This book was an emotional roller coaster, but it was brilliant. Read it in only two days; I couldn't put it down, plus it was an easy read. Definitel...moreThis book was an emotional roller coaster, but it was brilliant. Read it in only two days; I couldn't put it down, plus it was an easy read. Definitely felt for all the characters and, less importantly, LOVED the 'The Music Man' jokes. And the 'Oklahoma' reference.
It only got four stars because there was two glaring typos: 1.) At one point Tyler, the jerkwad best friend of David, is referred to as "Trevor", as in The Trevor Project. Did "Anonymous" name Tyler "Trevor", then realize that he/she should probably avoid that because it's just to tongue-in-cheek? That's my best guess. 2.) There was some other word that was just... wrong. I don't remember what it was—it wasn't as memorable as "Trevor", but it was just as weird and glaringly obvious and wasn't even close to any word the author could have meant. How did the editor miss two such painfully obvious errors???
Besides those (relatively minor) typos, this book was without flaw. So, so good. A great quick read for older teens and young adults.(less)
As a huge Oz nerd (I learned to read by reading the original 14 Oz books by L. Frank Baum and collect Oz like c...moreHooooooly cow, this book was brilliant!
As a huge Oz nerd (I learned to read by reading the original 14 Oz books by L. Frank Baum and collect Oz like crazy, it doesn't get too much nerdier than that) I was... well, I was very on the fence. I WANTED Dorothy Must Die to be good, but I had a strong feeling it might just be "meh", no matter how fantastic the ARC packaging was.
Boy, was I blown away like a farmhouse in a twister!
This book exceeded every expectation I had and was one of the absolute best adaptions of Oz to come out of the last 20 years. That's saying a lot. Dorothy Must Die is our 2010's equivalent to 1985's Return to Oz, a very dark, non-musical (loose) sequel to the MGM musical that was based on both the second and third Oz books (The Marvelous Land of Oz and Ozma of Oz, respectively). Even though it's a modern sequel where everything is really, REALLY twisted (many people get killed in gory ways; prepare yourselves) and Dorothy is a tyrannical, crazy psycho... this is Oz. I could see how Danielle Paige could view the marvelous land of Oz as a place that could get so twisted after a few key events. It's totally conceivable, which is mind-blowing.
This book is definitely for the older teen crowd and up, not pre-teens. It gets intense. PEOPLE LITERALLY EXPLODE/MELT HORRIBLY. I really enjoyed it, though. The only problem I had was with the romance bit. I think that should have either been more of a build up or could have waited until a later book. It was just suddenly, Yes hello I'm the teens-in-love couple we are here now yes. It was just too sudden for me? Though maybe others were ok with it; I don't usually read teen romance, so it just threw me off (but not so much as to take away a star, because the rest of the book was BRILLIANT).
I couldn't believe how much I was grinning at her references to the original Oz books, the famous 1939 MGM musical, and even the costume design of Wicked on Broadway! I think there was even a reference to Ozma's Labyrinth, which only ever appeared in an unaired pilot for a 2001 show that didn't happen called Lost In Oz. Talk about dedication to obscure references! If you're not familiar with the original 14 Oz books, that's ok, it won't hinder your reading of Dorothy Must Die. But if you are, like myself, it'll add a whole new depth to Ms. Paige's choices. Here's some of the awesome things I loved and what they were references to: - Tin Soldiers (Captain Fyter; made me gleeful when I finally realized!) - a Tin Soldier with a bicycle body (the Wheelers) - Amy Gumm (Judy Garland, who played Dorothy in the movie musical, was born Frances Gumm) - Pete (I'm not going to say what he corresponds to, but I guessed it early on and was SO HAPPY I was correct because it is GENIUS) - all the guests mentioned at Dorothy's ball are actual characters from the original series! - Mombi disguising Amy as a maid (Mombi did to that herself in The Marvelous Land of Oz) - Grandma Gert's protective kiss on Amy's forehead (The Good Witch of the North, aka Ms. Paige's Gert, does this to Dorothy upon her arrival in Oz) - JELLIA FREAKIN' JAMB, Y'ALL
(I could go on much longer, but those were some of my favorites and I don't want to be typing forever. That'd be A Fate Worse Than Death.)
I want to hug this book. That's all it comes down to. I can't WAIT to read the rest of the series! But now we play the waiting game. In the meantime, let's all go read No Place Like Oz, the novella e-book prequel to Dorothy Must Die. This book was a fantastic debut by a new author, Danielle Paige. Can't wait to see what happens next!
P.S. - (Can reviews have a postscript...? Oh well.) Goodreads user Wendy Darling wrote an EXCELLENT review of Dorothy Must Die over on her site, so you should go over an read it, too! Just avoid looking at Dorothy's shoes too long. It'll have dire consequences if you do. http://www.themidnightgarden.net/2014...(less)
This is the second book by Jane Nickerson, the first being Strands of Bronze and Gold, which takes place roughly a decade before The Mirk and Midnight...moreThis is the second book by Jane Nickerson, the first being Strands of Bronze and Gold, which takes place roughly a decade before The Mirk and Midnight Hour but is set in the same State. Although they are connected, it IS possible to read each one as a stand-alone book.
Whereas Strands of Bronze and Gold was a full-length gothic retelling of the fairy tale Bluebeard, The Mirk and Midnight Hour was a very, very loose adaption of the ancient Scottish ballad, The Ballad of Tam Lin. It lacked the gothic feel that Strands had, but it read as an interesting historical novel that follows one family left behind when the heroine's father goes off to fight for the Confederate Army in the Civil War. As the novel goes on, however, it finally starts to reveal enemies both thoroughly human and those with the mystical powers of hoodoo (the non-religious branch of voodoo), as well as a dark mystery: just WHY are the hoodoo practitioners keeping wounded Union soldier Thomas Lynd alive and isolated when it's becoming increasingly clear that their intentions probably aren't just to make him better?
I really enjoyed this book. I LOVED Strands of Bronze and Gold and although I consider that to be the better of the two books, that doesn't mean that The Mirk and Midnight Hour wasn't a great read. I read the first book in the series by staying up late two nights in a row, and I did the same with the second! It's a bit more predictable than Strands and perhaps might not have the one-in-a-million sort of brilliance Strands did, BUT THAT DOESN'T MEAN IT WASN'T A GOOD BOOK. I very much enjoyed the ride I took while reading this book! And quite a few of the detail plot points took me by surprise, even if I could already guess the overall plot points. It was a great book, and I will definitely be waiting for the third book in the series!(less)
I read most of this book in one day. Well, I stayed up until 4:18AM to finish it, so technically it was two, but I was all within 24 hours. My point i...moreI read most of this book in one day. Well, I stayed up until 4:18AM to finish it, so technically it was two, but I was all within 24 hours. My point is: Holy cow. What a book!
By page six I was hooked. You're thrown right into the action of long ago when two Revolutionary War soldiers escape into a swamp to escape the British. Even in those few pages of prologue, so much happens and your completely thrown one way then the next. Next thing you know you meet Verity Boone, the heroine, in post-Civil War America and she's engaged to a man she doesn't know except through a letter correspondence.
Could the first 20 pages be any more radically different?
By the time Verity discovers that her mother's grave — as well as her aunt's — has been covered by a iron filigree cage outside of the cemetery on unhallowed ground, I was completely invested in this book and couldn't wait to see where it lead. There were a lot of Small Incidents which confidently kept me from wondering, 'Gee, I wonder what DID happen to her aunt and mother...?' too much, which therefore made the the reveal startling and a complete surprise. Thinking back on it, I should have seen it coming. But I'm so glad that I didn't! It made for such a unique style and purposely diverted from the reader trying to figure things out for themselves because so many small everyday things were happening, too. But gosh was it good.
I also really love that Salerni was inspired to write this story after seeing two real caged graves in an abandoned graveyard outside of Catawissa, Pennsylvania and faithly describing them in her story and creating a fictional story around them. As a resident of Lancaster County, Pennsylvania, I'll definitely try to hunt these two graves down sometime this summer!
This book has a little bit of something for everyone. It's clever and ingenious and very obviously well researched. It features a unique topic and an extremely realistic cast of characters; not a single one seemed over the top or fake. I feel like I could have honestly run into any one of the characters while walking through town shortly after the Civil War. I just want to shove this book at everyone and demand they read it right now.(less)
This was an interestingly odd read. There's a little of something for most everyone. History? Check. Superheroes? Check. Interesting villians...more3.5 stars
This was an interestingly odd read. There's a little of something for most everyone. History? Check. Superheroes? Check. Interesting villians? Check. Many unanswered questions? Most definitely check!
I bought this book not quite sure what to expect. I'm a HUGE fan of The Dreamer: The Consequence of Nathan Hale, Part 1, so I thought I'd check out this other graphic novel about the Revolutionary War. This book was better than I thought it might end up being! I'll be reading the second volume as well. If you like history, suerheroes, and action-packed graphic novels and a bit of the odd or supernatural, this book might be something you'd like. A good graphic novel for both middle school readers and older.(less)
I mean seriously, where do I even start? It's so good. "Hitty" is based on an old peg doll the author and her friend saw in an antique store...moreTHIS BOOK.
I mean seriously, where do I even start? It's so good. "Hitty" is based on an old peg doll the author and her friend saw in an antique store. The doll's face had such personality that Ms. Mead was left to wonder just what the doll's story was. In answer to this question, Ms. Mead wrote this charming book, and the friend that was with her in the antique store, Dorothy Lathrop, provides fantastic illustrations.
Telling the tale is Hitty, a little ash wood peg doll who, over the course of 100 years, is lost, found, stolen, and goes on many adventures and witness quite a few historic events. In elementary school I had read Rachel Field's Hitty: Her First Hundred Years, which is a picture book adaption of Rachel Mead's original book. I had loved the illustrated edition, and when I found the original book at Borders one day a good few years later, I freaked. I was so excited! And my high expectations were more than met when I read the book. It's a darling little gem from 1929, and quite deserves the Newberry Medal it won. It's a great book, and one I know I'll definitely pass on to any children I may have in the far future.
This is genuinely one of the best books I've read in a long, long time.
So I had really high hopes for this book. Like, really high hopes. One of my fa...moreThis is genuinely one of the best books I've read in a long, long time.
So I had really high hopes for this book. Like, really high hopes. One of my favorite mostly-ignored-or-unknown-by-many-people fairy tales, Bluebeard, set in gothic pre-Civil South? Uhm, yes please! When you think about it, the South in the Civil War era is the closest thing America has to the gothic moors of England that the Brontes were so fond of, and so setting Bluebeard there worked absolutely perfectly.
But let's discuss why this book exceeded my already high expectations.
When the story sets out, Sophie (our heroine and narrator) is kind of annoying. Everything's all, Oh, look, that's so gothic! and Oh, what gorgeous dresses and jewels! and It's so gothic, surely Wyndriven Abbey must be haunted with ghosts and vampires! and, well, you get the picture. I thought, "Oh my god, Sophia reminds me so much of Catherine from Northanger Abbey, they are one and the same." Three pages later, Sophia makes a comment about how she and Catherine from Northanger Abbey would probably make great friends.
I didn't know whether I wanted to laugh because I called it or sigh because she was so predictable.
Sophia continues on this was (two pages later she wonders if M. de Cressac has a mad wife locked in the attic or in one of the Abbey's many rooms) until she starts to question things. She realizes that her new guardian doesn't act as he should, and that his dead wife-- er, make that wives-- and then make that multiple wives, plus one who "ran out" on him--is surrounded in mystery and everything just seems more and more off the more she finds out. And she gets suspicious.
As terrible things start to happen and her paradise starts to show it's dirty underbelly, Sophia changes. She grows up. I have never read a book in which the heroine goes through such character development so believably. Anymore, heroines are strong, fierce, and independent. Sophia was a fresh breath of realism. She starts out like a real girl in 1855 would; huge mansion and grounds, dresses, and a dashing guardian would be exciting. But before long she starts to question, and she begins to realize that all is not as it appears. And before long you're rooting for Sophia to get out of Wyndriven Abbey as fast as she can and to get to the safety of her siblings or the Reverend Mr. Stone. At the climax of the book, my breath kept catching, my heart was racing, and I could feel Sophia's genuine (and very reasonable) fear and her determination to live. I was so wrapped up and absorbed in what was happening that I felt like it was happening to me! It was brilliant.
There's a lot of small things I loved about this book, too. Many references to the original tale--even a small one on the first page you wouldn't get unless you're very familiar with the original! There's also a running joke throughout the book that appears about three or four times; Sophia can never figure out if someone's quoting Shakespeare or the Bible. In a time when those things would be quoted more, it's quite believable that she'd get them switched up and it's so endearing. It was an odd little quirk that I don't think most people would have thought to put in. And the memento mori hair bracelet! Such a perfect thing for the times, A+ to Ms. Nickerson.
BASICALLY EVERYONE SHOULD GO READ THIS BOOK RIGHT NOW. I stayed up two nights in a row (until 4:30 and 2:40 AM, respectfully) until it was done. It took a while for me to fall asleep the second night after finishing it!
I'd give it 10 out of 5 stars. It is that good.(less)
Such a great book! Once again Klein does for Macbeth what she did in Ophelia for Shakespeare's Hamlet.
As an avid fan of Macbeth, I've often mused on w...moreSuch a great book! Once again Klein does for Macbeth what she did in Ophelia for Shakespeare's Hamlet.
As an avid fan of Macbeth, I've often mused on what made Lady Macbeth so ambitious and crafty, leading to her husband's murderous deeds and eventual insanity. And why does Shakespeare go out of his way to have Lady Macbeth mention to her husband, "[...] I have given suck, and know / How tender 'tis to love the babe that milks me." (1.7.54-55) yet explicitly avoids giving the couple children while giving children to literally every other male adult in the play? Lisa Klein took these questions and expanded on them, giving Lady Macbeth a daughter, Albia, the book's heroine, who is rejected by Macbeth for being a girl and having a crippled leg. Abandoned on the moor, Lady Macbeth's lady in waiting saves the child, spiriting her away to live with her two sisters in the woods. Thus begins the events that lead to the bloodbath that is the play we all know.
It was really great seeing how Klein interwove the plot of the play and explained things and then threw in total surprises that worked so well. Quite a few of her ideas were also my accepted headcannon of background info. The only reason it's not getting 5 stars is because I didn't quite buy the budding romance between(view spoiler)[ Fleance (hide spoiler)] and Albia, and only started to right at the end AND THEN THEY PART WAYS. AGAIN. So I didn't really get a chance to buy into that relationship. And some burning questions were set up towards the end (or even earlier) yet left unanswered. Just how did Albia's girdle magically protect her? What was Luoch's fate? Did Malcolm go out in search of Albia (view spoiler)[after Fleance helped her and Luoch escape (hide spoiler)]? Did Macduff find Wee Duff? Who finally ended up with the crown? Did Colum and Caora pair off?! It was so good, but I just want these questions answered!
If you haven't read this book or Ophelia, you need to. Right now. Go ahead, I'll be hear waiting until you return.["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>(less)
This book is brilliant! It's sets up much of what is to come in the later two books (and the late-written fourth book) and is a fresh take on historic...moreThis book is brilliant! It's sets up much of what is to come in the later two books (and the late-written fourth book) and is a fresh take on historical fantasy YA. Everyone who appreciates something unique should read it. Definitely one of my favorite most under appreciated books and series ever.(less)