Ambitious, powerful, and very deserving of its place on the Hugo ballot. It's not an action-packed page-turner kind of story, but I found it very engaAmbitious, powerful, and very deserving of its place on the Hugo ballot. It's not an action-packed page-turner kind of story, but I found it very engaging and interesting. Some potent insights into human nature, and plenty of "Oh, wow!" moments....more
I believe this is Bai’s first novel, and it’s an impressive debut. Sword is a YA fantasy with swords (duh) and magic and kingdoms and betrayal and allI believe this is Bai’s first novel, and it’s an impressive debut. Sword is a YA fantasy with swords (duh) and magic and kingdoms and betrayal and all that good stuff.
The opening few chapters felt a little slow to me, mostly because what I was reading seemed familiar. We’re introduced to Kyali and her skill with fighting and swordplay, her brother Devin and his bardic magic, and their close friend the Princess Taireasa. But once the plot picked up, I was hooked hard. Much of the book made me feel like a kid again, getting caught up in the excitement and the battles and the prophecies and the characters and their relationships. It hits many of the notes of a good page-turning fantasy.
That brings up my other stumbling point, because while I love the tropes of fantasy and I’m generally thrilled to revisit them, there are a few I could do without. Early on, Kyali finds herself holding a room against multiple enemies while the princess escapes. They ask where the princess has gone, and naturally she refuses, which leads to this exchange.
“I think you will tell us eventually, general’s daughter.”
His meaning was plain.
Oh, gods, she thought — death, she had braced herself for. This possibility had never occurred to her.
She would just have to find a way to die, then. After she killed as many of these as came near her.
I almost stopped reading here. Not because the scene was bad or badly written, nor did it feel gratuitous. It’s simply not something I wanted to read.
But I kept reading, and I’m glad I did. The consequences to Kyali are intense, and shape her character for the rest of the book. But her internal struggle isn’t solely from the implied sexual assault (it’s never explicitly spelled out). There’s another kind of trauma related to her magic, and that turns her into…not a stone cold warrior, but a woman trying desperately to project that coldness in order to protect the people closest to her.
I enjoyed the use of prophecy. It’s another trope, but something about the way Bai wrote the story brought new energy to the idea. Prophecy isn’t a mysterious riddle. It’s not a set of plot coupons to be collected. Its a burden. It’s as much a mystery to be unraveled and understood as the political machinations and the clashes between armies. And it puts Kyali in the role of warrior, with her brother as the bard, which was a nice reversal.
The secondary characters were interesting and engaging. (For those who’ve read it, am I the only one who was shipping Devin and Prince Kinsey?) There’s a lot going on in this book, and all of the players fit the story, and were people I wanted to read about.
There’s an energy to the story that’s hard to describe. It might be a first novel thing. You should take this bit with a grain of salt, because I’m pretending to read the author’s mind, and that often ends badly…but reading the book, I could almost feel how excited the author was to share the story and these characters. That excitement and love and affects my own reading, which is a good thing.
Sword is book one in what I’m guessing will be a trilogy, so the end of the book isn’t the end of the story. No cliffhanger ending though, which I appreciate.
Overall, I think it’s a good book. I also recognize that some elements may not be to everyone’s taste....more
Okay, let's start with the publisher’s description:
“You ain’t gonna like what I have to tell you, but I’m gonna tell you anyway. See, my name is KarenOkay, let's start with the publisher’s description:
“You ain’t gonna like what I have to tell you, but I’m gonna tell you anyway. See, my name is Karen Memery, like memory only spelt with an e, and I’m one of the girls what works in the Hôtel Mon Cherie on Amity Street. Hôtel has a little hat over the o like that. It’s French, so Beatrice tells me.”
Hugo-Award winning author Elizabeth Bear offers something new in Karen Memory, an absolutely entrancing steampunk novel set in Seattle in the late 19th century—an era when the town was called Rapid City, when the parts we now call Seattle Underground were the whole town (and still on the surface), when airships plied the trade routes bringing would-be miners heading up to the gold fields of Alaska, and steam-powered mechanicals stalked the waterfront. Karen is a “soiled dove,” a young woman on her own who is making the best of her orphaned state by working in Madame Damnable’s high-quality bordello. Through Karen’s eyes we get to know the other girls in the house—a resourceful group—and the poor and the powerful of the town. Trouble erupts into her world one night when a badly injured girl arrives at their door, seeking sanctuary, followed by the man who holds her indenture, who has a machine that can take over anyone’s mind and control their actions. And as if that wasn’t bad enough, the next night brings a body dumped in their rubbish heap—a streetwalker who has been brutally murdered.
What the publisher really should have opened with is the fact that this book features a steam-powered Singer sewing machine mecha-suit that’s been heavily modified and upgraded. Readers might ask if it really makes logical sense to transform a sewing machine into something so complicated and mechanically convoluted. To which one could reply, “Who cares? It’s a freaking sewing machine mech!”
While there are other elements that are just plain fun, there’s a lot more going on in this book. You’ve got a group of women teaming up against several different layers of villainy, from a serial killer to large-scale political mind-control schemery. There’s high-stakes action with a nice bit of romance thrown in. Some of the plot revelations and twists at the end came a little too fast for me, but that might be a matter of personal taste.
Karen and company aren’t exactly the privileged class of 19th century society, and Bear doesn’t ignore the prejudices of the time. She’s worked to create a diverse cast of characters, but those characters face additional challenges. Marshal Bass Reeves is a black man, and at one point is threatened with lynching. His partner, a Comanche named Tomoatooah, is forced to flee the town. And while Karen is relatively open-minded and accepting, you also see her using the language of the times, and occasionally stumbling over her own prejudices.
While Karen and her allies live and work in a bordello, nothing sexual happens on the page. Karen’s life isn’t romanticized, either. Bear acknowledges that this can be ugly work. But it’s not something that needs to be on the page for the story Bear’s telling.
Bear brings together a strong plot, an engaging voice, and good characters. (I’m particularly fond of the foul-mouthed Madame Damnable.)...more
I loved Lord’s debut novel, so I was very much looking forward to what she did next.
Here’s the publisher’s description:
A proud and reserved alien soci
I loved Lord’s debut novel, so I was very much looking forward to what she did next.
Here’s the publisher’s description:
A proud and reserved alien society finds its homeland destroyed in an unprovoked act of aggression, and the survivors have no choice but to reach out to the indigenous humanoids of their adopted world, to whom they are distantly related. They wish to preserve their cherished way of life but come to discover that in order to preserve their culture, they may have to change it forever.
Now a man and a woman from these two clashing societies must work together to save this vanishing race—and end up uncovering ancient mysteries with far-reaching ramifications. As their mission hangs in the balance, this unlikely team — one cool and cerebral, the other fiery and impulsive — just may find in each other their own destinies . . . and a force that transcends all.
This is not whiz-bang, robots-and-lasers-and-spaceships-and-explosions science fiction. It’s a very thoughtful and well-written story of cultural displacement, interplanetary refugees, and the struggle between compromise and preservation of culture.
The Sadiri are described as “the epitome of morality and tradition, savants too absorbed in their mental exercises to succumb to base urges.” They arrive on the colony of Cygnus Beta after their homeworld is attacked and destroyed. Here, they set out to find settlements of genetically and culturally compatible humans, hoping to preserve as much of their ways as possible.
The narrator is Grace Delarua, part of the diplomatic party helping the Sadiri on their search. This sets up a somewhat episodic framework where we see different settlements and cultures, while at the same time learning more about the larger world and events, as well as getting a gradual romantic storyline between Grace and one of the Sadiri.
It’s a powerful book, exploring so many “what if” ideas — mental powers, time travel, planetary settlement — while at the same time being intensely relevant to our own world. It’s not a quick read, but it’s well worth reading....more
This is basically a post-apocalyptic zombie book with superheroes, which is an interesting premise. As powerful as the heroes are, they’re not invulneThis is basically a post-apocalyptic zombie book with superheroes, which is an interesting premise. As powerful as the heroes are, they’re not invulnerable, and they’re vastly outnumbered. They’ve established a stronghold called The Mount, in the ruins of Hollywood, where they scavenge for supplies and do their best to protect their citizens from the exes (ex-humans), as well as a street gang that’s discovered some powers of their own.
Clines hits a lot of the expected beats for a zombie story, including flashbacks to the beginning of the disaster, various scenes of humans being trapped by exes, and the terror of the endless sea of undead at the gates. I appreciated that there was at least one twist that I didn’t see coming. (And it has a blurb from Nathan Fillion, which is both cool, and makes me incredibly envious!)
I’d recommend this one to fans of zombies and Watchmen....more
This is book one of Hearne’s popular Iron Druid chronicles, and I can see why he’s done so well with it. It’s page-turning fun, with a 2000+ year oldThis is book one of Hearne’s popular Iron Druid chronicles, and I can see why he’s done so well with it. It’s page-turning fun, with a 2000+ year old druid called Atticus O’Sullvain living in Arizona with a delightful Irish wolfhound. For a long time, he’s been hiding from a very angry god who wants a sword Atticus stole centuries ago.
Lots of action, a good helping of snark, and entertaining, larger-than-life characters, from the werewolf and vampire legal team to the possessed bartender to the Irish widow Atticus hangs out with, swapping Irish tales.
There’s also a bit of hetero-male wish-fulfillment going on, with several beautiful and powerful women who all want to sleep with Atticus. On the other hand, Hearne presents a range of female characters, all with their own strengths.
Pat writes an interesting introduction to this novella (novelette?), in which he warns people, “You might not want to buy this book … it doesn’t do aPat writes an interesting introduction to this novella (novelette?), in which he warns people, “You might not want to buy this book … it doesn’t do a lot of the things a classic story is supposed to do.”
More than anything, this struck me as a character study. Auri is a secondary character in Rothfuss’ Kingkiller Chronicles. In this book, we follow a week in Auri’s life.
Depending on how you read it, there isn’t a lot happening in this book. Auri lives beneath the university, a world of empty caves and tunnels and pipes and ponds and abandoned rooms. In some respects, she reminds me a bit of Luna Lovegood, a character who sees the world in a very different and odd way. But in Auri’s case, you get hints of her past, of someone who was broken and rebuilt herself and her world.
If you’re looking for a strong plot, or for a story that has an impact on the greater world, you should probably skip this one. Auri spends her days exploring, finding lost objects and putting them in their proper places, exploring different rooms, and searching for the right gift for him.
The writing is gorgeous, and I was fascinated by Auri’s character, who seems to walk a very thin line between beauty and crippling OCD. My only complaint is that I wish she wasn’t so fixated on "him" (Kvothe, from Rothfuss’ novels). I understand that this is in keeping with the books, but it frustrates me to read such a beautifully-written woman whose existence revolves so much around a guy. I’ve been reading too much of that sort of thing lately, so it's possible I'm a bit oversensitive right now.
That said, it’s a beautifully written story, though it won’t work for everyone. It inspired me to try some new things with my own writing and characters....more