When the best thing you can say about a comic book cross-over event is -- well, at least the art was nice, you know something isn't quite working. OrWhen the best thing you can say about a comic book cross-over event is -- well, at least the art was nice, you know something isn't quite working. Or maybe that this particular cross-over event isn't your cup of tea.
Collecting the six-issue run of Star Trek/Green Lantern: The Spectrum War, this limited run series is not two great tastes that taste great together. In one reality, the Green Lantern corp has just been wiped out by some evil force. Rings of various colors hop over to the JJ Trek verse and assign themselves to familiar faces in the final frontier.
Adventure ensues. Along the way, there's a massive battle between all the various colors of the spectrum and the planet Vulcan comes back from the dead, complete with zombie Vulcans.
And yet for all of this, I couldn't help but feel that I'd arrived late for the party and missed some important details that reduced my enjoyment of this crossover event. It could be that my familiarity with Green Lantern is limited to what I've seen in the DC cartoons and the big screen version of the character with Ryan Reynolds. I hope that those who are more versed in Lantern lore will get more of seeing why various rings chose certain characters that I missed here. And I suppose if I recognized any of the Green Lantern pantheon of foes beyond Sinestro, I might have felt a bit more drive and drama to the battle to save the universes.
Instead, what I felt for much of this collection (beyond the first issue) was confused and uninterested. The third issue does little more than tread water as we set up things for the return of zombie Vulcan and Scotty inventing his own power ring.
In all honesty, I can't necessarily recommend this one to a casual fan. It feels like we've got a shoehorning of the JJ-verse Star Trek characters into a Green Lantern event mini-series. And it's one that left me as cold as General Chang's bones in space at the end of this story.
In the interest of full disclosure, I received a digital ARC of this comic book in exchange for a fair and honest review....more
In his afternote to City of Death James Goss notes "There are about three people in the world who don't like City of Death and they're being hunted doIn his afternote to City of Death James Goss notes "There are about three people in the world who don't like City of Death and they're being hunted down."
I guess I'm one of those three people. And it's not that I hate City of Death per se. It's just that I don't necessarily love it as much as many of my fellow Doctor Who fans do.
Famously re-written by Douglas Adams over the course of a weekend, few scripts from the classic run are as eminently quotable nor do they deal with the implications of time travel in quite the same way that this one does. But does that make it a top ten classic? Not to this fan.
Arriving in Paris, the Doctor and Romana decide to take a holiday. But a series of cracks in time quickly put them into the orbit of the Count Scarlioni, who has set his sights on stealing the Mona Lisa. His motivation for stealing the painting is so he can sell it on the black market, making millions and financing his dangerous experiments in time and time travel.
Goss takes a page from Adams in not telling the same story precisely the same way for each adaptation. Combining the televised version with the shooting scripts and a few flourishes of his own (in the style of Adams, of course), Goss gives readers an opportunity to find new nuggets in City of Death. Goss even creates an interesting spin on the reveal the monster cliffhanger ending of episode one with the Count not realizing he's a splintered part of the Jaggeroth and being just as shocked as viewers are intended to be at the reveal that he's a green faced, bug-eyed monster. (Though this does create some questions when it comes to the motivation of stealing the Mona Lisa and other aspects of the story)
And while Goss certainly isn't quite in the same sphere as Adams, he does a serviceable job of channeling Adams for this adaptation. Short of Douglas writing the novel himself, this is probably as close as we're going to get. Goss takes time to add some depth to Karinksi, Duggan and even the art critic couple from the story over the course of the story. But he also take a page from the Terrance Dicks school of Doctor Who novel writing and rarely abridges or joins scenes together from the televised version to the printed page.
His adaptation of City of Death is more along the later entries in the Target novel line as opposed to most of the fourth Doctor ones that feel like a straight adaptation of the shooting script with minimal descriptions thrown in for good measure. It makes this one of the better fourth Doctor novelizations in the long line of books. But as I said before, it's simply not one of my favorite stories and the adaptation doesn't enhance the reputation of the story any more (at least in my book). It also doesn't detract from it either....more
For the first half of Pretty Girls, Karin Slaughter teases us with details of the lives of sisters Claire and Lydia. Their family was torn apart twentFor the first half of Pretty Girls, Karin Slaughter teases us with details of the lives of sisters Claire and Lydia. Their family was torn apart twenty years ago when their sister vanished under mysterious circumstances from the University of Georgia and now a recent, similar girl's disappearance unearths some old memories, feelings and resentments.
Both sisters hold pieces of the story -- and it's not until Claire's husband is killed in a random act of robbery on an Atlanta alley that the two get back together and begin to see that things weren't necessarily what they seem in their family, then or now.
It's once we reach the the mid-point of the novel and the threads start unraveling that Slaughter's Pretty Girls takes a big left turn and slowly begins to leave credibility in the rear view mirror. I found myself rolling my eyes on multiple occasions as Slaughter reveals the secrets held not only by Claire's husband but by members of her own family in connection with the kidnappings. Instead of being shocking, these revelations made me think, "Oh really? You must be kidding" on multiple occasions.
With cover blurbs by some of the better suspense writers in the business today, I was expecting a lot more from Pretty Girls. And for the first half of the book, it delivers on the promise of those blurbs. It's just the ending that left me feeling a bit let down by the entire experience. This was the first novel I've read from Slaughter in some time and while the first half had me eager to dive into her back catalog, the last half of the story made me a bit wary....more