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(showing 1-15 of 22)
"SEPTEMBER 1, 1939
I sit in one of the dives
On Fifty-second Street
Uncertain and afraid
As the clever hopes expire
Of a low dishonest decade:
Waves of anger and fear
Circulate over the bright
And darkened lands of the earth,
Obsessing our private lives;
The unmentionable odour of death
Offends the September night.
Accurate scholarship can
Unearth the whole offence
From Luther until now
That has driven a culture mad,
Find what occurred at Linz,
What huge imago made
A psychopathic god:
I and the public know
What all schoolchildren learn,
Those to whom evil is done
Do evil in return.
Exiled Thucydides knew
All that a speech can say
About Democracy,
And what dictators do,
The elderly rubbish they talk
To an apathetic grave;
Analysed all in his book,
The enlightenment driven away,
The habit-forming pain,
Mismanagement and grief:
We must suffer them all again.
Into this neutral air
Where blind skyscrapers use
Their full height to proclaim
The strength of Collective Man,
Each language pours its vain
Competitive excuse:
But who can live for long
In an euphoric dream;
Out of the mirror they stare,
Imperialism's face
And the international wrong.
Faces along the bar
Cling to their average day:
The lights must never go out,
The music must always play,
All the conventions conspire
To make this fort assume
The furniture of home;
Lest we should see where we are,
Lost in a haunted wood,
Children afraid of the night
Who have never been happy or good.
The windiest militant trash
Important Persons shout
Is not so crude as our wish:
What mad Nijinsky wrote
About Diaghilev
Is true of the normal heart;
For the error bred in the bone
Of each woman and each man
Craves what it cannot have,
Not universal love
But to be loved alone.
From the conservative dark
Into the ethical life
The dense commuters come,
Repeating their morning vow;
'I will be true to the wife,
I'll concentrate more on my work,'
And helpless governors wake
To resume their compulsory game:
Who can release them now,
Who can reach the dead,
Who can speak for the dumb?
All I have is a voice
To undo the folded lie,
The romantic lie in the brain
Of the sensual man-in-the-street
And the lie of Authority
Whose buildings grope the sky:
There is no such thing as the State
And no one exists alone;
Hunger allows no choice
To the citizen or the police;
We must love one another or die.
Defenseless under the night
Our world in stupor lies;
Yet, dotted everywhere,
Ironic points of light
Flash out wherever the Just
Exchange their messages:
May I, composed like them
Of Eros and of dust,
Beleaguered by the same
Negation and despair,
Show an affirming flame."
— W.H. Auden
I sit in one of the dives
On Fifty-second Street
Uncertain and afraid
As the clever hopes expire
Of a low dishonest decade:
Waves of anger and fear
Circulate over the bright
And darkened lands of the earth,
Obsessing our private lives;
The unmentionable odour of death
Offends the September night.
Accurate scholarship can
Unearth the whole offence
From Luther until now
That has driven a culture mad,
Find what occurred at Linz,
What huge imago made
A psychopathic god:
I and the public know
What all schoolchildren learn,
Those to whom evil is done
Do evil in return.
Exiled Thucydides knew
All that a speech can say
About Democracy,
And what dictators do,
The elderly rubbish they talk
To an apathetic grave;
Analysed all in his book,
The enlightenment driven away,
The habit-forming pain,
Mismanagement and grief:
We must suffer them all again.
Into this neutral air
Where blind skyscrapers use
Their full height to proclaim
The strength of Collective Man,
Each language pours its vain
Competitive excuse:
But who can live for long
In an euphoric dream;
Out of the mirror they stare,
Imperialism's face
And the international wrong.
Faces along the bar
Cling to their average day:
The lights must never go out,
The music must always play,
All the conventions conspire
To make this fort assume
The furniture of home;
Lest we should see where we are,
Lost in a haunted wood,
Children afraid of the night
Who have never been happy or good.
The windiest militant trash
Important Persons shout
Is not so crude as our wish:
What mad Nijinsky wrote
About Diaghilev
Is true of the normal heart;
For the error bred in the bone
Of each woman and each man
Craves what it cannot have,
Not universal love
But to be loved alone.
From the conservative dark
Into the ethical life
The dense commuters come,
Repeating their morning vow;
'I will be true to the wife,
I'll concentrate more on my work,'
And helpless governors wake
To resume their compulsory game:
Who can release them now,
Who can reach the dead,
Who can speak for the dumb?
All I have is a voice
To undo the folded lie,
The romantic lie in the brain
Of the sensual man-in-the-street
And the lie of Authority
Whose buildings grope the sky:
There is no such thing as the State
And no one exists alone;
Hunger allows no choice
To the citizen or the police;
We must love one another or die.
Defenseless under the night
Our world in stupor lies;
Yet, dotted everywhere,
Ironic points of light
Flash out wherever the Just
Exchange their messages:
May I, composed like them
Of Eros and of dust,
Beleaguered by the same
Negation and despair,
Show an affirming flame."
— W.H. Auden
""And Meredith and Bonnie, who's going to bend some spoons for us next. I'm going to throw you down a rope… that is, unless Bonnie can levitate you out.""
— L.J. Smith (The Struggle)
— L.J. Smith (The Struggle)
"Jack. This ghastly state of things is what you call Bunburying, I suppose?
Algernon. Yes, and a perfectly wonderful Bunbury it is. The most wonderful Bunbury I have ever had in my life.
Jack. Well, you've no right whatsoever to Bunbury here.
Algernon. That is absurd. One has a right to Bunbury anywhere one chooses. Every serious Bunburyist knows that."
— Oscar Wilde (The Importance of Being Earnest)
Algernon. Yes, and a perfectly wonderful Bunbury it is. The most wonderful Bunbury I have ever had in my life.
Jack. Well, you've no right whatsoever to Bunbury here.
Algernon. That is absurd. One has a right to Bunbury anywhere one chooses. Every serious Bunburyist knows that."
— Oscar Wilde (The Importance of Being Earnest)
"And now the old story has begun to write itself over there," said Carl softly. "Isn’t it queer: there are only two or three human stories, and they go on repeating themselves as fiercely as if they had never happened before; like the larks in this country, that have been singing the same five notes for thousands of years."
— Willa Cather (O Pioneers!)
— Willa Cather (O Pioneers!)
"You have filled my tea with lumps of sugar, and though I asked most distinctly for bread and butter, you have given me cake. I am known for the gentleness of my disposition, and the extraordinary sweetness of my nature, but I warn you, Miss Cardew, you may go too far."
— Oscar Wilde (The Importance of Being Earnest)
— Oscar Wilde (The Importance of Being Earnest)
"I like trees because they seem more resigned to the way they have to live than other things do. I feel as if this tree knows everything I ever think of when I sit here. When I come back to it, I never have to remind it of anything; I begin just where I left off."
— Willa Cather (O Pioneers!)
— Willa Cather (O Pioneers!)
"Cecily. This is no time for wearing the shallow mask of manners. When I see a spade I call it a spade.
Gwendolen. [Satirically.] I am glad to say that I have never seen a spade. It is obvious that our social spheres have been widely different."
— Oscar Wilde (The Importance of Being Earnest)
Gwendolen. [Satirically.] I am glad to say that I have never seen a spade. It is obvious that our social spheres have been widely different."
— Oscar Wilde (The Importance of Being Earnest)
"Humanity would never tolerate it"
— Elie Wiesel
— Elie Wiesel
"There has never been a military operation remotely approaching the scale and the complexity of D-Day. It involved 176,000 troops, more than 12,000 airplanes, almost 10,000 ships, boats, landing craft, frigates, sloops, and other special combat vessels--all involved in a surprise attack on the heavily fortified north coast of France, to secure a beachhead in the heart of enemy-held territory so that the march to Germany and victory could begin. It was daring, risky, confusing, bloody, and ultimately glorious [p.25]"
— Tom Brokaw (The Greatest Generation)
— Tom Brokaw (The Greatest Generation)
"A common lament of the World War II generation is the absence today of personal responsibility "
— Tom Brokaw (The Greatest Generation)
— Tom Brokaw (The Greatest Generation)
"Lord, what fools these mortals be"
— William Shakespeare
— William Shakespeare
"Why do people have memories? It would be easier to die - anything to stop remembering."
— Vasily Grossman (Life and Fate)
— Vasily Grossman (Life and Fate)
"The shells had landed on the cobblestone road.
"Sonsofbitches," Wiseman muttered.
We looked up and grinned at each other.
"Here they come again!"
Sitting in an inch of water. I closed my eyes, gritted my teeth, held my breath, and clutched my elbows with my arms around my knees.
Three more shells came in, low and angry, and burst in the orchard.
"They're walking 'em towards us," I whispered.
I felt as if a giant with exploding iron fingers were looking for me, tearing up the ground as he came. I wanted to strike at him, to kill him, to stop him before he ripped into me, but I could do nothing. Sit and take it, sit and take it. The giant raked the orchard and tore up the roads and stumbled toward us in a terrible blind wrath as we sat in our hole with our heads between our legs and curses on our lips."
— David Kenyon Webster (Parachute Infantry: An American Paratrooper's Memoir of D-Day and the Fall of the Third Reich)
"Sonsofbitches," Wiseman muttered.
We looked up and grinned at each other.
"Here they come again!"
Sitting in an inch of water. I closed my eyes, gritted my teeth, held my breath, and clutched my elbows with my arms around my knees.
Three more shells came in, low and angry, and burst in the orchard.
"They're walking 'em towards us," I whispered.
I felt as if a giant with exploding iron fingers were looking for me, tearing up the ground as he came. I wanted to strike at him, to kill him, to stop him before he ripped into me, but I could do nothing. Sit and take it, sit and take it. The giant raked the orchard and tore up the roads and stumbled toward us in a terrible blind wrath as we sat in our hole with our heads between our legs and curses on our lips."
— David Kenyon Webster (Parachute Infantry: An American Paratrooper's Memoir of D-Day and the Fall of the Third Reich)
"Time collapsed into a delicate dark pencil brushed against our
eyebrows, the emergent rumble of crowds gathering above our heads. We
slid into our costumes. Pirate, outlaw, futuristic rebels. Red,
purple, gold. Chains hanging from our belts, tight black trousers. We
were moved upstairs, closer to the stage. Finally, we heard the
cannon's roar: Ladies and gentlemen, please welcome... Tanzar
recording artists... THE MASTER PLANETS!" The world shot forward. We
stepped into the spotlight."
— Donald Gallinger
eyebrows, the emergent rumble of crowds gathering above our heads. We
slid into our costumes. Pirate, outlaw, futuristic rebels. Red,
purple, gold. Chains hanging from our belts, tight black trousers. We
were moved upstairs, closer to the stage. Finally, we heard the
cannon's roar: Ladies and gentlemen, please welcome... Tanzar
recording artists... THE MASTER PLANETS!" The world shot forward. We
stepped into the spotlight."
— Donald Gallinger
"There has never been a military operation remotely approaching the scale and the complexity of D-Day. It involved 176,000 troops, more than 12,000 airplanes, almost 10,000 ships, boats, landing craft, frigates, sloops, and other special combat vessels--all involved in a surprise attack on the heavily fortified north coast of France, to secure a beachhead in the heart of enemy-held territory so that the march to Germany and victory could begin. It was daring, risky, confusing, bloody, and ultimately glorious [p.25]"
— Tom Brokaw (The Greatest Generation)
— Tom Brokaw (The Greatest Generation)
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