Can this series get any better or more exciting, Other Barry? I'm here to tell you it cannot. Up against it, this series makes cyborgs as interesting Can this series get any better or more exciting, Other Barry? I'm here to tell you it cannot. Up against it, this series makes cyborgs as interesting as watching paint dry. Cyborgs -- watching paint dry -- even the ones with removable vaginas of the lighting up variety. Just the tip, Archer. You want to lose that thing or what?
All Archer joking aside (and yes, that was totally for you Mara), Saga is a tremendous graphic novel series that continues to blow my hair back, my skirt up and my socks off. Don't even ask me where I left my vagina, but I'm sure it's gotta be around here somewhere.
This third volume of the Saga saga (see what I did there?) continues to up the ante on the crazy and the thrills. What I love about this series the most is that even though every other page contains something I've never seen before anywhere else, it all feels so very sane, and beautiful and universal. This is a space opera dealing with an age old bitter protracted bloody war between two different races. But our heroes Marko and Alana, born to fight each other, raised to hate and want to kill the other, have fallen in love. They have given birth to a mixed race daughter -- Hazel -- our intrepid sometimes narrator, a living symbol of all that is innocent and good.
Marko and Alana (and Hazel) act as our sympathetic entry point into this story and the wacked out landscapes and sundry denizens we encounter along the way. Their plight might not be relatable, but the love they share for each other and their family certainly is.
The Will may be an assassin extraordinaire with plenty of blood on his hands, but he also has a conscience and a desire to be a good man, kept in line by his lie-detector cat creature (who is even more awesome than the exotic ocelot). I heart Lying Cat, okay? Okay.
There's so much to love packed into this story -- the action, the heart, the energy and passion and tongue-in-cheek humor. Always with the humor. Whether it's captured in the text or in the artwork, dynamic sensational duo Vaughan and Staples find the humor existing everywhere in their tale, in the absurd, the poignant, the raunchy and the ironic. It's addictive and cathartic and all I want is more. Just MORE. Of all of it. ...more
I freaking LOVE this series!! Believe the hype -- it's epically awesome. A heady mad mix of adventure, space opera, humour and a love story. You willI freaking LOVE this series!! Believe the hype -- it's epically awesome. A heady mad mix of adventure, space opera, humour and a love story. You will be shown things you have never seen before to defy your imagination. The characterization is phenomenal -- I love these creatures who have wings and horns and TV faces and giant lie detector cats. This has instantly become a favorite. Cannot wait to read more.
Carol! I am so glad I didn't make you suffer through this with me. I took one for the team!
Oh my bleeding eyeballs, but I am very disheartened to repoCarol! I am so glad I didn't make you suffer through this with me. I took one for the team!
Oh my bleeding eyeballs, but I am very disheartened to report that very little in this book's almost 500 pages did anything for me. Despite the zombies, despite the post-apocalyptic landscape, despite the grappling, unending confrontations with human depravity and the silver threads of uncovering and recovering pieces of our humanity --- ALLLLL of my favorite things -- David Wellington's Positive still managed to bore the pants off me. Over and over again.
The prose is just too plodding, too clumsy, too eager to tell -- tell everything about everything! -- rather than ever get out of the damn way and show. The unending, unforgivable descriptions of what characters think and feel are wearying and unsatisfying. Show me dammit!! Let actions speak louder than words. Then perhaps a plodding 500 page novel can be edited into a leaner, meaner 350 pages.
Sigh. Characters are very cardboard cutout and as the hero -- Finn is just too goody-goody unbelievable to the point of being grating. As the first-person narrator his voice fails miserably doing no justice to himself, supporting characters or the novel's action. His unflagging "do the right thing never give up" attitude is sanctimonious and unrealistic as Wellington fails to balance it with anything deeper or nuanced. And then he just becomes so insufferable in his "my people" way of speaking and thinking. YOU'RE NOT MOSES, FINN, AND THIS AIN'T THE EFFING DESERT. I kept longing for the uber-dysfunctional assholery of Rick Grimes to give the story some texture and believability.
Anyway, this was supposed to be my great summer zombie read. No. Not. Negative.
What a lovable, enjoyable, adrenalized hoot this was! I still would have preferred to see all the action sequences (of which there were many -- many I What a lovable, enjoyable, adrenalized hoot this was! I still would have preferred to see all the action sequences (of which there were many -- many I tell you) play out on the big screen (sometimes the prose falls a little short of adequately capturing the epic scale and magnificence of the fighting, running, space racing, exploding drama) but overall, for a novelization of two notoriously preeminent comic/cinematic heroes this was a thrill.
Rocket Raccoon and Groot utterly ambushed me in last summer's Marvel blockbuster Guardians of the Galaxy completely stealing my heart. I was not expecting to have such a reaction. I had never heard of them, had never read the comics and have been late wading into MCU waters. As I mentioned in another review, my geek sci-fi cred is almost nil, embarrassingly so. But I am committed to making up for past sins and lost time. With Marvel anyway. Doctor Who and Star Wars are gonna have to wait.
But back to my two favorite guys: Rocket and Groot (and by guys you know I mean a talking raccoon and a talking giant tree, right?). They are rogues, badasses, heroes, and sometimes, Guardians of the Galaxy. This is their story, though Gamora has a notable kick-assing role to play. She's a lot fiercer and meaner and scarier in these pages (win!) than the "softer side" we get in the movie. I love her.
But back to Rocket and Groot. By coincidence and accident they cross paths with a Rigellian Recorder (#127) who needs rescuing. It seems everyone in the Galaxy - Multiverse wants their version of hands on this guy. He has "recorded" some very vital information, data that could lead to absolute power over reality itself. I loved 127. In my limited comparison capabilities he reminded me of what little I know of C-3PO. He's SUPER smart containing a trillion Wikipedias, but he's an emotional being, with humor and even desires, developing a crush on Gamora herself and forging a lovely bond with his unlikely allies Rocket and Groot.
So much of this story follows the intrepid heroes (soon joined by Gamora) as they race from planet to planet, escaping the clutches of very many species of races from the Kree to the Nova Corps and Badoons not to mention from the Timely Inc megacorp itself (the ones who stand to gain ALL the power if they should successfully recover 127). Oh yeah, and there's a hired SpaceKnight mercenary in the mix too ready to capture and hand over 127 to Timely Inc.
But Rocket and Groot have decided that's not going to happen. Not on their watch. But it will test every bit of ingenuity and tactical skills that they have to avoid failure and/or a horrible death. It's thrilling, let me tell you, and a ridiculous amount of fun, but it's only made me long even more for the Guardians of the Galaxy sequel (that for the record is still TWO YEARS away). ::sad face::
If it was even possible, I'm fangirling even harder for these two now more than ever. This story is a nice treat, a little gift to help ease the pain of the long wait ahead for the next movie. Abnett needs to write another one stat!!!
Three of my most favorite Stephen King sci-fi-esque stories include the novellas The Mist and The Langoliers and the not to be missed short story "The Three of my most favorite Stephen King sci-fi-esque stories include the novellas The Mist and The Langoliers and the not to be missed short story "The Jaunt" (which if you haven't read this delightful, chilling diddy yet GO DO IT NOW and thank me later). Seriously, it's awesome.
The Fold in all of its pulpy goodness, thrums along with a vibration that's very Stephen King in its approach to sci-fi and I couldn't help but be reminded of those three stories while burning through its pages. It's fun, it doesn't take itself too seriously, and the plot doesn't get too bogged down or concern itself too much with the science. For sci-fi purists, Clines approach would probably come off as lazy here -- but for me, it was just right, just enough at all the right times.
There comes a moment in the novel (you'll know when you get there) where I screamed and thought the story was heading in a very different (much desired) direction than where it eventually ends up. The horror fiend in me perpetually lusting after her next scare was okay with that though. There's still lots that will goose your adrenaline centers and get the heart racing. This is a sci-fi thriller, with the emphasis on thrill with some other "stuff" thrown in to blow your skirt up at the end. And I can't talk about that "stuff" because you know, that would make me a spoilering asshole. Let's leave all that fine spoilering to Uncle Stevie, shall we? He does it so well.
I absolutely love and cannot recommend enough Clines other book 14 which in the telling and execution falls much more on the horror end of the spectrum. The two books read extremely well side by side however, and if you read one you will absolutely have to read the other to enjoy the tuning fork resonance that Clines has set up so very nicely.
And how much did I love our main character Mike Erikson? He's the smartest guy you will ever meet with a crazy IQ score and a photographic memory -- he literally remembers everything he's ever seen or heard. Which sounds awesome when you're simply talking about replaying your favorite Marvel movie in your head while you fall asleep. Not so awesome when you have instant full sensory engaged memories of somebody's horrible death. This "talent" / "curse" should make Mike either a full-on arrogant asshole, a complete weirdo with no social skills or a combination of both, but he's neither. Mike is just a nice guy, a school teacher trying to live out his life with relative normalcy.
His supporting cast are the jerk faces and arrogant assholes almost laughably so sometimes. But they do get better and more likable as the story hits the 3/4 mark. I did shake my head at how many times the phrase "but that's impossible!" was thrown about even as they stood around this spectacular fold in space-time dimension and all these crazy incidences keep piling up on top of one another. Rather than see it as a weakness in the story though, I actually found it added some much needed comic-relief. When things are at their craziest and someone is still shouting "but that's impossible!" you really have to laugh. At least I did.
So final verdict -- a pulpy, extremely fun, page-turning sci-fi thriller that will make a most excellent addition to your summer reading.
Holy shit snacks! What the hell did I just read? I frigging absolutely loved this book. It is such an awesome mindfuck. It's a locked Chinese box with Holy shit snacks! What the hell did I just read? I frigging absolutely loved this book. It is such an awesome mindfuck. It's a locked Chinese box with so many secrets. It's a book that sneaks up on you with its pages and pages of normalcy and sweetness and sadness and intrigue. There's grief and loss, mystery and murder. Then -- when you are least expecting it -- KA-POW! It pounces from the left, and bites you from the right. It punches you in the face and kicks you in the kidneys.
Bruised, battered, confused and reeling. You are in shock. Your adrenaline spikes. All the answers start to pour forth faster than your brain can deal with them. You hang on for the ride, delirious, but hungry for more answers, more revelations, just more! more! more of everything! How is this possibly going to end? What a maze! Which way is out? Is there even a way out?
David Neff is a memorable, sympathetic main character. I don't think any part of this teetering, layered narrative -- so many branches on a tree, so many ripples on a lake -- would have worked without normal, nice guy David and his charming, precocious four year old son Tanner. We come to know them, like them, feel empathy and yes, even love. You root for father and son and pray for their release from the tangled and warped web in which they are ensnared.
David reminded me a lot of Jake Gyllenhaal's character in Zodiac -- one of my favorite movies that also deals with obsession and its damaging, lingering effects.
This is a dramatic and thrilling story that's well-constructed and well-told. It's everything I was hoping to get from The Shining Girls and did not. It surprised me in many ways -- not just its twists, but how emotionally invested I became in the story, its characters, and its outcome.
Read this review! It will make you want to read this book. And you should. Read this book. Yes, you most definitely should.
Welcome to Area X. Ecologically pristine. Cut off from civilization. Hostile to humans. What lurks there? Does it have a name? Will you live to tell a Welcome to Area X. Ecologically pristine. Cut off from civilization. Hostile to humans. What lurks there? Does it have a name? Will you live to tell about what you've seen? Who will believe you?
If one can be said to "do" weird, then I don't think I do it very well. Annihilation -- the first book in the Southern Reach Trilogy -- is Weird with a capital 'W' with its roots in H.P. Lovecraft and Algernon Blackwood. It has a post-modern mindfuck vibe as well reminiscent of House of Leaves.
That is to say, there were parts of this book that worked really well for me (especially the first half). I felt the epic creep and that twisting, squirming sense of dread of what I couldn't see, of what was lurking right in the corner of my eye. But as with most Weird fiction I've tried, there was a lot of "huh?" and a growing sense of impatience that acts like a maddening itch I can't scratch.
Ever sit on a sneeze that just won't happen for more than 15 minutes? Yeah, kinda like that. Or put another way, lots of really great, thoughtful foreplay that does not deliver on that big finish (I'm a fan of the big finish. The journey is nice and all but I need to know there is a final destination and that there will be fireworks when I get there, that this all means something. I hate ambiguity. It is not my friend).
This book is also well-written. If you are a fan of the word-smithing and an author who is in complete control of creating mood and atmosphere then this is something you might want to check out. There are scenes that practically pulse with claustrophobia and paranoia. The dread is definitely present and some of the reveals are quite shocking and satisfying. I just needed more. What should have been leading towards a crashing climax and a crescendo of realizations simply just....peters out with a whimper, instead of delivering on the bang. Did I mention how much I love the bang?
For you Weird aficionados out there and fans of the unreliable narrator (I'm primarily looking at you mark monday) you might want to give this a second look. ...more
I had some idea what to expect when I picked up the late Michael Crichton's sci-fi thriller Sphere because I'd seen the movie years ago -- a movie I l I had some idea what to expect when I picked up the late Michael Crichton's sci-fi thriller Sphere because I'd seen the movie years ago -- a movie I love by the way despite a lot of lambasting from the critics and grumbling from the book's fans. Sure it isn't perfect (with its moments of cheese and flubs); nevertheless, the exciting, chilling core of Crichton's story is evident and for me the film still stands as a great example of escapist cinema, that mesmerizing addictive blend of science fiction and horror.
But I'm probably more forgiving than most. One of my favorite movie genres is space horror. There's something about the claustrophobic squeeze of the 'group in peril' scenario as it hurtles through the freezing, oxygenless void of space where no one can hear you scream. Or the imperiled stranded on an uninhabited, hostile planet where the very environment wants to kill you -- Alien, Aliens, Moon, 2001: A Space Odyssey, Event Horizon, and Pitch Black just to name a few.
Sphere is not set in space, but it might as well be. It takes the reader deep into the darkest part of the ocean where unfathomable pressure forces threaten to crush and demolish, where the only breathable oxygen is what you bring with you, where the landscape is as alien and inhospitable as anything found in outer space.
A thriller should thrill. It should keep you turning the pages long into the night, white-knuckled and on the edge of your seat. Horror should unsettle and disturb you, compelling you to look over your shoulder and under the bed for that unnamed threat. Science fiction should challenge your concept of reality, bending your mind to what's possible, to what could actually be. In Sphere Crichton is firing on all cylinders as a storyteller, accomplishing all three of these seemingly without any effort at all.
It's such a treat to see an author in this much control of his narrative. I read this compulsively, voraciously, rarely coming up for air. I can only imagine the inexorable tension I would have experienced had I not seen the movie and therefore knew most of what to expect. Even so, the whole experience remained thrilling and deliciously unnerving. The pacing is pitch perfect, each devastating reveal coming at the exact right moment. Who or what "Jerry" is becomes a maddening puzzle, his voice and demeanor as terrifying and memorable as HAL 9000....more
Here marks the concluding final volume of the original Dark Tower adaptation by Marvel comics and to say it's left me feeling underwhelmed is quite th Here marks the concluding final volume of the original Dark Tower adaptation by Marvel comics and to say it's left me feeling underwhelmed is quite the understatement. It turns out to be a confusing mish-mash of stories that barely connect to what's come before. The first two chapters are spent on Sheemie and the Breakers and strive to explain the birth of the Tower, its crucial importance and the forces who wish to see it destroyed. This is major Dark Tower sacred canon that took King decades to build and make believers of us all. To see it watered down in the final volume like this doesn't sit well with me and strikes me as rushed and lazy.
Then we're offered another adventure of young Roland and his original ka-tet which is followed up by a re-telling of the legend of Arthur Eld and his defeat of Lord Perth (a kind of lame David and Goliath type deal that I can't remember well enough from the books to know whether any liberties were taken with the source material or not).
As much as I was stupid excited for this graphic novel adaptation, I was slow to warm up to the series; in fact I skipped over Volumes 3, 4, and 5 and didn't pick up the series again until Volume 6 The Gunslinger: The Journey Begins. That's mostly because those first five volumes draw almost exclusively upon material from Book 4 of King's series -- Wizard and Glass. I'm much more a fan of long, tall and ugly Roland, than young Roland and his original ka-tet comprised of Cuthbert, Alain and Jamie. So while the series did get better for me as it went along -- especially The Battle of Tull and The Way Station -- there were way more lows than highs. Way more places where they got it wrong than right.
However, despite my lack of fangirling at this point, I'm deliriously excited by this news; the Dark Tower adaptation is continuing this fall with The Drawing of The Three: The Prisoner. Now we're talking!! Eddie Dean! New York! And hopefully some lobstrocities and astin. Oh yeah! The Drawing of the Three is one of my all-time favorite books and I have to hope that adapting from this juncture in the narrative will result in a much more successful experiment than what we've seen up to now. Only the best is yet to come in a world that has moved on. ...more
I've been a lifelong fan of horror and the older I get, it seems to me the harder it's getting t ***Now Available!***
Save your last breath to scream
I've been a lifelong fan of horror and the older I get, it seems to me the harder it's getting to scare me and to get my hands on the good stuff. One positive thing about this sad development is that it's forced me to venture out into other genres and try new things and find new loves. My first love however -- my one true love -- will always remain horror. It's in my DNA (literally probably because my parents were huge fans of things going bump in the night). I was weaned on the stuff, and on the stuff I shall die.
Why am I rambling thus? For a fan with such an unquenchable appetite for these matters, discovering newcomer Nick Cutter is the equivalent of venturing to the end of the rainbow and having a leprechaun hand you over his pot of gold. I'm so gobsmacked and excited by my good fortune (our good fortune) that I'm still in a bit of a dizzy fangirl spin. The only thing that could make this any better would be if this discovery heralded an ushering in of a whole new Golden Age for horror the likes of which not seen since the '80s. Yes? Please? C'mon now!
Well, whatever the case, Nick Cutter is doing his part penning two terrifying tales in two years, written to make grown women scream and grown men wet their pants. He's got the horror cred down; you don't have to read him too closely to see that he too was weaned on the stuff and inside his writer's heart beats the heart of a horror geek.
Reading The Deep I was put through quite the mental and emotional ringer. Between its covers some of my most vulnerable pulse points of fear were ruthlessly exploited. I was reminded of Sphere, The Thing, Event Horizon, and Alien. There's body horror that's going to remind you of early Cronenberg. And just when things start to feel familiar and you think you have a handle on it all, Cutter veers the story off into an angle of Weird that's psychologically trippy and very Lovecraftian in execution. And while this story is going to remind you of a lot of other things, it is still going to shock you and lay you down and have its way with you.
Nick Cutter is a pseudonym for a talented author who can write a mean literary novel and win prizes for them. But I'm selfish and insatiable. Now that he's ventured over to the dark side I want him to stay here and to play here forever, and ever and ever. Yeah, I'm a smitten kitten alright.
A free copy was provided through Netgalley in exchange for an honest review.
Check out my review of Nick Cutter's debut fright fest -- The Troop.
Despite the gushing praise this book has been receiving -- including a blurb by Josh Whedon -- I approached The Girl With All the Gifts with a fair amDespite the gushing praise this book has been receiving -- including a blurb by Josh Whedon -- I approached The Girl With All the Gifts with a fair amount of trepidation. I'm a zombie traditionalist at heart, which means my foray into "experimental" zombie fiction -- literary or otherwise -- has met with mixed results. I normally don't like my zombies to talk, fall in love or have existential crises. Hell, I don't even want my zombies to run; I'm all about the Romero shuffle (though there was something truly terrifying and unsettling about Danny Boyle's fast-moving zombies that scared the piss out of me). Even for a traditionalist like me, there's exceptions to every rule. And I found a few more buried like awesome treasure in the pages of M.R Carey's novel.
In case you didn't know, M.R Carey is the not so cryptic pen name for the super-talented Mike Carey. This gentleman knows how to tell a story, where the pulse points live and when to go for the jugular. He also knows that without giving the reader characters to care about your story is gonna have all the pop of a wet firecracker.
A lot of what we get here we've seen before. The world is in the shitter. The zombies (or hungries in this case) have risen up and wiped out humanity. It's about twenty years later and our entry point into the story starts at a fortified base that doubles as a research lab. There are doctors and soldiers, fences and guns. But there are also civilian teachers and children who are their students. And here's where the story takes a bit of a twist: If you do not want to know anything else about this book then beware some mild spoilers ahead under the spoiler tag
(view spoiler)[These aren't ordinary children; they're infected with the zombie virus but have not fully succumbed to it. The children can think, learn, talk and feel. But don't get too close, because they will chew your face off.
Melanie is one of these children. She's precocious and extremely intelligent but she does not know she's a zombie despite her rigidly controlled life in a cell surrounded by soldiers who keep her muzzled and their guns pointed at her head. With no memory of who she is or where she came from, Melanie persists in her ignorant state until a cataclysmic event forces her to confront both the reality and the mystery of the monster that dwells within. (hide spoiler)]
Like a lot of my favorite zombie stories, this one soon slides into the 'group in peril' scenario. A rag tag group of survivors, including Melanie, are left to fend for themselves beyond the safety of the fences where the hungries thrive. Where will they go and what will they have to do in order to get there in one piece?
I love the chemistry of this group and the characterization. They all start out as stereotypes but as the story moves along, each of them evolves from an archetype into a real person with depth and distinctive personalities. I'm a sucker for character, and I felt I got it in spades here. Another rewarding aspect is the time spent describing the zombie virus. Usually the answer to what makes a zombie even possible is ignored, but not so here. Carey offers up a pretty interesting scenario that for me anyway, leads to a very satisfying climax.
Is this a perfect read? Nope. There are a few incredulous moments (view spoiler)[like why was Parks so quick to use his gun and only his gun when noise is the enemy? Shouldn't he have had a machete or a crossbow as a first line of defence? (hide spoiler)] and a few places where the narrative dips and nearly stalls; however those instances are rare. For the most part this is cinematic zombie gold. It's a heady mix of tension and release, adrenaline and emotion. A must-read for all zombie lovers and the zombie curious. ["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>...more
This new series by Steve Niles (he of 30 Days of Night fame) has got my attention. It's the future, and the robots have risen up and destroyed the Ea This new series by Steve Niles (he of 30 Days of Night fame) has got my attention. It's the future, and the robots have risen up and destroyed the Earth. But don't think Terminator, think War of the Worlds (the remake with Tom Cruise). While of man-made and not alien origin, the robots are huge towering machines that lumber across the land like metal warships, either solo or in groups, hunting humans for their blood. The machines require blood for fuel; their continued existence depends on procuring it, but such insatiable appetite has wiped the planet clean of all life forms unlucky enough to have blood pumping in their veins -- big or small, animal or human.
Humans are on the cusp of extinction. What gives this story its twist is that they are not the only ones -- vampires are also facing annihilation. Without humans (or even animals) to feed on, they too are starving and dying off. Thus evolves an unlikely and tenuous alliance -- vampire and human -- against the unstoppable machines. The enemy of my enemy is my friend.
I love the premise here. It's got me. I love the artwork even more. While not created equal in every panel, the majority of it is gorgeous, capturing a grey, dead, post-apocalyptic landscape punctuated by explosions of ruby as the last of the world's blood is shed and consumed by metal monsters.
Whoah. This is some really good shit. Color me very impressed. I'm not sure what I was expecting when I picked this one up, but it totally de4.5 stars
Whoah. This is some really good shit. Color me very impressed. I'm not sure what I was expecting when I picked this one up, but it totally delivered on tension and suspense, a palpable dread, and a suffocating sense of doom.
Just as a launching off point I'm going to throw two pop culture references at you that I couldn't stop thinking about while reading this book. The first is the music video "Just" by Radiohead. Remember that's the one where there's this guy who just lies down in the street for no apparent reason and when this other guy starts screaming for a reason why he's done this and when the man finally tells him, everyone who is in earshot lies down too, as if whatever he's said is just too huge and overwhelming for the mind to process that the only human response is to collapse.
The second reference I'm going to throw at you is a Twilight Zone episode from the '80s called "Need to Know" where everyone starts going insane in this small town and it's eventually discovered that the source of the problem is not a physical disease, but an idea, a single short phrase, that is being passed from person to person by word of mouth. That horrible phrase is nothing more or less than the purpose and meaning of existence; the moral of the story being -- Knowledge we are not ready to receive will drive us mad.
I freaking love that Radiohead video and I was twelve years old when I saw that Twilight Zone episode and it scared the crap out of me (which is Trudi speak for I loved it). So in a lot of ways I was already primed to love this book where a mysterious pandemic plague is causing the "infected" to go on homicidal killing sprees before killing themselves. In the escalating chaos and confusion, the source of the infection is identified as having seen something the human mind cannot fathom, a creature that is so beyond our comprehension we are literally driven mad by it. But who is to know for sure, since no one has survived to confirm what it is that they saw.
Your only defence is to close your eyes, and keep them closed.
Humans hide in houses behind windows that are painted, covered with blankets or boarded up. They dare not venture outside for water or food unless they are blindfolded. If you thought surviving the end of days was tough with all of your faculties and sight, try doing it completely blind and feeling hunted and watched the entire time.
I love survival stories of all kinds: but an apocalypse scenario where the group must survive together is my favorite. And it's done so well here, I really can't stress that enough. The way the tension builds gradually as the unknowable threat outside the doors of the safe house becomes more menacing and tangible. How so much is implied rather than relying on big gushy scenes of gore and explicit violence. How the daily trek to the well blindfolded to get fresh water becomes an exercise in exquisite pulse-pounding suspense to unnerve the most steely-nerved of all readers.
Did you hear that? Sssshhhhh. I think it came from behind you. Whatever you do, don't open your eyes.
Readers who have a perpetual desire for answers and reasons may find the lack of explanation here troubling. I didn't. I was okay that we really don't know what the hell is going on and can only guess (and imagine our worst fears). If something like this ever goes down for real we'll be just as much in the dark as the characters in Bird Box discovering we are as much at the mercy of our ignorance and fear of the unknown as anything that may or may not be hunting us. ...more
This whole book left me stupid happy and deliriously impressed and I spent most of my time declaring:
Jesse would have loved Mark Watney. I lo4.5 stars
This whole book left me stupid happy and deliriously impressed and I spent most of my time declaring:
Jesse would have loved Mark Watney. I love Mark Watney. He's super smart but not just in a poindexter nerd alert bookish kind of way. Watney's got some serious problem solving skills; he's McGyver in a space suit. Give this guy a toothpick, some tinfoil and a ziplock bag and he'll build you an airplane. But don't forget the duct tape. Duct tape is awesome and I will be putting in a supply of it in order to survive the zombie apocalypse.
Watney is also a funny, the glass is half-full kind of guy who gets repeatedly knocked on his ass but finds a way to get right back up again. And who doesn't love a fighter?
The Martian is being referred to as Cast Away in space and that's pretty accurate as those things go. It's definitely an adventure survival story (my favorite kind), and just like Tom Hanks, Watney finds himself stranded and completely alone. The only difference is rather than washing up on a deserted island with a plethora of unopened FedEx packages, Watney finds himself abandoned on Mars with....well, you'll have to read the book to find out.
There's a lot of geeked out science descriptions, but I found most of it to be pretty accessible, even to a softcore sci-fi gal like myself. There's a real balance and warmth to the story as Watney battles with the unforgiving Mars environment that wants to kill him every time he turns around. It's thrilling and edge of your seat stuff with lots of laughs built in to break the inexorable tension.
No please, I insist: allow me to put myself out of my own damn misery.
#repetitive, #infodumps, #shallow world-bu Oh my aching, bloodydamn, gory balls!!
No please, I insist: allow me to put myself out of my own damn misery.
#repetitive, #infodumps, #shallow world-building, #repetitive, #show don't tell, #horrible characters, #repetitive, #stupid lingo, #boring, #made me want to hurt myself, #made me want to hurt somebody else #and this won an award? #you suck but not as much as this book, #when good ideas go very bad, #maybe i'm just bitter #am i drunk? #i wish i was drunk...more