"Another world is not only possible, she is on her way. On a quiet day, I can hear her breathing."
— Arundhati Roy

"It doesn't matter what people tell you. It doesn't matter what they might say. Sometimes you have to leave home. Sometimes, running away means you're headed in the exact right direction."
— Alice Hoffman (Practical Magic)

"The only dream worth having is to dream that you will live while you are alive, and die only when you are dead. To love, to be loved. To never forget your own insignificance. To never get used to the unspeakable violence and vulgar disparity of the life around you. To seek joy in the saddest places. To pursue beauty to its lair. To never simplify what is complicated or complicate what is simple. To respect strength, never power. Above all to watch. To try and understand. To never look away. And never, never to forget." "
— Arundhati Roy

"The moon is always jealous of the heat of the day, just as the sun always longs for something dark and deep."
— Alice Hoffman

"When you hurt people, they begin to love you less. That's what careless words do. They make people love you a little less."
— Arundhati Roy

"You build your world around someone, and then what happens when he disappears? Where do you go- into pieces, into atoms, into the arms of another man? You go shopping, you cook dinner, you work odd hours, you make love to someone else on June nights. But you're not really there, you're someplace else where there is blue sky and a road you don't recognize. If you squint your eyes, you think you see him, in the shadows, beyond the trees. You always imagine that you see him, but he's never there. It's only his spirit, that's what's there beneath the bed when you kiss your husband, there when you send your daughter off to school. It's in your coffee cup, your bathwater, your tears. Unfinished business always comes back to haunt you, and a man who swears he'll love you forever isn't finished with you until he's done."
— Alice Hoffman (Here on Earth)

"I've been making a list of the things they don't teach you at school. They don't teach you how to love somebody. They don't teach you how to be famous. They don't teach you how to be rich or how to be poor. They don't teach you how to walk away from someone you don't love any longer. They don't teach you how to know what's going on in someone else's mind. They don't teach you what to say to someone who's dying. They don't teach you anything worth knowing."
— Neil Gaiman (The Sandman Vol. 9: The Kindly Ones)

""And the air was full of Thoughts and Things to Say. But at times like these, only the Small Things are ever said. Big Things lurk unsaid inside.""
— Arundhati Roy (The God of Small Things)

"I can believe things that are true and things that aren't true and I can believe things where nobody knows if they're true or not.

I can believe in Santa Claus and the Easter Bunny and the Beatles and Marilyn Monroe and Elvis and Mister Ed. Listen - I believe that people are perfectable, that knowledge is infinite, that the world is run by secret banking cartels and is visited by aliens on a regular basis, nice ones that look like wrinkled lemurs and bad ones who mutilate cattle and want our water and our women.

I believe that the future sucks and I believe that the future rocks and I believe that one day White Buffalo Woman is going to come back and kick everyone's ass. I believe that all men are just overgrown boys with deep problems communicating and that the decline in good sex in America is coincident with the decline in drive-in movie theaters from state to state.

I believe that all politicians are unprincipled crooks and I still believe that they are better than the alternative. I believe that California is going to sink into the sea when the big one comes, while Florida is going to dissolve into madness and alligators and toxic waste.

I believe that antibacterial soap is destroying our resistance to dirt and disease so that one day we'll all be wiped out by the common cold like martians in War of the Worlds.

I believe that the greatest poets of the last century were Edith Sitwell and Don Marquis, that jade is dried dragon sperm, and that thousands of years ago in a former life I was a one-armed Siberian shaman.

I believe that mankind's destiny lies in the stars. I believe that candy really did taste better when I was a kid, that it's aerodynamically impossible for a bumble bee to fly, that light is a wave and a particle, that there's a cat in a box somewhere who's alive and dead at the same time (although if they don't ever open the box to feed it it'll eventually just be two different kinds of dead), and that there are stars in the universe billions of years older than the universe itself.

I believe in a personal god who cares about me and worries and oversees everything I do. I believe in an impersonal god who set the universe in motion and went off to hang with her girlfriends and doesn't even know that I'm alive. I believe in an empty and godless universe of causal chaos, background noise, and sheer blind luck.

I believe that anyone who says sex is overrated just hasn't done it properly. I believe that anyone who claims to know what's going on will lie about the little things too.

I believe in absolute honesty and sensible social lies. I believe in a woman's right to choose, a baby's right to live, that while all human life is sacred there's nothing wrong with the death penalty if you can trust the legal system implicitly, and that no one but a moron would ever trust the legal system.

I believe that life is a game, that life is a cruel joke, and that life is what happens when you're alive and that you might as well lie back and enjoy it."
— Neil Gaiman (American Gods)

"That's what careless words do. They make people love you a little less."
— Arundhati Roy (The God of Small Things)

"Only the phoenix rises and does not descend. And everything changes. And nothing is truly lost."
— Neil Gaiman (The Sandman Vol. 10: The Wake)

"The secret of the Great Stories is that they have no secrets. The Great Stories are the ones you have heard and want to hear again. The ones you can enter anywhere and inhabit comfortably. They don’t deceive you with thrills and trick endings. They don’t surprise you with the unforeseen. They are as familiar as the house you live in. Or the smell of your lover’s skin. You know how they end, yet you listen as though you don’t. In the way that although you know that one day you will die, you live as though you won’t. In the Great Stories you know who lives, who dies, who finds love, who doesn’t. And yet you want to know again. THAT is their mystery and magic."
— Arundhati Roy (The God of Small Things)

"May your coming year be filled with magic and dreams and good madness. I hope you read some fine books and kiss someone who thinks you're wonderful, and don't to forget make some art -- write or draw or build or sing or live as only you can. And I hope, somewhere in the next year, you surprise yourself."
— Neil Gaiman

"And then one student said that happiness is what happens when you go to bed on the hottest night of the summer, a night so hot you can't even wear a tee-shirt and you sleep on top of the sheets instead of under them, although try to sleep is probably more accurate. And then at some point late, late, late at night, say just a bit before dawn, the heat finally breaks and the night turns into cool and when you briefly wake up, you notice that you're almost chilly, and in your groggy, half-consciousness, you reach over and pull the sheet around you and just that flimsy sheet makes it warm enough and you drift back off into a deep sleep. And it's that reaching, that gesture, that reflex we have to pull what's warm - whether it's something or someone - toward us, that feeling we get when we do that, that feeling of being sad in the world and ready for sleep, that's happiness."
— Paul Schmidtberger (Design Flaws of the Human Condition)

"Be to her virtues very kind,
Be to her faults a little blind."
— Matthew Prior (The poetical works of Matthew Prior)

"I once broke up with a boy because he wrote me an awful poem."
— Karen Joy Fowler (The Jane Austen Book Club)

"Most people don't realize how important librarians are. I ran across a book recently which suggested that the peace and prosperity of a culture was solely related to how many librarians it contained. Possibly a slight overstatement. But a culture that doesn't value its librarians doesn't value ideas and without ideas, well, where are we?"
— Neil Gaiman

"Bad is not an absolute, but a relative term. Ask the robber who used the cash he stole to feed his infant; the rapist who was sexually abused as a child; the kidnapper who truly believed he was saving a life. And just because you break the law doesn't mean you have intentionally crossed the line into evil. Sometimes the line creeps up on you, and before you know it, you're standing on the other side."
— Jodi Picoult (Vanishing Acts)

"'Real isn't how you are made,' said the Skin Horse. 'It's a thing that happens to you. When a child loves you for a long, long time, not just to play with, but REALLY loves you, then you become Real.'

'Does it hurt?' asked the Rabbit.

'Sometimes,' said the Skin Horse, for he was always truthful. 'When you are Real you don't mind being hurt.'

'Does it happen all at once, like being wound up,' he asked, 'or bit by bit?'

'It doesn't happen all at once,' said the Skin Horse. 'You become. It takes a long time. That's why it doesn't happen often to people who break easily, or have sharp edges, or who have to be carefully kept. Generally, by the time you are Real, most of your hair has been loved off, and your eyes drop out and you get loose in the joints and very shabby. But these things don't matter at all, because once you are Real you can't be ugly, except to people who don't understand.'"
— Margery Williams Bianco (The Velveteen Rabbit)

"Each person who ever was or is or will be has a song. It isn't a song that anybody else wrote. It has its own melody, it has its own words. Very few people get to sing their song. Most of us fear that we cannot do it justice with our voices, or that our words are too foolish or too honest, or too odd. So people live their song instead."
— Neil Gaiman (Anansi Boys)

"To absent friends, lost loves, old gods, and the season of mists; and may each and every one of us always give the devil his due."
— Neil Gaiman (The Sandman Vol. 4: Season of Mists)

"The wit of cheats,the courage of a whore:Are what ten thousand envy and adore:All,all look up,withreverential awe,At crimes that 'scape,or triumph o'er the law:While truth,worth,wisdom,daily they decry-`Nothing is sacred now but villainy`"
— Alexander Pope

"I have always felt that violence was the last refuge of the incompetent, and empty threats the last sanctuary of the terminally inept."
— Neil Gaiman (Neverwhere)

"All good is hard. All evil is easy. Dying, losing, cheating, and mediocrity are easy. Stay away from easy. "
— Scott Alexander, Screenwriter

"Remember: that giants sleep too soundly; that witches are often betrayed by their appetites; dragons have one soft spot, somewhere, always; hearts can be well-hidden, and you can betray them with your tongue."
— Neil Gaiman

"Because children have abounding vitality, because they are in spirit fierce and free, therefore they want things repeated and unchanged. They always say, "Do it again"; and the grown-up person does it again until he is nearly dead. For grown-up people are not strong enough to exult in monotony. But perhaps God is strong enough to exult in monotony. It is possible that God says every morning, "Do it again" to the sun; and every evening, "Do it again" to the moon. It may not be automatic necessity that makes all daisies alike; it may be that God makes every daisy separately, but has never got tired of making them. It may be that He has the eternal appetite of infancy; for we have sinned and grown old, and our Father is younger than we."
— G.K. Chesterton

"It may help to understand human affairs to be clear that most of the great triumphs and tragedies of history are caused, not by people being fundamentally good or fundamentally bad, but by people being fundamentally people."
— Neil Gaiman (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)

"Without education, we are in a horrible and deadly danger of taking educated people seriously."
— G.K. Chesterton

"He couldn’t see why people made such a fuss about people eating their silly old fruit anyway, but life would be a lot less fun if they didn’t. And there was never an apple, in Adam’s opinion, that wasn’t worth the trouble you got into for eating it."
— Neil Gaiman (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)

"The Bible tells us to love our neighbors, and also to love our enemies; probably because generally they are the same people."
— G.K. Chesterton

"There are a hundred things she has tried to chase away the things she won't remember and that she can't even let herself think about because that's when the birds scream and the worms crawl and somewhere in her mind it's always raining a slow and endless drizzle.

You will hear that she has left the country, that there was a gift she wanted you to have, but it is lost before it reaches you. Late one night the telephone will sign, and a voice that might be hers will say something that you cannot interpret before the connection crackles and is broken.

Several years later, from a taxi, you will see someone in a doorway who looks like her, but she will be gone by the time you persuade the driver to stop. You will never see her again.

Whenever it rains you will think of her. "
— Neil Gaiman

"Literature is a luxury; fiction is a necessity."
— G.K. Chesterton

"There are only two worlds - your world, which is the real world, and other worlds, the fantasy. Worlds like this are worlds of the human imagination: their reality, or lack of reality, is not important. What is important is that they are there. these worlds provide an alternative. Provide an escape. Provide a threat. Provide a dream, and power; provide refuge, and pain. They give your world meaning. They do not exist; and thus they are all that matters. "
— Neil Gaiman (The Books of Magic)

"Poets have been mysteriously silent on the subject of cheese."
— G.K. Chesterton (Alarms and Discursions)

"People believe, thought Shadow. It's what people do. They believe, and then they do not take responsibility for their beliefs; they conjure things, and do not trust the conjuration. People populate the darkness; with ghost, with gods, with electrons, with tales. People imagine, and people believe; and it is that rock solid belief, that makes things happen."
— Neil Gaiman (American Gods)

"Just going to church doesn't make you a Christian any more than standing in your garage makes you a car."
— G.K. Chesterton

"You're no help," he told the lime. This was unfair. It was only a lime; there was nothing special about it at all. It was doing the best it could."
— Neil Gaiman (Anansi Boys)

"Fairy tales, are more than true. Not because they tell us that dragons exist, but because they tell us that dragons can be defeated."
— G.K. Chesterton

"There was a girl, and her uncle sold her. Put like that it seems so simple.

No man, proclaimed Donne, is an island, and he was wrong. If we were not islands, we would be lost, drowned in each other's tragedies. We are insulated (a word that means, literally, remember, made into an island) from the tragedy of others, by our island nature and by the repetitive shape and form of the stories. The shape does not change: there was a human being who was born, lived and then by some means or other, died. there. You may fill in the details from your own experience. As unoriginal as any other tale, as unique as any other life. Lives are snowflakes- forming patterns we have seen before, as like one another as peas in a pod (and have you ever looked at peas in a pod? I mean, really looked at them? There's not a chance you'll mistake one for another, after a minute's close inspection) but still unique.

Without individuals we see only numbers, a thousand dead, a hundred thousand dead, "casualties may rise to a million." With inidividual stories, the statistics become people- but even that is a lie, for the people continue to suffer in numbers that themsleves are numbing and meaningless. Look, see the child's swollen, swollen belly and the flies that crawl at the corners of his eyes, this skeletal limbs: will it make it easier for you to know his name, his age, his dreams, his fears? To see him from the inside? And if it does, are we not doing a disservice to his sister, who lies in the searing dust beside him, a distorted distended cariacture of a human child?...

We draw our lines around these moments of pain, remain upon our islands, and they cannot hurt us. They are covered with a smooth, safe, nacreous layer to let them slip, pearllike, from our souls without real pain.

Fiction allows us to slide into these other heads, these other places, and look out through other eyes. And then in the tale we stop before we die, or we die vicariously and unharmed, and in the world beyond the tale we turn the page or close the book and resume our lives.

A life that is, like any other, unlike any other.

And the simple truth is this: There was a girl, and her uncle sold her."
— Neil Gaiman (American Gods)

"Vice, Virtue. It's best not to be too moral. You cheat yourself out of too much life. Aim above morality. If you apply that to life, then you're bound to live life fully.
"
— Maude's advice to quell Harold's concern about vices

"It is a small world. You do not have to live in it particularly long to learn that for yourself. There is a theory that, in the whole world, there are only five hundred real people (the cast, as it were; all the rest of the people in the world, the theory suggests, are extras) and what is more, they all know each other. And it's true, or true as far as it goes. In reality the world is made of thousands upon thousands of groups of about five hundred people, all of whom will spend their lives bumping into each other, trying to avoid each other, and discovering each other in the same unlikely teashop in Vancouver. There is an unavoidability to this process. It's not even coincidence. It's just the way the world works, with no regard for individuals or for propriety."
— Neil Gaiman (Anansi Boys)

"There are all kinds of mix tapes. there is always a reason to make one."
— Rob Sheffield (Love Is a Mix Tape: Life and Loss, One Song at a Time)

"There is a proverbial saying chiefly concerned with warning against too closely calculating the numerical value of un-hatched chicks."
— Neil Gaiman (Stardust)

"When we die, we will turn into songs, and we will hear each other and remember each other."
— Rob Sheffield (Love Is a Mix Tape: Life and Loss, One Song at a Time)

"There's never been a true war that wasn't fought between two sets of people who were certain they were in the right. The really dangerous people believe they are doing whatever they are doing solely and only because it is without question the right thing to do. And that is what makes them dangerous."
— Neil Gaiman (American Gods)

""The Word 'Repulse': I hate this word. I believe 'repel' is a perfectly good word, and 'repulsion' is the noun, as well as the title of an excellent Dinosaur Jr. song. A compulsion compels you; an impulse impels you. Nobody ever says 'compulse' or 'impulse' as a verb. So why would you ever say 'repulse'? This word haunts me in my sleep, like a silver dagger dancing before my eyes. Renee looked it up and I was wrong. But I still kind of think I'm right." "
— Rob Sheffield (Love Is a Mix Tape: Life and Loss, One Song at a Time)

"It’s the same with people who say, ‘Whatever doesn’t kill you makes you stronger.’ Even people who say this must realize that the exact opposite is true. What doesn’t kill you maims you, cripples you, leaves you weak, makes you whiny and full of yourself at the same time. The more pain, the more pompous you get. Whatever doesn’t kill you makes you incredibly annoying."
— Rob Sheffield (Love Is a Mix Tape: Life and Loss, One Song at a Time)

"Lucifer protests he was never to blame for inducing anyone to sin, and that he’s never had an interest in owning souls: 'They die, and they come here – having transgressed against what they believed to be right – and expect us to fulfill their desire for pain and retribution. I don’t make them come here… I need no souls. And how can anyone own a soul? No, they belong to themselves. They just hate to have to face up to it.'"
— Neil Gaiman (The Sandman Vol. 4: Season of Mists)

"But he did not understand the price. Mortals never do. They only see the prize, their heart's desire, their dream... But the price of getting what you want, is getting what you what you once wanted."
— Neil Gaiman (The Sandman Vol. 3: Dream Country)

"But the answer is simple. Love is a mix tape."
— Rob Sheffield (Love Is a Mix Tape: Life and Loss, One Song at a Time)