"I had all the characteristics of a human being—flesh, blood, skin, hair—but my depersonalization was so intense, had gone so deep, that my normal ability to feel compassion had been eradicated, the victim of a slow, purposeful erasure. I was simply imitating reality, a rough resemblance of a human being, with only a dim corner of my mind functioning"
— Bret Easton Ellis (American Psycho)

"…there is an idea of a Patrick Bateman, some kind of abstraction, but there is no real me, only an entity, something illusory, and though I can hide my cold gaze and you can shake my hand and feel flesh gripping yours and maybe you can even sense our lifestyles are probably comparable: I simply am not there. It is hard for me to make sense on any given level. Myself is fabricated, an aberration. I am a noncontingent human being. My personality is sketchy and unformed, my heartlessness goes deep and is persistent. My conscience, my pity, my hopes disappeared a long time ago (probably at Harvard) if they ever did exist. There are no more barriers to cross. All I have in common with the uncontrollable and the insane, the vicious and the evil, all the mayhem I have caused and my utter indifference toward it, I have now surpassed. I still, though, hold on to one single bleak truth: no one is safe, nothing is redeemed. Yet I am blameless. Each model of human behavior must be assumed to have some validity. Is evil something you are? Or is it something you do? My pain is constant and sharp and I do not hope for a better world for anyone. In fact, I want my pain to be inflicted on others. I want no one to escape. But even after admitting this—and I have countless times, in just about every act I’ve committed—and coming face-to-face with these truths, there is no catharsis. I gain no deeper knowledge about myself, no new understanding can be extracted from my telling. There has been no reason for me to tell you any of this. This confession has meant nothing…."
— Bret Easton Ellis (American Psycho)

"I end up watching this movie about some girl who's supposed to be so smart and edgy and unpopular. She wears glasses, that's how you know she's so smart. And she's the only one that has dark hair in the school- a place that looks like Planet Blond.

Anyway, she somehow ends up going to the prom- hello, gag- and she doesn't wear her glasses, so suddenly she's all beautiful. And she's bashful and shy because she doesn't feel comfortable wearing a dress. But then the guy says something like, "Wow, I never knew you were so pretty," and she feels on top of the world.

So, basically, the whole point is she's pretty. Oh, and smart, too. But what's really important here is that she's pretty.

For a second I think about Katie. About her thin little Clarissa Le Fey.

It must be a pain being fat. There are NO fat people on Planet Blond.

I don't get it. I mean, even movies where the actress is smart- like they seem like they'd be smart in real life, they're all gorgeous. And they usually get a boyfriend somewhere in the story. Even if they say they don't want one. They always, always end up falling in love, and you're supposed to be like, "Oh, good."

I once said this to my mom, and she laughed. "Honey, Hollywood... reality- two different universes. Don't make yourself crazy."

Which made me feel pretty pathetic. Like I didn't know the difference between a movie and the real world.

But then when everyone gets on you about your hair and your clothes and your this and your that, and "Are you fat?" and "Are you sexy?" you start thinking, Hey, maybe I'm not the only one who can't tell the difference between movies and reality.

Maybe everyone really does think you can look like that. And that you should look like that.

Because, you know, otherwise you might not get to go to the prom and fall in love."
— Mariah Fredericks (Head Games)

"My dad said to me a few years ago: "There's no harm in thinking." We were talking about Crazy Uncle Albert and whether it was right to use your brain to build weapons.

He said, "You can't expect people not to think. Not to know things just because they COULD be bad."

I said, "Yeah, but then they built it and a hundred thousand people died."

My dad laughed and said there were a lot of steps between the thinking and the doing.

Which I know, duh. All I was saying is that when you think of doing something, you don't always know the consequences. For a while people THOUGHT about building the bomb, but nothing happened. In the end it was a lot of different people doing a lot of different things, most of which had nothing to do with the bomb, that did make it happen.

I think about that sometimes. Who was the person who had the first thought, the one that started it all?

And after they had the thought, what was the first thing they did?

I know my uncle never thought, Hey, all this great science- one day I'll use it to kill a whole bunch of people. You just look at his picture; he's not that kind of person.

And yet, I guess in a way he sort of is."
— Mariah Fredericks (Head Games)

""Writer's block? I've heard of this. This is when a writer cannot write, yes? Then that person isn't a writer anymore. I'm sorry, but the job is getting up in the fucking morning and writing for a living.""
— Warren Ellis

"I have to return some videotapes"
— Bret Easton Ellis (American Psycho)

"The sexual embrace can only be compared with music and with prayer.
"
— Havelock Ellis

""Sex lies at the root of life, & we can never learn to reverence life until we know how to understand sex." -Henry Ellis "
— Henry Ellis

"Listen, when some asshole pulls a gun on me, he loses his right to a warm milky drink and fucking cuddles, okay?"
— Warren Ellis (Black Summer Limited Edition)