""Sirrah, my companion chooses to engage you in knightly combat!" Halt said. The horseman stiffened, sitting upright in his saddle. Halt noticed that he nearly lost his balance at this unexpected piece of news.
"Nightly cermbat?" he replied, "Yewer cermpenion ers no knight!"
Halt nodded hugely, making sure the man could see the gesture.
"Oh yes he is!" he called back. "He is Sir Horace of the Order of the Feuille du Chene." He paused and muttered to himself, "Or should that have been Crepe du Chene? Never mind."
"What did you tell him?" Horace asked, slinging his buckler around from where it hung at his back and setting it on his left arm.
"I said you were Sir Horace of the Order of the Oakleaf." Halt said to him, then added uncertainly, "At least, I think that's what I told him. I may have said you were of the Order of the Oak Pancake.""
— John Flanagan

"Any sigh of them yet? he asked. Will looked at him. 'Yes', he said. 'A party of fifty Scotti came though just twenty minutes ago'.
Really? Horace looked startled. He wasn't fully awake yet. Will rolled his eyes to heaven. 'Oh, my word, yes', he said. 'They were riding on oxen and playing bagpipes and drums. Of course not,' he went on. 'If they had come past, I would have woken you-if only to stop your snoring'.
I don't snore', Horace said, with dignity. Will raised his eyebrows. 'Is that so?' he said. 'Then in that case, you'd better chase out that colony of walruses who are in the tent with you...of course you snore.'"
— John Flanagan (The Siege of Macindaw)

"Will looked up angrily, shaking his head in disbelief.
Will you shut up? he said tautly.
Horace shrugged in apology. 'I'm sorry' he said, I sneezed. A person can't help it when they sneeze.
Perhaps not. But you could try to make it sound a little less like an elephant trumpeting in agony; Will told him. "
— John Flanagan (The Siege of Macindaw)

"Holmes had cultivated the ability to still the noise of the mind, by smoking his pipe and playing nontunes on the violin. He once compared this mental state with the sort of passive seeing that enables the eye, in a dim light or at a great distance, to grasp details with greater clarity by focusing slightly to one side of the object of interest. When active, strained vision only obscures and frustrates, looking away often permits the eyes to see and interpret the shapes of what it sees. Thus does inattention allow the mind to register the still, small whisper of the daughter of the voice. "
— Laurie R. King