"There are few people whom I really love, and still fewer of whom I think well. The more I see of the world, the more am I dissatisfied with it; and every day confirms my belief of the inconsistency of all human characters, and of the little dependence that can be placed on the appearance of merit or sense."
— Jane Austen

"Even now, all possible feelings do not yet exist, there are still those that lie beyond our capacity and our imagination. From time to time, when a piece of music no one has ever written or a painting no one has ever painted, or something else impossible to predict, fathom or yet describe takes place, a new feeling enters the world. And then, for the millionth time in the history of feeling, the heart surges and absorbs the impact."
— Nicole Krauss (The History of Love)

"ONE THING I AM NEVER GOING TO DO WHEN I GROW UP
Is fall in love, drop out of college, learn to subsist on water and air, have a species named after me, and ruin my life."
— Nicole Krauss (The History of Love)

"I want to say somewhere: I've tried to be forgiving. And yet. There were times in my life, whole years, when anger got the better of me. Ugliness turned me inside out. There was a certain satisfaction in bitterness. I courted it. It was standing outside, and I invited it in."
— Nicole Krauss (The History of Love)

"Why does one begin to write? Because she feels misunderstood, I guess. Because it never comes out clearly enough when she tries to speak. Because she wants to rephrase the world, to take it in and give it back again differently, so that everything is used and nothing is lost. Because it's something to do to pass the time until she is old enough to experience the things she writes about."
— Nicole Krauss

"You forget what you want to remember, and you remember what you want to forget."
— Cormac McCarthy (The Road)

"I don't know why I started writing. I don't know why anybody does it. Maybe they're bored, or failures at something else."
— Cormac McCarthy

"Just remember that the things you put into your head are there forever, he said. You might want to think about that.
You forget some things, dont you?
Yes. You forget what you want to remember and you remember what you want to forget."
— Cormac McCarthy (The Road)

""You have to carry the fire."
"I don't know how to."
"Yes, you do."
"Is the fire real? The fire?"
"Yes it is."
"Where is it? I don't know where it is."
"Yes you do. It's inside you. It always was there. I can see it." "
— Cormac McCarthy "The Road"

"Because that is when you love somebody - when you see them being game in the face of the worst. Not courageous. Not heroic. Just game."
— Philip Roth (The Human Stain)

"You fight your superficiality, your shallowness, so as to try to come at people without unreal expectations, without an overload of bias or hope or arrogance, as untanklike as you can be, sans cannon and machine guns and steel plating half a foot thick; you come at them unmenacingly on your own ten toes instead of tearing up the turf with your caterpillar treads, take them on with an open mind, as equals, man to man, as we used to say, and yet you never fail to get them wrong. You might as well have the brain of a tank. You get them wrong before you meet them, while you're anticipating meeting them; you get them wrong while you're with them; and then you go home to tell somebody else about the meeting and you get them all wrong again. Since the same generally goes for them with you, the whole thing is really a dazzling illusion empty of all perception, an astonishing farce of perception. And yet what are we to do about this terribly significant business of other people, which gets bled of the significance we think it has and takes on instead a significance that is ludicrous, so ill-equipped are we all to envision one another's interior workings and invisible aims? Is everyone to go off and lock the door and sit secluded like the lonely writers do, in a soundproof cell, summoning people out of words and then proposing that these word people are closer to the real thing than the real people that we mangle with our ignorance every day? The fact remains that getting people right is not what living is all about anyway. It's getting them wrong that is living, getting them wrong and wrong and wrong and then, on careful reconsideration, getting them wrong again. That's how we know we're alive: we're wrong. Maybe the best thing would be to forget being right or wrong about people and just go along for the ride. But if you can do that -- well, lucky you."
— Philip Roth (American Pastoral)

"Then the carousel started, and I watched her go round and round...All the kids tried to grap for the gold ring, and so was old Phoebe, and I was sort of afraid she's fall off the goddam horse, but I didn't say or do anything. The thing with kids is, if they want to grab for the gold ring, you have to let them do it, and not say anything. If they fall off, they fall off, but it is bad to say anything to them."
— J.D. Salinger (The Catcher in the Rye)

"Among other things, you'll find that you're not the first person who was ever confused and frightened and even sickened by human behavior. You're by no means alone on that score, you'll be excited and stimulated to know. Many, many men have been just as troubled morally and spiritually as you are right now. Happily, some of them kept records of their troubles. You'll learn from them--if you want to. Just as someday, if you have something to offer, someone will learn something from you. It's a beautiful reciprocal arrangement. And it isn't education. It's history. It's poetry."
— J.D. Salinger (The Catcher in the Rye)

"People always clap for the wrong things. -Holden Caulfield"
— J.D. Salinger

"What I like best is a book that's at least funny once in a while.... What really knocks me out is a book that, when you're all done reading it, you wish the author that wrote it was a terrific friend of yours and you could call him up on the phone whenever you felt like it. That doesn't happen much though."
— J.D. Salinger (The Catcher in the Rye)

"When I really worry about something, I don’t just fool around. I even have to go to the bathroom when I worry about something. Only, I don’t go. I’m too worried to go. I don’t want to interrupt my worrying to go. "
— J.D. Salinger (The Catcher in the Rye)

"Don't ever tell anybody anything. If you do, you start missing everybody."
— J.D. Salinger (The Catcher in the Rye)

"The best thing, though, in that museum was that everything always stayed right where it was. Nobody’d move. Nobody’d be different. The only thing that would be different would be you."
— J.D. Salinger (The Catcher in the Rye)

"And now," cried Max, "let the wild rumpus start!"
— Maurice Sendak (Where the Wild Things Are)

""Ten times a day something happens to me like this - some strengthening throb of amazement - some good sweet empathic ping and swell. This is the first, the wildest and the wisest thing I know: that the soul exists and is built entirely out of attentiveness.""
— Mary Oliver

"I tell you this
to break your heart,
by which I mean only
that it break open and never close again
to the rest of the world."
— Mary Oliver (New and Selected Poems: Volume Two)

"Instructions for living a life.
Pay attention.
Be astonished.
Tell about it."
— Mary Oliver

"To pay attention, this is our endless and proper work."
— Mary Oliver

"...there was a new voice
which you slowly
recognized as your own,
that kept you company
as you strode deeper and deeper
into the world,
determined to do
the only thing you could do --
determined to save
the only life you could save."
— Mary Oliver

"I know many lives worth living."
— Mary Oliver

"And now I understand something so frightening &wonderful-

how the mind clings to the road it knows,
rushing through crossroads, sticking

like lint to the familiar."
— Mary Oliver (Blue Pastures)

"To live in this world, you must be able to do three things: to love what is mortal; to hold it against your bones knowing your own life depends on it; and, when the time comes to let it go, to let it go."
— Mary Oliver

"I laughed and said, Life is easy. What I meant was, Life is easy with you here, and when you leave, it will be hard again."
— Miranda July (No One Belongs Here More Than You: Stories)

"Inelegantly and without my consent, time passed.

How to Tell Stories to Children
p198 "
— Miranda July (No One Belongs Here More Than You: Stories)