"He was ugly, himself. Weird-ugly. But ugliness in a man doesn't matter, much. Ugliness in a woman is her life."
— Joyce Carol Oates (Faithless)

"Beauty belongs to the sphere of the simple, the ordinary, whilst ugliness is something extraordinary, and there is no question but that every ardent imagination prefers in lubricity, the extraordinary to the commonplace"
— Donatien Alphonse François de Sade (The 120 Days of Sodom and Other Writings)

"Fashion is a form of ugliness so intolerable that we have to alter it every six months. "
— Oscar Wilde

"Beauty is single. Only ugliness is multiple, and even then its multiplicity is soon exhausted."
— Jules Barbey d'Aurevilly (Les Diaboliques)

"An ugly baby is a very nasty object - and the prettiest is frightful."
— Queen Victoria

"I hate slick and pretty things. I prefer mistakes and accidents. Which is why I like things like cuts and bruises - they're like little flowers. I've always said that if you have a name for something, like 'cut' or 'bruise,' people will automatically be disturbed by it. But when you see the same thing in nature, and you don't know what it is, it can be very beautiful."
— David Lynch

"Beauty! Wasn't that what mattered? Beauty was hardly a popular ideal at that jumpy moment in history. The masses had been desensitized to it, the intelligentsia regarded it with suspicion. To most of her peers, 'beauty' smacked of the rarefied, the indulgent, the superfluous, the effete. How could persons of good conscience pursue the beautiful when there was so much suffering and injustice in the world? Ellen Cherry's answer was that if one didn't cultivate beauty, soon he or she wouldn't be able to recognize ugliness. The prevalence of social ugliness made commitment to physical beauty all the more essential. And the very presence in life of double-wide mobile homes, Magic Marker graffiti, and orange shag carpeting had the effect of making ills such as poverty, crime, repression, pollution, and child abuse seem tolerable. In a sense, beauty was the ultimate protest, and, in that it generally lasted longer than an orgasm, the ultimate refuge. The Venus de Milo screamed 'No!' at evil, whereas the Spandex stretch pant, the macrame plant holder were compliant with it. Ugly bedrooms bred ugly habits. Of course, it wasn't required of beauty that it perform a social function. That was what was valuable about it."
— Tom Robbins (Skinny Legs and All)