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Quotes About Urban Planning

Quotes tagged as "urban-planning" (showing 1-23 of 23)
Rebecca Solnit
“Italian cities have long been held up as ideals, not least by New Yorkers and Londoners enthralled by the ways their architecture gives beauty and meaning to everyday acts.”
Rebecca Solnit, Wanderlust: A History of Walking

Jeffrey Eugenides
“Planning is for the world's great cities, for Paris, London, and Rome, for cities dedicated, at some level, to culture. Detroit, on the other hand, was an American city and therefore dedicated to money, and so design had given way to expediency.”
Jeffrey Eugenides, Middlesex

Rebecca Solnit
“Cities have always offered anonymity, variety, and conjunction, qualities best basked in by walking: one does not have to go into the bakery or the fortune-teller's, only to know that one might. A city always contains more than any inhabitant can know, and a great city always makes the unknown and the possible spurs to the imagination.”
Rebecca Solnit, Wanderlust: A History of Walking

Jane Jacobs
“There is no logic that can be superimposed on the city; people make it, and it is to them, not buildings, that we must fit our plans.”
Jane Jacobs

Jane Jacobs
“...frequent streets and short blocks are valuable because of the fabric of intricate cross-use that they permit among the users of a city neighbouhood.”
Jane Jacobs, The Death and Life of Great American Cities

William Gibson
“Canadian cities looked the way American cities did on television.”
William Gibson, Spook Country

“A city is not an accident but the result of coherent visions and aims.”
Leon Krier, The Architecture of Community

Rebecca Solnit
“In great cities, spaces as well as places are designed and built: walking, witnessing, being in public, are as much part of the design and purpose as is being inside to eat, sleep, make shoes or love or music. The word citizen has to do with cities, and the ideal city is organized around citizenship -- around participation in public life.”
Rebecca Solnit, Wanderlust: A History of Walking

Jane Jacobs
“Neighborhoods built up all at once change little physically over the years as a rule...[Residents] regret that the neighborhood has changed. Yet the fact is, physically it has changed remarkably little. People's feelings about it, rather, have changed. The neighborhood shows a strange inability to update itself, enliven itself, repair itself, or to be sought after, out of choice, by a new generation. It is dead. Actually it was dead from birth, but nobody noticed this much until the corpse began to smell.”
Jane Jacobs, The Death and Life of Great American Cities

Jane Jacobs
“Traffic congestion is caused by vehicles, not by people in themselves.”
Jane Jacobs, The Death and Life of Great American Cities

Jane Jacobs
“There are fashions in building. Behind the fashions lie economic and technological reasons, and these fashions exclude all but a few genuinely different possibilities in city dwelling construction at any one time.”
Jane Jacobs, The Death and Life of Great American Cities

Jane Jacobs
“Detroit is largely composed, today, of seemingly endless square miles of low-density failure.”
Jane Jacobs, The Death and Life of Great American Cities

Jane Jacobs
“Dull, inert cities, it is true, do contain the seeds of their own destruction and little else. But lively, diverse, intense cities contain the seeds of their own regeneration, with energy enough to carry over for problems and needs outside themselves.”
Jane Jacobs, The Death and Life of Great American Cities

“Sustainability is now a big baggy sack in which people throw all kinds of old ideas, hot air and dodgy activities in order to be able to greenwash their products and feel good.”
Kevin McCloud, Kevin McCloud's 43 Principles of Home: Enjoying Life in the 21st Century.

“A city is more than a place in space, it is a drama in time”
Patrick Geddes

Saladin Ahmed
“Ahhh, God's balls! The Horrible Halt!" Adoulla pronounced the Dhamsawaati term for the complete standstill of traffic with a familiar disgust.”
Saladin Ahmed, Throne of the Crescent Moon

“I believe that the idea of the totality, the finality of the master-plan, is misguided. One should advocate a gradual transformation of public space, a metamorphic process, without relying on a hypothetical time in the future when everything will be perfect. The mistake of planners and architects is to believe that fifty years from now Alexanderplatz will be perfected. -p.197”
Daniel Libeskind, Daniel Libeskind

Jane Jacobs
“A border--the perimeter of a single massive or stretched-out use of territory--forms the edge of an area of 'ordinary' city. Often borders are thought of as passive objects, or matter-of-factly just as edges. However, a border exerts an active influence.”
Jane Jacobs, The Death and Life of Great American Cities

“It is not, of course, only the Japanese who find flat sterile surfaces attractive and kirei. Foreign observers, too, are seduced by the crisp borders, sharp corners, neat railings, and machine-polished textures that define the new Japanese landscape, because, consciously or unconsciously, most of us see such things as embodying the very essence of modernism. In short, foreigners very often fall in love with kirei even more than the Japanese do; for one thing, they can have no idea of the mysterious beauty of the old jungle, rice paddies, wood, and stone that was paved over. Smooth industrial finish everywhere, with detailed attention to each cement block and metal joint: it looks ‘modern’; ergo, Japan is supremely modern.”
Alex Kerr, Dogs and Demons: Tales From the Dark Side of Modern Japan

“Henceforth the crisis of urbanism is all the more concretely a social and political one, even though today no force born of traditional politics is any longer capable of dealing with it. Medico-sociological banalities on the 'pathology of housing projects,' the emotional isolation of people who must live in them, or the development of certain extreme reactions of rejection, chiefly among youth, simply betray the fact that modern capitalism, the bureaucratic society of consumption, is here and there beginning to shape its own setting. This society, with its new towns, is building the terrain that accurately represents it, combining the conditions most suitable for its proper functioning, while at the same time translating in space, in the clear language of organization of everyday life, its fundamental principle of alienation and constraint. It is likewise here that the new aspects of its crisis will be manifested with the greatest clarity.”
Tom McDonough, The Situationists and the City: A Reader

“A young, beautiful mayor’s with high-powered plans for the city of Compton must put them aside to become a sleuth to solve the assassination of her husband, the mayor.”
Martha Tucker, The Mayor's Wife Wore Sapphires

Jeffrey Eugenides
“Planning is for the world's great cities, for Paris, London, and Rome, for cities dedicated, at some level, to culture. Detroit, on the other hand, was an American city and therefore dedicated to money, and so design had given way to expediency. Since 1818, the city had spread out along the river, warehouse by warehouse, factory by factory. Judge Woodward's wheels had been squashed, bisected, pressed into the usual rectangles.”
Jeffrey Eugenides, Middlesex

Jane Jacobs
“As in the pseudoscience of bloodletting, just so in the pseudoscience of city rebuilding and planning, years of learning and a plethora of subtle and complicated dogma have arisen on a foundation of nonsense.”
Jane Jacobs

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