"I believe that there is one story in the world, and only one. . . . Humans are caught—in their lives, in their thoughts, in their hungers and ambitions, in their avarice and cruelty, and in their kindness and generosity too—in a net of good and evil. . . . There is no other story. A man, after he has brushed off the dust and chips of his life, will have left only the hard, clean questions: Was it good or was it evil? Have I done well—or ill?"
— John Steinbeck (East of Eden)

"When a child first catches adults out -- when it first walks into his grave little head that adults do not always have divine intelligence, that their judgments are not always wise, their thinking true, their sentences just -- his world falls into panic desolation. The gods are fallen and all safety gone. And there is one sure thing about the fall of gods: they do not fall a little; they crash and shatter or sink deeply into green muck. It is a tedious job to build them up again; they never quite shine. And the child's world is never quite whole again. It is an aching kind of growing."
— John Steinbeck (East of Eden)

"Literature was not promulgated by a pale and emasculated critical priesthood singing their litanies in empty churches - nor is it a game for the cloistered elect, the tinhorn mendicants of low calorie despair.

Literature is as old as speech. It grew out of human need for it, and it has not changed except to become more needed.

The skalds, the bards, the writers are not separate and exclusive. From the beginning, their functions, their duties, their responsibilities have been decreed by our species.

--speech at the Nobel Banquet at the City Hall in Stockholm, December 10, 1962"
— John Steinbeck

"Stuff your eyes with wonder, live as if you'd drop dead in ten seconds. See the world. It's more fantastic than any dream made or paid for in factories."
— Ray Bradbury

"The books are to remind us what asses and fool we are. They're Caeser's praetorian guard, whispering as the parade roars down the avenue, "Remember, Caeser, thou art mortal." Most of us can't rush around, talking to everyone, know all the cities of the world, we haven't time, money or that many friends. The things you're looking for, Montag, are in the world, but the only way the average chap will ever see ninety-nine per cent of them is in a book. Don't ask for guarantees. And don't look to be saved in any one thing, person, machine, or library. Do your own bit of saving, and if you drown, at least die knowing you were headed for shore."
— Ray Bradbury (Fahrenheit 451)

"Everyone must leave something behind when he dies, my grandfather said. A child or a book or a painting or a house or a wall built or a pair of shoes made. Or a garden planted. Something your hand touched some way so your soul has somewhere to go when you die, and when people look at that tree or that flower you planted, you're there.

It doesn't matter what you do, he said, so long as you change something from the way it was before you touched it into something that's like you after you take your hands away. The difference between the man who just cuts lawns and a real gardener is in the touching, he said. The lawn-cutter might just as well not have been there at all; the gardener will be there a lifetime."
— Ray Bradbury (Fahrenheit 451)

"And when he died, I suddenly realized I wasn’t crying for him at all, but for the things he did. I cried because he would never do them again, he would never carve another piece of wood or help us raise doves and pigeons in the backyard or play the violin the way he did, or tell us jokes the way he did. He was part of us and when he died, all the actions stopped dead and there was no one to do them the way he did. He was individual. He was an important man. I’ve never gotten over his death. Often I think what wonderful carvings never came to birth because he died. How many jokes are missing from the world, and how many homing pigeons untouched by his hands? He shaped the world. He did things to the world. The world was bankrupted of ten million fine actions the night he passed on."
— Ray Bradbury (Fahrenheit 451)

"If only my mother had a book to hold, she wouldn't have looked so lonely. And maybe this was another reason why people read: not so they would feel less lonely, but so that other people would think they looked less lonely with a book in their hands and therefore not pity them and leave them alone."
— Brock Clarke (An Arsonist's Guide to Writers' Homes in New England)

"There is neither happiness nor unhappiness in this world; there is only the comparison of one state with another. Only a man who has felt ultimate despair is capable of feeling ultimate bliss. It is necessary to have wished for death in order to know how good it is to live.....the sum of all human wisdom will be contained in these two words: Wait and Hope."
— Alexandre Dumas (The Count of Monte Cristo)

"Memory believes before knowing remembers."
— William Faulkner (Light in August)

"There is no was."
— William Faulkner

"Most men are a little better than their circumstances give them a chance to be."
— William Faulkner

"Wonder. Go on and wonder."
— William Faulkner (The Sound and the Fury)

"Sometimes I can hear my bones straining under the weight of all the lives I'm not living"
— Jonathan Safran Foer (Extremely Loud and Incredibly Close)

"If there is no love in the world, we will make a new world, and we will give it walls, and we will furnish it with soft, red interiors, from the inside out, and give it a knocker that resonates like a diamond falling to a jeweller's felt so that we should never hear it. Love me, because love doesn't exist, and I have tried everything that does."
— Jonathan Safran Foer (Everything is Illuminated: A Novel)

"I'm sorry for my inability to let unimportant things go, for my inability to hold on to the important things."
— Jonathan Safran Foer

"What about a teakettle? What if the spout opened and closed when the steam came out, so it would become a mouth, and it could whistle pretty melodies, or do Shakespeare, or just
crack up with me? I could invent a teakettle that reads in Dad’s voice, so I could fall asleep, or maybe a set of kettles that sings the chorus of “Yellow Submarine,” which is a song by the Beatles, who I love, because entomology is one of my raisons d’être, which
is a French expression that I know. Another good thing is that I could train my anus to talk when I farted. If I wanted to be extremely hilarious, I’d train it to say, “Wasn’t me!” every time I made an incredibly bad fart. And if I ever made an incredibly bad fart in the Hall of Mirrors, which is in Versailles, which is outside of Paris, which is in France, obviously, my anus would say, “Ce n’étais pas moi!”
What about little microphones? What if everyone swallowed them, and they played the sounds of our hearts through little speakers, which could be in the pouches of our overalls? When you skateboard down the street at night you could hear everyone's heartbeat, and they could hear yours, sort of like sonar. One weird thing is, I wonder if everyone's hearts would start to beat at the same time, like how women who live together have their menstrual periods at the same time, which I know about, but don't really want to know about. That would be so weird, except that the place in the hospital where babies are born would sound like a crystal chandelier in a houseboat, because the babies wouldn't have had time to match up their heartbeats yet. And at the finish line at the end of the New York City Marathon it would sound like war."
— Jonathan Safran Foer

"I will describe my eyes and then begin the story. My eyes are blue and resplendent. Now I will begin the story."
— Jonathan Safran Foer (Everything Is Illuminated)

"Sadness of love without release."
— Jonathan Safran Foer

"What if I never stop inventing?"
— Jonathan Safran Foer (Extremely Loud and Incredibly Close)

"Do I love you? My God, if your love were a grain of sand, mine would be a universe of beaches."
— William Goldman (The Princess Bride)

"Always do sober what you said you'd do drunk. That will teach you to keep your mouth shut."
— Ernest Hemingway

"If people bring so much courage to this world the world has to kill them to break them, so of course it kills them. The world breaks every one and afterward many are strong at the broken places. But those that will not break it kills. It kills the very good and the very gentle and the very brave impartially. If you are none of these you can be sure it will kill you too but there will be no special hurry."
— Ernest Hemingway (A Farewell to Arms)

"I had gone to no such place but to the smoke of cafes and nights when the room whirled and you needed to look at the wall to make it stop, nights in bed, drunk, when you knew that that was all there was, and the strange excitement of waking and not knowing who it was with you, and the world all unreal in the dark and so exciting that you must resume again unknowing and not caring in the night, sure that this was all and all and all and not caring."
— Ernest Hemingway (A Farewell to Arms)

"The more clearly one sees this world; the more one is obliged to pretend it does not exist."
— John Irving (A Son of the Circus)

"A woman half dressed seemed to have some power, but a man was simply not as handsome as when he was naked, and not as secure as when he was clothed."
— John Irving (The World According to Garp)

"The history of a city was like the history of a family—there is closeness and even affection, but death eventually separates everyone from each other. It is only the vividness of memory that keeps the dead alive forever; a writer’s job is to imagine everything so personally that the fiction is as vivid as our personal memories. "
— John Irving (The World According to Garp)

"There is a sacredness in tears. They are not the mark of weakness, but of power."
— Washington Irving

"There is a certain relief in change, even though it be from bad to worse; as I have found in traveling in a stage coach, that it is often a comfort to shift one's position and be bruised in a new place."
— Washington Irving (Tales of a Traveller)

""In a time of destruction, create something.""
— Maxine Hong Kingston

"You have to write the book that wants to be written. And if the book will be too difficult for grown-ups, then you write it for children."
— Madeleine L'Engle

"They are very young. And on their earth, as they call it, they never communicate with other planets. They revolve about all alone in space."
"Oh," the thin beast said. "Aren't they lonely?"
— Madeleine L'Engle (A Wrinkle in Time)

"It's not my brain that's writing the book, it's these hands of mine."
— Madeleine L'Engle

"It's a good thing to have all the props pulled out from under us occasionally. It gives us some sense of what is rock under our feet, and what is sand."
— Madeleine L'Engle

"Life, with it's rules, its obligations, and its freedoms, is like a sonnet: You're given the form, but you have to write the sonnet yourself. - Mrs. Whatsit"
— Madeleine L'Engle (A Wrinkle in Time)

"I wanted you to see what real courage is, instead of getting the idea that courage is a man with a gun in his hand. It's when you know you're licked before you begin, but you begin anyway and see it through no matter what.-Atticus Finch"
— Harper Lee (To Kill a Mockingbird)

"I believe in Christianity as I believe that the sun has risen: not only because I see it, but because by it I see everything else."
— C.S. Lewis

"You don't have a soul. You are a soul. You have a body."
— C.S. Lewis

"No book is really worth reading at the age of ten which is not equally – and often far more – worth reading at the age of fifty and beyond."
— C.S. Lewis

"A children's story that can only be enjoyed by children is not a good children's story in the slightest."
— C.S. Lewis

"To love at all is to be vulnerable. Love anything and your heart will be wrung and possibly broken. If you want to make sure of keeping it intact you must give it to no one, not even an animal. Wrap it carefully round with hobbies and little luxuries; avoid all entanglements. Lock it up safe in the casket or coffin of your selfishness. But in that casket, safe, dark, motionless, airless, it will change. It will not be broken; it will become unbreakable, impenetrable, irredeemable. To love is to be vulnerable."
— C.S. Lewis (The Four Loves)

"Atheism turns out to be too simple. If the whole universe has no meaning, we should never have found out that it has no meaning..."
— C.S. Lewis

"If you look for truth, you may find comfort in the end; if you look for comfort you will not get either comfort or truth only soft soap and wishful thinking to begin, and in the end, despair."
— C.S. Lewis

"Even in literature and art, no man who bothers about originality will ever be original: whereas if you simply try to tell the truth (without caring twopence how often it has been told before) you will, nine times out of ten, become original without ever having noticed it."
— C.S. Lewis (Mere Christianity)

"There are only two kinds of people in the end: those who say to God, "Thy will be done," and those to whom God says, in the end, "Thy will be done." All that are in Hell, choose it. Without that self-choice there could be no Hell. No soul that seriously and constantly desires joy will ever miss it. Those who seek find. Those who knock it is opened. "
— C.S. Lewis (The Great Divorce)

"Nothing is yet in its true form."
— C.S. Lewis

"I didn’t go to religion to make me happy. I always knew a bottle of Port would do that. If you want a religion to make you feel really comfortable, I certainly don’t recommend Christianity."
— C.S. Lewis

"You can never get a cup of tea large enough or a book long enough to suit me."
— C.S. Lewis

"The great difficulty is to get modern audiences to realize that you are preaching Christianity solely and simply because you happen to think it true; they always suppose you are preaching it because you like it or think it good for society or something of that sort. Now a clearly maintained distinction between what the Faith actually says and what you would like it to have said or what you understand or what you personally find helpful or think probable, forces your audience to realize that you are tied to your data just as the scientist is tied by the results of the experiments; that you are not just saying what you like. This immediately helps them realize that what is being discussed is a question about objective fact — not gas about ideals and points of view."
— C.S. Lewis (Mere Christianity)

"I never asked Tolstoy to write for me, a little colored girl in Lorain, Ohio. I never asked [James] Joyce not to mention Catholicism or the world of Dublin. Never. And I don't know why I should be asked to explain your life to you. We have splendid writers to do that, but I am not one of them. It is that business of being universal, a word hopelessly stripped of meaning for me. Faulkner wrote what I suppose could be called regional literature and had it published all over the world. That's what I wish to do. If I tried to write a universal novel, it would be water. Behind this question is the suggestion that to write for black people is somehow to diminish the writing. From my perspective there are only black people. When I say 'people,' that's what I mean."
— Toni Morrison