This slim volume is brimming with historical information on the creation and evolution of the popular Pleasure Gardens in England.A great introduction
This slim volume is brimming with historical information on the creation and evolution of the popular Pleasure Gardens in England. Originally designed as a diversion for the rich, Pleasure Gardens such as Vauxhall Garden in London and Sydney Gardens in Bath not only featured beautifully landscaped walks and vistas, but halls for music and dancing. Given the size limitations of this book, it is a nice introduction to a topic that will appeal to historical fiction readers and history students. My one disappointment is that the lovely vintage images are not credited. Otherwise, the author’s research is impressive, taking the reader back to a time when the social scene meant putting on your best frock and leaving the house instead of poking your friends on Facebook.
During her prolific fifty-three year writing career, British author Georgette Heyer (1902-1974) wrote fifty-six historical romance and detective fictiDuring her prolific fifty-three year writing career, British author Georgette Heyer (1902-1974) wrote fifty-six historical romance and detective fiction novels. She was a pioneer in Regency romance, and is generally attributed by many for establishing the sub genre that is flourishing today. Stylish, witty and historically accurate, her humorous plots and memorable characters serve as the benchmark for new Regency romance writers.
In her lifetime Heyer publisher twenty-six Regency-era novels, many of which are again available in new editions by Sourcebooks and Harlequin Books. Renowned for her historical detail, to read a Heyer Regency romance is to be truly entrenched in the bon ton lifestyle in England from 1811 to 1820. Even though readers can enjoy her novels without understanding the entire historical context or nuanced meanings behind social customs and colloquialisms of the time, it is even more entertaining if you do. Georgette Heyer’s Regency World: The definitive guide to the people, places and society in Georgette Heyer’s Regency novels, by Jennifer Kloester offers an incredible resource for Jane Austen fans, Georgette Heyer enthusiasts and Regency-era novelists. Here you will find detailed cultural information on the aristocrats and gentry that populate her drawing room comedies. Learn the importance of social strata and the right connections, where to live in Town and the country, how to dress, eat and conduct yourself properly in polite society, where to shop for a fashionable frock, what type of carriage to tool down St. James Street in, which pleasure haunts to frequent in London, and, most importantly, who to be seen with and who to avoid socially. Also included are appendixes on de rigueur Regency era cant and common phrases that Heyer’s characters frequently use, a very helpful historical timeline and other pertinent information.
What elevates this book beyond a collection of historical facts is its organization and that the author places many of Heyer’s novels and characters in context to the categories and descriptions within the text. For example, Hero the young and naïve bride in Friday's Child soon learns the importance of proper language when she asks her husband Lord Sheringham about his ‘opera dancer’ and is quickly informed on the ways of the world by a brotherly friend. Unbeknownst to Hero who had received a negligent upbringing, young ladies vocabulary was strictly regulated and a slip such as asking her husband about his mistress could ruin her reputation if the conversation had been overheard outside the family. If you do not know what an ‘opera dancer’ is or their reputation for becoming the mistresses of the bon ton, then you missed an important aspect of Hero’s personality and Lord Sheringham’s position in society. The book is full of similarly helpful insights and I found myself learning more about Regency culture and developing a greater appreciation for Georgette Heyer’s skill as a writer as the book progressed. What a treasure!
Originally published in the UK in 2005 and reissued in 2008 by Arrow Books (Random House UK), Georgette Heyer’s Regency World is an import and not readily available in North American bookstores. I purchased my edition from Paperbackshop-US via Advanced Book Exchange, but I was happy to discover that Sourcebooks will be printing a new edition that will be available this August. Gentle Readers, since Sourcebooks is re-issuing it, we know it is more than worthy and the definitive guide to all things in Heyer’s world.
“To sit in the shade on a fine day, and look upon verdure, is the most perfect refreshment.” Fanny Price, Mansfield Park, Chapter 9
It seems quite fit“To sit in the shade on a fine day, and look upon verdure, is the most perfect refreshment.” Fanny Price, Mansfield Park, Chapter 9
It seems quite fitting that a quote from Jane Austen’s character Fanny Price, who is an astute observer of natural beauty, should open this book with such a succinct statement expressing her delight in being planted on the bench in Sotherton’s parkland to enjoy the serene beauty of the green landscape around her. Verdure is not a word that one runs across very often in contemporary writing but we should, because it vividly describes a scene and sensations in one word. It is no leap of the imagination that Fanny’s creator Jane Austen gave her such sentiments, for Jane dearly loved nature herself and included references to it and gardening in her novels and letters.
Author Kim Wilson must be a Fanny Price too, sensitive and observant to natures beauty as her new book In the Garden With Jane Austen is a verdurous delight, introducing us to Austen’s affinity to nature through the gardens she would have experienced in her own homes, family members and public gardens of Georgian and Regency England. This beautiful little volume is packed full of quotes from her novels and letters referencing her characters experiences in the garden and her own love of garden cultivation. It has always appeared to me that some of the best plot development in her novels happened while her characters were walking and I am reminded that her heroine’s Elizabeth Bennet, Catherine Morland, and Emma Woodhouse were all proposed to in a garden or on a woodland path. Hmm? Should we take a clue from this ladies and get your men outside?
Ms. Wilson has certainly done her research collecting many quotes and antecedents from Austen’s novels, letters and family lore effectively placing them in historical context and illustrated with beautiful photographs of the actual locations mentioned. I felt like I was on a personal garden tour of Austen’s life as I traveled from the cottage gardens of her home in Steventon and Chawton, to the manor house gardens of her family such as brother Edward at Godersham Park, Goodnestone Park, and Chawton House, and the estate of Stoneleigh Abbey owned by her cousins the Leigh’s. We are also treated to views of other famous estates that might have inspired settings in her novels such as Chatsworth House reputed to be the inspiration for Pemberley in Pride and Prejudice and Cottesbrook Hall for Mansfield Park.
Even though this is a lovely pictorial edition, the text is what really shines with so many facts and observations on how nature and gardens influenced Jane Austen’s life and writings. I will admit to a more than slight disappointment in the book’s small size and paperback format though in comparison to other comparably priced larger sized hardcover editions on the market.
I must confess a large prejudice in favor of this book even before it was published since it combined two of my passions, Jane Austen and gardening. When I finally had the book in hand, I was happy to discover that the last chapter is devoted to re-creating a Jane Austen inspired garden yourself reminiscent of a Regency or Georgian era. What a fanciful thought that plants that Austen admired can be obtained and grown either in a classic presentation, a few simple pots of garden herbs or her favorite flowering shrub the syringa placed by your front door to remind you everyday that looking upon verdure in the perfect refreshment.
My number one choice of Jane Austen inspired books of 2008
Has Jane Austen risen to a major pop-culture presence? Author Rebecca Dickson confidently thMy number one choice of Jane Austen inspired books of 2008
Has Jane Austen risen to a major pop-culture presence? Author Rebecca Dickson confidently thinks so, and her thoughtfully researched and beautifully illustrated new edition Jane Austen: An Illustrated Treasury is quite a persuasive testament. Any doubting Thomas’ will be hard pressed to argue against the evidence skillfully presented in this volume. Not only are the carefully chosen Regency era images complementary to her expertly written text, the overall friendly and visually appealing design and its incredible value place it as my number one choice of Jane Austen inspired books of 2008.
Surprisingly, this volume is not just a fluffy image gallery packed with pretty pictures. Rebecca Dickson is an Austen scholar and instructor of writing and literature at the University of Colorado at Boulder with a doctorate in English Literature with a specialty in eighteenth-century writers. A professed Austen enthusiast since reading Pride and Prejudice in High School, Dickson has written an inspiring tribute to her favorite author geared to the everyman reader. Her style is open and engaging and I never once felt the scholarly mantle descend to befuddle the text. The opening introduction and short biography are followed by six chapters devoted to each of Jane Austen’s major novels: Sense and Sensibility, Pride and Prejudice, Mansfield Park, Emma, Northanger Abbey and Persuasion. Within each novel chapter, Dickson not only discusses the novel’s plot, characters, highlights and impact on classic literature, but places it in context to Jane Austen’s life and her times. In the chapter on Pride and Prejudice for instance, she has included its publishing evolution from first draft in 1797 as First Impressions, to Austen’s father’s failed attempt at publication, to its final acceptance and publication sixteen years later in 1813, interweaving the changes in Austen’s life and her financial situation adding impact and interest. Interspersed throughout the chapter are quotes from the text acting like ‘fact bites’ emphasizing important points. The images selected stunningly present illustrations from Austen’s novels by the late Victorian artists Hugh Thomson, C.E. and H.M. Brock, vintage paintings and contemporary movie stills. The surprise bonus is removable reproductions of actual documents ranging from copies of handwritten letters by Jane Austen to a page of the rough draft of Persuasion.
My one disappointment (and it is a trifle) is in the cover design which is adequately pretty, but has nothing to do with Jane Austen, nor adds any Regency era feel or interest to entice buyers to open, explore and purchase this book. Given the length of thoughtful research and numerous images included in this glorious edition, one hopes that buyers will truly not judge its value by its cover. Highly giftable as an introduction to Jane Austen or as a tribute to the indoctrinated Janeite, reading this lovely volume will leave few in doubt of Jane Austen’s position as pop-culture icon and literary genius.
Ok, who wants to be called a dummy, or heaven forbid, admit that you are a dummy? Show of hands please. Well, not me, and certainly not any of those aOk, who wants to be called a dummy, or heaven forbid, admit that you are a dummy? Show of hands please. Well, not me, and certainly not any of those accomplished, well educated, and urbane literati who call themselves Janeites! Right? So, Jane Austen for Dummies? Let’s be kind folks. Would Jane approve?
As a bookseller, I have seen the amazing rise in popularity of the Dummies book series over the last decade that has fueled Wiley Publishing into a mighty empire. There are now Dummies books available on every imaginable subject from Beekeeping for Dummies to Napoleon for Dummies; the list of titles is staggering.
When Jane Austen for Dummies hit the book stores in 2006, I was repulsed. The words in the title are a diametric polar vertex; complete opposites to my feelings of what MY Jane Austen stood for. As Lizzy Bennet said when she heard that Charlotte Lucas was engaged to Mr. Collins, “impossible”.
Among my merry Internet travels, I ran across this great article entitled, Jane Austen, Yadda, Yadda, Yadda, in which the book Jane Austen for Dummies is sandwiched in as an example of how the recent Austen mania has teetered off the edge of decorum.
“In addition, when constructing our soundbites, we ought not to forget the sheer breadth of today’s Austen craze; it’s more than just films and television adaptations we’re in for. New books have appeared, too, like Confessions of a Jane Austen Addict (2007) and Jane Austen for Dummies (2006). Though I worry that these books make reading her fiction sound like something done at an Alcoholics Anonymous meeting for slow learners, surely it’s not too late for some well-placed damage control?”
Ouch. I was a bit suspicious as the author, Prof. Devoney Looser, had lumped Confessions of a Jane Austen Addict into the mix. I had read it. In my opinion, it was not insulting to the memory of Miss Austen. Quite the contrary. Pastiche’s can be the closest form of a complement around. So was my first impression of Jane Austen for Dummies correct?
As I finished reading the article, I noticed that the author of Jane Austen for Dummies, Joan Klingel Ray, PhD, had posted a comment responding to the mention of her book in such an unprudential light, - and she was really going after the slight full force.
“But as the author of JANE AUSTEN FOR DUMMIES, I take issue with her grouping my book with CONFESSIONS OF A JANE AUSTEN ADDICT, which like other books of that ilk tap into Austen’s name recognition to sell fiction, dating guides, courtesy guides, etc.”
Ok Dr. Klingel Ray. I know that you are a past president of The Jane Austen Society of North America (2000-2006), and I curtsy reverently, but that condescension of another author’s work, and the genre in general was just mean, and not worthy of your rank and education. This seems to be turning into a kicking match that Caroline Bingley would be pleased to join in.
“Had Professor Looser even skimmed JANE AUSTEN FOR DUMMIES, she would have seen that, like other books in the “Dummies” series, JANE AUSTEN FOR DUMMIES is written to introduce interested persons to a subject-in this case, Jane Austen-in a straightforward, accessible way. Specifically, JANE AUSTEN FOR DUMMIES explains to today’s readers of Austen’s fiction the cultural background of the novels that Austen, of course, assumed, her original readers-her contemporaries-would have immediately understood, but which may baffle today’s readers.”
She continues, at length, to elaborate the charms and practicalities of Jane Austen for Dummies, and concludes…
“So rather than preciously worrying about damage control, Professor Looser might read and then give the university employee a copy of JANE AUSTEN FOR DUMMIES, designed for those who wish to be Austen-Smarties, but need just a little extra information about Austen and her times to become so. In fact, if Professor Looser sends me the university employee’s name and school address, I will send him an autographed copy of the book.”
Ooo, Jane Austen academic cat fight!
The next day at work, intrigued by the brouhaha, I track down Jane Austen for Dummies, and you know, Dr. Klingel Ray was right. Anyone who reads this book will become a Jane Austen Smarty, which is much more agreeable to my sensibilities than being a dummy any day! It is a fun and fact filled volume, great for an introduction to Jane Austen, a brush up, or further research sources. Deeply readable, it truly demystifies our authoress, and adds to her charms. Thanks Dr. Klingel Ray. Now if you could sallie forth and gently nod to all of those Austenesque writers who did not intend to rip-off Jane Austen, there could be harmony and plenty in the Jane Austen community.
Informative, impertinent and indispensable - a fun how-to book for any unaccomplished young lady
Filled with pertinent facts that every Regency Miss shInformative, impertinent and indispensable - a fun how-to book for any unaccomplished young lady
Filled with pertinent facts that every Regency Miss should be aware of to become truly accomplished, it is easy for us to recommend this great little how-to book to our readers because we have used it personally over the past four years whenever we had a question regarding deportment, dancing, playing an instrument, frock shopping and making love (in the Regency context mind you) – the top five most critical social aspects to any young Regency ladies life. One can also throw in letter writing, entertaining house guests and managing a household and just about anything else our dear Austen heroines Elinor and Marianne Dashwood, Elizabeth Bennet, Emma Woodhouse or Anne Elliot already know that might qualify them as a truly accomplished young lady in Mr. Darcy’s eyes. We shall not add Catherine Morland and Fanny Price into the mix. They are exceptions to the rule and shall be forgiven their lack of education, and might well benefit from this slim volume.
Besides being wise, this volume is also very witty, and that is where we take full enjoyment of its tongue-in-cheek manner. Who would not want to know how to choose a prospective husband (What? They do not choose us? Is that not the unspoken belief among all beaux?), how to decline an unwanted marriage proposal (Lizzy Bennet might offer some advice to Fanny Price on this too!), carry off a secret engagement (Lucy Steele and Jane Fairfax would benefit from modern Prozac no doubt), or elope to Gretna Green (Lydia Bennet FAIL). There are also other tidbits that really made us laugh too. Each page turn brought more delightful and humorous illustrations by Kathryn Rathke and informative vignettes of examples from Jane Austen’s novels like: Who Died and Made Mr. Collins the Heir of Longbourn? or the Worst (and Funniest) Proposals in Jane Austen’s Novels. *snort*
Informative, impertinent and indispensable, The Jane Austen Handbook is a must have for anyone eager to understand anything from the obvious to the nuanced differences of society in Regency England. Lest we think this frivolous fare, it also contains a brief, but well-written bio of Jane Austen, summaries of the major novels and minor works, a glossary, a list of modern film adaptions through 2007, resources online: websites and blogs (we are forgotten, *sniff*), Austen societies, Austen places to visit, libraries and archives, and a select bibliography. Lastly, we know that Mary Bennet would happily offer her pedantic stamp of approval of this volume because it contains a full index for ease of access to Janeites on the fast track to becoming truly accomplished.