I liked this, although I thought the beginning was slow and the ending a bit abrupt. Really nice paranormal atmosphere, and I'm a sucker for the WWIII liked this, although I thought the beginning was slow and the ending a bit abrupt. Really nice paranormal atmosphere, and I'm a sucker for the WWII setting.
I was nervous about this book, because I love this time period, but I don't care much for estranged married couple romance. However, Ms. Raybourn tackI was nervous about this book, because I love this time period, but I don't care much for estranged married couple romance. However, Ms. Raybourn tackles both with beautiful grace. This book has wonderful atmosphere and Evie and Gabriel are both very endearing characters. The adventure was a much appreciated bonus.
Non-stop adventure and intrigue with very poignant human drama. Like a good spy/adventure novel with a healthy dose of weird/supernatural/sci-fi fictiNon-stop adventure and intrigue with very poignant human drama. Like a good spy/adventure novel with a healthy dose of weird/supernatural/sci-fi fiction thrown in.
A good tertiary addition to the Baltimore graphic novel series. Readers who love classic horror fiction can't help but enjoy this series, and this oneA good tertiary addition to the Baltimore graphic novel series. Readers who love classic horror fiction can't help but enjoy this series, and this one just cements the classic horror sensibility of the work by Mignola and Golden. Forgive the pun, but they are a bit of a Golden Team for me. I think their writing is seamless where I can't figure out which part Mignola wrote and what was written by Golden. The artwork is sober and dark in color, matching the unrelenting darkness of the literary tone of the stories. Baltimore is a lone hunter who travels with one goal in mind: finding Haigus, the vampire who turned him and destroyed his family. Along the way, he will destroy evil he encounters. His relationship with God is complicated. He still calls him Lord, but he has a palpable anger towards Him. Baltimore seethes with it. He shakes his fists at God, but doesn't curse him. He only asks that he be left alone to seek his vengeance. To my mind, God manages for him to be in the right place at the right time, a fierce warrior against darkness and evil creatures of all kinds. I am not saying I like an invincible hero all the time, but I appreciate how Baltimore always ends up in tight spots where I would expect him to be a goner, but he manages to survive, even if he adds a few more scars to the landscape of his body and face.
It's hard to rate this as a good book, in the sense that it's not at all feel-good. It's very depressing in a lot of ways. The vampire plague has left destruction in every place, and all manner of foul creatures prey on the humans who manage to survive the plague and aren't turned into vampires. So, no, it's not an uplifting read. However, the writing and the artwork are beautiful and has a penetrating effect on me as I read. An excellent example of how successful the graphic novel medium can be for storytelling. And since I don't get to read much Gothic/classic horror, lately, it satisfies my palate for the stories in a quick reading format, and the art-lover/artist in me.
I'm ever so grateful that I am able to get this from my library. These volumes would cost a pretty penny to buy new.
So, yes, I do recommend it to readers who aren't averse to a dark read. It's violent and at times visceral, but not at all over the top or graphic. As I said earlier in the review, it has the Gothic and Classic horror sensibility that any fans of 18th-early 20th century horror will appreciate.
The Plague Ships is bonafide horror. Not only does our intrepid hero battle vampires, but he also battles Hessian zombies infected from nasty fungal bThe Plague Ships is bonafide horror. Not only does our intrepid hero battle vampires, but he also battles Hessian zombies infected from nasty fungal blossoms! Baltimore is a relentlessly driven man with a soul full of vengeance and hurt. An act driven out of fear leads to his whole life being destroyed and the subsequent quest for vengeance against all vampires, and in particular one with a vicious scar on his face.
Mignola is an auto-read for me. His imagination is expansive and he plumbs the nightmares and dreams of the collective consciousness, offering up his resulting creations for the reader's enjoyment and consideration. This graphic novel is actually more true horror than his Hellboy stories, which straddle the dark fantasy line as much as horror. But the visions in this novel are right from the darkest depths of horror. The horror is of the more overt kind: vampires, plague and zombies, but also emotional. The endless quest of Baltimore and his non-healing heart wound from the loss of his family through his own well-meaning actions. The fact that he can never go home again, either emotionally or physically.
As much as the writing is a strength, so are the illustrations. They have a clarity and a concreteness, even though they are all almost monotonal (blacks, tans, reds). They convey action beautifully, making this graphic novel as much an action work as a horror work. The dialogue is rather spare, but the pictures give you the whole picture even when there is no narrative.
For readers who enjoy the enigmatic, dark loner on a quest for justice, knowing that he can no longer call any place his home, this is worth reading. I also recommend it to readers who enjoy the more traditional brand of horror, where the monsters aren't human, and where good fights against evil, even though man often struggles against the evil in his own heart.
It doesn't feel like a five star book, but it's definitely close.
I finally finished this, and I am very glad I did. While some parts did not appeal to me, the memoirs of Justine and Richard's grandmother, Gabriele wI finally finished this, and I am very glad I did. While some parts did not appeal to me, the memoirs of Justine and Richard's grandmother, Gabriele were very moving and at times heartbreaking.
I can't quite give this four stars because it was too slow moving initially, but it's definitely worth 3.5 stars, just for the WW2 narrative.
Joe Golem and the Drowning City is a lovely sort of homage to HP Lovecraft and the Jewish golem folklore tradition. One wonders how they can exist togJoe Golem and the Drowning City is a lovely sort of homage to HP Lovecraft and the Jewish golem folklore tradition. One wonders how they can exist together harmoniously in the same work, but Mignola and Golden do exactly that.
New York City is a very different place from the one we know and love in this book. Some sort of ecological disaster turned half of the city into what is essentially a Venetian-like, water-logged environment. Downtown flooded, and those who lived there are cut off from the denizens of Uptown and forced to fend for themselves. Like humans are apt and known to do, they adapt to a semi-aquatic lifestyle, living on the top floors of the taller buildings, constructing bridges and mazeways between buildings and using watercrafts to navigate the flooded streets.
This novel is initially about two of its citizenry: An elderly magician named Felix Orlov, who can communicate with the dead, and his unofficially adopted daughter, fourteen-year-old, redheaded, former street kid, Molly McHugh. Their somewhat harmonious lifestyle is brutally interrupted when strange, inhuman creatures abduct Felix, failing to capture Molly when she is saved by a big, rough-looking man named Joe. Joe is special, more than they realize initially. His colleague is the ancient British gentleman, Simon Church, a man who has adapted his failing organs with mechanical parts (added a steampunk-like flair to the story). He also uses a mix of science, machinery, and magic to monitor the supernatural barometer of the city. He happens to detect a very large spike in activity the day that Felix is kidnapped, and Molly teams up with them both to find out what happened to Felix and to save him and save the world in the process.
This is a rather solemn tale. Joe's past is very tortured, and along with Simon's regrets about the past, and Felix's special legacy, the storyline is fairly dark. Molly is a spunky and energetic young woman, who's seen more bad things than a person of her age should. She has trouble trusting, with good reason. We feel her pain as she is helpless against forces that pull the man who is as close to a father to her as any man could be away from her by events beyond their control.
In addition to the somber tone, the Lovecraft-type storyline adds a cosmic horror to the story. While I am personally a bit alienated by Lovecraft's concept of an ancient, extra-dimensional cosmos and its denizens (which are indifferent to our moral concepts and even our right to exist as humanity), Mignola and Golden add an emotional context that makes this typical idea more relatable and almost heartfelt.
One of the downsides to this book is the villain truly never feels invincible or formidable. He comes off more as a petulant child who is playing with matches (dabbling with magics and science far beyond his ken), than a disturbing force for evil. He felt like a paper tiger, which is a bit of a pet peeve of mine. I need a villain who is truly formidable--one that I question if the hero will be able to prevail against. His creations were disgusting, and while repulsive and off-putting, they don't add much in a positive way to the creepy tone of the book.
Despite being somewhat disappointed with the villain, I was drawn to Joe's character, his painful struggle, his search for identity, and the integration of past and future. I also liked Molly. She feels like 'me' in the sense that she is the everyday person put in bizarre and non-ordinary circumstances. I think a good weird fiction tale needs that kind of protagonist.
Mignola just does it for me, with his stories and his creations. His collaborations with Golden have been unilaterally successful so far, and I add this one to the list. I hope to see more of Joe Golem and Molly McHugh, and more of the Drowning City. Recommended to weird fiction readers, and avowed fans of classic horror motifs and loving homages....more
Reading Catherynne M. Valente is a unique experience. Her writing is full of magic and imagination. It doesn't always make 'sense', but it feels rightReading Catherynne M. Valente is a unique experience. Her writing is full of magic and imagination. It doesn't always make 'sense', but it feels right. The child in me who never grew up, who loves fairy tales, lands of magic, mythical creatures, and folklore, ate up this story like the most scrumptious dessert. I listened to this on audio, and at first, I wasn't sure how well it would work. There are a lot of concepts, and they don't tie together in a straightforward fashion at first glance. If other readers are like me, I'd encourage you not to give up on it if it doesn't catch you right away on first listen. Initially, I felt that Ms. Valente didn't quite feel comfortable reading her story. However, that changed, and she seemed to get into the flow of it, using different voices, timbres, and cadences for the various characters. I could feel how much she loved this story she had written, and the characters within.
This novel is one that both kids and grown-ups with a love of fantasy and make-believe tales would love. It's a story of a young girl who is very, very brave, strong-minded, determined, but with a very big heart for a kid (who are considered to be mostly heartless, according to the narrator). She goes to Fairyland on a romp, to escape the reality of a mother who works all the time and a father who was shipped off to war. Feeling alone and too different from the other kids she went to school with, she longs for adventure and a place where normal isn't the ideal. That's when she gets swept off to Fairyland and becomes a champion for this place of magic. And we are along for the journey.
At times, I got a bit confused with the narrative, because it's not exactly a linear story. Fairyland isn't a place that always makes sense, and that could make for strange listening when I was focused on driving or getting where I was going. If the reader embraces that this isn't that kind of novel, it makes for a very satisfying reading experience. Just immersing oneself in this marvelous world where anything is possible is gratifying.
This book is suitable for a young audience, but there are elements that feel pretty sophisticated, if one is older and catches the subtext. Some younger readers might not get all those references, but that's okay. I think it's fine for them to grasp an understanding of the story at their own level. There is some violence and dark subject matter, but the message of self-sacrifice, determination, friendship, and love are very good elements for kids to experience.
At one point, I thought I'd have to take off half a star because of getting lost and things slowing down a bit, but the overall beauty and power of this story requires a five star rating for me. I definitely recommend this book to readers who enjoy mythopoeic/folklore-rich fantasy novels, young and older....more