a lot more frightening than it was, considering the subject matter.
One of the things I liked most about this novel was the authentic characters, most of whom are veterans who suffer from profound mental illness as a result of the horrors of the war. It was quite sad how they were viewed by the public and their families as a whole. As cowards in that they were emotionally and mentally affected by the events occurring on the Front. Only a veteran can truly attest to the statement "War is Hell," and one would think that their loved ones would respect that they had survived and came home, even if they were tormented by their experiences. It was a slap in the face at how some of this men were treated, as if their surviving the war was an affront, as opposed to dying as "heroes". This aspect of the book spoke strongly to me, and gave me a lot to think about, as we still deal with veterans and how their lives are profoundly impacted by their war experiences. It's a good reminder to me to show sensitivity and to pray for their healing and restoration from their wounds.
This story has a strong romantic element that I did appreciate, although it did seem kind of crammed into the story around the Gothic and paranormal suspense elements. I really liked Jack and Kitty both. They were strong characters who had both suffered and understood what rejection and isolation was. In Kitty's case, she was very wise beyond her young years, and carried her own set of battle scars. She actually keeps my interest the most and remains a rootable character throughout this novel. I do have to say that the veterans did grow on me and I hoped for their well-being over the course of the novel.
I wish I liked this book more than I did, quite simply. For me, it failed to attain the potential the setting and story seems to promise. However, it was a good book, and I certainly did appreciate Kitty and Jack, and the setting and time period. For what it's worth, I think this would make a good movie.
A good tertiary addition to the Baltimore graphic novel series. Readers who love classic horror fiction can't help but enjoy this series, and this oneA good tertiary addition to the Baltimore graphic novel series. Readers who love classic horror fiction can't help but enjoy this series, and this one just cements the classic horror sensibility of the work by Mignola and Golden. Forgive the pun, but they are a bit of a Golden Team for me. I think their writing is seamless where I can't figure out which part Mignola wrote and what was written by Golden. The artwork is sober and dark in color, matching the unrelenting darkness of the literary tone of the stories. Baltimore is a lone hunter who travels with one goal in mind: finding Haigus, the vampire who turned him and destroyed his family. Along the way, he will destroy evil he encounters. His relationship with God is complicated. He still calls him Lord, but he has a palpable anger towards Him. Baltimore seethes with it. He shakes his fists at God, but doesn't curse him. He only asks that he be left alone to seek his vengeance. To my mind, God manages for him to be in the right place at the right time, a fierce warrior against darkness and evil creatures of all kinds. I am not saying I like an invincible hero all the time, but I appreciate how Baltimore always ends up in tight spots where I would expect him to be a goner, but he manages to survive, even if he adds a few more scars to the landscape of his body and face.
It's hard to rate this as a good book, in the sense that it's not at all feel-good. It's very depressing in a lot of ways. The vampire plague has left destruction in every place, and all manner of foul creatures prey on the humans who manage to survive the plague and aren't turned into vampires. So, no, it's not an uplifting read. However, the writing and the artwork are beautiful and has a penetrating effect on me as I read. An excellent example of how successful the graphic novel medium can be for storytelling. And since I don't get to read much Gothic/classic horror, lately, it satisfies my palate for the stories in a quick reading format, and the art-lover/artist in me.
I'm ever so grateful that I am able to get this from my library. These volumes would cost a pretty penny to buy new.
So, yes, I do recommend it to readers who aren't averse to a dark read. It's violent and at times visceral, but not at all over the top or graphic. As I said earlier in the review, it has the Gothic and Classic horror sensibility that any fans of 18th-early 20th century horror will appreciate.
The Plague Ships is bonafide horror. Not only does our intrepid hero battle vampires, but he also battles Hessian zombies infected from nasty fungal bThe Plague Ships is bonafide horror. Not only does our intrepid hero battle vampires, but he also battles Hessian zombies infected from nasty fungal blossoms! Baltimore is a relentlessly driven man with a soul full of vengeance and hurt. An act driven out of fear leads to his whole life being destroyed and the subsequent quest for vengeance against all vampires, and in particular one with a vicious scar on his face.
Mignola is an auto-read for me. His imagination is expansive and he plumbs the nightmares and dreams of the collective consciousness, offering up his resulting creations for the reader's enjoyment and consideration. This graphic novel is actually more true horror than his Hellboy stories, which straddle the dark fantasy line as much as horror. But the visions in this novel are right from the darkest depths of horror. The horror is of the more overt kind: vampires, plague and zombies, but also emotional. The endless quest of Baltimore and his non-healing heart wound from the loss of his family through his own well-meaning actions. The fact that he can never go home again, either emotionally or physically.
As much as the writing is a strength, so are the illustrations. They have a clarity and a concreteness, even though they are all almost monotonal (blacks, tans, reds). They convey action beautifully, making this graphic novel as much an action work as a horror work. The dialogue is rather spare, but the pictures give you the whole picture even when there is no narrative.
For readers who enjoy the enigmatic, dark loner on a quest for justice, knowing that he can no longer call any place his home, this is worth reading. I also recommend it to readers who enjoy the more traditional brand of horror, where the monsters aren't human, and where good fights against evil, even though man often struggles against the evil in his own heart.
It doesn't feel like a five star book, but it's definitely close.
I pulled this one up on my Kindle because I was watching the HBO movie "Bessie" with Queen Latifah (who is the definition of awesome), and I wanted toI pulled this one up on my Kindle because I was watching the HBO movie "Bessie" with Queen Latifah (who is the definition of awesome), and I wanted to read something set at this time, and especially IR. I had downloaded is specifically because of the time setting and the storyline, and this was the perfect time to read it. I wasn't disappointed. This was a very good book.
Disclaimer: I will use the term 'colored' for black people because that is what black people were called at this time. This term is not appropriate to use anymore, but in the context of this story, it's timely.
Harmony sings the blues at the Cotton Club. Music is in her soul and it's her gift, how she pours out her anguish over the loss of her grandmother and her man. Her dreams of escaping a life bound by the restrictions of race and lack of money are given full rein when she sings. When her brother goes missing, she exploits the fact that powerful gangster Vinnie Romano seems captivated with her voice. She asks him to help her find her brother, knowing he'll have a price, and one that she's willing to pay. Set in a time of Prohibition when gang violence is near an all time high, this book delivers on the intensity.
I bought in on the chemistry between Harmony and Vinnie from their first meeting. I like that you initially don't know what Vinnie's motives are. He's a hard man and he keeps his heart buried deep. Coming over from Sicily with nothing, he's earned his status as a Boss with blood. And Vinnie definitely has an intimidating vibe. I like dangerous heroes, although I can't say I'm fond of mobsters. They aren't my cup of tea since I don't like brutality and the ruthless killing for profit and status associated with that kind of business. What hooked me in with Vinnie was his extreme appreciation for Harmony's singing and his love of blues music, a music that was strictly colored music at this time. They actually called them race records. For Vinnie to connect with such soulful music showed that he was deeper than he might have appeared. While at first, you don't get that race isn't an issue with him, you wonder that it can't be if he would connect so deeply with a culture so different from his own. Vinnie made me care about him. As Harmony sees his layers and the lion's heart he has, so did I. I appreciate loyalty and honor, and I don't tend to associate those with mobsters, but Vinnie clearly has those traits. He's a fascinating guy and I could see why Harmony loved him.
Harmony is equally layered. She's tough and independent and fiery passionate, but also sweet and demure. She's an artist and a believer deep in her soul, a dreamer, even in this world where colored people aren't allowed dreams. I loved how determined and fearless she is at the end of this book. That was a really bad and scary situation and she did something that only a lioness would do to save her man. Kudos to her for that.
I remember there is a great movie that I saw a long time ago called "Machine Gun Blues", starring Cynda Williams and Nick Cassavettes, about a colored blues singer who falls in love with an Italian mobster. It has a sad ending (sorry for the spoiler), and I always wished it had ended differently. I would like to thank Ms. Mynx for giving me a happy ending version of that seemingly doomed love affair. There is a time in this book where you aren't sure you'll get a happy ending, and I think I hardly breathed as I read the final pages of the book. The thing about Kindle books is it tells you how much time you have left in the book, and the last 20% was agony for me. But Mynx delivered.
I have a problem with erotica, and I try to avoid it. I just don't like all the 'anything goes' sex. I like to know there will be limits on what kinds of sex acts are depicted in the book. I don't mind steamy vanilla sex and plenty of it (so long as it doesn't take over the story), but I don't like the kinky stuff. A reference during the first love scene had me worried, but that stuff didn't take place on screen in the book, so I heaved a sigh of relief. While I do think this did have a bit more sex than strictly necessary, I can understand how important it was to show the passion and desperation of these two lovers, and how their love comes to the surface past their guarded armor and facades.
I won't say I'm a mafia/mobster romance fan, but I really did like this book. And since I'm a sucker for Early 20th Century romance, and I like reading about the 20s and 30s, it kind of comes with the territory. Prohibition was a very violent period in American history, and there are a lot of untold stories. I loved seeing what it was like a young colored woman and her Sicilian lover, that they did have a chance at a happy ending, even in their world of blood and strife. I learned some historical facts as I read that found very fascinating, such as which states it was legal to marry interracially during this period.
The writing was crisp and very organic and visually-stimulating. I felt like this was a cinematic read, and I would love if someone did make a movie out of this one day. I would definitely go see it! The music aspect was well-conveyed and integral to this story. The editing was pretty good, with only a few errors, mostly near the end.
I'd have to give this 4.5/5.0 stars because this was an intense, passionate and involving book that kept its hooks in me even when I was afraid to keep reading. I really cared about Harmony and Vinnie and I wanted desperately for them to get their happy ending together. I can see why Sienna Mynx is such a popular author. ...more
I finally finished this, and I am very glad I did. While some parts did not appeal to me, the memoirs of Justine and Richard's grandmother, Gabriele wI finally finished this, and I am very glad I did. While some parts did not appeal to me, the memoirs of Justine and Richard's grandmother, Gabriele were very moving and at times heartbreaking.
I can't quite give this four stars because it was too slow moving initially, but it's definitely worth 3.5 stars, just for the WW2 narrative.
Joe Golem and the Drowning City is a lovely sort of homage to HP Lovecraft and the Jewish golem folklore tradition. One wonders how they can exist togJoe Golem and the Drowning City is a lovely sort of homage to HP Lovecraft and the Jewish golem folklore tradition. One wonders how they can exist together harmoniously in the same work, but Mignola and Golden do exactly that.
New York City is a very different place from the one we know and love in this book. Some sort of ecological disaster turned half of the city into what is essentially a Venetian-like, water-logged environment. Downtown flooded, and those who lived there are cut off from the denizens of Uptown and forced to fend for themselves. Like humans are apt and known to do, they adapt to a semi-aquatic lifestyle, living on the top floors of the taller buildings, constructing bridges and mazeways between buildings and using watercrafts to navigate the flooded streets.
This novel is initially about two of its citizenry: An elderly magician named Felix Orlov, who can communicate with the dead, and his unofficially adopted daughter, fourteen-year-old, redheaded, former street kid, Molly McHugh. Their somewhat harmonious lifestyle is brutally interrupted when strange, inhuman creatures abduct Felix, failing to capture Molly when she is saved by a big, rough-looking man named Joe. Joe is special, more than they realize initially. His colleague is the ancient British gentleman, Simon Church, a man who has adapted his failing organs with mechanical parts (added a steampunk-like flair to the story). He also uses a mix of science, machinery, and magic to monitor the supernatural barometer of the city. He happens to detect a very large spike in activity the day that Felix is kidnapped, and Molly teams up with them both to find out what happened to Felix and to save him and save the world in the process.
This is a rather solemn tale. Joe's past is very tortured, and along with Simon's regrets about the past, and Felix's special legacy, the storyline is fairly dark. Molly is a spunky and energetic young woman, who's seen more bad things than a person of her age should. She has trouble trusting, with good reason. We feel her pain as she is helpless against forces that pull the man who is as close to a father to her as any man could be away from her by events beyond their control.
In addition to the somber tone, the Lovecraft-type storyline adds a cosmic horror to the story. While I am personally a bit alienated by Lovecraft's concept of an ancient, extra-dimensional cosmos and its denizens (which are indifferent to our moral concepts and even our right to exist as humanity), Mignola and Golden add an emotional context that makes this typical idea more relatable and almost heartfelt.
One of the downsides to this book is the villain truly never feels invincible or formidable. He comes off more as a petulant child who is playing with matches (dabbling with magics and science far beyond his ken), than a disturbing force for evil. He felt like a paper tiger, which is a bit of a pet peeve of mine. I need a villain who is truly formidable--one that I question if the hero will be able to prevail against. His creations were disgusting, and while repulsive and off-putting, they don't add much in a positive way to the creepy tone of the book.
Despite being somewhat disappointed with the villain, I was drawn to Joe's character, his painful struggle, his search for identity, and the integration of past and future. I also liked Molly. She feels like 'me' in the sense that she is the everyday person put in bizarre and non-ordinary circumstances. I think a good weird fiction tale needs that kind of protagonist.
Mignola just does it for me, with his stories and his creations. His collaborations with Golden have been unilaterally successful so far, and I add this one to the list. I hope to see more of Joe Golem and Molly McHugh, and more of the Drowning City. Recommended to weird fiction readers, and avowed fans of classic horror motifs and loving homages....more