Most biographies of Jane Austen will reveal the quiet life of maiden Aunt Jane, who scribbled in secret, loved to dance, and lived her entire life in...moreMost biographies of Jane Austen will reveal the quiet life of maiden Aunt Jane, who scribbled in secret, loved to dance, and lived her entire life in the country removed from the chaos of the world. Did you also know that she was also romantic, tragic and mysterious?
Patrice Hannon's 101 Things You Didn't Know About Jane Austen: The Truth About The World's Most Intriguing Literary Heroine,is a gem of little Austenisms quite suitable for gift giving. Despite having one of the longest and most misleading titles of any book about Jane Austen of recent memory, the content is as appealing as the easy to read format.
In Jane Austen's 18th-century world, acquired knowledge was considered one of the most powerful and important skills of a polished society. Today we recognize the same benefits, but want our education to be forthright and expeditious. For anyone interested in the knowledge of Jane Austen's life and works in a compact and fact driven format, this book can serve as a great resource and quick reference. Categorized into seven parts Birth of a Heroine, Brilliant Beginnings, Silence and Disappointed Love, The Glorious Years, Heroes and Heroines, Untimely Death, and Austen and Popular Culture: From Eighteenth Century to the Twenty-First, this illuminating guide takes you through all aspects of Jane Austen's life journey and writing experience, revealing common facts, new insights, and minutia.
If you are interested, as I was, to know which heroine most resembles the author herself, who were the real Elizabeth Bennet and Mr. Darcy and why Jane never married, you will not be disappointed in this bright little book that is well researched, engaging, and incredibly practical.
Did you know that a phaeton was one of the most dangerous carriages used in the Georgian and Regency period? Its tall design and overall lightness mad...moreDid you know that a phaeton was one of the most dangerous carriages used in the Georgian and Regency period? Its tall design and overall lightness made it vulnerable to tipping, and may be one of the reasons why Jane Austen chose to use it in the carriage accident scene in her early novel Love and Friendship. Knowing this fact sheds a whole new light when we see one used again in Pride and Prejudice by the heiress Anne de Bourgh. Is Austen sending us another message by her selection of carriage? Unless the reader knows the difference between a phaeton, barouche or gig and their safety, they are missing out on important character analysis.
All Things Austen: A Concise Encyclopedia of Austen’s World can clarify the puzzling bits about the Georgian and Regency world. Offering modern readers a great resource into Austen’s cultural, political and physical environments, this concise volume is arranged alphabetically by topic and cross referenced to actual passages in the third edition of the Oxford Illustrated Novels of Jane Austen. Readers can identify items or subjects mentioned in her text and discover their use or meanings in context to the times. With well over 70 topics ranging from social titles and rank, life in the military or taking the waters in Bath, each well researched and expertly described entry will give Jane Austen students and devotees a wealth of historical and cultural information.
This new volume is actually a condensed version of All Things Austen: An Encyclopedia of Austen’s World, an extensive two volume set published in 2005. Author Kirstin Olsen has paired down her full encyclopedia by selecting key topics still supplying more than enough information to keep you well informed and reading for hours. Her meticulous research is written in a style accessible to the average reader, yet offering enough detail to intrigue the serious student. A perfect reference for Austen students, enthusiasts or Regency era writers, my only disappointment was in the quality and quantity of illustrations. She does offer reference call numbers to images viewable online at the Lewis Walpole Library to explore them in color and greater detail. Considering that this is a condensed edition, this is an excellent additional resource to readers with Internet access. Please do not be put off by the blatant error in the first line of the liner notes associating Willoughby with the novel Pride and Prejudice. Ms. Olsen obviously did not write them, and considering her monumental effort, this editing oversight should not disqualify this book’s greater benefits.(less)
“To sit in the shade on a fine day, and look upon verdure, is the most perfect refreshment.” Fanny Price, Mansfield Park, Chapter 9
It seems quite fit...more“To sit in the shade on a fine day, and look upon verdure, is the most perfect refreshment.” Fanny Price, Mansfield Park, Chapter 9
It seems quite fitting that a quote from Jane Austen’s character Fanny Price, who is an astute observer of natural beauty, should open this book with such a succinct statement expressing her delight in being planted on the bench in Sotherton’s parkland to enjoy the serene beauty of the green landscape around her. Verdure is not a word that one runs across very often in contemporary writing but we should, because it vividly describes a scene and sensations in one word. It is no leap of the imagination that Fanny’s creator Jane Austen gave her such sentiments, for Jane dearly loved nature herself and included references to it and gardening in her novels and letters.
Author Kim Wilson must be a Fanny Price too, sensitive and observant to natures beauty as her new book In the Garden With Jane Austen is a verdurous delight, introducing us to Austen’s affinity to nature through the gardens she would have experienced in her own homes, family members and public gardens of Georgian and Regency England. This beautiful little volume is packed full of quotes from her novels and letters referencing her characters experiences in the garden and her own love of garden cultivation. It has always appeared to me that some of the best plot development in her novels happened while her characters were walking and I am reminded that her heroine’s Elizabeth Bennet, Catherine Morland, and Emma Woodhouse were all proposed to in a garden or on a woodland path. Hmm? Should we take a clue from this ladies and get your men outside?
Ms. Wilson has certainly done her research collecting many quotes and antecedents from Austen’s novels, letters and family lore effectively placing them in historical context and illustrated with beautiful photographs of the actual locations mentioned. I felt like I was on a personal garden tour of Austen’s life as I traveled from the cottage gardens of her home in Steventon and Chawton, to the manor house gardens of her family such as brother Edward at Godersham Park, Goodnestone Park, and Chawton House, and the estate of Stoneleigh Abbey owned by her cousins the Leigh’s. We are also treated to views of other famous estates that might have inspired settings in her novels such as Chatsworth House reputed to be the inspiration for Pemberley in Pride and Prejudice and Cottesbrook Hall for Mansfield Park.
Even though this is a lovely pictorial edition, the text is what really shines with so many facts and observations on how nature and gardens influenced Jane Austen’s life and writings. I will admit to a more than slight disappointment in the book’s small size and paperback format though in comparison to other comparably priced larger sized hardcover editions on the market.
I must confess a large prejudice in favor of this book even before it was published since it combined two of my passions, Jane Austen and gardening. When I finally had the book in hand, I was happy to discover that the last chapter is devoted to re-creating a Jane Austen inspired garden yourself reminiscent of a Regency or Georgian era. What a fanciful thought that plants that Austen admired can be obtained and grown either in a classic presentation, a few simple pots of garden herbs or her favorite flowering shrub the syringa placed by your front door to remind you everyday that looking upon verdure in the perfect refreshment.
My number one choice of Jane Austen inspired books of 2008
Has Jane Austen risen to a major pop-culture presence? Author Rebecca Dickson confidently th...moreMy number one choice of Jane Austen inspired books of 2008
Has Jane Austen risen to a major pop-culture presence? Author Rebecca Dickson confidently thinks so, and her thoughtfully researched and beautifully illustrated new edition Jane Austen: An Illustrated Treasury is quite a persuasive testament. Any doubting Thomas’ will be hard pressed to argue against the evidence skillfully presented in this volume. Not only are the carefully chosen Regency era images complementary to her expertly written text, the overall friendly and visually appealing design and its incredible value place it as my number one choice of Jane Austen inspired books of 2008.
Surprisingly, this volume is not just a fluffy image gallery packed with pretty pictures. Rebecca Dickson is an Austen scholar and instructor of writing and literature at the University of Colorado at Boulder with a doctorate in English Literature with a specialty in eighteenth-century writers. A professed Austen enthusiast since reading Pride and Prejudice in High School, Dickson has written an inspiring tribute to her favorite author geared to the everyman reader. Her style is open and engaging and I never once felt the scholarly mantle descend to befuddle the text. The opening introduction and short biography are followed by six chapters devoted to each of Jane Austen’s major novels: Sense and Sensibility, Pride and Prejudice, Mansfield Park, Emma, Northanger Abbey and Persuasion. Within each novel chapter, Dickson not only discusses the novel’s plot, characters, highlights and impact on classic literature, but places it in context to Jane Austen’s life and her times. In the chapter on Pride and Prejudice for instance, she has included its publishing evolution from first draft in 1797 as First Impressions, to Austen’s father’s failed attempt at publication, to its final acceptance and publication sixteen years later in 1813, interweaving the changes in Austen’s life and her financial situation adding impact and interest. Interspersed throughout the chapter are quotes from the text acting like ‘fact bites’ emphasizing important points. The images selected stunningly present illustrations from Austen’s novels by the late Victorian artists Hugh Thomson, C.E. and H.M. Brock, vintage paintings and contemporary movie stills. The surprise bonus is removable reproductions of actual documents ranging from copies of handwritten letters by Jane Austen to a page of the rough draft of Persuasion.
My one disappointment (and it is a trifle) is in the cover design which is adequately pretty, but has nothing to do with Jane Austen, nor adds any Regency era feel or interest to entice buyers to open, explore and purchase this book. Given the length of thoughtful research and numerous images included in this glorious edition, one hopes that buyers will truly not judge its value by its cover. Highly giftable as an introduction to Jane Austen or as a tribute to the indoctrinated Janeite, reading this lovely volume will leave few in doubt of Jane Austen’s position as pop-culture icon and literary genius.
Ok, who wants to be called a dummy, or heaven forbid, admit that you are a dummy? Show of hands please. Well, not me, and certainly not any of those a...moreOk, who wants to be called a dummy, or heaven forbid, admit that you are a dummy? Show of hands please. Well, not me, and certainly not any of those accomplished, well educated, and urbane literati who call themselves Janeites! Right? So, Jane Austen for Dummies? Let’s be kind folks. Would Jane approve?
As a bookseller, I have seen the amazing rise in popularity of the Dummies book series over the last decade that has fueled Wiley Publishing into a mighty empire. There are now Dummies books available on every imaginable subject from Beekeeping for Dummies to Napoleon for Dummies; the list of titles is staggering.
When Jane Austen for Dummies hit the book stores in 2006, I was repulsed. The words in the title are a diametric polar vertex; complete opposites to my feelings of what MY Jane Austen stood for. As Lizzy Bennet said when she heard that Charlotte Lucas was engaged to Mr. Collins, “impossible”.
Among my merry Internet travels, I ran across this great article entitled, Jane Austen, Yadda, Yadda, Yadda, in which the book Jane Austen for Dummies is sandwiched in as an example of how the recent Austen mania has teetered off the edge of decorum.
“In addition, when constructing our soundbites, we ought not to forget the sheer breadth of today’s Austen craze; it’s more than just films and television adaptations we’re in for. New books have appeared, too, like Confessions of a Jane Austen Addict (2007) and Jane Austen for Dummies (2006). Though I worry that these books make reading her fiction sound like something done at an Alcoholics Anonymous meeting for slow learners, surely it’s not too late for some well-placed damage control?”
Ouch. I was a bit suspicious as the author, Prof. Devoney Looser, had lumped Confessions of a Jane Austen Addict into the mix. I had read it. In my opinion, it was not insulting to the memory of Miss Austen. Quite the contrary. Pastiche’s can be the closest form of a complement around. So was my first impression of Jane Austen for Dummies correct?
As I finished reading the article, I noticed that the author of Jane Austen for Dummies, Joan Klingel Ray, PhD, had posted a comment responding to the mention of her book in such an unprudential light, - and she was really going after the slight full force.
“But as the author of JANE AUSTEN FOR DUMMIES, I take issue with her grouping my book with CONFESSIONS OF A JANE AUSTEN ADDICT, which like other books of that ilk tap into Austen’s name recognition to sell fiction, dating guides, courtesy guides, etc.”
Ok Dr. Klingel Ray. I know that you are a past president of The Jane Austen Society of North America (2000-2006), and I curtsy reverently, but that condescension of another author’s work, and the genre in general was just mean, and not worthy of your rank and education. This seems to be turning into a kicking match that Caroline Bingley would be pleased to join in.
“Had Professor Looser even skimmed JANE AUSTEN FOR DUMMIES, she would have seen that, like other books in the “Dummies” series, JANE AUSTEN FOR DUMMIES is written to introduce interested persons to a subject-in this case, Jane Austen-in a straightforward, accessible way. Specifically, JANE AUSTEN FOR DUMMIES explains to today’s readers of Austen’s fiction the cultural background of the novels that Austen, of course, assumed, her original readers-her contemporaries-would have immediately understood, but which may baffle today’s readers.”
She continues, at length, to elaborate the charms and practicalities of Jane Austen for Dummies, and concludes…
“So rather than preciously worrying about damage control, Professor Looser might read and then give the university employee a copy of JANE AUSTEN FOR DUMMIES, designed for those who wish to be Austen-Smarties, but need just a little extra information about Austen and her times to become so. In fact, if Professor Looser sends me the university employee’s name and school address, I will send him an autographed copy of the book.”
Ooo, Jane Austen academic cat fight!
The next day at work, intrigued by the brouhaha, I track down Jane Austen for Dummies, and you know, Dr. Klingel Ray was right. Anyone who reads this book will become a Jane Austen Smarty, which is much more agreeable to my sensibilities than being a dummy any day! It is a fun and fact filled volume, great for an introduction to Jane Austen, a brush up, or further research sources. Deeply readable, it truly demystifies our authoress, and adds to her charms. Thanks Dr. Klingel Ray. Now if you could sallie forth and gently nod to all of those Austenesque writers who did not intend to rip-off Jane Austen, there could be harmony and plenty in the Jane Austen community.
Informative, impertinent and indispensable - a fun how-to book for any unaccomplished young lady
Filled with pertinent facts that every Regency Miss sh...moreInformative, impertinent and indispensable - a fun how-to book for any unaccomplished young lady
Filled with pertinent facts that every Regency Miss should be aware of to become truly accomplished, it is easy for us to recommend this great little how-to book to our readers because we have used it personally over the past four years whenever we had a question regarding deportment, dancing, playing an instrument, frock shopping and making love (in the Regency context mind you) – the top five most critical social aspects to any young Regency ladies life. One can also throw in letter writing, entertaining house guests and managing a household and just about anything else our dear Austen heroines Elinor and Marianne Dashwood, Elizabeth Bennet, Emma Woodhouse or Anne Elliot already know that might qualify them as a truly accomplished young lady in Mr. Darcy’s eyes. We shall not add Catherine Morland and Fanny Price into the mix. They are exceptions to the rule and shall be forgiven their lack of education, and might well benefit from this slim volume.
Besides being wise, this volume is also very witty, and that is where we take full enjoyment of its tongue-in-cheek manner. Who would not want to know how to choose a prospective husband (What? They do not choose us? Is that not the unspoken belief among all beaux?), how to decline an unwanted marriage proposal (Lizzy Bennet might offer some advice to Fanny Price on this too!), carry off a secret engagement (Lucy Steele and Jane Fairfax would benefit from modern Prozac no doubt), or elope to Gretna Green (Lydia Bennet FAIL). There are also other tidbits that really made us laugh too. Each page turn brought more delightful and humorous illustrations by Kathryn Rathke and informative vignettes of examples from Jane Austen’s novels like: Who Died and Made Mr. Collins the Heir of Longbourn? or the Worst (and Funniest) Proposals in Jane Austen’s Novels. *snort*
Informative, impertinent and indispensable, The Jane Austen Handbook is a must have for anyone eager to understand anything from the obvious to the nuanced differences of society in Regency England. Lest we think this frivolous fare, it also contains a brief, but well-written bio of Jane Austen, summaries of the major novels and minor works, a glossary, a list of modern film adaptions through 2007, resources online: websites and blogs (we are forgotten, *sniff*), Austen societies, Austen places to visit, libraries and archives, and a select bibliography. Lastly, we know that Mary Bennet would happily offer her pedantic stamp of approval of this volume because it contains a full index for ease of access to Janeites on the fast track to becoming truly accomplished.
Author, and Jane Austen scholar Maggie Lane's lushly illustrated and thoroughly delightful volume on Jane Austen's life, times and works is one of my...moreAuthor, and Jane Austen scholar Maggie Lane's lushly illustrated and thoroughly delightful volume on Jane Austen's life, times and works is one of my Austen favorites in my library.
I gravitate to this lovely volume on my shelf when I need a quick Austen escape. Its large coffee table format allows for lush color photographs and period illustrations on each page, and author Maggie Lane was cleverly arranged the keynotes into five chapters, representing important aspects of Austen's world; Who was Jane Austen? Daily Life in Jane Austen's England, Society and the Spirit of the Age, The Visual World, and The Immortal Jane Austen. This volume also includes a well written introduction, chronology, helpful index and author's acknowledgments. Here is an example of the first topic in chapter one...
Chapter One: Who is Jane Austen?
The Woman: We learn about Jane Austen's birth, family and home environment that nurtured her genius. Her physical appearance, character and personality are described and exemplified by Lane's thorough research, aptly including insightful quotes from her letters and family reflections.
"Her unusually quick sense of the ridiculous inclined her to play with the trifling commonplaces of everyday life, whether as regarded people or things; but she never played with its serious duties or responsibilities - when she was grave, she was very grave." Anna Austen Lefroy
Inevitably, comparisons of Austen's personality lead to the paring of her attitudes and personality with the characteristics of her own heroines. Even though each of her heroines is highly individual, Lane hints at similarities in the characters of Elizabeth Bennet, Emma Woodhouse and Anne Elliot, and though I agree for the most part, I was amused to see how one can find what they need to suit, by reason and ingenuity.
The chapters are broken down further by topics and continue in chapter one as follows; The Writer, Beliefs and Values, The Letters, The Portraits, Family Background, Home at Steventon, The six brothers, Some female relations, Love and friendship, Family visits, Bath and the West Country, and Return to Hampshire.
Even though Maggie Lane is qualified to write a scholarly treatise, she knows her audience, and her light style is approachable and engaging. She includes enough biographical and historical detail to introduce us to the subject, and not weigh it down with heavy language and minutia. The photographs and illustration have been thoughtfully selected, significant to the topic, and important historically. Her scholarship is exemplary.
This is my favorite Austen book to give as a gift as an introduction to Jane Austen, and as eye candy to the indoctrinated. It has never failed to please, and I hope that we shall see many additional editions for future readers.