Oh, dear. I shouldn't have put off writing this review for so long. There is a lot going on in this book, because of the complexity of the storyline....moreOh, dear. I shouldn't have put off writing this review for so long. There is a lot going on in this book, because of the complexity of the storyline. It revolves around Rick Jones, a sort of honorary human sidekick of the Avengers who has some very traumatic moments, as well as having saved the Avengers himself a time or two. Immortus, a villain from the future fixates on him Rick Jones with the intention of killing him, and Rick uses his mental abilities to pull various Avengers from different time periods to help him, because helping him will save time itself.
This is my first official Avengers comic book. That was a good and a bad thing. It was good in the sense that it gave me a crash course in Avengers history. It was bad in the sense that there was so much information, I can't really say what is canon and what is specifically part of this storyline and the fact that Immortus can manipulate timelines.
This was a long book. I checked this out of the library, but regardless, I can definitely say I got my money's worth. The stories are quite different from my exposure to the Avengers from movies and TV shows, and I ended up getting introduced to a lot more members than I would have if it focused solely on the traditional team.
Honestly, I feel like it's a full time job for Marvel comics developers to keep track of the massive Marvel universe. So much happens, and it impacts the Marvel characters more or less across the board. I think writing this book was probably a huge challenge and it may have caused some serious migraines as the authors worked to keep it straight. At the same time, it was clearly a labor of love and a loving homage to the Avengers to people who really care about the stories and the characters.
The artwork is bright and descriptive, a bit dated looking compared to newer books, but still appealing. Clearly a lot of effort was put into drawing the same characters from different timelines as related (as in same character), but different due to their different experiences. There are some scenes that must have taken a long, long time to draw in all the characters, so that was a wow for me. Also, I like that there were footnotes that described the characters involved in the panels and when they first appeared and referenced which book they were featured in; as well as and the major events related to the various panels. That why I said earlier that this was like a crash course in Marvel history, Avengers and otherwise.
While I am quite sure that I prefer the newer artwork, and I think I will probably stick with the newer graphic novel publications for that reason, this book energized me to dive in headfirst (even more) into the Marvel Universe. I'm quite happy my library had this and I gave it a chance, even though it was a bit older book.(less)
This graphic novel is about the day that Wanda Maximoff, The Scarlet Witch, changed mutantkind forever. It happens after a sequence of upsetting event...moreThis graphic novel is about the day that Wanda Maximoff, The Scarlet Witch, changed mutantkind forever. It happens after a sequence of upsetting events break her fragile mind, and put others at risk due to her incredibly powerful, world-shaping powers.
The X-Men and Avengers have to decide what to do about Wanda. With her mental breakdown and her intact powers, surely she will continue to pose too much of a danger to others around her. Her brother, Quicksilver, desperate to save his sister, convinces her to do something to distract the various superheroes and mutants from what she has done and is capable of doing. As a result, the world changes into what seems like a better place, but some mutants cannot believe in its false promises. Particularly Wolverine.
Wolverine and a powerful mutant child named Layla seek out various mutants and superheroes and recruit them for a mission to go to the seat of the throne of of the House of Magnus (Magneto aka Eric Mangus Lehnsherr, from which he rules over a world in which non-powered humans are second class citizens, and mutants are superior. They know this is a dangerous mission, but the world cannot stay in its broken state.
"House of M" reads like a "what if" set of stories. Some characters have a much happier life, and it's devastating to them when they realize things aren't as they seem. But they know that doing the right thing means sacrificing their own seeming happiness.
The end is even more devastating, and it sets up the events that lead to future events that unfold in various other Marvel titles. I've been reading a lot of Marvel lately, and it's enlightening to see the puzzles come together. Reading this book wasn't exactly an uplifting experience. It was quite sad and bewildering. I guess I could fully empathize with the characters and their heartbreak as they navigate through a terrible situation that only gets worse.
This is a pivotal story arc in the Marvel Universe, so it's good that I was able to read this from my splendid library, even if it was a downer overall.(less)
Ruse is a graphic novel series that is perfect for readers who love the Victorian-set adventure vibe. There is a paranormal element that felt very lig...moreRuse is a graphic novel series that is perfect for readers who love the Victorian-set adventure vibe. There is a paranormal element that felt very light in this volume, but it's there for readers who like a bit of the weird (admittedly myself). For readers who can't get enough of the sometimes obnoxious Sherlock Holmesian character, Simon is going to appeal. At the same time, with this edition, we see more vulnerability and the less confident person beneath the know-it-all exterior. Emma's loyalty to the often maddening Simon is much like Watson. It serves to make you like Simon more because you feel that if Emma likes him, then there must be something to like/love about him. Emma is definitely long-suffering. Simon gets her into many a dangerous situation, and he isn't very nice to her. Much like Watson is treated by Sherlock. The arch-nemesis adds a twist that reminds the reader of Moriarty, but takes the character in a much more interesting direction, although I admit I am rather tired of that character. At the end of this volume, the author teases at a game-changer, so we'll see what happens next.
The chapters in this volume have some interesting story-arcs, especially the small village that our two leads end up staying in. That was really kind of cool. Not what I expected at all. The other stories tie closer together to the overarching theme of this volume, and they bring to mind the high adventure classics of Victorian literature in a very pleasing fashion.
The art is well-done, but as I said for the previous volume, I find the panel progression confusing. Instead of moving left to right down the page, they often go willy-nilly from page to page and often across the page. I find myself having to backtrack and catch the flow of the story, especially last night, when my brain was fried. That is the major detractor for this series.
Ruse is a graphic novel series that I count as a major find, as such a huge fan of Victorian genre literature, and know-it-all sleuths and their long-suffering companions. The action is really good and it keeps me guessing what will happen next. I'm excited to keep reading this series. (less)
Non-stop adventure and intrigue with very poignant human drama. Like a good spy/adventure novel with a healthy dose of weird/supernatural/sci-fi ficti...moreNon-stop adventure and intrigue with very poignant human drama. Like a good spy/adventure novel with a healthy dose of weird/supernatural/sci-fi fiction thrown in.
While I'm not a big zombie fiction fan, I couldn't resist reading this book about WWI with a supernatural/steampunk twist. And Joseph Nassise doesn't...moreWhile I'm not a big zombie fiction fan, I couldn't resist reading this book about WWI with a supernatural/steampunk twist. And Joseph Nassise doesn't disappoint. It's high caliber action that brings to mind movies like The Dirty Dozen, but twenty plus years sooner. I don't know a lot about WWI, to be honest, but what Nassise writes seems credible. I like that he takes what is known about WWI fighting and integrates some steampunkish and supernatural elements. I think that he builds on the ever-present sense of horror that war inherently has, and that's a firm foundation for a supernatural suspense novel. I can't verify this, but the Germans seemed kind of Nazish already, especially in the blatant defiance of human rights and experimentation on humans. That part was rather disturbing.
I felt the suspense element was a huge appeal of this book. I literally didn't know what would happen and I even had to put it down a few times to get a break. Although I wanted to keep reading. I find zombies really disturbing, and the fact that the Germans are using gas to turn people into zombies is pretty darn awful. I wanted the heroes to open up a can of whip@$$ all over them.
If anything could have improved this was more dialogue and interaction with the members of Burke's team. I cared about all these guys, but I think I would have liked to know more about them. I realize that this book occurs over a short period of time, but this would have enhanced my reading experience. The main villain Richthofen was a "real you know what". He's the kind of villain you want to see get his butt handed to him. But he's a credible villain in that he's not easily defeated. He's enough to give you nightmares, actually. I don't think I'll have any, I hope. But just in case, I tried not to read this before I went to sleep. This book is so much scary as unnerving in that I can put myself in the soldiers' shoes and imagine that sense of constant fear that dealt with in the trenches. If being blown up or shot or gassed to death isn't enough. That's a chance they will be turned into zombies or see their fellow soldiers come back to try to eat them to death! Yeah, that's pretty disturbing.
Overall, this was a very good book. Great action moments. I liked the lead characters, especially Burke. The villain is nasty enough to make him a worthy antagonist. The supernatural/steampunk parts are excellent. They tie into the WWI setting very well. I think with more development of the secondary characters, this book would have been even more effective as a read. I will definitely continue this series, but when I'm in the mood for a creepy zombie novel with good action.
I listened to this book on audio, and it was definitely a distinctive read. I have to say that while I enjoyed it, it was challenging to listen to. I...moreI listened to this book on audio, and it was definitely a distinctive read. I have to say that while I enjoyed it, it was challenging to listen to. I found it hard to visualize some concepts. I honestly have no brain for mechanical concepts, so listening to descriptions of the mecha devices was difficult for me. I decided to stop analyzing and go with it. Not worry about trying to get a crystal clear image of those parts of the story, but just enjoy what I could understand. The ideas were interesting, but I was a bit clueless about what exactly made Clare what he was, and the exact interplay between his physiology and his abilities. At the end, I determined that he was heavily depending on the continual processing of information for his well-being, but he could think too much and end up in trouble. Perhaps he also has some enhanced sensory abilities which also make him susceptible to different environments.
While the magic system was very intriguing, it took me a long time to understand it or get a handle on it. I absolutely loved some parts. They were darkly beautiful. They inspired a deep sense of unease with the arcane natures of the magical acts and the beings perpetuating them, but also a sense of awe. While I have no real life interest in magic whatsoever, I do love reading about magic in this kind of fictional setting. And I thoroughly enjoyed the fact magic is so intrinsic to the fabric of Great Britain in this novel. It was very cool that the present monarch is a host for the spirit of Britannia. I haven't encountered that concept before.
As far as characters, Emma really came to life for me. She's such a complex person. She's a mix of good and bad, and her manner of interacting with others can inspire winces as often as wows. I loved how vigilant and fierce she was. She took her role as a Prime sorcerer very seriously, and her vow to protect Britain. And it often cost her personally. The scene near the end brought shivers down my spine. I also loved Mikhail. He was luscious. The way the moderator spoke his parts was utterly appealing. Especially the way he spoke to Emma and called her Prima. It sounded like a verbal caress. I was surprised at the direction that the author took with Emma's relationship with Mikhail. It added to the complexity of her character. I wish I had more answers about what Mikhail is. I have to be honest that he is a big draw for me right now, although I also find Emma very appealing as a heroine, although not always laudable in the way she acted towards some characters. Clare was interesting. I enjoyed his deductive reasoning and analysis of the very strange situations he encountered after being recruited by Emma as the sole surviving unregistered mentath. As I mentioned earlier, I didn't always 'get' what he was doing and how it affected him. I hope that will change with later books. I also liked Valetinelli. I have a fondness for roguish characters who are insanely good at being lethal. That's definitely him. The moderator made his voice very fun. He spoke with a blatant Italian accent that was lyrical and appealing.
I think the major reason why I didn't give this a higher rating was that I had a hard time getting a grasp on the story to the extent that I desired. I had a lot of questions. As far as the writing having an appeal and impact on me, that was very well done. Saintcrow has a way of bringing magical and arcane elements to vibrant life that stays with me. That imagery was very well depicted. As a visual reader, I could feel and experience the powerful magics that the characters employed, although some parts were just plain weird and my brain didn't know what to make of those. I also give this book points on having such a distinctive heroine. Not always pure in her motives, but underneath, driven to do what is right. That's a hard thing to conceptualize in a novel without polarizing your audience.
I have to give this 3.5 stars because it was flawed in some ways, but in others a very good book. I will continue this series with the hopes I will be enlightened on some of the world-building particulars and to explore more of Emma, Clare, and Mikhail, and not to mention, Supernatural Victorian Great Britain.
Time travelers, Alice and Edmund Windsor of the British Royal Family from the Present of 2011, and Alice's fiancé Grayson, from the Victorian...moreSynopsis
Time travelers, Alice and Edmund Windsor of the British Royal Family from the Present of 2011, and Alice's fiancé Grayson, from the Victorian age, travel back to 1855 to make right changes that have occurred in the future due to their interference in the past. They are followed by Edmund's brother, Richard, who is the Guardian of the Time Machine, and who is determined to keep them from messing things up in the past. Jonas Byron, the son of the time machine's inventor, beat them to the past, and he is working with an inventor of the time to develop a windmill machine, which will alter the future if the trio cannot prevent him from helping Sir John Russell to win a contest for alternative energy sources put on by Queen Victoria.
His daughter, Lady Keira, has not faded from Edmund's memory of his last trip to the past. He hopes that he can renew their bond, and perhaps convince Keira that they belong together. Since her invention of a natural gas compressor is actually the progenitor of the energy sources used by the United Kingdom in the future, the trio will work hard to make sure that Keira wins the competition, even if they have to resort to some dirty tricks. Richard is determined to stay removed from the past, but he has to go incognito as the assistant to Jocelyn Dunkirk, an unusual woman who helps her father in his inventions. His determination to stay unmoved is tested when he begins to fall in love with Jocelyn. A lot is at stake on the Windsors' return journey to the past, both the future and their hearts.
A Gentleman and a Rogue actually took a while to get going for me. I didn't get fully engaged in this story. The writing is technically well-executed, although it's not as engaging as I would have liked. The story itself was a good idea, but I questioned why the focus was placed on the technicality of building the inventions instead of something more exciting and interesting, considering the subject matter of time travel, which is ripe with possibilities. It slowed down the story for me, because I didn't find it all that interesting. The romance was a strong point of the story, and there was technically three for the price of one. I did feel that some of the interactions between the modern time travelers and their historical counterparts didn't ring true fully, as far as the mores of the time. I could understand the future travelers making social faux pas, but I expected something more in keeping with the Victorian sensibilities for the characters of this time period in their interactions with the time travelers. As far as moments that stood out, I definitely appreciated the cameos of Queen Victoria and Prince Albert.
Overall, A Gentleman and a Rogue is technically well-written, but I didn't find the story that engrossing. The romance makes up for the lack of an exciting storyline, and the time travel concept is interesting. End verdict, this series might appeal to readers who like time travel romance, but I wouldn't call this book a stimulating must read.
Let me be transparent in advising readers to think twice about experiencing this book as an audiobook. I'm not sure it works that well. It could be me...moreLet me be transparent in advising readers to think twice about experiencing this book as an audiobook. I'm not sure it works that well. It could be me. I am a very visual person when it comes to higher level concepts, especially mechanistic disciplines, such as geometry, architecture, and engineering. The geometrical descriptions were hard to visualize and my mind started to wander at the beginning of each chapter when Sanderson uses the metafiction device of reading from a textbook of rithmatics. Honestly, that was the major reason I didn't rate this book highly. Secondly, I didn't care for the narrator. His voice was too bland, almost monotone or robotic. I feel that if you are going to narrate a book, you need to give it a vitality, and this book lacked that.
On the positive end, I can see why Sanderson is a lauded author, and I can certainly see why he is qualified to teach writing. I think that his craft is evident. The characterization is sound, and instead of settling for thinly veiled archetype, he endows characters with added depth. You know the ones that feel very familiar like the boy who grows up to be the hero, the spunky female sidekick, the mentor, and the dark lord? Thus he gives each one a distinctive life that works very well to make this more than just the typical coming of age fantasy novel. Additionally, the idea of this story is intriguing. A look at wizardry and coming of age school story becomes something different when the concept is built around a magical art of endowing chalk figure-drawing with life.
His view of the United States as an archipelago was interesting. He doesn't describe why it's that way. It just is. The story has a steampunk-light feel. Enough to give the vibe, but it doesn't take over or define the story. Instead, the focus is on the school and the low-level magic at work.
I liked Joel a lot as the main character. He is the kind of hero you end up rooting for. He's normal and the underdog, and you want him to buck the system. Sanderson does something pretty clever here, in that the hero doesn't get his dreams come true. Instead, he's going to have to work for what he wants. That felt more realistic, and also strayed away from the expected archetypes of fantasy where the lead is the one who has the unexpected greatest power of all time. Melody is a fun character. She won me over with her love of unicorns and pegasi. Her feelings of being a failure and feeling forced into a mold she doesn't fit resonated with me. Yeah, she felt like someone I know, maybe myself, and I could feel her youthful angst to a nearly uncomfortable level. It was such a cute touch how her abilities end up being strengths that were taken for granted. I also loved Professor Fitch. His nervousness was rather endearing, and I do have a fondness for nerdy professors.
The chalkings were fairly unnerving and the accompanying villainous element was quite effectively sinister. I wasn't sure if I liked it at first, but as I listened, I was drawn into this world and it became very real. The end has a very good twist, well, I should say two piled on each other. Sanderson surely got me!
I feel bad because I am likely underrating this book. But I have to say that the choice of medium was a big factor in affecting my reading experience, so I have go with what I know for now. I will probably continue this series because it was an interesting read. I think I'll go with the print version of the next book.
This took a long time to finish because I was listening to this at night before bed and I would often fall asleep and have to rewind it the next night...moreThis took a long time to finish because I was listening to this at night before bed and I would often fall asleep and have to rewind it the next night! I finally finished it early this morning. While I didn't like this one quite as much as the first book or the last (I had to read book 3 a few months ago for review), it was still a good read, and I was drawn into the world of our intrepid young hero. I just love Rossamünd. He's like my honorary little boy. Just a sweet kid. When he hurt, I hurt, when he was lonely and uncertain, I wanted to hug and comfort him. I was proud of him when he triumphed. He has a lot more honor, bravery, love, and heart than a lot of grown men, and he is a very humane person, which counts for a whole lot in these books. He alone makes this book series worthwhile.
I wasn't as enamored of the lifestyle of a lamplighter. Perhaps a bit too regimented for me. I believe that Rossamünd is about ten or so, but he is treated like a grownup, like an army recruit in a dangerous job that didn't make a lot of sense to me. Mind-numbingly boring, and unnecessarily dangerous. Not a good mix at all. Basically folks risking their lives on the roads to keep the highways lighted, way out in the boondocks (because that's so important), for the glory of the Emperor of the Half-Continent. The grunts are hard-working folks, and some of their superiors as well. But as always, you run into useless bureaucrats like the Master of Clerks who appear to want folks to end up dead. I couldn't figure out if he was just clueless or deliberately evil. I am leaning towards the latter since he is in cahoots with one in this book who definitely is evil.
As always, Rossamünd struggles with the moral conflicts of killing monsters or stepping aside in this war, when innocent humans' lives are at stakes. He knows quite well that not all monsters are bad and not all humans are good. He has to make the choice to fight or not near the end when things come to a head. And he chooses rightly. But for his troubles, he has to deal with enemies that are high in the government's workings. Good to know he has a powerful person or two on his side like Europe.
I have to be honest that I spent a lot of this book looking for Europe when she wasn't around. It's because I love the relationship between her and Rossamünd. I think that she is the mother that he never had, and he is her child in all but birth. But beyond that is a mutual respect and an essential aspect to their relationship that challenges them both to be better in the ways that are unique to each as an individual.
Threnody, a young girl that also joins the Lamplighter corp is much as I would have imagined Europe as a girl. Very haughty, yet unsure, her social superiority much like armor against the hurts of the world and the fact that she can't ever live up to her highborn mother's expectations. It was not surprising that she and Europe didn't get along at all. No doubt due to a sort of jealousy for Rossamünd's attention that Threnody feels, and perhaps some projection on her by Europe for the young Europe that she sees in the girl. Threnody was a bit annoying for most of the book, but at the same time, she grew on me, because I could see how she connected to Rossamünd and depended on a relationship with him to be 'normal' and perhaps feel human. And that is a bit of irony in itself.
Cornish has a way with imbuing this work with characters of distinction, even if their roles are quite small at times. I loved seeing Masters Fransitart and Cramupalin again. And I liked some of the fellow lamplighters and authoritative figures that Rossamünd engages with. The bad guys are quite unlikeable, be it evil monsters or evil beaurocrat humans. But the good thing is no one is cardboard or lackluster.
As far as world-building, this book has a complexity that makes it a more difficult listen than read. However, it was distinct, creative, and interesting. This world of monsters against humans isn't all black and white, but very much in shades of gray, which works well when you have a lead figure like Rossamünd who doesn't fit especially perfect in either world.
Although I didn't enjoy this as much as book one or book three, it was still enjoyable. More than anything, this is due to an unforgettable and utterly endearing main character. My beloved Rossamünd stands out to me. What a sweet kid he is. Equally fascinating is our Lady Europa, The Branden Rose. A woman of power and authority who has a surprisingly tender heart when it comes to Rossamünd. I love her for that.
I am sad to see this series come to an end as far as my reading pleasure. I would love to see more of Rossamünd and Europe.
This won't work for every YA or even older reader, but I like that it is a bit off the beaten track and challenging in the subject matter. I feel that the writer put a lot of energy and effort into building this world, and his characters will linger long in my mind, even though I have finished this book. A sign of a good book indeed for this reader.
Joe Golem and the Drowning City is a lovely sort of homage to HP Lovecraft and the Jewish golem folklore tradition. One wonders how they can exist tog...moreJoe Golem and the Drowning City is a lovely sort of homage to HP Lovecraft and the Jewish golem folklore tradition. One wonders how they can exist together harmoniously in the same work, but Mignola and Golden do exactly that.
New York City is a very different place from the one we know and love in this book. Some sort of ecological disaster turned half of the city into what is essentially a Venetian-like, water-logged environment. Downtown flooded, and those who lived there are cut off from the denizens of Uptown and forced to fend for themselves. Like humans are apt and known to do, they adapt to a semi-aquatic lifestyle, living on the top floors of the taller buildings, constructing bridges and mazeways between buildings and using watercrafts to navigate the flooded streets.
This novel is initially about two of its citizenry: An elderly magician named Felix Orlov, who can communicate with the dead, and his unofficially adopted daughter, fourteen-year-old, redheaded, former street kid, Molly McHugh. Their somewhat harmonious lifestyle is brutally interrupted when strange, inhuman creatures abduct Felix, failing to capture Molly when she is saved by a big, rough-looking man named Joe. Joe is special, more than they realize initially. His colleague is the ancient British gentleman, Simon Church, a man who has adapted his failing organs with mechanical parts (added a steampunk-like flair to the story). He also uses a mix of science, machinery, and magic to monitor the supernatural barometer of the city. He happens to detect a very large spike in activity the day that Felix is kidnapped, and Molly teams up with them both to find out what happened to Felix and to save him and save the world in the process.
This is a rather solemn tale. Joe's past is very tortured, and along with Simon's regrets about the past, and Felix's special legacy, the storyline is fairly dark. Molly is a spunky and energetic young woman, who's seen more bad things than a person of her age should. She has trouble trusting, with good reason. We feel her pain as she is helpless against forces that pull the man who is as close to a father to her as any man could be away from her by events beyond their control.
In addition to the somber tone, the Lovecraft-type storyline adds a cosmic horror to the story. While I am personally a bit alienated by Lovecraft's concept of an ancient, extra-dimensional cosmos and its denizens (which are indifferent to our moral concepts and even our right to exist as humanity), Mignola and Golden add an emotional context that makes this typical idea more relatable and almost heartfelt.
One of the downsides to this book is the villain truly never feels invincible or formidable. He comes off more as a petulant child who is playing with matches (dabbling with magics and science far beyond his ken), than a disturbing force for evil. He felt like a paper tiger, which is a bit of a pet peeve of mine. I need a villain who is truly formidable--one that I question if the hero will be able to prevail against. His creations were disgusting, and while repulsive and off-putting, they don't add much in a positive way to the creepy tone of the book.
Despite being somewhat disappointed with the villain, I was drawn to Joe's character, his painful struggle, his search for identity, and the integration of past and future. I also liked Molly. She feels like 'me' in the sense that she is the everyday person put in bizarre and non-ordinary circumstances. I think a good weird fiction tale needs that kind of protagonist.
Mignola just does it for me, with his stories and his creations. His collaborations with Golden have been unilaterally successful so far, and I add this one to the list. I hope to see more of Joe Golem and Molly McHugh, and more of the Drowning City. Recommended to weird fiction readers, and avowed fans of classic horror motifs and loving homages.(less)
I loved this book. It was so rich and intricate, a whole new world. I adore Rossamund. I just wanted to hug him the whole book. I loved his relationsh...moreI loved this book. It was so rich and intricate, a whole new world. I adore Rossamund. I just wanted to hug him the whole book. I loved his relationship with Europe, how she called him "little man", and was tough on him at times, but you could tell how much she loved him. I loved the deft manner in which Cornish examines the ethics of the man versus monster conflict, which intimately involves both Rossamund and Europe.
This is a book not to be missed by fantasy lovers. Highly recommended, but start with Foundling.
This was an interesting book, although some aspects were rather off-putting. I liked the vision of a post-apocalyptic Russia. This isn't a book where...moreThis was an interesting book, although some aspects were rather off-putting. I liked the vision of a post-apocalyptic Russia. This isn't a book where you can say, "Wow, that's a really good person!" Everyone is highly flawed. This is one of those books I'd love to sit down the author and ask what he was thinking when he wrote this.
An omnibus of three different books, it took me forever to read this, but it was very good. Lots of fantastical elements and a great show of the autho...moreAn omnibus of three different books, it took me forever to read this, but it was very good. Lots of fantastical elements and a great show of the author's imagination. It's a poignant story that will stay with me for a while, like an ache inside that I can't message away. I recommend it to fantasy readers.
Ironskin is a clever re-telling of Jane Eyre with a delicious heaping tablespoon of faerie thrown in. Since Jane Eyre is tied for my favorite book of...moreIronskin is a clever re-telling of Jane Eyre with a delicious heaping tablespoon of faerie thrown in. Since Jane Eyre is tied for my favorite book of all time, I definitely loved that about this book. I appreciated catching the references to the original novel and reading the author's original story with her own ideas based on this beloved classic. In other words, this is not a word for word redux of Jane Eyre. Instead it's a "what if?" sort of take on the novel by Charlotte Brontë.
I am captivated with the post-World War I period and the twenties, and it was a big plus that this book is set somewhere in that late 1910s-early 1920s period. Also, the infusion of faerie into the modern period that would seem incongruous but wasn't. The Gothic atmosphere is prominent, and the menacing allure of faerie magic. Don't look for friendly fey in this book. They are mean and vicious, and terribly insidious. The fey storyline turns out to be quite interesting and unsettling. Connolly taps into the essence of Post-War morals, the shunning of deep things and an enhanced superficiality. Shallow above substance. While the Great War is quite different in this book, the scars it left on society are similarly wounding to the survivors, and the society grabs onto the bright phony allure when so little of the Pre-War way of life is left behind.
Most of the characters are walking wounded, with some who seem blatantly unsympathetic. It takes a while to see where Connolly was going, which impacted my rating, honestly. Even until the end, I felt ambivalent, and the story was rather ambiguous. And yet, there was something impactful about this book. I think Connolly connected to the aesthetic in me. The appeal was in the dreamy and artful descriptions of the house and characters and the manner in which she revealed characters, with descriptions and body language telling much of who the characters were even before they open their mouths. Additionally, the characters' emotions were seething off the page. For this reader, that always speaks loudly when reading a novel. Jane, a tortured heroine who is drifting and surviving, because she has no other choice. When she finds a home with Mr. Rochart and his daughter Dorie, she fears it's an elusive dream, because of persistent feelings of inadequacy and a lack of self-worth. In this way she differs from Jane Eyre. Jane Eyre is ever-aware of her shortcomings, but her sense of self is so strong. She is a tiny ball of determination and powerful will. She refuses to settle for less than she deserves, even if that means denying herself the man she loves. This Jane has to grow into that, and while I wasn't happy with some of the choices she made, I was happy that she found the fighter within that was buried under a mountain of hurt. Mr. Rochart is more vague and lacks the vibrancy of Rochester. He's also not as abrasive as Rochester, which is an enduring part of this character's appeal to fans of the novel. But I think he's a better fit for this Jane. He's her Rochester in the end. Dorie had such an impact on me. The lonely, troubled child in need of love and care that Jane is able to connect with. She is one of those younger characters that inspires the mothering urge in me. Also Poule's character. I can't speak on her at length, since it would spoil what was a very novel part of this book.
While Ironskin was a good book, it just didn't satisfy me completely. There was a sense of inertia when I read. As though the story wanted to get someone but it wandered aimlessly in a series of ever-widening circles. I'm not sure if that effectively conveys how I felt as I read, but it's as close as I can articulate at this time. The aspects of this story that appealed to me are significant, which is why I would recommend reading it. I just wanted more momentum in this book. Ultimately, I did appreciate the underlying themes. It speaks on the power of substance and will over all that glitters. Also that our wounds and scars can make us stronger, because they are tangible evidence of the inner truth. That we are survivors, down deep. We must just find that core of strength to prevail over our doubts and fears to grab hold of what we desire and need most in this life.