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  • Neil Gaiman
    "Have you ever been in love? Horrible isn't it? It makes you so vulnerable. It opens your chest and it opens up your heart and it means that someone can get inside you and mess you up."
    Neil Gaiman (The Sandman Vol. 9: The Kindly Ones)


  • Neil Gaiman
    "Let us begin this letter, this prelude to an encounter, formally, as a declaration, in the old-fashioned way: I love you. You do not know me (although you have seen me, smiled at me). I know you (although not so well as I would like. I want to be there when your eyes flutter open in the morning, and you see me, and you smile. Surely this would be paradise enough?). So I do declare myself to you now, with pen set to paper. I declare it again: I love you."
    Neil Gaiman


  • Neil Gaiman
    "There are so many fragile things, after all. People break so easily, and so do dreams and hearts."
    Neil Gaiman (Fragile Things: Short Fictions and Wonders)


  • Neil Gaiman
    "I am the most miserable person who ever lived," he said.... "You are young, and in love," said Primus. "Every young man in your position is the most miserable young man who ever lived."
    Neil Gaiman (Stardust)


  • Haruki Murakami
    "Don't feel sorry for yourself. Only assholes do that."
    Haruki Murakami (Norwegian Wood)


  • Haruki Murakami
    "Pain is inevitable. Suffering is optional."
    Haruki Murakami


  • Haruki Murakami
    "Only the Dead stay seventeen forever."
    Haruki Murakami (Norwegian Wood)


  • Haruki Murakami
    "Taking crazy things seriously is a serious waste of time."
    Haruki Murakami (Kafka on the Shore)


  • Haruki Murakami
    "What do you think? I'm not a starfish or a pepper tree. I'm a living, breathing human being. Of course I've been in love."
    Haruki Murakami (Kafka on the Shore)


  • Haruki Murakami
    "No matter what they wish for, no matter how far they go, people can never be anything but themselves. That's all."
    Haruki Murakami (Blind Willow, Sleeping Woman: 24 Stories)


  • Miranda July
    "What a terrible mistake to let go of something wonderful for something real. "
    Miranda July (No One Belongs Here More Than You: Stories)


  • Neil Gaiman
    "'What's your name,' Coraline asked the cat. 'Look, I'm Coraline. Okay?'
    'Cats don't have names,' it said.
    'No?' said Coraline.
    'No,' said the cat. 'Now you people have names. That's because you don't know who you are. We know who we are, so we don't need names.'"
    Neil Gaiman (Coraline)


  • Haruki Murakami
    "Don't you think it would be wonderful to get rid of everything and everybody and just go some place where you don't know a soul?"
    Haruki Murakami


  • Neil Gaiman
    "I think I fell in love with her, a little bit. Isn't that dumb? But it was like I knew her. Like she was my oldest, dearest friend. The kind of person you can tell anything to, no matter how bad, and they'll still love you, because they know you. I wanted to go with her. I wanted her to notice me. And then she stopped walking. Under the moon, she stopped. And looked at us. She looked at me. Maybe she was trying to tell me something; I don't know. She probably didn't even know I was there. But I'll always love her. All my life."
    Neil Gaiman (The Sandman Vol. 8: Worlds' End)


  • Haruki Murakami
    "Things like that happen all the time in this great big world of ours. It's like taking a boat out on a beautiful lake on a beautiful day and thinking both the sky and lake are beautiful. So stop eating yourself alive. Things will go where they're supposed to go if you just let them take their natural course."
    Haruki Murakami


  • Michael Ende
    "You wish for something, you've wanted it for years, and you're sure you want it, as long as you know you can't have it. But if all at once it looks as though your wish might come true, you suddenly find yourself wishing you had never wished for any such thing."
    Michael Ende (The Neverending Story)


  • Michael Ende
    "Bastian had climbed a dune of purplish-red sand and all around him he saw nothing but hill after hill of every imaginable color. Each hill revealed a shade or tint that occured in no other. The nearest was cobalt blue, another was saffron yellow, then came crimson red, then indigo, apple green, sky blue, orange, peach, mauve, turquoise blue, lilac, moss green, ruby red, burnt umber, Indian yellow, vermillion, lapis lazuli, and so on from horizon to horizon. And between the hill, separating color from color, flowed streams of gold and silver sand."
    Michael Ende (The Neverending Story)



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