Geez, these cover guys are all so gross, aren't they? Anyway, this looker is Bill Chase, who is possibly more attractive than his personality, even loGeez, these cover guys are all so gross, aren't they? Anyway, this looker is Bill Chase, who is possibly more attractive than his personality, even looking like this. He's definitely got to be one of the most boring blokes at Sweet Valley High.
Meanwhile, while Billy boy is dealing with Jess, we have Liz weeping all over the place because she thinks Todd is hooking up with an ex. Presumably Liz has conveniently forgotten that only a couple of weeks earlier, she was hooking up with every boy in town and letting 1Bruce1 grope her. It's only fair to let Todd have some fun too, surely?
(Interesting continuity issue between the various Sweet Valley lines in this one, with Todd saying he was with Patsy before he knew Liz. Never mind him being Liz's first kiss in SVT and also them hanging out in SVK. I guess it's kinda like the different Marvel universes?)
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The Cover: It's gorgeous. I love the yellow background, which is quite unusual, and the sepia toning used for the photo of Daire. The way her hair evoThe Cover: It's gorgeous. I love the yellow background, which is quite unusual, and the sepia toning used for the photo of Daire. The way her hair evolves into the flock of ravens is graphically attractive and a great hint at the novel's content. I'm loving the font, as well.
The Protagonist: I liked Daire, even if I have no idea how to pronounce her name. (Then again, this is the same for most of the characters in Fated. What is it about paranormal YA and names I've never heard of?) I think that Noël did a good job of giving reason for Daire's independence and flexibility. Most teenagers would be completely thrown by the revelations that Daire has to quickly take on board, but her background travelling the world means that she is used to change and instability. I also appreciate the fact that Daire is the character whose powers form the focus of Fated. So often with paranormal romance, it's all about the boy being special, and it's always nice to have a protagonist who is powerful in her own right.
The Antagonist: I get the impression that we'll be seeing a lot more of Cade in further novels. In Fated, he's a little two dimensional. We know he's dangerous, because everyone tells Daire that he is, but we don't really see much of his power. I did, however, appreciate that there was no hint of a love triangle involving Cade and his twin, Dace – at least from Daire's point of view.
The Love Interest: Fated falls into the instalove category of paranormals, unfortunately. Daire and Dace's attraction is fated before they even meet, and so there is no slow build-up to romance in the novel, or even to friendship. Dace himself is a likeable character, however, and I think he'll be a big hit with young readers. There's a slight Jacob Black feel to him, with his Native American heritage and long black hair, which I'm sure will go down well! I appreciate the fact that he's nothing but kind to Daire and her loved ones – no creepy YA boyfriend syndrome here. In this first novel, his and Daire's connection is largely physical, which meant that I found it a little wanting in the depth department. I did, however, appreciate the fact that there was no moral judgement attached to Daire's sexual urges.
The Supporting Cast: I enjoyed Paloma, but my favourite minor character was definitely Chay. I'd love to see more discussion of their relationship in future novels. Xotichl was likeable, although I don't understand including a character name that you know people won't be able to pronounce, and I was intrigued by Lita. I think Jennika, Daire's mother, would have bothered me more if I didn't know her backstory and a little about the place she comes from with her decisions, but as it was, I actually thought she was a well-crafted character.
The Plot: Fated is the first book in a series, which means that there is a lot of setting up to be found in the first couple of hundred pages. I've read other reviews from people who haven't been able to make it past this section of the book to the action, and I can understand why. It felt like there was an awful lot of waiting around before things actually started to happen. That said, Noël has come up with an interesting concept, and it will be interesting to see where she goes with it. By the end of the novel, the reader is still left with a lot of questions about what Daire is and how she will have to use her new-found powers. When it comes to a series, I think it's generally unfair to judge the first book too harshly for having a slow start, because all of that exposition has to happen somewhere. I did find myself wishing, however, that there had been a little more of a pay off for the long introduction when the meat of the story finally began.
The Writing: Noël's writing style was actually the thing I struggled most with while reading Fated. She uses sentence fragments. A lot of fragments. Building on previous sentences. Adding information. Rarely using grammar as it was intended.
See what I did there? Look, I'm a big fan of learning the rules of grammar and then using this knowledge to break the rules here and there in order to add interest to your writing. I think there comes a point, though, where this kind of thing can become distracting and, with Fated, I was constantly pulled out of the story by the lack of proper sentence structure. I enjoy an occasional sentence fragment, and use them for pacing and emphasis myself. When it reaches the point, however, where a half-page paragraph consists of one initial sentence followed solely by fragments, it just doesn't work for me. Others may well consider it stylistically brilliant.
The Verdict: Fated is sure to find its place in the current YA paranormal market. I think there's still a large demand for this kind of story and, while there is nothing very new about Fated, it is this that is likely to ensure it becomes a hit with its intended demographic. I personally struggled with Noël's writing style and a plot that failed to ignite a spark of excitement in me, but I believe that Fated will do well and will amass many fans – not all of whom will be in it solely for Dace!
I have this thing where gross injustice in books is SO extremely frustrating to me. It's easily the time where I most empathise with the character andI have this thing where gross injustice in books is SO extremely frustrating to me. It's easily the time where I most empathise with the character and feel every single emotion that they're feeling. This is one of the books that always gets to me like that. I ache for Jessica, even as a fully grown adult who should know better ;) Anyway, because of all that, this is both one of my favourite SVT books and my least favourite, because ow.
This is a great introduction to the series. It sets up the twins' different personalities and friendship groups really well, but it also feels quite rThis is a great introduction to the series. It sets up the twins' different personalities and friendship groups really well, but it also feels quite realistic. (For Sweet Valley?! Gasp!) There's also a fun similarity to Double Love, with pledging the Unicorn Club taking the place of pledging PBA. (The Unicorns are totes a purple version of the Pink Ladies, btw.)
With Never Have I Ever, her second instalment in her The Lying Game series, Sara Shepard keeps the positives of the first book and cuts many of the neWith Never Have I Ever, her second instalment in her The Lying Game series, Sara Shepard keeps the positives of the first book and cuts many of the negatives, leaving us with a better book overall. While I enjoyed The Lying Game, its sequel really drew me in and I think I'd now have to call myself a fan of the series.
All of the characters from the first book return for the second, but the big difference here is that the Twitter Twins, Lili and Gabby, play a much bigger role. Initially very annoying, they slowly become more likeable as the novel progresses, much as Laurel and Madeline continue to develop and become more-rounded characters. (Charlotte, in contrast, seems to slip into the background.) Most of all, however, Sutton seems to come into her own in Never Have I Ever. With the back-story out of the way, her strong voice is able to take over, so we find her cheering Emma on and groaning at her mistakes and truly feeling like a real character. Although it's interesting to see Emma becoming a little more like her twin as the series progresses, it's Sutton who seems to have the most room for character growth.
Once again, the mystery is at the forefront of the novel, and much of the plot is concerned with the identification of new suspects, along with a few new threatening situations that Emma finds herself in. While there's certainly a formula to these books, that doesn't mean that it isn't fun to watch it play out, even if we do work out the truth long before Emma and Sutton do! Shepard manages to keep the suspense high throughout the novel, which makes this a page turner and a surprisingly quick read.
My only real criticism of Never Have I Ever is that there were a couple of inconsistencies with the continuity. For instance, Emma uses Sutton's iPhone at a point where it was still confiscated by her parents and, towards the end of the book, Sutton looks at Emma despite earlier stating that she can only see the world through Emma's eyes. While such mistakes tend to draw the reader out of the action temporarily, however, they don't detract from one's overall enjoyment of the book.
Never Have I Ever was a lot of fun and its mystery well and truly has me hooked by this point. I'm definitely looking forward to reading Two Truths and a Lie.
The Lying Game has an extremely interesting premise, in that it's narrated by a dead girl who is watching the action through the eyes of the identicalThe Lying Game has an extremely interesting premise, in that it's narrated by a dead girl who is watching the action through the eyes of the identical twin sister that she hadn't known existed. Therefore, while it is essentially told in the first person, it usually reads like a third person perspective, with the ghostly Sutton relating Emma's experiences as she tries to fit into Sutton's life and work out what has happened to her sister. It sounds a little confusing when described and it took me a while to adapt to the concept but, once I did, I found it a very clever take on the whodunnit format.
The plot of the novel is very engaging, and I quickly found myself guessing at who might turn out to be Sutton's murderer. I found Sara Shepard's mystery writing to be quite reminiscent of Agatha Christie, in that she is very good at ensuring that there are numerous suspects, all with very good reason to want Sutton out of their lives. I certainly have my own strong suspicions about the murderer, but I will most likely be proven wrong!
While Emma is a likeable character, the twin she is pretending to be is very much not, which is one of the most interesting things about The Lying Game. Ghost!Sutton has very little memory of her life, meaning that she discovers just how unpleasant she was at the same time as Emma and the novel's readers do. I think this helps the character to be a lot more sympathetic than she otherwise would be, which is important in a book that is populated largely by people who aren't very nice.
There are a few things that aren't very believable here – like Emma being able to bluff her way as a tennis captain despite only having played the sport on a Wii – but it's not so bad that it detracts from the plot. And it's the mystery here that's the book's biggest strength. In the end, the characters and Emma's charade are secondary to the question of who killed Sutton. Unfortunately, the answer to that question is not revealed in this first book of the Lying Game series. Indeed, The Lying Game does not exist very well as a stand-alone novel, lacking as it is in any real conclusions. Luckily, the story is interesting enough that I'm happy to read on to get the answers I need.
This is rather nicely done. The main plot and the subplot complement each other well and I always love the Lila-centric books, because they show her vThis is rather nicely done. The main plot and the subplot complement each other well and I always love the Lila-centric books, because they show her vulnerability. And god, (view spoiler)[Lila being so eager to get engaged at 16 is so much more realistic than most things in the book, given that I was a big idiot about stuff like that at her age too. Except I was going to marry Axl Rose, of course, not skeezy Jack. (hide spoiler)] Even Liz is bearable in this one! Hurrah!
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In some ways, I feel like this one is written a little better than a lot of the books, but I like normal Bruce so much more than besotted crying BruceIn some ways, I feel like this one is written a little better than a lot of the books, but I like normal Bruce so much more than besotted crying Bruce and the whole Noble!Inspirational!Disabled!Person gets a bit tiring with Regina, especially as they've made absolutely sure that Regina's disability isn't a bother to anyone at all, to the extent that sometimes there's a bit of a miracle going on with her lip reading while people aren't even facing her.
That said, I quite like them as a couple, and I like Jess and Lila's bet, so it's not at all unbearable. For a Sweet Valley. One has different standards for these ;)
This one's pretty moralistic but, for a change, the moral isn't something awful like "lose weight unhealthily and people will like you!". Caroline PeaThis one's pretty moralistic but, for a change, the moral isn't something awful like "lose weight unhealthily and people will like you!". Caroline Pearce really is portrayed as a spiteful gossip in the books, so if she learns a few choice lessons, then good ;p
Of course, there's Elizabeth The Saint here to annoy the heck out of me. Sometimes Jess does go a bit overboard, but I'm really siding with her on this one - if you lie to everyone, then you'd better be ready to have your lies overturned. And of course(view spoiler)[Liz's play wins the competition, because she's oh so perfect and never needs to be taught her own lesson about how sometimes other people are more talented, like Jess apparently needs to be taught every second book (hide spoiler)].
We also get the start of the Bruce/Regina romance, which is one of my favourite (if short-lived) Sweet Valley pairings.
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There's a lot going on here. Roger's just become a Patman, which means Jess is suddenly interested (look out Olivia), and then there's a side plot witThere's a lot going on here. Roger's just become a Patman, which means Jess is suddenly interested (look out Olivia), and then there's a side plot with Regina and hints of the next book's Caroline plot as well.
I used to think Olivia was cool as a kid, but she grated a bit here. Roger's a bit of an idiot, too, but then he always has been. I wanted to hug poor Lila with her over-hairsprayed hair, tonne of makeup and flat face ;)
My main SV ship is Lila/Bruce, but this one made me ship Jess/Bruce just a little.