4.5 Snuck this one in in-between review books because I remembered how much fun Texas Gothic was; do not regret. And yes, I know snuck is not a word. Y4.5 Snuck this one in in-between review books because I remembered how much fun Texas Gothic was; do not regret. And yes, I know snuck is not a word. You can pry it from my cold dead lips....more
I don't love the shift in the art direction (though I understand why there *was* a shift), but still in love with the stories. And I DO like the art,I don't love the shift in the art direction (though I understand why there *was* a shift), but still in love with the stories. And I DO like the art, it's not like the style change in this is bad -- in fact, it's something I would have commented on very positively in a review; it's unique and a sort of dreamy/realistic blend. BUT I just loved the expressiveness of the first issues -- Roc Upchurch's handle on character and emotion through facial expression was seriously some of the best I have EVER seen, so when it changed, I really missed that. (Also, Sawyer was just so damn hot in his hands...) Stjepan Šejić's art was still really great, but it wasn't my Queens, you know? It wasn't the ones I'd come to love. But still, excellent series, and I'm looking forward to getting into the next vol. of issues and seeing how I respond to the art once it changes hands again (to Tess Fowler)....more
I don't know who was the first to recommend these comics to me, and I can't even begin to list all of the people who have since, but THANK YOU ALL YOUI don't know who was the first to recommend these comics to me, and I can't even begin to list all of the people who have since, but THANK YOU ALL YOU ARE RIGHT I LURVE YOU. I freaking love this series....more
Say "kitchen witch" and I'm there. (Especially when said kitchen witch tells me, personally, that I should eat nasturtiums, which I love...) There'sSay "kitchen witch" and I'm there. (Especially when said kitchen witch tells me, personally, that I should eat nasturtiums, which I love...) There's just something so. . . charming and quirky and endearing in stories around the theme of kitchen witchery, and this was no exception. If you’re unfamiliar with the term, it's like magical realism's more universally palatable cousin (and we all know how I feel about magical realism). Think Practical Magic. Just Say Yes is the even more palatable cousin, actually – the kitchen witchiness is subtle, never beating you over the head with quikry magicfulness, which I imagine many people will appreciate.
If you’ve been around for awhile, or follow my Austen event, you’ll probably already be aware that I tend to find Goodnight’s stories equal parts cute, funny, and sexy; they never fail to win me over and put a smile on my face. This was fun and funny and quirky and cute, as expected. There's charm and warmth to her characters, always balanced by a sharp, incisive humor, coated in a veneer of light sarcasm (never bitter or obnoxious, just witty). She seems to do well at fleshing out her casts, too, with great side/peripheral characters that you always want to see more of (which means you’re seeing just the right amount of them – always leave ‘em wanting more, and all that). There’s a great mother/daughter relationship, and other friend and family relationships and interactions that help ground the story and build it up nicely. There were times I questioned Max, the male lead, and whether he’d really be so gung-ho about all of the goings on, and the way Jade consistently pushes him away, but I still think it worked – and frankly, maybe that's my own biases clouding my perception of him. But it was never enough to thrust me out of the story or make me dislike either of the romantic leads, or their relationship.
Speaking of the relationship, which is kind of a central focus in a romance, this one was sexy and fast-building in a way that could go really wrong and feel like it’s fleeting and meaningless, but it managed to keep from going off the rails into cheesy territory. It's – for the most part – believable, and there seems like a solid-enough foundation and chemistry for it to go somewhere after the book has run its course. Goodnight wisely tests the romance and characters, beyond that initial getting-together/will-they-won’t-they. She gives them obstacles, and opportunities to grow stronger together, which is something that really elevates a romance novel for me. It takes it out of the realm of quick fluff, and makes it that much more believable. On top of all that, there’s a good streak of nerdery that pop culture/nerdom fans will appreciate. All in all, I’m glad to hear there's more in the series AND I totally want there to be an offshoot business, with recipes and label designs and all of it.
As I'd mentioned in my rewind, I have a feeling that people are going to end up at opposite ends of the like/dislike spectrum when it comes to thi3.75
As I'd mentioned in my rewind, I have a feeling that people are going to end up at opposite ends of the like/dislike spectrum when it comes to this book -- I don't think there will be a lot of middle ground, and it certainly won't be the book for everyone. I, myself, wasn't entirely convinced in the beginning, because I didn't really love the main character, which made me feel a little disconnected from the story, which can then translate to indifference, which is the death-knell of any book. I read something recently about "unlikable" characters that's been bothering me a bit (among other things that I read in the piece, and it's something I want to address in the coming days, because I have things to say), so I want to clarify by this that I don't think you need to have a lovable, huggable main character for a book to be successful, and unlikable can mean a lot of things; some use it to mean poorly written/realized, but when I use it, I'm almost always going to mean, kind of an ass. Zoe's kind of an ass. Her boyfriend is most definitely an ass. Rocher, yep, he's an ass, too. (I like Agathe, though. She gets a pass.) So it's a book peopled with characters that don't necessarily make you love them or root for them, which can leave people feeling ambiguous (or disconnected, as I said), and that's why I think it may be divisive and cause some irritated reactions.
But a book with unlikable characters is still capable of being successful, and developing a rich, interesting world -- plenty of classics and acclaimed books have unlikable characters; some unlikable characters inexplicably become fan-favorites -- so I'm always willing to go with it and see how things turn out, especially when it's as quick a read as this. And fortunately, though I was so hesitant with Zoe in the beginning, and found her to be a bit bratty, the story remains engaging and interesting, and has a streak of honesty (ironic, amidst the dishonesty at the heart of the book) that kept me entertained and pulled along, and I'm glad of that. Because for all that the characters are kinda d-bags, it all became more amusing for me as it went on, all the way up to the twist at the end, which I won't spoil, other than to say, that's another thing that might irritate people, but I found it oddly delightful. It was an absurd little bit of poetic justice that, even though heavy-handed, was so darkly humorous and fitting that I couldn't help but be tickled by it.
I found the simple style and muted colors of the art expressive and charming, and the clean understatedness really worked well with the story. Again, that may not be to everyone's taste, but stylistically, it was distinct and I felt it suited the story, and added to the overall feel. So all in all, there are certainly "outs" to the story -- there are things across the board that may make some readers check out and not like it. But there are plenty of "ins" too, and the expressiveness and personality of the story, characters and style, combined with the poetic justice and humor of the end work together to make it something I actually quite enjoyed, and would recommend -- for the right reader.
I'll give a more in-depth review when I have a chance, but quickly, I just want to say:
When I initially flipped through this on arrival, I thought I wI'll give a more in-depth review when I have a chance, but quickly, I just want to say:
When I initially flipped through this on arrival, I thought I was going to be disappointed. It wasn't nearly as snarky and/or vulgar as I was expecting it to be... (though, maybe since Zest Books is geared at a YA audience, the fault was in myself for expecting or wanting heaps of vulgar snark. *Shrug*) But once I actually read through and sort of adjusted my expectations, I started noticing a different, most subtle approach to the humor, and I have to say, it really worked. I think those buying this for a smart-ass coffee table book might be a bit let down, but really, only a bit. It's very fun and cheeky, but the surprising thing is that it actually seems like a silly-but-well-intentioned primer meant to honestly teach people how not to be dicks. Real world good advice here, folks.
But regardless, still makes a nice discussion-worthy coffee table book. ;)...more
You ever have those late nights where you can’t sleep and you find yourself being sucked down the rabbit hole? No, I don’t want to say sucked. EverythYou ever have those late nights where you can’t sleep and you find yourself being sucked down the rabbit hole? No, I don’t want to say sucked. Everything sounds dirty now... Where you find yourself making bad decisions...Like buying crap from infomercials. Texting people you shouldn’t text. Reading bad books because the reviews crack you up... I found myself reading reviews of this, and then I found myself reading a few pages, just to see, and then a few hours later, I found myself ending the book and saying, Well - that was...that.
Here's the thing: this is not great writing. I doubt this is up for debate. It has a strong tendency towards cheesiness, and some of the euphemisms are pretty cringe-worthy. BUT it's actually sort of hilarious. And not in the, this book is crap, unintentional way. Clayton - and her desperate-for-an-O main character - are genuinely funny. As silly as it all is, it's engaging. So while it may not be great writing, it is good storytelling. So now, at 4am, feeling like my eyeballs are going to dry up and roll out of my head, as silly and cheesy as it could sometimes be, I don't find myself regretting falling down this particular rabbit hole. It was worth it for the surprising laughs and fun voice.
So. That happened.
[Also, for those of you put off by the fact that it started as Twilight fanfic, I can honestly say - don't be. These characters and their plots had to have similarities in name only, because nothing here really resembles Twilight. I'm not saying there's no resemblance, because I guess it peeks through a teensy bit now and again, but really - I could not have bore the last few hours if it had been Bella moaning about her lost O and Edward being a control freak. I really think Twilight must have just been a jumping off point to get Clayton writing, because this isn't a Twilight regurgitation with the, ahem, banging of walls...] ...more