I love books that really go for the uncomfortable parts, things that make you cringe -- not because they are gory or shocking, but because they are thI love books that really go for the uncomfortable parts, things that make you cringe -- not because they are gory or shocking, but because they are things we have all felt and wish we hadn't. I especially love it when this is done in fantasy. With dragons. In China. In the 1800s....more
It wasn't what I was expecting, but I can see the brilliant threads of genius that so many of today's dystopian wriOriginally posted on The Authoress.
It wasn't what I was expecting, but I can see the brilliant threads of genius that so many of today's dystopian writers have fastened onto and expanded on. Short, brilliant, remarkable. A reminder that even small things like color are exceptionally important.
It was almost as if I were reading the "original" of something, as if Lois Lowry single handedly crafted the template for young adult dystopian literature. The Giver featured an overly controlling, seemingly perfect world without proper emotions or color, and fields of work are chosen for you, as well as the person you would marry. These are aspects that many of today's writers have taken and toyed with, trying to pick apart and decipher. It was amazing to see what I now consider to be the "original" young adult dystopian.
I was a bit dissatisfied with its length, though. I have become so conditioned to three hundred plus page novels, that it was a touch startling to see a story begin and end all within a hundred and eighty pages. For this reason, I thought things could have been greatly expanded on. (Really, though, that's what today's dystopian has done: expanded on the bare-bones idea laid down by Lois Lowry.)
I didn't connect with it on a visceral level. It had the kind of chaotic, ethereal style that I associate with older books and while I liked the main character, Jonas, I didn't totally connect with his story. I saw it, and appreciated it, from the point of view that this was the book that most likely inspired today's dystopian writers. So while I didn't enjoy it enough to be giddy and excited over it, I appreciate...more
Though there are many middle grade series and authors that I hold dear, I don't overly explore the middle grade genre outside of the authors I have already subscribed to. I had a lot of mixed feelings over Lauren Oliver's young adult books (Delirium, Before I Fall) but what I could never deny was how wonderfully breathtaking her writing style is. Jim Dale was the one who piqued my interest in Liesl & Po with the simple fact that he narrates the audiobook. He also did Harry Potter. When I heard an excerpt from the audiobook, I had to pick it up. When I saw it at a bargain book store, I grabbed it. And I am so glad I did.
What I expected was the stereotypical middle grade novel: something with some overly simplistic writing and characters that were flatly grandiose puttering along to a plot that could be predicted from another planet. What I got was the tale of three adorably fleshed out characters racing through the pages, chased by eyebrow-raisingly creepy villains, in a world that is instantly recognizable for its genius but enchantingly exotic shadows.
What I admired about Lauren Oliver's take to this straightforward plot was how she pulled the simple bones of the plot like soft taffy until they were an entirely different shape. The original idea was the still there -- a tale of an accidental switch by an abused apprentice, and a girl closeted away by an evil stepmother -- but it came alive. Lauren Oliver made it feel not so much created as discovered.
The illustrations added another layer of atmosphere to the already jam-packed story. They piqued my interest when I browsed ahead, and then painted a deeper picture when I came upon that part of the story. The illustrations helped me imagine how the author must've imagined the characters, and that brought a certain flavor to the reading of the story, seeing how the author meant it to look.
Liesl & Po was a fantastic story with a bittersweet ending. It is certainly a book that I will proudly carry on my shelves, and also one I may take the time to reread in the future. I highly recommend this book to anyone and everyone....more
Captured me from page one, it did. The first little bit I read at the JoBeth in Cincinnati haunted me until I broke down and bought it online. FinisheCaptured me from page one, it did. The first little bit I read at the JoBeth in Cincinnati haunted me until I broke down and bought it online. Finished it within two days. If I had a hat, I'd tip it to Ruta Sepetys....more
For a long time I've claimed that short stories aren't really my thing -- I don't read them, I don't write them. Now, I find myself doing both! TheseFor a long time I've claimed that short stories aren't really my thing -- I don't read them, I don't write them. Now, I find myself doing both! These three authors have rekindled my faith in short stories. Each of their pieces are electrifying and exciting. Truly inspirational. Love it, love it, love it!...more
At least once in your life, a book comes along that forges an instant connection before page one is even started. Skinny was that book for me. I knew, from the moment I heard Donna Cooner give her story behind Skinny, that I wanted to read it. I have always had private issues with my self image, but what drew me to this book was the concept of the little voice in the back of your head having a name: Skinny. With a Cinderella-esque format, a brilliant main character held up by brilliant supporting characters, and a little shoulder devil, Skinny was the book that, for me, could do no wrong.
I say "Cinderella-esque" because it is not a retelling of Cinderella with a few shoddily hidden parallels. Cooner curves the story so that it is entirely its own creature. From the moment I started it, I couldn't put it down. I loved the main character, Ever (though I will forgive her for her name), with her edgy narrative voice that was tinged with a depth that went beyond the pages. My only issue was how I wished -- so wished! -- that she would stand up for herself more. But even when she didn't, I could deal with it, and move through the story with her without it diverting my attention.
I love Lauren Myracle's blurb for Skinny:
The best -- and truest -- depiction of the joys and pangs of transformation I've ever read. Deeply moving, totally addictive, utterly fabulous.
I love how Skinny wasn't about preaching the warning signs of obesity or low self esteem. It was a beautiful story of a girl who transformed inside and out, so it doesn't come off as depressing or heavy. While it dealt with a very big subject and showed the not-so-friendly sides of human interactions, I didn't feel weighed down when I closed the book. I felt enlightened! It was a book that I could fully identify with, and learn from. And I loved that.
Cooner's writing style was simple and elegant, and effortless morphed between scenes of skipping and laughing happiness, to edgy betrayals and bitter anger. It carried along a story that built to a climax that had me grinning like a moron in my chair. Cooner packed a thrilling conclusion within a mere few pages. It was electric.
Skinny is a book that crosses boundaries. It's a book that can be read by anyone and everyone, because there isn't a person out there who doesn't feel insecure about something. Or who doesn't that that little voice of doubt niggling in the back of their mind. With its wit and universal message, Skinny is a book I'd recommend to anyone....more
I don't like vampire books. Just a little quirk of mine. So the one and only reason I picked Drink, Slay, Love up was because it was written by Sarah Beth Durst, who blew me away with her unbelievably wonderful fantasy novel, Vessel. People told me, "Oh, you liked that? You'd totally love Drink, Slay, Love." And I just thought, "It's...a...vampire book." But I did pick it up. Thank God.
I love books that make me laugh. What surprised me here was the way humor was used. Drink, Slay, Love was not some light, fluffy spoof. So while it was a lot of fun, the humor was more along the dry and sarcastic side rather than ridiculous and unbelievable. (But okay, I'll admit the unicorn thing did push a limit or two.) I didn't expect something deep and rich with complicated feelings, nuanced characters and a plot that actually challenged the characters instead of being conveniently inconvenient. But that's exactly what I got.
Another expectation busted? Pearl's awesomeness. Huzzah for awesome vampire main characters. I thought she would be irritating and shallow, but she never even gave my nerves a mean glance. Not even for a second. That rocked. I loved how her transition from soulless predator to vulnerable teenager was portrayed as a slow evolution that was believable and sincere. I backed Pearl up 100%. I wanted her to live (so to speak), to find her happiness, and succeed at her mission. Having so much sympathy with the main character let me sit back and enjoy the story.
I was thinking the plot might be a little on the sketchy side. I mean, there's a unicorn. But only a few things warranted an eyebrow raise. The stakes were well defined (no pun intended) so I understood from the get go what Pearl stood to lose if she pushed the boundaries of her world. There was constant motion and conflict, always something to move the story forward, and the plot twists challenged the characters, didn't let them slide by with only a few scrapes.
All of this was accented with a great sense of humor and underlined with a sweet romance. I liked how the humor was more sarcastic and snarky than goofy and unbelievable. And the romance. Ah, amour. I think that I saw the signs of a Durst trademark. In Vessel, the romance built up naturally and here, too, in Drink, Slay, Love, the romance did not take center stage but instead was something else the main character had to work through. I really liked how this wasn't a romance, but more of a coming-of-age story.
Sarah Beth Durst has finally given me the opportunity to say that there is only one vampire book I like, instead of declaring I dislike them in general. Drink, Slay, Love was a fun tale of vampirism, action and a dash of romance, all laced with a snarky humor that had me giggling from start to finish. A great read....more
Rules of Attraction was an incredible story with two cheer-worthy main characters bundled together with rib-cracking humor. While this book wouldn't win any awards from me for writing style, Rules of Attraction was teeming with undeniable wit and a great story of romance.
Rules of Attraction is a rehashing of Perfect Chemistry. It was set up the exact same way as the first only with a "new" situation: the plot progressed the exact same way and, since it dealt with a lot of the same characters, it made the similarities more recognizable. My main problem was the climax. This quote by Robert McKee put my issues with Rules of Attraction's plot exactly:
If [the climax] fails, the story fails... If you fail to make this poetic leap to a brilliant culminating climax, all previous scenes, characters, dialogue, and description become an elaborate typing exercise.
Coupled with Simone Elkeles's a little too-simplisitic writing style and her tendency to tell and not show, the supposed "action scene" to cap off the book really fell flat and left me with the bitter taste of disappointment.
I cheered for the romance, though. Despite how inevitable the progression of the characters' relationship was, the two of them made me smile and laugh and sigh with frustration. Carlos and Kiara are definitely not a boring couple: their constant banter, their power plays, the give-and-take... It all culminated into a relationship to cheer for. Also, I think Simone Elkeles did an excellent job in alternating between the two main characters. (Quite a few scenes made me blush, though. Maybe not an issue for readers who're seasoned in the more risque side of romance novels, but I'm still in denial over slowly losing the innocence of my childhood.)
I wouldn't pin any writing awards on the cover of this book. While the style (mostly) worked to set a humorous and heart-breaking tone for the story, it wasn't as in depth as I would've preferred. I was mostly drawn in by the humor because almost any book that makes me laugh is considered a keeper on some scale.
I think, for all its faults, Rules of Attraction would make an excellent movie. It's a bit more original that Alex and Brittany's story in Perfect Chemistry and more enjoyable a story overall.
I hesitated slightly about picking up Chain Reaction, the third book, right away, but then I read the excerpt that came in the back of Rules of Attraction and was instantly hooked....more
I've always been a huge fan of Patricia Briggs, ever since I picked up the first Mercy Thompson novel (Moon Called) at my good friend, Smash @ Smash Attack Reads, request. This short story in the On the Prowl anthology is the prerequisite story to the Alpha & Omega series. I've already read and fell in love with the Alpha & Omega series, so starting in on a short story where that series began was a sure win for my affection.
If you've never read anything by Patricia Briggs, taking a look at this short story would be a good test drive to see whether you, dear reader, would enjoy pursuing her work. For patrons of the Alpha & Omega series, this short story really set up the series nicely. Though the events were alluded to in the first book, Cry Wolf, it was merely given as background information to provide a foundation for the story.
The one thing I absolutely love about Patricia Briggs' writing is how she can pack so much character into a few paragraphs. There's an immediate sense of both Anna and Charles's characters as the POV switches between them and this skill, though very helpful for writing an appealing short story, carries over into her full length novels as well.
Even though I've read the entire Alpha & Omega series, reading this short story makes me want to read it all over again. (Which, as a matter of fact, I'll be doing since I read them before but never reviewed them.) Patricia Briggs created a well-balanced, well-rounded story with nothing forced or sloppily done.
So, dear reader, try this out for a test ride and see how far you can get without completely falling in love with the story....more
It is always a sad occasion to see a series end. Trilogies are especially the worst because you know it's coming. With a longer series, there's always something else to look forward to. Trilogies are more "get in, make them love you, break their hearts on the way out." From book one, Veronica Rossi snagged me with her electrifying world, her lovable characters, and exciting plots. Into the Still Blue was a brilliant capper to this fantastic trilogy.
One of the biggest things that sticks out to me about this trilogy is how emotionally involved I get with the story. The characters, with their wit and enthusiasm, turn me into a yelling maniac -- "What?! He did not just saying that! Is he asking to get punched in the face!?" -- whenever I pick up the book. When things get crazy for Perry and Aria, my entire college campus hears about it.
My one complaint about Into the Still Blue specifically is that there seemed to be a step down in Veronica Rossi's writing style. On multiple occasions throughout this book, I thought that a section seemed to be more like a rough cut first draft than something that had undergone death defying scrutiny. There was a lot of telling, an overview of the action, and a lack of internalization on the character's part. This created leaps in a character's thinking when they should be taking baby steps.
But Into the Still Blue was a great read, and a great capper to the Under the Never Sky trilogy. As the climax neared, I didn't realize I was on the very edge of my seat and on the verge of a nervous breakdown, until my dad told me afterwards, "I thought you were going to bite off your knuckle." Veronica Rossi has always managed to pack a ton of action into a mere four hundred page book. She starts immediately with the action, and it hardly stops until the last page.
I was so excited to get to Into the Still Blue but now that it's over, I wish I had waited a bit longer. Aria and Perry and Roar are fantastic characters with a fantastic story, and it's sad to see their stories end. I hope, one day, Veronica Rossi will revisit the world of the Still Blue, for the stories that still lurk there....more
This was...amazing. I don't know if I would necessarily recommend this to someone who has yet to read Under the Never Sky, simply because the story is set up under the assumption the reader knows what is what and who is who, etc. However, if you've read Under the Never Sky and loved it, I have a strong conviction that you'll love this, too. Roar was a beloved character in Under the Never Sky for many readers, so given that this novella is set entirely in his point of view will appeal to the many fans Roar has accumulated.
I loved the insight. Veronica Rossi created a whole new voice. Roar was given a breadth that we readers didn't get to really see in Under the Never Sky. There was a whole swath of vulnerability and longing underneath all that wit and bravado. Though I would never have thought Roar underdeveloped before, I still loved the further depth that came from a story from his point of view. He seems much better fixed in my mind now.
With her brilliant writing style, Veronica Rossi captured, and gave depth to, the already-explored world of the Tides, making it come alive within the sixty pages. The world of the Tides had become faded in my mind in the time since I'd finished reading Under the Never Sky. This novella brought it back to life almost instantly. Veronica Rossi has created a world that I absolutely would love to live in.
Roar and Liv is a great sampler of Veronica Rossi's work. I would recommend this to anyone who enjoyed Under the Never Sky....more
Salvation set a fire under me the very moment I found out that it existed. I fell head over heels in love with Anne Osterlund's previous books, Academy 7 and Aurelia (and later, Exile). So I knew beforehand that Salvation was very likely to win my heart. And it did. From page one, I was captured. Enthralled, really, by the main characters and the story that wove around them. I liked how Romeo & Juliet it was without seeming like a cheesy remake, and also how the plot was slightly predictable, but exciting all the same. Salvation was a fantastic read, with a set of characters I'd love to have lunch with. Over...and over...and over again.
I was already familiar with Anne Osterlund's envious talent for crafting such depth-defying, lovable main characters, but it still blew me away how much I fell for Salva and Beth, both separately and as a couple. Both had characteristics that I could identify with -- like Salva's loyalty to family and culture, and Beth's need to take her life onto a higher plane. When the two came together, it was electric, though not perfect. The imperfections were what drew me into their relationship like an obnoxious third wheel. Even when they realized their feelings for each other, it didn't magically lay a smooth path before them, and I think that was my favorite part about the book. It made their relationship deep and more realistic.
I love the wealth of culture imbued throughout the story. Reminiscent of Simone Elkeles' Perfect Chemistry series, there are bits of Spanish thrown in. Which, if you're a veteran of the Fuentes brothers, you know is completely hot. But besides that, there was the topic of how Mexican immigrants live in this country and I liked how Anne Osterlund presented and handled it. It gave the story a core of truth that I really enjoyed.
I also enjoyed how the plot progressed. With the essence of a Romeo & Juliet style romance, and fraught with just as much tragedy, I was glued to the pages as the story unfolded. What a breathtaking ending! With an expert hand, Anne Osterlund brought each of the characters to a climax that was both split with tragedy and filled with hope. And while some of the scenes were a bit of a cliche, I was too much in love with the characters to really see them that way.
Salvation is a fantastic addition to Anne Osterlund's repertoire. It was so much fun to read with its subtle humor woven amongst brilliantly devised characters and an exciting plot. Even knowing that I was going to love it, I'm still taken aback at just how much I would turn out to love it. I can't wait for Anne Osterlund's next book....more
I'm a big fan of Rae Carson's debut, The Girl of Fire and Thorns. When I saw this one, I immediately rushed to buy it, even though I've never bought anything on my Kindle before. This historic buy was not disappointed. Rae Carson packs a lot of plot and character development into the equivalent of 54 printed pages. This time, we see Elisa through the eyes of her sister, Alodia as they encounter a problem in a remote part of their kingdom.
I was struck by the immediate sense of character. Within the first few pages, I felt well acquainted with Alodia, and because she is so self righteous, it was with a put-upon kind of amusement that I observed her character. She had so little faith in Elisa, it was disheartening, but I liked the transformation that goes down throughout the story.
And the story was a well-rounded one at that. Well-rounded, yet leaving a taste for more. The plot was exciting and coupled with Rae Carson's eloquent writing style, the shock factor of some of the twists actually made me gasp.
A reader doesn't have to have the history of The Girl of Fire and Thorns to get a grip on this novella. For those of you who have read The Girl of Fire and Thorns, this novella provides a great insight into Alodia's character, something that isn't really offered in the full-length book. It isn't exactly a refresher course of the book, however, since it takes place when Elisa is younger and her journey hasn't really started.
An amazing story; I don't regret the three bucks I spent on it....more
The last Artemis Fowl book. What a thrilling end! This book marks the very first to make me, Amelia Robinson, shed a tear. Part of me always worries about what kind of hell the author will put their characters through in the series finale, and with these crazy MG authors anything is possible. In Artemis Fowl: The Last Guardian, I really enjoyed the maturation of the characters set off by Eoin Colfer's signature humor. Colfer pulls out all the stops to create a fast-paced, intriguing topper to his beloved Artemis Fowl series.
As is the case of book eight of any series, there's some preconceived ideas about how awesome the book is going to be -- and if a reader is eight books into a series, we're gonna assume the series is awesome. So there isn't much to add that hasn't already been said before. It's established that the Artemis Fowl series, which has been in my life since I was ten, is justifiably the definition of awesomeness. Moving on...
This final installation was sheer genius. Colfer opens with a bold and exciting conflict -- I mean, maybe that's a bit of an understatement when the "bold" conflict was the utter destruction of the known world. The stakes were upped like never before, creating a nail-biting ride. I liked that Colfer went into this kind of territory: most books, dystopians especially, take place after the world has been destroyed and been refitted into a semblance of order. The Last Guardian takes place during the destruction. I really appreciated Colfer's imagination.
I liked how there was a definite maturation of the characters. While Artemis Fowl has always been credited for speaking and acting a decade older than he should've been, emotionally there was a step up. There was a wealth of history to draw upon and the characters had (finally) truly accepted each other. I really enjoyed the camaraderie between them -- especially when it's accented with Colfer's signature humor.
The ending...was sheer brilliance. Sheer, utter brilliance. I have never seen a full circle executed so beautifully in the very last paragraph. And the climax made me cry! Me! Cry! Maybe I wasn't sobbing like a baby, but the words did go a little blurry and I had to wipe a tear away. But, of course, what would you expect from the last book in a series?! Ironically enough, the only other book that had me on the verge of tears was The Supernaturalist also by Eoin Colfer.
As sad as I was to see this beloved series come to an end, I really enjoyed it. It was funny, exciting, satisfying... If you haven't ever read the Artemis Fowl series, I'd highly suggest you try it out. It's middle grade, but it's short, enjoyable and terribly clever and imaginative.
My only regret, to those of you who have read the whole series: Seriously? Why was Minerva never brought back in? She was brilliant! ...more
My first experience with Libba Bray's work left me skeptical that I would ever pick up something of her's again. A Great and Terrible Beauty bored me. I found it unenlightening with a picky, uninspiring main character and dull plot. Southern Book Bloggers changed things. I got a week to slave over the immensity that was The Diviners. Chockfull of brilliance of every kind -- from amazing, deep prose to a chilling antagonist -- my experience with The Diviners restored my faith in Libba Bray. I am psyched to find out what the rest of this series holds in store.
I can't help but compare my thoughts on A Great and Terrible Beauty to The Diviners. Given that A Great and Terrible Beauty was published in 2003 and here it is, nearly ten years later, there was an incredible maturation on many levels. This is evidenced mainly in the exponential increase in the page count of Libba Bray's Gemma Doyle series: A Great and Terrible Beauty (403 pages), Rebel Angels (548 pages), and The Sweet Far Thing (819 pages). Now, The Diviners at 578 pages. By the page count alone, Libba Bray certainly gained some polish from her work on A Great and Terrible Beauty.
The Diviners was told in an elegant, haunting style that perfectly suited the plot. Written in large swaths of detail and description, Libba Bray's prose was concise and easy to understand. Five hundred plus pages might suggest that the story amounted to a whole lot of nothing, but every word carried meaning. Occasionally, I thought that a scene was a bit out of place a time or two, like it was put there merely to better paint the backdrop of 1920's New York City. It didn't much affect my overall opinion, however. Paired with subtle humor and a keen eye for lively details, Libba Bray is a study in beautiful language.
Language became a bit of an issue for me during some parts of the plot. While I was impressed and deeply appreciative of Libba Bray's immense knowledge of 1920's lingo, I thought sometimes it was a bit overused. The excessive use drew me out of the story a time or two, like I was suffering from sensory overload.
Though The Diviners was told from multiple points of view, it centered on Evie. Evie was a great main character. She was inspiring because she had the ability to be unbelievably irritating at times with her selfishness, but the fact I found her irritating and likable says to me that underdevelopment or poor character-building wasn't to blame. Rather that she was presented in such a human-like way that I could accept her, rough edges and all, because I could relate to her on some levels. Still, there were moments that I just couldn't believe how selfish, self-centered, arrogant, mean and downright stupid she could be. Those moments were backed up quite convincingly by Libba Bray, so I was left shaking my head and hoping she'd remember her mistakes, as if I were a friend admonishing her for her recklessness rather than a judgmental stranger.
Above all, The Diviners scared me half to death. It's as if Libba Bray had personally snuck inside my head, withdrew all the tiny things that made my skin crawl, and fit them into words. I learned, the hard way I'm afraid, why reading The Diviners before bed was a bad idea. Coupled with the fact that I was sleeping on my grandmother's couch at the time, overall was not conducive to sleeping. Especially since I was looking over my shoulder into the darkness every few seconds, to see if Naughty John was standing there, ready to start whistling while he chased me around the house. Bray made a clever move by putting several of the murder scenes in the point of view of the victim. It brought creepiness to a whole new level.
I'm excited for this new journey that the Diviners trilogy has in store. I thoroughly enjoyed the characters that seasoned this haunting read -- Memphis, Theta, Sam, Jericho and Will -- and I anxiously await the continuation to their story....more
When Legend first popped up on my radar, I was turned away by the amateur-style cover. I was intrigued, however, when the hype drove me to read a sample of it. I was impressed by how there was an immediate sense of character and that allowed the also-immediate conflict to take effect. Paired with Marie Lu's effortless writing style and propelled by a both heart-wrenching and thought-provoking plot, I never wanted the story to end.
Legend tells the story of two awesome main characters. June, with her Holmesian-like logic but warm heart; and Day, the guy we girls would all like to run into on the streets. I was pleased (and impressed) with how June, the government's prodigy, didn't come off as a cold-hearted anti-hero. She had a heart -- a big heart -- that wasn't impervious to breaks. The criminal Day reminded me a lot of Han from Cinda Williams Chima's Seven Realms series, only Day doesn't have silver cuffs branded to his wrists. Mentally, I connected them because they're passionate, flirty, and street smart, and they always take care of their families.
The world of Legend was magnificently displayed. Lu doesn't fall into the trap of having to explain how everything worlds. By letting the world affect (or not affect) her characters in certain ways, she lets the world build seamlessly. It's this showing and not telling that is so effective in creating the swaths of color into the world around the characters. Sometimes it has a fantasy-like feel to it, and sometimes it feels more sci-fi or dystopian, giving it a well-rounded atmosphere.
What I was most impressed with from Legend was the way Lu built the story. I understood what was at stake, I knew the risks, and I felt each obstacle resonate within the characters. It was a story that built stakes like kindling for a fire -- they pushed the characters; they didn't come at a conveniently inconvenient time. At every turn, I would mutter, "What are they going to do now?" or "How are they going to get out of that?" The plot was tightly compacted: nothing was wasted, but there are threads to be continued in other books.
So while there were predictable places, it was the moments that took me by surprise that defined my liking for Legend. With it's fantasy/sci-fi like world and lovable characters, Legend should be a book to get on your shelf. I'm glad it's on mine....more
Pushing the Limits had the blogosphere foaming at the mouth before it even hit shelves. Normally, I steer clear of books like this -- the ones that explode so drastically that it makes me just a little bit suspicious. (No, seriously, Twilight anyone?) I bought Pushing the Limits after reading the first two pages in Barnes & Noble. No book can be that good, right?
Wrong. So wrong. Pushing the Limits totally deserves the hype. It was amazing from start to finish. I was delightfully surprised by the depth and clarity of each main character, and by the stakes they faced. I was never once pulled out of the story by insincere or sloppy writing. Everything about it makes me conclude, This is how a good book is supposed to be written.
Besides the dynamic main characters, my favorite thing about Pushing the Limits was the writing style: McGarry didn't preach anything. Information came out naturally, because the circumstances required it. There was none of this boring the reader with paragraphs of explanation. McGarry shaved away all the excess writing baggage that has become the staple of young adult literature. Each sentence brought the respective character more and more to life, adding depth and clarity instead of adding mindless prose to equate to a whole lot of nothing.
McGarry didn't shortchange the characters, which made my emotional connection with them stronger. Echo and Noah were independent, but inextricably linked -- the more they learned about each other, the more they learned about themselves, and I think that's what makes their romance so great. (Of course, some blush-worthy make out scenes certainly help a great deal.) I'd predicted that Echo was going to be whiny, but I was wrong. I was impressed with McGarry's ability to build motivations and thought processes into the character's prose so that every triumph and complaint is justified. This aspect really made the characters pop off the page for me.
Pushing the Limits has the revolutionary feel of a book that sets new standards. McGarry took two issues that are very real, relevant things in today's society, and brought them out of their dusty corners, showcasing them in a way that made them easier to approach, and to understand. Katie McGarry set out to do something:
I wanted to write a story in which my characters felt strong enough to leave their pasts behind and create new futures for themselves... Two, I wanted to write two characters who were facing overwhelming issues and who, through battling these issues, found hope at the end of their journey.
McGarry's passion shines through the prose; her cleverness, through the playful, witty banter between her two main characters. Pushing the Limits is the physical manifestation of stark honesty and brilliance. Katie McGarry certainly put herself on the map with this one, and I think she's going places....more