Once a high powered financial whiz, Jonathan Caine's world has come crashing in around him. Accused of insider trading, his assets are frozen and hisOnce a high powered financial whiz, Jonathan Caine's world has come crashing in around him. Accused of insider trading, his assets are frozen and his seemingly charmed life has evaporated around him. With no where else to turn, Jonathan decides to head back to his family in New Jersey to care for his ailing father, just in time for his twenty-fifth high school reunion.
Jacqueline Williams is the former prom queen who married the high school quarterback. But Jackie didn't get the happy ending she was hoping for -- her husband abuses her and has threatened to kill her and cut off access to their children should she ever bring up the word "divorce" to him again.
Back in the high school, Jonathan couldn't have thought of approaching Jackie. But now he's back and the two soon strike up a romance. If only they could find a way to get Jackie's husband out of the picture without creating more harm for Jackie or her kids.
Adam Mitzner's The Girl From Home starts off with a great hook and then slowly unravels the lives of Jonathan and Jackie. The first section of the novel moves from the past to the present, painting a solid picture of how and why Jonathan and Jackie have got themselves into their respective situations and then beginning their affair together. It's one the past and present merge that the novel hits a bit of bumpy spot and loses some of its early momentum.
To say too much would be to ruin some of the revelations of the last half of the novel. But I can honestly say that the second half doesn't entirely deliver on the promise of the first.
But I'll give Mitzner credit -- he makes both characters likeable enough anti-heroes that we can root for them -- even as they're lying and cheating. And the change in meaning to Jonathan's mantra of "I want what I want" over the course of the novel is extremely well done. (It starts out as Jonathan only wanting a beach front property in the Hamptons to slowly becoming about wanting to be a better man for Jackie and in the light of his father's illness).
As a thriller, I felt like I couldn't turn the pages fast enough during the first half of the novel, eager to find out what might happen next. It's once a certain event occurs that the novel loses a bit of its momentum and I found it not quite as engaging as the first half promised.
In the interest of full disclosure, I received a digital ARC of this book from NetGalley and the publisher in exchange for an honest review. ...more
When the best thing you can say about a comic book cross-over event is -- well, at least the art was nice, you know something isn't quite working. OrWhen the best thing you can say about a comic book cross-over event is -- well, at least the art was nice, you know something isn't quite working. Or maybe that this particular cross-over event isn't your cup of tea.
Collecting the six-issue run of Star Trek/Green Lantern: The Spectrum War, this limited run series is not two great tastes that taste great together. In one reality, the Green Lantern corp has just been wiped out by some evil force. Rings of various colors hop over to the JJ Trek verse and assign themselves to familiar faces in the final frontier.
Adventure ensues. Along the way, there's a massive battle between all the various colors of the spectrum and the planet Vulcan comes back from the dead, complete with zombie Vulcans.
And yet for all of this, I couldn't help but feel that I'd arrived late for the party and missed some important details that reduced my enjoyment of this crossover event. It could be that my familiarity with Green Lantern is limited to what I've seen in the DC cartoons and the big screen version of the character with Ryan Reynolds. I hope that those who are more versed in Lantern lore will get more of seeing why various rings chose certain characters that I missed here. And I suppose if I recognized any of the Green Lantern pantheon of foes beyond Sinestro, I might have felt a bit more drive and drama to the battle to save the universes.
Instead, what I felt for much of this collection (beyond the first issue) was confused and uninterested. The third issue does little more than tread water as we set up things for the return of zombie Vulcan and Scotty inventing his own power ring.
In all honesty, I can't necessarily recommend this one to a casual fan. It feels like we've got a shoehorning of the JJ-verse Star Trek characters into a Green Lantern event mini-series. And it's one that left me as cold as General Chang's bones in space at the end of this story.
In the interest of full disclosure, I received a digital ARC of this comic book in exchange for a fair and honest review....more
In his afternote to City of Death James Goss notes "There are about three people in the world who don't like City of Death and they're being hunted doIn his afternote to City of Death James Goss notes "There are about three people in the world who don't like City of Death and they're being hunted down."
I guess I'm one of those three people. And it's not that I hate City of Death per se. It's just that I don't necessarily love it as much as many of my fellow Doctor Who fans do.
Famously re-written by Douglas Adams over the course of a weekend, few scripts from the classic run are as eminently quotable nor do they deal with the implications of time travel in quite the same way that this one does. But does that make it a top ten classic? Not to this fan.
Arriving in Paris, the Doctor and Romana decide to take a holiday. But a series of cracks in time quickly put them into the orbit of the Count Scarlioni, who has set his sights on stealing the Mona Lisa. His motivation for stealing the painting is so he can sell it on the black market, making millions and financing his dangerous experiments in time and time travel.
Goss takes a page from Adams in not telling the same story precisely the same way for each adaptation. Combining the televised version with the shooting scripts and a few flourishes of his own (in the style of Adams, of course), Goss gives readers an opportunity to find new nuggets in City of Death. Goss even creates an interesting spin on the reveal the monster cliffhanger ending of episode one with the Count not realizing he's a splintered part of the Jaggeroth and being just as shocked as viewers are intended to be at the reveal that he's a green faced, bug-eyed monster. (Though this does create some questions when it comes to the motivation of stealing the Mona Lisa and other aspects of the story)
And while Goss certainly isn't quite in the same sphere as Adams, he does a serviceable job of channeling Adams for this adaptation. Short of Douglas writing the novel himself, this is probably as close as we're going to get. Goss takes time to add some depth to Karinksi, Duggan and even the art critic couple from the story over the course of the story. But he also take a page from the Terrance Dicks school of Doctor Who novel writing and rarely abridges or joins scenes together from the televised version to the printed page.
His adaptation of City of Death is more along the later entries in the Target novel line as opposed to most of the fourth Doctor ones that feel like a straight adaptation of the shooting script with minimal descriptions thrown in for good measure. It makes this one of the better fourth Doctor novelizations in the long line of books. But as I said before, it's simply not one of my favorite stories and the adaptation doesn't enhance the reputation of the story any more (at least in my book). It also doesn't detract from it either....more
For the first half of Pretty Girls, Karin Slaughter teases us with details of the lives of sisters Claire and Lydia. Their family was torn apart twentFor the first half of Pretty Girls, Karin Slaughter teases us with details of the lives of sisters Claire and Lydia. Their family was torn apart twenty years ago when their sister vanished under mysterious circumstances from the University of Georgia and now a recent, similar girl's disappearance unearths some old memories, feelings and resentments.
Both sisters hold pieces of the story -- and it's not until Claire's husband is killed in a random act of robbery on an Atlanta alley that the two get back together and begin to see that things weren't necessarily what they seem in their family, then or now.
It's once we reach the the mid-point of the novel and the threads start unraveling that Slaughter's Pretty Girls takes a big left turn and slowly begins to leave credibility in the rear view mirror. I found myself rolling my eyes on multiple occasions as Slaughter reveals the secrets held not only by Claire's husband but by members of her own family in connection with the kidnappings. Instead of being shocking, these revelations made me think, "Oh really? You must be kidding" on multiple occasions.
With cover blurbs by some of the better suspense writers in the business today, I was expecting a lot more from Pretty Girls. And for the first half of the book, it delivers on the promise of those blurbs. It's just the ending that left me feeling a bit let down by the entire experience. This was the first novel I've read from Slaughter in some time and while the first half had me eager to dive into her back catalog, the last half of the story made me a bit wary....more