An absolutely fabulous second installment in this breathtaking trilogy. Renews my faith in the YA genre with its swift plot, cheer worthy characters,An absolutely fabulous second installment in this breathtaking trilogy. Renews my faith in the YA genre with its swift plot, cheer worthy characters, and swoony romance. Loved every page. Could hardly put it down.
I love books that really go for the uncomfortable parts, things that make you cringe -- not because they are gory or shocking, but because they are thI love books that really go for the uncomfortable parts, things that make you cringe -- not because they are gory or shocking, but because they are things we have all felt and wish we hadn't. I especially love it when this is done in fantasy. With dragons. In China. In the 1800s....more
It wasn't what I was expecting, but I can see the brilliant threads of genius that so many of today's dystopian wriOriginally posted on The Authoress.
It wasn't what I was expecting, but I can see the brilliant threads of genius that so many of today's dystopian writers have fastened onto and expanded on. Short, brilliant, remarkable. A reminder that even small things like color are exceptionally important.
It was almost as if I were reading the "original" of something, as if Lois Lowry single handedly crafted the template for young adult dystopian literature. The Giver featured an overly controlling, seemingly perfect world without proper emotions or color, and fields of work are chosen for you, as well as the person you would marry. These are aspects that many of today's writers have taken and toyed with, trying to pick apart and decipher. It was amazing to see what I now consider to be the "original" young adult dystopian.
I was a bit dissatisfied with its length, though. I have become so conditioned to three hundred plus page novels, that it was a touch startling to see a story begin and end all within a hundred and eighty pages. For this reason, I thought things could have been greatly expanded on. (Really, though, that's what today's dystopian has done: expanded on the bare-bones idea laid down by Lois Lowry.)
I didn't connect with it on a visceral level. It had the kind of chaotic, ethereal style that I associate with older books and while I liked the main character, Jonas, I didn't totally connect with his story. I saw it, and appreciated it, from the point of view that this was the book that most likely inspired today's dystopian writers. So while I didn't enjoy it enough to be giddy and excited over it, I appreciate...more
Though there are many middle grade series and authors that I hold dear, I don't overly explore the middle grade genre outside of the authors I have already subscribed to. I had a lot of mixed feelings over Lauren Oliver's young adult books (Delirium, Before I Fall) but what I could never deny was how wonderfully breathtaking her writing style is. Jim Dale was the one who piqued my interest in Liesl & Po with the simple fact that he narrates the audiobook. He also did Harry Potter. When I heard an excerpt from the audiobook, I had to pick it up. When I saw it at a bargain book store, I grabbed it. And I am so glad I did.
What I expected was the stereotypical middle grade novel: something with some overly simplistic writing and characters that were flatly grandiose puttering along to a plot that could be predicted from another planet. What I got was the tale of three adorably fleshed out characters racing through the pages, chased by eyebrow-raisingly creepy villains, in a world that is instantly recognizable for its genius but enchantingly exotic shadows.
What I admired about Lauren Oliver's take to this straightforward plot was how she pulled the simple bones of the plot like soft taffy until they were an entirely different shape. The original idea was the still there -- a tale of an accidental switch by an abused apprentice, and a girl closeted away by an evil stepmother -- but it came alive. Lauren Oliver made it feel not so much created as discovered.
The illustrations added another layer of atmosphere to the already jam-packed story. They piqued my interest when I browsed ahead, and then painted a deeper picture when I came upon that part of the story. The illustrations helped me imagine how the author must've imagined the characters, and that brought a certain flavor to the reading of the story, seeing how the author meant it to look.
Liesl & Po was a fantastic story with a bittersweet ending. It is certainly a book that I will proudly carry on my shelves, and also one I may take the time to reread in the future. I highly recommend this book to anyone and everyone....more
If I had read Ender's Game when I was eleven, or even as old as fifteen, I would not have come out of the story the same way I have now. The movie brought me to this story, but the book captured me in the way only an excellent novel can. While rife with disturbing elements, it is the effectiveness of the setup and the humanity of the story that makes it such a good book. And while books that try to force uncomfortable things in the faces of the audience are a turnoff, Orson Scott Card expertly wraps the disconcerting themes around Ender, a character, while so high above everyone else, including the audience, is so desperately human like the rest of us. What Orson Scott Card does in Ender's Game is something that is missing in today's novels.
What struck me first about Ender's Game was how well Orson Scott Card understood human behavior. The way he implemented that into the story made it come alive, and I found it fascinating. As a writer myself, I struggle with trying to bring my characters to life by realizing that they have their own opinions. It was easy for me to understand the energy of a character right away, given how well Card presented them.
I've heard people say that it's hard to connect to Ender because he's so young. Also, he's so young and smart. I see where that comes from, because I had a difficult time believing I was reading about a six-year-old, too. I pictured a twelve-year-old in my head, so when I was reminded how young he was, it jarred me out of the story. Yet I feel that it's fitting to have him so young. Some say this makes him had to connect to. To me, it isn't about connecting with the main character, but understanding them. I connected to Ender on a single aspect and that was struggling to successfully integrate into a group of your peers. I still greatly enjoyed Ender's character, despite our differences, because I don't have to be his soulmate in order to get something out of his character and his story.
The plot was straightforward, up to a certain point, but that didn't detract from my enjoyment. To me, the story was about Ender and his internal struggles. Also, Card brings up moral issues, like colonization, the purpose and right to wage war, and the exploitation of basic human rights. Some big stuff. So when I said that Card is doing things that are missed in today's novels, that's what I meant. The Big Stuff. Card goes for the jugular and doesn't let go for anything. That killer instinct for storytelling is what has today's YA novels falling harmlessly into the mainstream.
Ender's Game packed a punch when it came out of the gate back in the late 70's, but it hasn't lost any of its potency. It was a well-crafted and excellent story that is definitely worth a gander, even if you aren't into sci-fi. (And if you aren't, this may be just the thing to pique your interest.) Now that I have read it, I definitely want to continue the story and I most definitely want a copy on my shelves....more
Captured me from page one, it did. The first little bit I read at the JoBeth in Cincinnati haunted me until I broke down and bought it online. FinisheCaptured me from page one, it did. The first little bit I read at the JoBeth in Cincinnati haunted me until I broke down and bought it online. Finished it within two days. If I had a hat, I'd tip it to Ruta Sepetys....more
I was hesitant to pick this one up since dystopians aren't usually my thing, but I was interested in the dynamic between a bounty hunter and his prey, and how the summary seemed to promise something different, something that would have me falling head over heels for the dystopian genre. Having read it, I'm so glad my spidey senses tingled. With its engaging writing style, depth-defying world and lovable characters, Midnight City is a distinctive addition to the young adult dystopian genre, and a new favorite of mine.
Midnight City was immediately engaging. Mitchell has a masterful command of plot structure, evidenced by the way he starts with external threats that bind the characters together, and then building to a threat that affects them all. And they were threats that mattered to the characters, that affected them directly. Every chapter had a conflict that made sense; nothing felt haphazardly thrown together. This kind of cohesion, in addition to breathtaking action scenes, kept me glued to the pages from start to finish.
The book came alive like a movie in my head. I could envision, with near perfect clarity, how these characters moved, thought, and interacted. What's more, every bond they formed made sense. The progression of their relationships weren't botched by a rush to get them to where the author wanted them. I could fully understand their goals, how they were shaped by their personalities, and how they would come to align. I cheered for them 100%.
My enjoyment of the story was only heightened by Mitchell's edgy writing style. Though a little rusty in some areas, it complimented the story perfectly. I liked how it sporadically alternated between points of view from chapter to chapter, giving the story a depth that otherwise would've been missed.
That was one of the best parts: the depth of the world. I liked how Mitchell built in the history naturally, without having to resort to dedicating a chapter to explaining how the world got to the way it was. I loved the detail that went into the Assembly, and into how the world had changed, without bogging down the story or making it too incomprehensible. It was easy to understand, and to admire.
Midnight City was an incredible dystopian, one that I would love to return to again. I'm so excited for the sequel!...more
I picked up Miss Fortune Cookie in response to seeing it everywhere -- on blogs, on people's profile picture, on Goodreads status updates. Out of sheer irritation, I looked it up to see what the heck all the commotion was about, and I was surprised to see that it looked like a very promising, cute book. I immediately checked it out from my local library and buzzed in anticipation for the moment when I would finally be able to read it. It was worth the wait. Miss Fortune Cookie won me over with its instantly likable main character, Erin, and the passion behind the presentation of Chinese-American culture. But what really got me was that it felt true.
Truth in fiction may seem, at first, to be a bit of a paradox. Readers will tell you, however, that fiction is the best gateway to the truth. Miss Fortune Cookie, despite its...creative elimination of swear words (s***!), felt like something that could really happen in a way that differentiated itself to me from other contemporary novels. There was something there that really connected with me. Maybe it was the nerdiness of Erin in the way she compacted truths down to equations, or the love for her family and culture, or struggling with college choices. Whatever it was, there was a shard of truth there, and it resonated with me.
I think what won me over wholly, though, was the main character, Erin. I loved her innocently sarcastic and self-deprecating narrative, as well as her sarcastic and self-deprecating humor. And although she had some dim moments, don't we all? Things that generally irked me about a character made me love Erin all the more.
Lack of passion in a novel is the bane of my existence, but Lauren Bjorkman has passion in spades. From the details that neatly frame Erin's tiny, shoebox apartment to the way Bjorkman carefully crafted Mrs. Liu's speech, I could sense the painstaking effort and heart that went behind the story. It made the exotic culture of Chinese-American lifestyles to come through loud and clear for me. (Also, I got a kick out of the presentation of Asian stereotypes that happen to be very true. One of my good friends from high school is Asian, and would probably get a real kick out of this book.)
With the humor, charming cultures, and wacky adventures, Miss Fortune Cookie is a real gem of young adult contemporary literature. And at just under three hundred pages, it's a short, fun read for anyone who wants a good story....more
Kendare Blake single handedly turned my intrigue and curiosity towards the ghostly side of creepiness. Where normally I stay far, far away from anything with the mere suggestion of skin-crawling terror, Kendare Blake's work, first with Anna Dressed in Blood and now Girl of Nightmares, has brought me a new appreciation of things that go bump in the night. I think in any other case, I would cast a questioning glance at the author's mental stability after seeing the product of their work, but with this book -- with its refreshingly three dimensional characters, exciting plot and great narrative -- I'm willing to make an exception.
The one thing that worries me with sequels of any kind, whether it's a part of a long, drawn out series or just a duology, is a rehashing of the first book. With each new book, I expect a deeper and thorough progression of the characters and a plot that explores the world instead of sticking to the same set of possibilities. Girl of Nightmares really impressed me with the way the world, and the characters, expanded.
The characters had to be my favorite thing about this book. I cheered for and admired them in Anna Dressed in Blood and that admiration only grew with Girl of Nightmares. I think specifically of Carmel: I loved seeing her gain dimension and progress as a character. Normally, side characters are shoved ruthlessly aside to make room for all of the main character's drama, but Carmel was a solid presence. In fact, all of the characters were nuanced. They lacked the picky, petty, cookie cutter melodrama that tends to sand down the finer grains of a character. In this respect, they all had a strong sense of realism, so it made it nearly impossible for me not to sympathize with them as they went to hell and back (literally).
The "there" that she's referring to is the Tower of London, the castle-like fortress that sits on the north bank of the Thames. It's touristy and historical, the site of numerous tortures and executions, from Lady Jane Grey to Guy Fawkes. Looking at it as we cross the Tower Bridge, I wonder how many screams have bounced off the stone walls. I wonder how much blood the ground remembers. They used to put severed heads up on pikes and display them on the bridge until they fell into the river. I glance down at the brown water. Somewhere underneath, old bones might be fighting their way out of the silt.
Cas's narrative made it so easy to slide into the story. Full of great zingers and one liners, I love Cas's blatant insolence and dry humor. This style of Anna Dressed in Blood carried over brilliantly to Girl of Nightmares. With clear, concise imagery, Kendare Blake's writing style really brings out the creepiness in clear cut descriptions. The effect is uber chilling. It's incredibly easy to picture the action like a movie, which only heightens the suspense and drama.
Not that the plot needed the extra help. Constant action, always something interesting happening. I loved how it was perpetually moving forward. There were no boring or useless fillers; everything had a purpose, impact. The stakes kept building and building, pushing the characters, forcing them to make choices, to question themselves, to make sacrifices. The climax... Ah, climaxes that make me want to cry are always memorable. The bittersweet ones are the worst, aren't they?
Girl of Nightmares was an epic book. I loved every page. I must have it for my shelves....more
For a long time I've claimed that short stories aren't really my thing -- I don't read them, I don't write them. Now, I find myself doing both! TheseFor a long time I've claimed that short stories aren't really my thing -- I don't read them, I don't write them. Now, I find myself doing both! These three authors have rekindled my faith in short stories. Each of their pieces are electrifying and exciting. Truly inspirational. Love it, love it, love it!...more
At least once in your life, a book comes along that forges an instant connection before page one is even started. Skinny was that book for me. I knew, from the moment I heard Donna Cooner give her story behind Skinny, that I wanted to read it. I have always had private issues with my self image, but what drew me to this book was the concept of the little voice in the back of your head having a name: Skinny. With a Cinderella-esque format, a brilliant main character held up by brilliant supporting characters, and a little shoulder devil, Skinny was the book that, for me, could do no wrong.
I say "Cinderella-esque" because it is not a retelling of Cinderella with a few shoddily hidden parallels. Cooner curves the story so that it is entirely its own creature. From the moment I started it, I couldn't put it down. I loved the main character, Ever (though I will forgive her for her name), with her edgy narrative voice that was tinged with a depth that went beyond the pages. My only issue was how I wished -- so wished! -- that she would stand up for herself more. But even when she didn't, I could deal with it, and move through the story with her without it diverting my attention.
I love Lauren Myracle's blurb for Skinny:
The best -- and truest -- depiction of the joys and pangs of transformation I've ever read. Deeply moving, totally addictive, utterly fabulous.
I love how Skinny wasn't about preaching the warning signs of obesity or low self esteem. It was a beautiful story of a girl who transformed inside and out, so it doesn't come off as depressing or heavy. While it dealt with a very big subject and showed the not-so-friendly sides of human interactions, I didn't feel weighed down when I closed the book. I felt enlightened! It was a book that I could fully identify with, and learn from. And I loved that.
Cooner's writing style was simple and elegant, and effortless morphed between scenes of skipping and laughing happiness, to edgy betrayals and bitter anger. It carried along a story that built to a climax that had me grinning like a moron in my chair. Cooner packed a thrilling conclusion within a mere few pages. It was electric.
Skinny is a book that crosses boundaries. It's a book that can be read by anyone and everyone, because there isn't a person out there who doesn't feel insecure about something. Or who doesn't that that little voice of doubt niggling in the back of their mind. With its wit and universal message, Skinny is a book I'd recommend to anyone....more
I don't like vampire books. Just a little quirk of mine. So the one and only reason I picked Drink, Slay, Love up was because it was written by Sarah Beth Durst, who blew me away with her unbelievably wonderful fantasy novel, Vessel. People told me, "Oh, you liked that? You'd totally love Drink, Slay, Love." And I just thought, "It's...a...vampire book." But I did pick it up. Thank God.
I love books that make me laugh. What surprised me here was the way humor was used. Drink, Slay, Love was not some light, fluffy spoof. So while it was a lot of fun, the humor was more along the dry and sarcastic side rather than ridiculous and unbelievable. (But okay, I'll admit the unicorn thing did push a limit or two.) I didn't expect something deep and rich with complicated feelings, nuanced characters and a plot that actually challenged the characters instead of being conveniently inconvenient. But that's exactly what I got.
Another expectation busted? Pearl's awesomeness. Huzzah for awesome vampire main characters. I thought she would be irritating and shallow, but she never even gave my nerves a mean glance. Not even for a second. That rocked. I loved how her transition from soulless predator to vulnerable teenager was portrayed as a slow evolution that was believable and sincere. I backed Pearl up 100%. I wanted her to live (so to speak), to find her happiness, and succeed at her mission. Having so much sympathy with the main character let me sit back and enjoy the story.
I was thinking the plot might be a little on the sketchy side. I mean, there's a unicorn. But only a few things warranted an eyebrow raise. The stakes were well defined (no pun intended) so I understood from the get go what Pearl stood to lose if she pushed the boundaries of her world. There was constant motion and conflict, always something to move the story forward, and the plot twists challenged the characters, didn't let them slide by with only a few scrapes.
All of this was accented with a great sense of humor and underlined with a sweet romance. I liked how the humor was more sarcastic and snarky than goofy and unbelievable. And the romance. Ah, amour. I think that I saw the signs of a Durst trademark. In Vessel, the romance built up naturally and here, too, in Drink, Slay, Love, the romance did not take center stage but instead was something else the main character had to work through. I really liked how this wasn't a romance, but more of a coming-of-age story.
Sarah Beth Durst has finally given me the opportunity to say that there is only one vampire book I like, instead of declaring I dislike them in general. Drink, Slay, Love was a fun tale of vampirism, action and a dash of romance, all laced with a snarky humor that had me giggling from start to finish. A great read....more
There's a reason I never watched any of the Jason movies (weren't there seven of them or something?) or The Exorcist. Somehow, there's a huge difference between the urban fantasy world of Twilight and City of Bones with the vampires, werewolves, and warlocks and what Debra Chapoton brought to life in Sheltered.
I was glued to the pages, but mostly out of fear of stopping than morbid fascination. I am a total scaredy cat, but this was a whole different kind of creepy. It was psychological. Debra Chapoton paired the physical demons with the mental ones and the effect was spine tingling. Maybe my lack of spooky experiences made me uber vulnerable to suggestion, but regardless, the effect was immediate and lasting. I almost couldn't get through it because I didn't want to be freaked out.
Sheltered surprised me with how it appeared to be ordered chaos: a string of seemingly linear events tossed in with mystery but all told with an omniscient POV that I haven't seen outside of the Ranger's Apprentice series by John Flanagan. In a single scene, the POV would switch between three different characters seemingly at random. At first I was a bit put off by this because it would happen without pause: no marker that said it was now being told from Ben's POV. An interesting style that, I think, worked for the story.
Sheltered took on a different kind of story for me. I was more concerned, mentally, for the creepy things going on than for the development of the characters or the world-building. Only upon reflection did I think about how much I didn't really like one of the characters, or the romance. It was the tiny details of the possessions that I found myself focusing on, not the characters themselves.
While Sheltered was not a story I would seek out myself, I think anyone who wants a good spooky read for Halloween has found a good one....more
I read Memoirs of a Teenage Amnesiac and had attempted Elsewhere but overall, Gabrielle Zevin wasn't on my list ofOriginally posted on The Authoress.
I read Memoirs of a Teenage Amnesiac and had attempted Elsewhere but overall, Gabrielle Zevin wasn't on my list of all-time favorite authors, or even authors whose work I would check out again. So it was with more than a little skepticism that I pulled All These Things I've Done off the shelf of my local library. The very cover captured my interest: chocolate is contraband, caffeine illegal? Already, my spidey-senses were tingling. What All These Things I've Done accomplished was deepen my suspicion of the dystopian genre.
In a word, sassy. From the main character -- Anya (or Annie) Balanchine, daughter of murdered chocolate crime boss -- to the romance to the world. Everything was electric with attitude and rife with the possibility that anything could happen at any moment. Maybe there'll be a rush of teen romance, or maybe someone will die. Maybe both?
Clever from the dialogue to the politics to the world, my only complaint was the writing style. The journal-like prose wasn't exactly unattractive but it was jarring at times, because suddenly my easy reading pace would be interrupted with phrases like "I mentioned about a hundred pages ago et cetera" and "I'll get to this later." To me, if you're going to break down the fourth wall, you've gotta go big or go home, and Gabrielle Zevin didn't seem to really hit this on the head. But I loved Anya's voice, because she was so easy to get behind.
With its clever premise that delivers fully on the awesomeness and the damaged but cheerworthy main character, All These Things I've Done far outstrips the big hits in today's dystopian YA fiction. It is a story that explores, among other things, what it means to protect family and how far should you go to keep a promise, and what sacrifices you're willing to make.
What gets me like an iron poker to the ribs is why this book isn't at the top of the NYT bestselling list and having a movie made of it and being adored worldwide. If someone were to ask me for the most underrated book I've read, it would be this: All These Things I've Done. Gabrielle Zevin created an utterly unique world with realistic characters that would rival any NYT bestseller today....more
I've always been a huge fan of Patricia Briggs, ever since I picked up the first Mercy Thompson novel (Moon Called) at my good friend, Smash @ Smash Attack Reads, request. This short story in the On the Prowl anthology is the prerequisite story to the Alpha & Omega series. I've already read and fell in love with the Alpha & Omega series, so starting in on a short story where that series began was a sure win for my affection.
If you've never read anything by Patricia Briggs, taking a look at this short story would be a good test drive to see whether you, dear reader, would enjoy pursuing her work. For patrons of the Alpha & Omega series, this short story really set up the series nicely. Though the events were alluded to in the first book, Cry Wolf, it was merely given as background information to provide a foundation for the story.
The one thing I absolutely love about Patricia Briggs' writing is how she can pack so much character into a few paragraphs. There's an immediate sense of both Anna and Charles's characters as the POV switches between them and this skill, though very helpful for writing an appealing short story, carries over into her full length novels as well.
Even though I've read the entire Alpha & Omega series, reading this short story makes me want to read it all over again. (Which, as a matter of fact, I'll be doing since I read them before but never reviewed them.) Patricia Briggs created a well-balanced, well-rounded story with nothing forced or sloppily done.
So, dear reader, try this out for a test ride and see how far you can get without completely falling in love with the story....more
I had all kinds of wild expectations for The Assassin's Curse: there had to be romance, but not of the sneak-in-through-the-window-and-watch-you-sleep variety; the main character had to be kickass but not untouchable and immovable; the world had to be fully realized and epic; and, the plot had to be exciting and fresh. For a woman with such a sugar-topped name as "Cassandra Rose Clarke," she sure knows how to write a story to surpass all expectations.
The world of The Assassin's Curse makes me want to toss my computer aside and head for a pirate ship. While Clarke's writing style wasn't fantastic, it fit the story. So as I read, I could easily imagine the chatter of the day market, the rush of a hot desert wind, and the crash of waves against a ship on the open sea. I loved the design of the assassins with their desert masks, of how their tattoos and eyes glow like Avatar arrows. But, I feel like Clarke's only scratching the surface in this first installment, like she's just laying the foundation and secretly chuckling, "You ain't seen nothing yet."
Which reminds me of Ananna's character, a girl of many layers. The absolute refusal of an arranged marriage has been around since Romeo & Juliet, but would Romeo's father have sent an assassin after Juliet for marrying his son? Would Juliet have fought back, accidentally saved the assassin's life and end up bound to him? Didn't think so. Ananna's character was on a knife's edge: if she got too cocky, she would risk coming off as fake and irritating, but if she strayed too much to the soft side, she'd appear fluffy and superficial. Ananna was a girl who took a stand, called people's BS (even the dude she took a shining to), and backed up her arguments. I loved how her insecurities were not shrouded by bravado in her narration. She was strong, but not without empathy.
I could totally get into the story. While the writing style could've been a little deeper, could've stood for a little more polish, it had a certain... je ne sais quoi. But what was important was that Clarke knew how to develop the story in a way that heightened the suspense while delving deeper into the characters. The stakes were laid out starkly, so that I understood perfectly why Ananna would quake with fear, or rise to face her attacker.
The Assassin's Curse is what I would shamelessly call "masterful." I was hooked from page one, and had such difficulty putting it down! And when I did manage to yank myself away from the page, the characters would follow me and stalk me while I went about my day. I love books that manage to do that, invade my world so thoroughly. And with the way Assassin's Curse ended, I'm on tenterhooks for the next book, which doesn't come out until June?! If it's one mark against Assassin's Curse, it's how much I fell in love with it and how much it makes me want the sequel, which I'm going to have to wait forever for!...more
I'm a big fan of Rae Carson's debut, The Girl of Fire and Thorns. When I saw this one, I immediately rushed to buy it, even though I've never bought anything on my Kindle before. This historic buy was not disappointed. Rae Carson packs a lot of plot and character development into the equivalent of 54 printed pages. This time, we see Elisa through the eyes of her sister, Alodia as they encounter a problem in a remote part of their kingdom.
I was struck by the immediate sense of character. Within the first few pages, I felt well acquainted with Alodia, and because she is so self righteous, it was with a put-upon kind of amusement that I observed her character. She had so little faith in Elisa, it was disheartening, but I liked the transformation that goes down throughout the story.
And the story was a well-rounded one at that. Well-rounded, yet leaving a taste for more. The plot was exciting and coupled with Rae Carson's eloquent writing style, the shock factor of some of the twists actually made me gasp.
A reader doesn't have to have the history of The Girl of Fire and Thorns to get a grip on this novella. For those of you who have read The Girl of Fire and Thorns, this novella provides a great insight into Alodia's character, something that isn't really offered in the full-length book. It isn't exactly a refresher course of the book, however, since it takes place when Elisa is younger and her journey hasn't really started.
An amazing story; I don't regret the three bucks I spent on it....more
Everything I loved about Legend, from the brilliantly dynamic characters to the exciting world, was brought back in Prodigy tenfold. In a word, Prodigy was fantastic. I slipped easily back into the world, into the roller coaster plot, and into the heads of two great main characters -- June and Day. From page one, I was captured, and by the end (with its epic twist), I was breathless.
I think my favorite part about Prodigy was a toss up between the way Marie Lu expanded on the world, and the progression of the characters. With sequels, I always worry about a rehashing of the first book. No matter how much faith I have in the author, there's always that little worry in the back of my mind that wonders how much the second book is going to be just like the first. Well, I shouldn't've worried with Marie Lu at the helm. Prodigy expanded the world of Legend brilliantly, and the characters progressed and changed instead of remaining stagnant.
With two of the five Must-Haves of a Story knocked out, it was easy to get back into the story of Day and June, and the exciting plots they seem to always cause. I loved how the stakes were clearly defined, so I understood the gravity of their situation. I never felt like saying, "Duuude, just do ____ and all your problems will be solved!" Marie Lu backed her characters into a corner nicely, so that they had to fight their way out, and they never made it out of that corner without scrapes and bruises and maybe a few broken bones. I liked how the plot challenged them and forced them to change.
Aside from character progression, I liked the characters themselves. I love how their relationship wasn't easy; how they still had to figure themselves out, as well as each other. And when they had an issue, I understood why because it was clear where they were coming from. Their struggles and squabbles made their romance so much more enjoyable.
I also really liked how the writing deftly delivered the impact of the story -- some scenes are seared into my mind. It didn't weigh down sections of the story with unnecessary information, or give anything away prematurely, so it was easy to stay involved in the character's thoughts and motivations and how they were affecting the plot. It was also really easy to see the difference between June and Day's line of thinking. Each of their narrations were unique to each character, which let me enjoy the story even more.
Prodigy was a great second installment, and a book that I would love to sit back and reread....more