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Kobieta z wydm

3.91 of 5 stars 3.91  ·  rating details  ·  10,026 ratings  ·  709 reviews
Stąd nie można uciec. Entomolog z Tokio wyrusza na krótką wyprawę w poszukiwaniu piaskowych owadów. Nie spodziewa się, że na nadmorskich wydmach przydarzy mu się coś niewytłumaczalnego. Uwięziony w pułapce bez wyjścia, z tajemniczą kobietą u boku, dzień po dniu będzie walczył o życie z niszczycielską potęgą piasku. Bezsensowny wysiłek, prowokujące zachowanie kobiety i skom ...more
Hardcover, 224 pages
Published 2010 by Społeczny Instytut Wydawniczy Znak (first published 1962)
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Ashes Xinom The book is really dark and psychologically intense. I would suggest you read this book without any expectations. Hope you enjoy it
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This book is horrifically claustrophobic and eerie.

How much of our lives consist of frantically trying to stay afloat? Life can be as fruitless as a man trapped under sand dunes digging to live...or living to dig. Do we work to live or live to work? If you think being held hostage in sand is fantastical, what do you think your life is, anyway?

This book wears you down. It gets into your skin, your hair, under your fingernails. The sand is everywhere. The wind, the salt air, their eyes always wat

When we mix surrealistic Kafkaesque climate with existential questions about sense of human being then we get something like The woman in the dunes .

Tale about a man obsessed or maybe possessed with sand who during the trip to the sea is trapped in the dunes in a cave inhabited by a lonely woman. Initially desperately tries to escape , but the magnetic strength of the woman , her desperate fight with sand makes that what previously seemed to be a trap , now becomes a sense of his life.

The firs
4.5 stars

Without the threat of punishment there is no joy in flight.

In Kobo Abe's fantasy world of The Woman in the Dunes, an amateur entomologist on vacation finds himself in a remote coastal village built amid deeply undulating dunes. There, he is tricked by a lonely widow and her neighboring villagers, trapped in deep pits shored by sand drift walls, to be charged with the task of shoveling back the ever-sliding banks, persistent and never-ending in its threat to entomb them.

Sand moves aroun
“While he mused on the effect of the flowing sands, he was seized from time to time by hallucinations in which he himself began to move with the flow.”

This book is about a man who tricked and has to live in a house at the bottom of a sand pit with a woman. They can't escape the sand which settles on them even as they sleep. As much as they shovel it away, they can't get rid of it.

This is definitely a unique story. I now know more about sand than I probably need to. I never really thought much a
While reading this book my thoughts were constantly racing towards Camus’s ‘The Myth of Sisyphus” "From the moment absurdity is recognized, it becomes a passion, the most harrowing of all."

Premises of hope, alienation and irrationality reeking from every printed word induced me into inferring Kobo Abe being the Japanese Camus. The protagonist Junpei Niki illustrates traits of Sisyphean persona; pursuing meaningless task of digging buckets of sand from the pit only to see it fill up again.

Jun 21, 2014 David rated it 4 of 5 stars  ·  review of another edition
Recommends it for: Sand women, entomologists
Since I started reading both more avidly and more widely several years ago, I've spent more time analyzing different genres, different kinds of authors, and different kinds of literature. In Jane Smiley's 13 Ways of Looking at the Novel, she makes a number of observations about how classic French novels differ from classic British novels, and how American novelists differ from either. I'm not well read enough in French and British literature to judge the validity of her points, other than to not ...more
Jan 09, 2008 Dustin added it  ·  review of another edition
Recommends it for: good friends that you kind of hate a little
Shelves: crappy-books
My first year at SFSU, me and my roommate decided to recommend books to each other, books we loved, in order to get to know each other better. It was the kind of quasi-homoerotic, pseudo-intellectual buddy activity which has since become the staple of our relationship.

The first book he recommended was "Woman in the Dunes". I struggled with it and felt intellectually inferior. He was my friend and I wanted to like it. I tried really hard. I fell asleep reading it at least three times. I remember
Richard Vialet
Sand sucks.

The sand in this novel is so oppressive, invasive, and omnipresent, that after finishing the book, I felt like I needed to take a shower. Maybe two.

"His words were absorbed by the sand and blown by the wind, and there was no way of knowing how far they reached."
The book is the basis of one of my favorite Japanese movies, and it's story is so eccentric, I wanted to see how it worked as a novel. It's the tale of a man, who disappeared and was declared dead after he journeyed on his
Kōbō Abe's The Woman in the Dunes is not only his most famous novel, but a classic of post-war Japanese literature and existential literature in general. Reviewers compared Abe to Sartre and Camus; it's been years since I've read both, so I'll do my best to judge the book on its own merit.

On surface, The Woman in the Dunes is a deceptively simple story. The main character, Niki Jumpei, is an amateur entomologist who travels to a remote area of Japan in search for rare insects. Jumpei desires to
A novel of erosion - erosion of resolve, erosion of morality, erosion of sanity. Delightfully surreal.
Nate D
Read within a week of seeing the film, I'm surprised by how closely they parallel eachother. Somehow, the entire novel's storyline fits unhurriedly into the film's two hours, with the only omissions being the protagonist's introspections into the natures of sand and sex. Some of which here are actually amazing -- the metaphysics of sand moreso then the rather garbled sexual politics sequence, which I read over twice but am still confused by, for reasons that might actually have to do with some o ...more
Heba Nouraldeen
رواية مُمتعة ..ولكنها مُرهقة جداً
تخيل نفسك فى قرار حفرة عميقة تأخذ الريح بخناقها والرمال تتهاوى عليك من كل جانب
الرمل تدفق قُطره ثُمن ملليمتر ..اياك ان تستهين بقوته والتى تكمن فى قدرته على التدمير وان تسحقك حتى الموت
فكرة مُرعبة كانت تثير خوفى طوال قراءتى لتلك الرواية
ليس بمقدورك سوى التفكير فى الهروب ولكن ماذا لو قررت ان تقتحم الأبواب بالقوة دون انتظار واذ بمحاولتك تبوء بالفشل
فتعود رهين تلك الهوة العميقة الكئيبة ؟؟؟
قد تقرر مضطراً للتأقلم كوسيلة وليس هدفاً
ولكن اتراه ذلك التأقلم مع مُضى الأيام قد ي
Marat M. Yavrumyan
Տարօրինակ էր, ինչպես և ճապոնացի մյուս բոլոր հեղինակներից կարդացած գրքերը։ Ժամանակն արժեր, իրոք։ Ի՞նչ տվեց գիրքը, Աստված գիտի։ Ամեն դեպքում, ամենից շատ հավանածս հատվածը՝

— Լավ, մի մխիթարիր... Կյանքը այնպիսի բան չէ, որ միայն մխիթարվելով ապրեն... Այնտեղ ուրիշ կյանք է, այստեղ ուրիշ... Եվ միշտ թվում է, թե ուրիշ կյանքն ավելի քաղցր է... Ամենից գարշելին մտածելն է, թե ի՞նչ կլինի, եթե կյանքը հենց այսպես էլ անցնելու է գնա... Մի՞թե սա է կյանքը... Այդ բանը ոչ ոք չգիտե... Էհ, ավելի լավ է մինչև կոկորդ խրված լի
And so it came to be, as we had long suspected, that hope and hopelessness are inextricably tied together at the bottom of some sand cavity scooped out by incessant wind. As with most allegories, do not read this as an allegory. It is merely the human mind with its thirst for images that always yearns to couple image with image, thing with its significant other, notably signifying nothing. Instead, read this as a choose-your-own-adventure story:

You are surrounded by steep sand in all directio
I began this book with such hope. How had I not read this before? Abe is amazing, he's a master, he's the inspiration for Haruki Murakami certainly, he's the original Japanese Kafka. Ah, what promise it held. And then the book continued . . .

"There was a woman . . . there was sand . . . there was an empty water jar . . . there was a drooling wolf . . . there was a sun" (p. 125). Don't ask about the drooling wolf. He lost me there.

I should note that I've never cared for sand or for beaches, so t
زن در ریگ روان اثر عمیقی است. یک دست است و این یک دست بودن در فرم و محتوا کار را بسیار قوی کرده. از جنبه های فنی و نوشتن که بگذریم، محتوای اگزیستانسیالیستی کار بدون افت، بدون اینکه به داستان بودن کار لطمه بزند راه خودش را می رود و برای خواننده "ساده نگر" داستان را فدای محتوا نمی کند.
کتاب سه بخش دارد. سه بخش که اگر بهتر نگاه کنیم متناظر تز، آنتی تز و سنتز هستند. تز امید و رهایی از بیهودگی، آنتی تز سیزیف و سنتز زندگی.
This is the third time I am writing this review after having it crash on me like a wall of sand, and now in this seemingly Sisyphean task - like the fate of the novel's narrator, condemned to shovelling sand in a nightmarish, inescapable pit - I feel like Kōbō Abe captured perfectly the sheer mundanity of the struggles we fight against daily when we ask ourselves what does it mean to be living. And how much does it mean to survive? After having written out a full review twice already, I feel dra ...more
I don’t remember how I first came to read this book a few years ago, since I’m neither into Japanese authors nor into Existentialism. Anyway, being an e-book, I dropped it almost immediately, but (again, I don’t remember how) I ended up watching the film, about 3 years ago. And boy was it rewarding! The plot, the cinematography, the music, the resemblance to Fowles’ "The Collector", everything seemed to be perfectly bonded and hallucinating, I dare recommend it. But because I sort of hate leavin ...more
Oh my goodness, anyone who's ever cursed the way sand gets in everything after a day at the beach will appreciate how grotty you'd feel if made to live amidst sand 24/7, as the protagonist of this novel is forced to do. This book totally got under my skin.

I was keen to read this after finding out its stature as a Japanese classic; it was published in 1962 to critical acclaim. On the face of it, it's a simple plot - a man ('an insect enthusiast')searching the desert for a rare beetle, stumbles up
If Kafka had a fondness for sake and spent more time on the beach pondering the complexities of sand, he might have written this book which reminds me more than a little of The Trial or The Castle.

Coincidentally (if there really is such a thing), the same day I completed this novel I also finished viewing Synecdoche New York, and I can't help but think of the Japanese entomologist trapped in the sand and the miserable Caden Cotard as strangely kindred spirits. Both bug collectors and directors a
Another author that I'd never heard of let alone read. I'm very glad that this author was a recommendation that I followed. There are really, to my mind three main characters in this story. There's Niki who finds himself imprisoned and forced to labour shovelling sand for survival, there's the woman and then there is the sand......the relentless, encroaching, all consuming sand.

This story is eerie in places, the sense of isolation, detachment and claustrophobia is at times overwhelming. The sty
I've watched the movie after reading the novel, and my review below is for both of them.

The story is about Niki Jumpei, a teacher who made a field trip to a desert near the sea. He collects insect specimens. As an amateur entomologist, he is determined to discover an unrecorded beetle that would make his name. Trying to find lodgings for the night, he is helped by men of the village to descend a sand pit leading to a hut using a rope ladder. A woman living below (the "woman in the dunes") will t

کتاب خیلی مهم تر و پیچیده تر و فلسفی تر از چیزی بود که انتظار داشتم
و با این وجود ساده ترین حقیقتی رو که محض یادآوری محکم کوبوند تو صورتم این بود که آدما اگه بعد از تلاش برای فرار از بدبختی هاشون به نتیجه ای نرسیدند و دق مرگ هم نشدند بدون شک آروم و آهسته با بدبختی هاشون دوست میشن،بهش خو میگیرن و این قدر عادت میکنند که دیگه دلشون نمیخواد چیزی تغییر کنه

اگه تو شرایط روحی مناسبی نیستین از خوندن کتاب صرفنظر کنین
رواية مختلفة وفكرة مميزة كتبها كوبو آبي سنة 1962
الإنسان عندما يصبح لا وجود حقيقي له, مجرد جسد لا رأي له في حياته, ولا يملك الاعتراض على إجباره على عمل لا يرضاه

جومبي صائد الحشرات الذي يأمل في اكتشاف نوع جديد من الحشرات في الكثبان الرملية في قرية ساحلية بعيدة
يتم استدراجه بالحيلة من ساكني القرية ليجد نفسه مع امرأة في دار أو حفرة عميقة وسط الرمال لا يستطيع الخروج منها
وعليه أن يقوم بعمل على غير إرادته وبدون أي نفع مادي أو معنوي, وهو جمع الرمال وإزاحتها يوميا لصالح هذه القرية المهمشة الواقعة تحت خطر
Asma Fedosia
The author's birthday March 7, 1924, is the same as the main character's birthday. And, the year of the novel's publication is the year that the teacher Niki Jumpei is officially declared missing.

In Part One, a thirty-something man takes a three-day holiday without giving anyone info as to his destination. His hobby is entomology, leading him to look for new species of sand insects, such as beetles, with which his name will be given. Instead of the egotistic seeking, he wanders into a remote vi
It's not quite magical realism, but it's close, and magical realism makes me go "meh". So this book made me go "meh... it was okay." It's possible that it didn't get a fair chance because I took far too long to read it, given its slimness. This is probably a book that should be gulped up in a week, max. It's a small story with a very undistracted plotline.

But overall, meh... it was okay.
Drowning in the sands of time.... Some magnificent writing here -- .

Richie reports a conversation with Abe where the author complained of constantly being compared to Kafka - 'It's Lewis Carroll who was the influence!', Abe said.

But it really does feel more like K.
«خانه ات را دوست بدار»
زندگی و البته آدم به روایت یک کابوس ژاپنی!
عجیب هولناک بود
Chilly SavageMelon
An amatuer entomologist goes to a remote seaside village for specimens and finds himself involved in a bizarre nightmare scenario with the people there. I’m not sure how else the title might be translated from the Japanese, and though the “woman” mentioned is very much central to the novel, I think Mindfuck in the Dunes would have also been an apt title. It was so exciting to be pulled into this tale, and while it isn’t entirely about PLOT, I’m not going to say too much more along those lines. W ...more
Do we work to live, or live to work? What would happen to our sense of Self & Meaning if we realized that all work is essentially nothing but reorganizing piles of sand? What would happen if we came to that realization, but ultimately choose to accept it and keep working anyway? Is that heroic, or tragic?

Abe draws inspiration from Kafka and Beckett, and grounds his surreal exploration of existentialist themes in agonizing detail. It is a gripping, if at time disorienting, narrative. We feel
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Japanese Literature: Woman in the Dunes Chapter 10 to the end 5 14 Jul 31, 2015 03:11PM  
Japanese Literature: Woman in the Dunes 10-20 1 15 Jul 12, 2015 06:19AM  
Japanese Literature: Woman in the Dunes Part 1 Chapters 1-10 1 15 Jul 09, 2015 06:23AM  
Japanese Literature: The Woman In the Dunes Chapters 1-5 5 17 Jul 08, 2015 10:17AM  
The World's Liter...: Part II (ch 11-27) 16 34 Jun 26, 2015 05:23PM  
The World's Liter...: Part I (ch 1-10) 15 60 Apr 28, 2015 08:28PM  
  • The Three-Cornered World
  • The Wild Geese
  • Some Prefer Nettles
  • Fires on the Plain
  • Masks
  • The Sound of the Mountain
  • The Setting Sun
  • The Temple of the Golden Pavilion
  • Tales of Moonlight and Rain
  • Rashomon and Other Stories
  • Nip the Buds, Shoot the Kids
Kōbō Abe, pseudonym of Kimifusa Abe, was a Japanese writer, playwright, photographer and inventor.

He was the son of a doctor and studied medicine at Tokyo University. He never practised however, giving it up to join a literary group that aimed to apply surrealist techniques to Marxist ideology.

Abe has been often compared to Franz Kafka and Alberto Moravia for his surreal, often nightmarish explor
More about Kōbō Abe...
The Box Man The Face of Another The Ruined Map Secret Rendezvous Kangaroo Notebook

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“Loneliness was an unsatisfied thirst for illusion.” 79 likes
“Do you shovel to survive, or survive to shovel?” 48 likes
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