Quotes About Complexity

“Life is really simple, but we insist on making it complicated.”
― Confucius

“Any intelligent fool can make things bigger, more complex, and more violent. It takes a touch of genius — and a lot of courage to move in the opposite direction.”
― E.F. Schumacher

“If you're not confused, you're not paying attention.”
― Tom Peters, Thriving on Chaos: Handbook for a Management Revolution

“Any darn fool can make something complex; it takes a genius to make something simple.”
― Pete Seeger

“I never knew anybody . . . who found life simple. I think a life or a time looks simple when you leave out the details.”
― Ursula K. Le Guin, The Birthday of the World and Other Stories

“Abandon the urge to simplify everything, to look for formulas and easy answers, and to begin to think multidimensionally, to glory in the mystery and paradoxes of life, not to be dismayed by the multitude of causes and consequences that are inherent in each experience -- to appreciate the fact that life is complex.”
― M. Scott Peck

“If our brains were simple enough for us to understand them, we'd be so simple that we couldn't.”
― Ian Stewart, The Collapse of Chaos: Discovering Simplicity in a Complex World

“His sudden mad love for Sibyl Vane was a psychological phenomenon of no small interest. There was no doubt that curiosity had much to do with it, curiosity and the desire for new experiences; yet it was not a simple but rather a very complex passion.”
― Oscar Wilde, The Picture of Dorian Gray

“Simplicity is a great virtue but it requires hard work to achieve it and education to appreciate it. And to make matters worse: complexity sells better.”
― Edsger Wybe DIJKSTRA

“The ideal art, the noblest of art: working with the complexities of life, refusing to simplify, to "overcome" doubt.”
― Joyce Carol Oates, The Journal of Joyce Carol Oates: 1973-1982

“Simplicities are enormously complex. Consider the sentence "I love you".”
― Richard O. Moore, Writing the Silences

“The middle path makes me wary. . . . But in the middle of my life, I am coming to see the middle path as a walk with wisdom where conversations of complexity can be found, that the middle path is the path of movement. . . . In the right and left worlds, the stories are largely set. . . . We become missionaries for a position . . . practitioners of the missionary position. Variety is lost. Diversity is lost. Creativity is lost in our inability to make love with the world.”
― Terry Tempest Williams, Leap

“Today the network of relationships linking the human race to itself and to the rest of the biosphere is so complex that all aspects affect all others to an extraordinary degree. Someone should be studying the whole system, however crudely that has to be done, because no gluing together of partial studies of a complex nonlinear system can give a good idea of the behavior of the whole. ”
― Murray Gell-Mann

“This is the time for every artist in every genre to do what he or she does loudly and consistently. It doesn't matter to me what your position is. You've got to keep asserting the complexity and the originality of life, and the multiplicity of it, and the facets of it. This is about being a complex human being in the world, not about finding a villain. This is no time for anything else than the best that you've got.”
― Toni Morrison

“In 1963, when I assigned the name "quark" to the fundamental constituents of the nucleon, I had the sound first, without the spelling, which could have been "kwork." Then, in one of my occasional perusals of Finnegans Wake, by James Joyce, I came across the word "quark" in the phrase "Three quarks for Muster Mark." Since "quark" (meaning, for one thing, the cry of a gull) was clearly intended to rhyme with "Mark," as well as "bark" and other such words, I had to find an excuse to pronounce it as "kwork." But the book represents the dreams of a publican named Humphrey Chimpden Earwicker. Words in the text are typically drawn from several sources at once, like the "portmanteau words" in Through the Looking Glass. From time to time, phrases occur in the book that are partially determined by calls for drinks at the bar. I argued, therefore, that perhaps one of the multiple sources of the cry "Three quarks for Muster Mark" might be "Three quarts for Mister Mark," in which case the pronunciation "kwork" would not be totally unjustified. In any case, the number three fitted perfectly the way quarks occur in nature.”
― Murray Gell-Mann, The Quark and the Jaguar: Adventures in the Simple and the Complex

“I believe it was the great ogre philosopher Gary who observed that complexity is, generally speaking, an illusion of conscious desire. All things exist in as simple a form as necessity dictates. When a thing is labeled 'complex,' that's just a roundabout way of saying you're not observant enough to understand it.”
― A. Lee Martinez, In the Company of Ogres

“You have a pet theory, one you have been turning over for years, that life itself is a kind of Rube Goldberg device, an extremely complicated machine designed to carry out the extremely simple task of constructing your soul.”
― Kevin Brockmeier, The View from the Seventh Layer

“Man is not born to solve the problem of the universe, but to find out what he has to do; and to restrain himself within the limits of his comprehension.”
― Johann Wolfgang von Goethe

“The assumption is that life doesn't need to be navigated with lessons. You can just do it intuitively. After all, you only need to achieve autonomy from your parents, find a moderately satisfying job, form a relationship, perhaps raise some children, watch the onset of mortality in your parents' generation and eventually in your own, until one day a fatal illness starts gnawing at your innards and you calmly go to the grave, shut the coffin and are done with the self-evident business of life.”
― Alain de Botton

“The more elaborate his labyrinths, the further from the Sun his face.”
― Mikhail Naimy, The Book of Mirdad: The Strange Story of a Monastery Which Was Once Called the Ark

“In the deeps are the violence and terror of which psychology has warned us. But if you ride these monsters deeper down, if you drop with them farther over the world's rim, you find what our sciences cannot locate or name, the substrate, the ocean or matrix or ether which buoys the rest, which gives goodness its power for good, and evil its power for evil, the unified field: our complex and inexplicable caring for each other, and for our life together here. This is given. It is not learned.”
― Annie Dillard, Teaching a Stone to Talk: Expeditions and Encounters

“Too large a proportion of recent "mathematical" economics are mere concoctions, as imprecise as the initial assumptions they rest on, which allow the author to lose sight of the complexities and interdependencies of the real world in a maze of pretentious and unhelpful symbols.”
― John Maynard Keynes

“Another grave limitation of language is that it cannot, like music or gesture, do more than one thing at once. However the words in a great poet's phrase interinanimate one another and strike the mind as a quasi-instantaneous chord, yet, strictly speaking, each word must be read or heard before the next. That way, language is as unilinear as time. Hence, in narrative, the great difficulty of presenting a very complicated change which happens suddenly. If we do justice to the complexity, the time the reader must take over the passage will destroy the feeling of suddenness. If we get the suddenness we shall not be able to get in the complexity. I am not saying that genius will not find its own way of palliating this defect in the instrument; only that the instrument is in this way defective.”
― C.S. Lewis, Studies in Words

“For us to deem a work of architecture elegant, it is hence not enough that it look simple: we must feel that the simplicity it displays has been hard won, that it flows from the resolution of demanding technical or natural predicament. Thus we call the Shaker staircase in Pleasant Hill elegant because we know--without ever having constructed one ourselves--that a staircase is a site complexity, and that combinations of treads, risers and banisters rarely approach the sober intelligibility of the Sharkers' work. We deem a modern Swiss house elegant because we not how seamlessly its windows have been joined to their concrete walls, and how neatly the usual clutter of construction has been resolved away. We admire starkly simple works that we intuit would, without immense effort, have appeared very complicated. (p 209)”
― Alain de Botton, The Architecture of Happiness

“Complexity begets ambiguity, which yields in all ways to prejudice and avarice. Complication does not so much defeat Men as arm them with fancy.”
― R. Scott Bakker, The White Luck Warrior

“He had a theory that musicians are incredibly complex, and know far less than other artists what they want and what they are; that they puzzle themselves as well as their friends; that their psychology is a modern development, and has not yet been understood.”
― E.M. Forster

“Finally, I had held up examples of Goldhagen's inflammatory language and suggested that he had missed the essence of what Primo Levi once called the 'grey zone' of human affairs, described by the historian Christopher Browning as that foggy universe of mixed motives, conflicting emotions, personal priorities, reluctant choices, opportunism and accomodation, all wedded, when convenient, to self-deception and denial. I thought that by marshalling his research into an overly narrow narrative, painted without nuance in black and white, the author had missed the human complexity and the ordinariness of racism.”
― Erna Paris, Long Shadows: Truth, Lies and History

“Insofar as we appreciate order, it is when we perceive it as being accompanied by complexity, when we feel that a variety of elements has been brought to order--that windows, doors and other details have been knitted into a scheme that manages to be at once regular and intricate. (p184)”
― Alain de Botton, The Architecture of Happiness

“In literature, too, we admire prose in which a small and astutely arranged set of words has been constructed to carry a large consignment of ideas. 'We all have strength enough to bear the misfortunes of others,' writes La Rochefoucauld in an aphorism which transports us with an energy and exactitude comparable to that of Maillard bridge. The Swiss engineer reduces the number of supports just as the French writer compacts into a single line what lesser minds might have taken pages to express. We delight in complexity to which genius has lent an appearance of simplicity. (p 207)”
― Alain de Botton, The Architecture of Happiness

“Sufficiently simple natural structures are predictable but uncontrollable, whereas sufficiently complex symbolic descriptions are controllable but unpredictable.”
― Howard Pattee