"When I was a girl, my life was music that was always getting louder.
Everything moved me. A dog following a stranger. That made me feel so much. A calendar that showed the wrong month. I could have cried over it. I did. Where the smoke from a chimney ended. How an overturned bottle rested at the edge of a table.
I spent my life learning to feel less.
Every day I felt less.
Is that growing old? Or is it something worse?
You cannot protect yourself from sadness without protecting yourself from happiness."
— Jonathan Safran Foer (Everything Is Illuminated)

"It's true, I am afraid of dying. I am afraid of the world moving forward without me, of my absence going unnoticed, or worse, being some natural force propelling life on. Is it selfish? Am I such a bad person for dreaming of a world that ends when I do? I don't mean the world ending with respect to me, but every set of eyes closing with mine."
— Jonathan Safran Foer (Everything Is Illuminated: A Novel)

""So many people enter and leave your life! Hundreds of thousands of people! You have to keep the door open so they can come in! But it also means you have to let them go!""
— Jonathan Safran Foer (Extremely Loud and Incredibly Close)

"And I urge you to please notice when you are happy, and exclaim or murmur or think at some point, 'If this isn't nice, I don't know what is.'"
— Kurt Vonnegut (A Man Without a Country)

"Many people need desperately to receive this message: 'I feel and think much as you do, care about many of the things you care about, although most people do not care about them. You are not alone.'"
— Kurt Vonnegut (Timequake)

"If you really want to hurt your parents, and you don't have the nerve to be gay, the least you can do is go into the arts. I'm not kidding. The arts are not a way to make a living. They are a very human way to make life more bearable."
— Kurt Vonnegut (A Man Without a Country)

"If you can do no good, at least do no harm."
— Kurt Vonnegut (Slapstick)

"We'd been apart so long--I'd been dead so long," she said in English. "I thought surely you'd built a new life, with no room in it for me. I'd hoped that."
"My life is nothing but room for you." I said. "It could never be filled by anyone but you."
— Kurt Vonnegut (Mother Night)

"I like the dark part of the night, after midnight and before four-thirty, when it's hollow, when ceilings are harder and farther away. Then I can breathe, and can think while others are sleeping, in a way can stop time, can have it so – this has always been my dream – so that while everyone else is frozen, I can work busily about them, doing whatever it is that needs to be done, like the elves who make the shoes while children sleep."
— Dave Eggers (A Heartbreaking Work of Staggering Genius)

"We all have the potential to fall in love a thousand times in our lifetime. It's easy. The first girl I ever loved was someone I knew in sixth grade. Her name was Missy; we talked about horses. The last girl I love will be someone I haven't even met yet, probably. They all count. But there are certain people you love who do something else; they define how you classify what love is supposed to feel like. These are the most important people in your life, and you’ll meet maybe four or five of these people over the span of 80 years. But there’s still one more tier to all this; there is always one person you love who becomes that definition. It usually happens retrospectively, but it happens eventually. This is the person who unknowingly sets the template for what you will always love about other people, even if some of these loveable qualities are self-destructive and unreasonable. The person who defines your understanding of love is not inherently different than anyone else, and they’re often just the person you happen to meet the first time you really, really, want to love someone. But that person still wins. They win, and you lose. Because for the rest of your life, they will control how you feel about everyone else."
— Chuck Klosterman (Killing Yourself to Live: 85% of a True Story)

"She introduces me to a nurse as the Best Friend. The impersonal article is more intimate. It tells me that they are intimate, the nurse and my friend.
'I was telling her we used to drink Canada Dry ginger ale and pretend were were in Canada'
'That's how dumb we were,' I say.
'You could be sisters,' the nurse says.
So how come, I'll bet they are wondering, it took me so long to get to such a glorious place? But do they ask?
They do not ask.
Two months, and how long is the drive?
The best I can explain it is this - I have a friend who worked one summer in a mortuary. He used to tell me stories. The one that really got to me was not eh grisliest, but it's the one that did. A man wrecked his care on 101 going south. He did not lose consciousness. But his arm was taken down to the bone - and when he looked at it - it scared him to death.
I mean, he died.
So I hadn't dared to look any closer. But now I'm doing it - and hoping that I will live through it."
— Amy Hempel (Reasons to Live)

"'Oh, Will,' she said, 'what can we do? Whatever can we do? I want to live with you forever. I want to kiss you and lie down with you and wake up with you every day of my life till I die, years and years and years away. I don't want a memory, just a memory...'

'No,' he said, 'memory's a poor thing to have. It's your own real hair and mouth and arms and eyes and hands I want. I didn't know I could ever love anything so much. Oh, Lyra, I wish this night would never end! If only we could stay here like this, and the world could stop turning, and everyone else could fall into a sleep...'

'Everyone ecept us! And you and I could live here forever and just love each other.'

'I will love you forever; whatever happens. Till I die and after I die, and when I find my way out of the land of the dead, I'll drift about forever, all my atoms, till I find you again...;

'I'll be looking for you, Will, every moment, every single moment. And when we do find each other again, we'll cling together so tight that nothing and no one'll ever tear us apart. Every atom of me and every atom of you...We'll live in birds and flowers and dragonflies and pin trees and in clouds and in those little specks of light you see floating in sunbeams...And when they use our atoms to make new lives, they won't just be able to take one, they'll have to take two, one of you and one of me, we'll be joined so tight...'

They lay side by side, hand in hand, looking at the sky."
— Philip Pullman (The Amber Spyglass)

"Do you think I could bear to live on after you died? Oh, Lyra, I'd follow you down to the world of the dead without thinking twice about it, just like you followed Roger; and that would be two lives gone for nothing, my life wasted like yours. No, we should spend our whole lifetimes together, good long busy lives, and if we can't spend them together, we... we'll have to spend them apart."
— Philip Pullman (The Amber Spyglass)

"I stopped believing there was a power of good and a power of evil that were outside us. And I came to believe that good and evil are names for what people do, not for what they are."
— Philip Pullman (The Amber Spyglass)

"Does it break my heart, of course, every moment of every day, into more pieces than my heart was made of, I never thought of myself as quiet, much less silent, I never thought about things at all, everything changed, the distance that wedged itself between me and my happiness wasn't the world, it wasn't the bombs and burning buildings, it was me, my thinking, the cancer of never letting go, is ignorance bliss, I don't know, but it's so painful to think, and tell me, what did thinking ever do for me, to what great place did thinking ever bring me? I think and think and think, I've thought myself out of happiness one million times, but never once into it."
— Jonathan Safran Foer