There is so much surprise, fear, and accomplishment in this award-winning novella that the story feels longer (and you might wish it was longer) thanThere is so much surprise, fear, and accomplishment in this award-winning novella that the story feels longer (and you might wish it was longer) than it is. A beautifully told tale sprouting from the all-too-familiar shades of Earthly prejudice into a rich universe of possibility. Binti, the girl and book, is wonderful....more
A massive and massively entertaining novel steeped in the science of asteroid mining, micro-droids, off-earth habitation, and a little evolutionary biA massive and massively entertaining novel steeped in the science of asteroid mining, micro-droids, off-earth habitation, and a little evolutionary biology, among other topics, but grounded with characters sympathetic enough that the occasional few pages of scientific or historical introduction serve as needed preface for the excitement to come. Unlike another popular engineering novel, The Martian, Stephenson's cast seems fully formed and of a sum greater than simple quirkiness. This novel is pro-women*, speculative with a strong base in reality, and, simply put, fun to read. There is a break in the novel that takes some adjustment, likely due to the success of the first half, but, as with those chunks of moon that are the impetus of most of what happens here, all the parts fit together nicely. With its split, the story becomes more interesting still.
*Eventually this trait is going to be common enough that we'll all stop being so surprised to see it. This book felt like a glimpse of the future in this regard, too....more
A frightening premise -- near all the world's women are murdered via a plague bred and borne by man -- whose most interesting ramifications occur in tA frightening premise -- near all the world's women are murdered via a plague bred and borne by man -- whose most interesting ramifications occur in the outskirts of the novel. Imagine living, as some here do, in a hermetic tube. Outside you glimpse what you can only imagine on the macro-scale: The effect of the plague on the family unit, on western power structures, the treatment of those surviving women after such an event. But in the tube itself, the focus of the book, the plague seems an excuse to ponder Ireland's history, its contemporary religious war, and really, in the end, the novel is a book about religion. This reads as plague-as-metaphor. So in our terrorist-fearing, post-9/11 world, this book becomes both dated and more relevant. Surely, for example, the actions of the IRA in Herbert's 1980's would find harsher definition now? But for the non-religious, and those who might feel that the view from this tube is largely myopic, the book is too, well, preachy. Or perhaps the bias comes simply from our contemporary preference to hash out all the horrible details. In 2016, we want to talk directly to the plague, not the men or god behind it. This book, like the world, I almost thought would never end....more
With a more coherent and more believable premise than, say, Veronica Roth's Divergent series, Legend establishes an Orwellian police state (somethingWith a more coherent and more believable premise than, say, Veronica Roth's Divergent series, Legend establishes an Orwellian police state (something that feels akin to the society of Maureen McHugh's China Mountain Zhang), whose boundaries are defined no less violently. It's one of these episodes of violence that centers the moral system of Lu's world -- once this crime is committed, the lines are very clearly drawn. But it is an act that is hard to stomach, and that seems shocking even with romantic/violent predecessors like Divergent and The Hunger Games. Does it work to ground this created reality? Do the stakes from here on out seem more real? It does. They do. But it also demands that every other event reach that same level of realism -- the romance can't be stilted; the politics must feel genuine; the alternatives that the main characters fight for must feel, in short, worth it, otherwise the violence that Lu asks readers to go along with -- this one violent act in particular -- becomes theater with no real pain, and no real consequence, to make it seem honest. It short, it risks becoming a melodrama about revenge. I enjoyed Legend, but it's asked me to root for a certain kind of humanity after an extraordinarily inhumane act was displayed. I'm not so lovestruck as yet to follow blindly....more
Including creatures from the show's past, several ingenious plot twists, a few enjoyable winks to time travel, and with writing that feels true to theIncluding creatures from the show's past, several ingenious plot twists, a few enjoyable winks to time travel, and with writing that feels true to the established characters while adding its own freshness and originality, "The Silent Stars Go By" is a perfect novel for fans of Doctor Who. ...more
This sixty-page short story is a brief but enjoyable distraction that adds really nothing to the Doctor Who cannon, though it does do a good job of coThis sixty-page short story is a brief but enjoyable distraction that adds really nothing to the Doctor Who cannon, though it does do a good job of contextualizing the adventure with those from the television show. My one question is how (view spoiler)[the central cast would have fliers for children who have gone missing while they are yet to witness the abductions (hide spoiler)]? I may not have been reading close enough to have noticed the time travel necessary for that to happen being made explicit....more
Continuing Divergent's storyline of faction rivalry and confused romance, Insurgent adds conflicted family allegiance to the massive plot, giving TrisContinuing Divergent's storyline of faction rivalry and confused romance, Insurgent adds conflicted family allegiance to the massive plot, giving Tris and Four more reasons to distrust, fear, or forsake almost everyone they encounter in author Roth's dystopian Chicago. What's striking is how violent this series remains, with conflicts played out in large scale gun battles and the psychological effects of murder remaining a central conflict in the book. The series is still about identifying boundaries, familial and personal, to the end of creating individuals who better understand their role in a fractured society, but the tones remain dark throughout. The Divergent series is vivid, original, and frighteningly realistic (see also: acceptably cinematic) in its violence -- which either makes this story a stunning parable of modern times, or a set that points too sharp a finger when singling out the ills of our own failures of character....more
The perfect conclusion to a Young Adult trilogy that very rarely feels as if it were designed solely for young adults. The triangle is resolved, someThe perfect conclusion to a Young Adult trilogy that very rarely feels as if it were designed solely for young adults. The triangle is resolved, some relationships reach their natural conclusions, and the novel ends with a perfectly wry concluding line. The Hunger Games are a brilliant set of books for any reader....more
Starting off as what seems like a parable on the perils of cliques, Divergent takes, by novel's end, surprising and violent turns to successfully estaStarting off as what seems like a parable on the perils of cliques, Divergent takes, by novel's end, surprising and violent turns to successfully establish not only a believably fragile romance, but a shocking take on Chicago (and therefore America) at the edge of extinction. Without seeming derivative, Divergent captures some of the strong characterization and accessible family portraits of The Hunger Games, while finding enough distance from that influence to say something new about the creation (and elimination) of boundaries within the search for individual identity. Readers may see the ending coming, but they probably won't guess much of what happens along the way....more
However unnecessary to making The Hunger Games enjoyable as a stand alone novel, Catching Fire manages to be a sequel that visits familiar territory wHowever unnecessary to making The Hunger Games enjoyable as a stand alone novel, Catching Fire manages to be a sequel that visits familiar territory while creating entirely new appeal. Existing characters are given greater depth, while new ones are vivid and believable. Even scenarios designed to mirror certain events in the first book are recreated here in a way that sacrifices none of the tension for the repetition. I would not have thought a sequel could be as satisfying as its predecessor, but Catching Fire, though dependent on The Hunger Games, is an addition that mirrors the original while revealing more intricately cut sides to its evolving storyline. Brilliant....more
Balancing superior characters with a just-short of sci-fi plot, Predicteds is highly recommended for YA readers seeking strong and sympathetic femaleBalancing superior characters with a just-short of sci-fi plot, Predicteds is highly recommended for YA readers seeking strong and sympathetic female characters, realistically complicated and quirky adults, and for an honest portrayal of the complications, truces, and stop-and-start relationships that teenagers suffer through the years in which they come to learn themselves better. Most admirable is Seifert's characterization of central character Daphne as self-reliant and strong willed, yet wholly believable as a young woman who can fall for a boy without either sacrificing her integrity or belittling the equally as complicated emotions of her would-be partner. Similarly, Daphne's friends throughout the story move realistically across the spectrum of young adult friendships: sometimes Daphne and Dizzy are inseparable and others completely at ends. Yet natural interactions like these across the book never take a turn toward the unbelievable or overly dramatic. Seifert seems on the verge of finding in future novels the opportunity to explore even more complicated themes with equally as thoughtful characters. I very much enjoyed this book....more
Honestly, a person doesn't read Doctor Who novels expecting much beyond a day or two of escapism. But Dead of Winter is unexpectedly better than thatHonestly, a person doesn't read Doctor Who novels expecting much beyond a day or two of escapism. But Dead of Winter is unexpectedly better than that average, offering a burst of growth for the genre, while capturing the strange meta-consciousness of the Matt Smith-era scripts and translating it -- widely successfully -- into book form. Simply put, this is the kind of Doctor Who novel fans deserve to see more often.
The form here is brilliant: first-person remembrances, epistolary passages, subtle references to the larger historical context, and characterizations that not only feel true, but stretch the cast with emotions and experiences that reach beyond the show and make believable humans of these people. There are also several twists of plot to rival Steven Moffat's.
Viewers already know that Human Nature was rewritten into a successful episode for David Tennant, and fans should hope for the same with Dead of Winter and Matt Smith. The book is easily the best written and best plotted of the Doctor Who books I've read precisely because it treats itself as a novel first and not just an attempt to parrot an already successful show. A less-attentive author might feel fans would be just as happy with less, but James Goss has here accomplished something very special: a novel centered around Doctor Who that finds much more human experiences to talk about....more
If you judge by the spin-off novels, Rory Williams seems to be a more popular character these days than either Amy Pond or the program's namesake. TheIf you judge by the spin-off novels, Rory Williams seems to be a more popular character these days than either Amy Pond or the program's namesake. The latter two are fairly well characterized in "The Way Through The Woods" (except for a couple jarring and completely out-of-character pop culture references about role-playing games and the like), but Rory's clueless everyman is so easy to imitate (and offers such a better vantage than does The Doctor or a TARDIS-savvy Amy), authors apparently all want to have a go with him. You also notice pretty soon that however well written, The Doctor as a character is hardly present here. What keeps the novel afloat then is it's use of the conventions of time-travel: jumping into segments of a non-sequential story midstream, keeping the reader just out of pace with events, etc. Despite the nitpicking, this was a simply plotted but well told tale that you could imagine working as a show, and it's better than many of the episodes from the early days (faint praise here!). If you're a fan, it's worth the cost of admission....more
The Map of Time appears at first to be a collection of only loosely connected segments with no overriding theme or predictable approach to (whatever)The Map of Time appears at first to be a collection of only loosely connected segments with no overriding theme or predictable approach to (whatever) the subject at hand. Is it a novel of Time Travel? A period romance? Is there larger meaning in its oddly related pieces? The third section, with the help of a few very clever clues placed earlier in the book, finally brings to light the novel's purpose amid a whirlwind of ingenious overlap and crafty surprise. One downside to this construction, however, is that certain concepts pooh-poohed in the first two-thirds create suspicion upon their reappearance. The reader isn't sure who to trust, or for that matter, who is even real. The result is a book that could go one way or the other: its remarkable plotting, populated with terrific characters (Jane Wells steals every scene she's in), makes you wish you felt a greater sense of gravity at novel's end, but at heart, The Map of Time is escapist fare -- well done, but questionably memorable. One saving grace with this edition, however, and what might just push it to four stars here, is that the inclusion of H.G. Wells's original novel, The Time Machine, gives the reader the opportunity to appreciate how skillfully Felix Palma has recreated the tone of the era, and something of Wells's tenor. Then again, at 116, Wells's Time Traveler has put more than one love-letter to bed, even ones as attentive as this....more
This short story is a brief but valuable introduction to the eerie tone and uncomfortable tension that characterizes the Chaos Walking series. It's alThis short story is a brief but valuable introduction to the eerie tone and uncomfortable tension that characterizes the Chaos Walking series. It's also a refresher for those who haven't reads the series all the way through, and reminded me of how grim The Knife of Never Letting Go felt while reading it....more
For what it is, The Glamour Chase is fairly entertaining. The beginning started surprisingly strongly, with some nice depth added to Rory's backstoryFor what it is, The Glamour Chase is fairly entertaining. The beginning started surprisingly strongly, with some nice depth added to Rory's backstory -- which was undermined, sadly, in the bi-polar way in which he was praised then belittled, then praised again by those around him. The second half felt muddied, to me, and what was missing from this novel that the television show captures, I felt, is how well The Doctor engages those around him. In this novel that dialogue seemed perfunctory, though that may have been an attempt to capture Matt Smith's brilliant characterizations. There were a few lines that I had a hard time imagining the characters speaking, and far too many contemporary references to brand names and popular culture that pulled me out of the story each time they cropped up. The Glamour Chase is a good, brief escape overall, but less satisfying for having glimpsed some genuinely intriguing interactions buried beneath the tropes. ...more
If you spread the pieces of The Native Star over a table, this escapist novel seems to have everything: a cross-continent journey; a giant mutated racIf you spread the pieces of The Native Star over a table, this escapist novel seems to have everything: a cross-continent journey; a giant mutated raccoon; a small amount of romance; fun, if archetypical, characters (which equals here a somewhat predictable outcome); and a love of the magical/mechanical gadgets and the overlong, multi-syllabic, faux-19th century descriptions on which the genre of Steampunk survives. Together, these pieces never seem to reach much depth, but the goal is clearly like that of bad television: enough of a story to help you pass a few hours, and if you really want an escape, the promise of similar stories to come. Enjoyable enough, for what it is, I just wish enough here felt like something more. ...more