"I disapprove of what you say, but I will defend to the death your right to say it."
— Voltaire

"I have never made but one prayer to God, a very short one: Oh Lord, make my enemies ridiculous. And God granted it."
— Voltaire

"Let us read and let us dance — two amusements that will never do any harm to the world."
— Voltaire

"The prince is never going to come. Everyone knows that; and maybe sleeping beauty's dead."
— Anne Rice (The Vampire Lestat)

"None of us really changes over time. We only become more fully what we are."
— Anne Rice (The Vampire Lestat)

"On the off chance that you have children, don't clean up at all. As children, my brother and sister and I loved waking up early and playing cocktail party with the leftover debris "
— Amy Sedaris

"Religion has convinced people that there's an invisible man ... living in the sky. Who watches everything you do every minute of every day. And the invisible man has a list of ten specific things he doesn't want you to do. And if you do any of these things, he will send you to a special place, of burning and fire and smoke and torture and anguish for you to live forever, and suffer, and suffer, and burn, and scream, until the end of time. But he loves you. He loves you. He loves you and he needs money."
— George Carlin

"If you want to know what a man's like, take a good look at how he treats his inferiors, not his equals."
— J.K. Rowling (Harry Potter and the Goblet of Fire)

"When his life was ruined, his family killed, his farm destroyed, Job knelt down on the ground and yelled up to the heavens, "Why god? Why me?" and the thundering voice of God answered, There's just something about you that pisses me off."
— Stephen King (Storm of the Century: An Original Screenplay)

"The very worst impulses of humankind can survive generations, centuries, even millennia. And the best of our individual efforts can die with us at the end of a single lifetime."
— Elizabeth Kostova (The Historian)

"We don't see things as they are, we see them as we are."
— Anaïs Nin

"I, with a deeper instinct, choose a man who compels my strength, who makes enormous demands on me, who does not doubt my courage or my toughness, who does not believe me naïve or innocent, who has the courage to treat me like a woman."
— Anaïs Nin

"Sometimes I can hear my bones straining under the weight of all the lives I'm not living"
— Jonathan Safran Foer (Extremely Loud and Incredibly Close)

"If there is no love in the world, we will make a new world, and we will give it walls, and we will furnish it with soft, red interiors, from the inside out, and give it a knocker that resonates like a diamond falling to a jeweller's felt so that we should never hear it. Love me, because love doesn't exist, and I have tried everything that does."
— Jonathan Safran Foer (Everything is Illuminated: A Novel)

"I love you also means I love you more than anyone loves you, or has loved you, or will love you, and also, I love you in a way that no one loves you, or has loved you, or will love you, and also, I love you in a way that I love no one else, and never have loved anyone else, and never will love anyone else. "
— Jonathan Safran Foer

"You cannot protect yourself from sadness without protecting yourself from happiness."
— Jonathan Safran Foer

"Why didn't I learn to treat everything like it was the last time. My greatest regret was how much I believed in the future."
— Jonathan Safran Foer (Extremely Loud and Incredibly Close)

"She had fallen in love so many times that she began to suspect she was not falling in love at all, but doing something much more ordinary."
— Jonathan Safran Foer

"When I looked at you, my life made sense. Even the bad things made sense. They were necessary to make you possible."
— Jonathan Safran Foer

"What about little microphones? What if everyone swallowed them, and they played the sounds of our hearts through little speakers, which could be in the pouches of our overalls? When you skateboarded down the street at night you could hear everyone's heartbeat, and they could hear yours, sort of like sonar. One weird thing is, I wonder if everyone's hearts would start to beat at the same time, like how women who live together have their menstrual periods at the same time, which I know about, but don't really want to know about. That would be so weird, except that the place in the hospital where babies are born would sound like a crystal chandelier in a houseboat, because the babies wouldn't have had time to match up their heartbeats yet. And at the finish line at the end of the New York City Marathon it would sound like war."
— Jonathan Safran Foer (Extremely Loud and Incredibly Close)

"She wants to know if I love her, that's all anyone wants from anyone else, not love itself but the knowledge that love is there, like new batteries in the flashlight in the emergency kit in the hall closet."
— Jonathan Safran Foer (Extremely Loud and Incredibly Close)

"I like to see people reunited, I like to see people run to each other, I like the kissing and the crying, I like the impatience, the stories that the mouth can't tell fast enough, the ears that aren't big enough, the eyes that can't take in all of the change, I like the hugging, the bringing together, the end of missing someone."
— Jonathan Safran Foer (Extremely Loud and Incredibly Close)

"Why are you leaving me?
He wrote, I do not know how to live.
I do not know either but I am trying.
I do not know how to try.
There were some things I wanted to tell him. But I knew they would hurt him. So i buried them and let them hurt me"
— Jonathan Safran Foer

"I got tired, I told him. Not worn out, but worn through. Like one of those wives who wakes up one morning and says I can't bake any more bread.
You never bake bread, he wrote, and we were still joking.
Then it's like I woke up and baked bread, I said, and we were joking even then. I wondered will there come a time when we won't be joking? And what would it look like? And how would that feel?
When I was a girl, my life was music that was always getting louder. Everything moved me. A dog following a stranger. That made me feel so much. A calender that showed the wrong month. I could have cried over it. I did. Where the smoke from the chimney ended. How an overturned bottle rested at the edge of a table.
I spent my life learning to feel less.
Every day I felt less.
Is that growing old? Or is it something worse?
You cannot protect yourself from sadness without protecting yourself from happiness."
— Jonathan Safran Foer

"We slept in the same bed.
There was never a right time to say it.
It was always unnecessary.
The books in my father's shed were sighing.
The sheets were rising and falling around me with Anna's breathing.
I thought about waking her.
but it was unnecessary.
There would be other nights.
And how can you say I love you to someone you love?
I rolled onto my side and fell asleep next to her.
Here is the point of everything I have been trying to tell you...
It's always necessary.
I love you,..."
— Jonathan Safran Foer

"I went to a tattoo parlor and had YES written onto the palm of my left hand, and NO onto my right palm, what can I say, it hasn't made my life wonderful, its made life possible, when I rub my hands against each other in the middle of winter I am warming myself with the friction of YES and NO, when I clap my hands I am showing my appreciation through the uniting and parting of YES and NO, I signify "book" by peeling open my hands, every book, for me, is the balance of YES and NO, even this one, my last one, especially this one. Does it break my heart, of course, every moment of every day, into more pieces than my heart was made of, I never thought of myself as quiet, much less silent, I never thought about things at all, everything changed, the distance that wedged itself between me and my happiness wasn't the world, it wasn't the bombs and burning buildings, it was me, my thinking, the cancer of never letting go, is ignorance bliss, I don't know, but it's so painful to think, and tell me, what did thinking ever do for me, to what great place did thinking ever bring me? I think and think and think, I've thought myself out of happiness one million times, but never once into it."
— Jonathan Safran Foer

"I took the world into me, rearranged it, and sent it back out as a question: "Do you like me?""
— Jonathan Safran Foer (Extremely Loud and Incredibly Close)

"Love me, because love doesn't exist, and I have tried everything that does."
— Jonathan Safran Foer

"I am not sad, he would repeat to himself over and over, I am not sad. As if he might one day convince himself. Or fool himself. Or convince others -- The only thing worse than being sad is for others to know that you are sad."
— Jonathan Safran Foer (Everything Is Illuminated)

"Just because you're an atheist, that doesn't mean you wouldn't love for things to have reasons for why they are."
— Jonathan Safran Foer (Extremely Loud and Incredibly Close)

"'Why do beautiful songs make you sad?' 'Because they aren't true.' 'Never?' 'Nothing is beautiful and true.'"
— Jonathan Safran Foer (Extremely Loud and Incredibly Close)

"She said, 'Believe it or not, I used to be idealistic.' I asked her what 'idealistic' meant. 'It means you live by what you think is right.' 'You don't do that anymore?' 'There are questions I don't ask anymore.'"
— Jonathan Safran Foer

"He awoke each morning with the desire to do right, to be a good and meaningful person, to be, as simple as it sounded and as impossible as it actually was, happy. And during the course of each day his heart would descend from his chest into his stomach. By early afternoon he was overcome by the feeling that nothing was right, or nothing was right for him, and by the desire to be alone. By evening he was fulfilled: alone in the magnitude of his grief, alone in his aimless guilt, alone even in his loneliness. I am not sad, he would repeat to himself over and over, I am not sad. As if he might one day convince himself. Or fool himself. Or convince others--the only thing worse than being sad is for others to know that you are sad. I am not sad. I am not sad. Because his life had unlimited potential for happiness, insofar as it was an empty white room. He would fall asleep with his heart at the foot of his bed, like some domesticated animal that was no part of him at all. And each morning he would wake with it again in the cupboard of his rib cage, having become a little heavier, a little weaker, but still pumping. And by the midafternoon he was again overcome with the desire to be somewhere else, someone else, someone else somewhere else. I am not sad."
— Jonathan Safran Foer (Everything Is Illuminated: A Novel)

""The only thing more painful than being an active forgetter is to be an inert rememberer." "
— Jonathan Safran Foer (Everything Is Illuminated)

"'It's so hard to express yourself.'
'I understand this.'
'I want to express myself.'
'The same is true for me.'
'I'm looking for my voice.'
'It's in your mouth.'
'I want to do something I'm not ashamed of.'
'Something you are proud of, yes?'
'Not even. I just don't want to be ashamed.'"
— Jonathan Safran Foer (Everything Is Illuminated)

"If we communicated with something like music, we would never be misunderstood, because there is nothing in music to understand...... But until we find this new way of speaking, until we can find a nonapproximate vocabulary, nonsense words are the best thing we've got. Ifactifice is one such word."
— Jonathan Safran Foer (Everything Is Illuminated)

"Luxury is not a necessity to me, but beautiful and good things are."
— Anaïs Nin

"If you do not breathe through writing, if you do not cry out in writing, or sing in writing, then don't write, because our culture has no use for it."
— Anaïs Nin

"There were always in me, two women at least, one woman desperate and bewildered, who felt she was drowning and another who would leap into a scene, as upon a stage, conceal her true emotions because they were weaknesses, helplessness, despair, and present to the world only a smile, an eagerness, curiosity, enthusiasm, interest."
— Anaïs Nin

"The role of a writer is not to say what we can all say, but what we are unable to say."
— Anaïs Nin

"The possession of knowledge does not kill the sense of wonder and mystery. There is always more mystery."
— Anaïs Nin

"There are two ways to reach me: by way of kisses or by way of the imagination. But there is a hierarchy: the kisses alone don't work."
— Anaïs Nin (Henry and June)

"Anxiety is love's greatest killer. It makes others feel as you might when a drowning man holds on to you. You want to save him, but you know he will strangle you with his panic."
— Anaïs Nin

"I am the most tired woman in the world. I am tired when I get up. Life requires an effort I cannot make. Please give me that heavy book. I need to put something heavy like that on top of my head. I have to place my feet under the pillows always, so as to be able to stay on earth. Otherwise I feel myself going away, going away at a tremendous speed, on account of my lightness. I know that I am dead. As soon as I utter a phrase my sincerity dies, becomes a lie whose coldness chills me. Don't say anything, because I see that you understand me, and I am afraid of your understanding. I have such a fear of finding another like myself, and such a desire to find one! I am so utterly lonely, but I also have such a fear that my isolation be broken through, and I no longer be the head and ruler of my universe. I am in great terror of your understanding by which you penetrate into my world; and then I stand revealed and I have to share my kingdom with you."
— Anaïs Nin

"I am lonely, yet not everybody will do. I don't know why, some people fill the gaps and others emphasize my loneliness. In reality those who satisfy me are those who simply allow me to live with my ''idea of them."
— Anaïs Nin

"What we call our destiny is truly our character and that character can be altered. The knowledge that we are responsible for our actions and attitudes does not need to be discouraging, because it also means that we are free to change this destiny. One is not in bondage to the past, which has shaped our feelings, to race, inheritance, background. All this can be altered if we have the courage to examine how it formed us. We can alter the chemistry provided we have the courage to dissect the elements."
— Anaïs Nin

"if what proust says is true, that happiness is the absence of fever, then i will never know happiness. for i am possessed by a fever for knowledge, experience, and creation."
— Anaïs Nin

"You live like this, sheltered, in a delicate world, and you believe you are living. Then you read a book… or you take a trip… and you discover that you are not living, that you are hibernating. The symptoms of hibernating are easily detectable: first, restlessness. The second symptom (when hibernating becomes dangerous and might degenerate into death): absence of pleasure. That is all. It appears like an innocuous illness. Monotony, boredom, death. Millions live like this (or die like this) without knowing it. They work in offices. They drive a car. They picnic with their families. They raise children. And then some shock treatment takes place, a person, a book, a song, and it awakens them and saves them from death. Some never awaken."
— Anaïs Nin

"Question: I am interested in so many things, and I have a terrible fear because my mother keeps telling me that I'm just going to be exploring the rest of my life and never get anything done. But I find it really hard to set my ways and say, "Well, do I want to do this, or should I try to exploit that, or should I escape and completely do one thing?"

Anaïs Nin: One word I would banish from the dictionary is 'escape.' Just banish that and you'll be fine. Because that word has been misused regarding anybody who wanted to move away from a certain spot and wanted to grow. He was an escapist. You know if you forget that word you will have a much easier time. Also you're in the prime, the beginning of your life; you should experiment with everything, try everything.... We are taught all these dichotomies, and I only learned later that they could work in harmony. We have created false dichotomies; we create false ambivalences, and very painful one's sometimes -the feeling that we have to choose. But I think at one point we finally realize, sometimes subconsciously, whether or not we are really fitted for what we try and if it's what we want to do.

You have a right to experiment with your life. You will make mistakes. And they are right too. No, I think there was too rigid a pattern. You came out of an education and are supposed to know your vocation. Your vocation is fixed, and maybe ten years later you find you are not a teacher anymore or you're not a painter anymore. It may happen. It has happened. I mean Gauguin decided at a certain point he wasn't a banker anymore; he was a painter. And so he walked away from banking. I think we have a right to change course. But society is the one that keeps demanding that we fit in and not disturb things. They would like you to fit in right away so that things work now."
— Anaïs Nin

"Each contact with a human being is so rare, so precious, one should preserve it."
— Anaïs Nin