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  <title><![CDATA[The Shape of Things]]></title>
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        <name><![CDATA[Neil LaBute]]></name>
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    <![CDATA[The Shape of Things]]>
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    <![CDATA[<strong>A startling dissection of cruelty and artistic creation from the author of <em>In the Company of Men</em> and <em>Your Friends and Neighbors</em></strong><br/><br/>In a modern version of Adam's seduction by Eve, <em>The Shape of Things</em> pits gentle, awkward, overweight Adam against experienced, analytical, amoral Evelyn, a graduate student in art. After a chance meeting at a museum, Evelyn and Adam embark on an intense relationship that causes shy and principled Adam to go to extraordinary lengths, including cosmetic surgery, and a betrayal of his best friend, to improve his appearance and character. In the process, Evelyn's subtle and insistent coaching results in a reconstruction of Adam's fundamental moral character. Only in a final and shocking exhibition does Evelyn reveal the nature of her interest in Adam, of her detached artist's perspective and sense of authority--to her, Adam is no more than &quot;flesh.... one of the most perfect materials on earth. Natural, beautiful, and malleable.&quot; Labute's latest work is an intense and disturbing study not only of the uses of power within human relationships, but also of the ethics involved in the relationship of art and life. To what extent is an artist licensed to shape and change her medium or to alter the work of another artist? What is acceptable artistic material? At what point does creation become manipulation, and at what point does creation destroy? Or, is the new Adam, handsome and confident if heart broken, an admirable result of the most challenging artistic endeavor? <em>The Shape of Things</em> challenges society's most deeply entrenched ideas about art, manipulation, and love.<br/>]]>
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  <read_at>Wed Sep 23 00:00:00 -0700 2009</read_at>
  <date_added>Wed Sep 23 17:52:27 -0700 2009</date_added>
  <date_updated>Thu Sep 24 17:02:28 -0700 2009</date_updated>
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    <body><![CDATA[Wow.  What a twisted tale.<br/><br/>I acted the part of Evelyn (yes, we actresses talk to ourselves alone in our rooms, it's part of our job), and experienced such a sense of the character's detachment, her entrenched coldness and superficiality.  <br/><br/>For an actress actually performing thi...<a href="http://www.goodreads.com/review/show/72286553">more...</a>]]></body>
    
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      <review>
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    <![CDATA[The Shape of Things]]>
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    <![CDATA[<strong>A startling dissection of cruelty and artistic creation from the author of <em>In the Company of Men</em> and <em>Your Friends and Neighbors</em></strong><br/><br/>In a modern version of Adam's seduction by Eve, <em>The Shape of Things</em> pits gentle, awkward, overweight Adam against experienced, analytical, amoral Evelyn, a graduate student in art. After a chance meeting at a museum, Evelyn and Adam embark on an intense relationship that causes shy and principled Adam to go to extraordinary lengths, including cosmetic surgery, and a betrayal of his best friend, to improve his appearance and character. In the process, Evelyn's subtle and insistent coaching results in a reconstruction of Adam's fundamental moral character. Only in a final and shocking exhibition does Evelyn reveal the nature of her interest in Adam, of her detached artist's perspective and sense of authority--to her, Adam is no more than &quot;flesh.... one of the most perfect materials on earth. Natural, beautiful, and malleable.&quot; Labute's latest work is an intense and disturbing study not only of the uses of power within human relationships, but also of the ethics involved in the relationship of art and life. To what extent is an artist licensed to shape and change her medium or to alter the work of another artist? What is acceptable artistic material? At what point does creation become manipulation, and at what point does creation destroy? Or, is the new Adam, handsome and confident if heart broken, an admirable result of the most challenging artistic endeavor? <em>The Shape of Things</em> challenges society's most deeply entrenched ideas about art, manipulation, and love.<br/>]]>
  </description>
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  <read_at>Tue Mar 01 00:00:00 -0800 2005</read_at>
  <date_added>Sat Sep 08 00:54:34 -0700 2007</date_added>
  <date_updated>Thu Dec 17 09:32:51 -0800 2009</date_updated>
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    <body><![CDATA[Sweet Jiminy Jahosephat, my recent reading of <em> The Magus </em> made me remember just what I love and hate about LaBute.<br/><br/>It is that he pulls people in better than anyone else. He urges compassion and sympathy with humanity. And then he slams the door in the face of everyone who feels that way a...<a href="http://www.goodreads.com/review/show/5883811">more...</a>]]></body>
    
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      <review>
  <id>68573909</id>
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    <![CDATA[The Shape of Things]]>
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    <![CDATA[<strong>A startling dissection of cruelty and artistic creation from the author of <em>In the Company of Men</em> and <em>Your Friends and Neighbors</em></strong><br/><br/>In a modern version of Adam's seduction by Eve, <em>The Shape of Things</em> pits gentle, awkward, overweight Adam against experienced, analytical, amoral Evelyn, a graduate student in art. After a chance meeting at a museum, Evelyn and Adam embark on an intense relationship that causes shy and principled Adam to go to extraordinary lengths, including cosmetic surgery, and a betrayal of his best friend, to improve his appearance and character. In the process, Evelyn's subtle and insistent coaching results in a reconstruction of Adam's fundamental moral character. Only in a final and shocking exhibition does Evelyn reveal the nature of her interest in Adam, of her detached artist's perspective and sense of authority--to her, Adam is no more than &quot;flesh.... one of the most perfect materials on earth. Natural, beautiful, and malleable.&quot; Labute's latest work is an intense and disturbing study not only of the uses of power within human relationships, but also of the ethics involved in the relationship of art and life. To what extent is an artist licensed to shape and change her medium or to alter the work of another artist? What is acceptable artistic material? At what point does creation become manipulation, and at what point does creation destroy? Or, is the new Adam, handsome and confident if heart broken, an admirable result of the most challenging artistic endeavor? <em>The Shape of Things</em> challenges society's most deeply entrenched ideas about art, manipulation, and love.<br/>]]>
  </description>
  <published>2001</published>
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    <rating>4</rating>
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  <read_at>Fri Aug 21 00:00:00 -0700 2009</read_at>
  <date_added>Sun Aug 23 12:35:10 -0700 2009</date_added>
  <date_updated>Sun Aug 23 12:40:31 -0700 2009</date_updated>
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    <body><![CDATA[I read this in one sitting.  Upon finishing it my initial thought was 'well that was a titch depressing, what else should I do on my Saturday.'  But....  it really stuck with me.  Well written and thought provoking.  Really liked it. ]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/68573909]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/68573909]]></link>
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      <review>
  <id>75460674</id>
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    <id>2869466</id>
    <name><![CDATA[Jessica]]></name>
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    <![CDATA[The Shape of Things]]>
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  <average_rating>3.85</average_rating>
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    <![CDATA[<strong>A startling dissection of cruelty and artistic creation from the author of <em>In the Company of Men</em> and <em>Your Friends and Neighbors</em></strong><br/><br/>In a modern version of Adam's seduction by Eve, <em>The Shape of Things</em> pits gentle, awkward, overweight Adam against experienced, analytical, amoral Evelyn, a graduate student in art. After a chance meeting at a museum, Evelyn and Adam embark on an intense relationship that causes shy and principled Adam to go to extraordinary lengths, including cosmetic surgery, and a betrayal of his best friend, to improve his appearance and character. In the process, Evelyn's subtle and insistent coaching results in a reconstruction of Adam's fundamental moral character. Only in a final and shocking exhibition does Evelyn reveal the nature of her interest in Adam, of her detached artist's perspective and sense of authority--to her, Adam is no more than &quot;flesh.... one of the most perfect materials on earth. Natural, beautiful, and malleable.&quot; Labute's latest work is an intense and disturbing study not only of the uses of power within human relationships, but also of the ethics involved in the relationship of art and life. To what extent is an artist licensed to shape and change her medium or to alter the work of another artist? What is acceptable artistic material? At what point does creation become manipulation, and at what point does creation destroy? Or, is the new Adam, handsome and confident if heart broken, an admirable result of the most challenging artistic endeavor? <em>The Shape of Things</em> challenges society's most deeply entrenched ideas about art, manipulation, and love.<br/>]]>
  </description>
  <published>2001</published>
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    <rating>4</rating>
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  <read_at>Thu Jan 01 00:00:00 -0800 2004</read_at>
  <date_added>Fri Oct 23 01:41:25 -0700 2009</date_added>
  <date_updated>Fri Oct 23 01:42:46 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[Context is everything.  This opened my eyes to a different kind of contemporary theater.  Sophomore year at Boston University's College of Fine Arts. ]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/75460674]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/75460674]]></link>
</review>
      <review>
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    <name><![CDATA[James]]></name>
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  <title>
    <![CDATA[The Shape Of Things]]>
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  <average_rating>3.64</average_rating>
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  <description>
    <![CDATA[&lt;div&gt;<strong>A startling dissection of cruelty and artistic creation from the author of <em>In the Company of Men</em> and <em>Your Friends and Neighbors</em></strong><br/><br/>In a modern version of Adam's seduction by Eve, <em>The Shape of Things</em> pits gentle, awkward, overweight Adam against experienced, analytical, amoral Evelyn, a graduate student in art. After a chance meeting at a museum, Evelyn and Adam embark on an intense relationship that causes shy and principled Adam to go to extraordinary lengths, including cosmetic surgery, and a betrayal of his best friend, to improve his appearance and character. In the process, Evelyn's subtle and insistent coaching results in a reconstruction of Adam's fundamental moral character. Only in a final and shocking exhibition does Evelyn reveal the nature of her interest in Adam, of her detached artist's perspective and sense of authority--to her, Adam is no more than &quot;flesh.... one of the most perfect materials on earth. Natural, beautiful, and malleable.&quot; Labute's latest work is an intense and disturbing study not only of the uses of power within human relationships, but also of the ethics involved in the relationship of art and life. To what extent is an artist licensed to shape and change her medium or to alter the work of another artist? What is acceptable artistic material? At what point does creation become manipulation, and at what point does creation destroy? Or, is the new Adam, handsome and confident if heart broken, an admirable result of the most challenging artistic endeavor? <em>The Shape of Things</em> challenges society's most deeply entrenched ideas about art, manipulation, and love.<br/>&lt;/div&gt;]]>
  </description>
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    <rating>1</rating>
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  <date_added>Tue Aug 11 12:26:20 -0700 2009</date_added>
  <date_updated>Tue Aug 11 12:29:52 -0700 2009</date_updated>
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    <body><![CDATA[Neil LaBute is the Fox news of playwrights.  (He wants to titillate and then wag his finger at you for being titillated.)]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/66977906]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/66977906]]></link>
</review>
      <review>
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    <user>
    <id>61617</id>
    <name><![CDATA[Paula]]></name>
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    <![CDATA[The Shape of Things]]>
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  <average_rating>3.85</average_rating>
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    <![CDATA[<strong>A startling dissection of cruelty and artistic creation from the author of <em>In the Company of Men</em> and <em>Your Friends and Neighbors</em></strong><br/><br/>In a modern version of Adam's seduction by Eve, <em>The Shape of Things</em> pits gentle, awkward, overweight Adam against experienced, analytical, amoral Evelyn, a graduate student in art. After a chance meeting at a museum, Evelyn and Adam embark on an intense relationship that causes shy and principled Adam to go to extraordinary lengths, including cosmetic surgery, and a betrayal of his best friend, to improve his appearance and character. In the process, Evelyn's subtle and insistent coaching results in a reconstruction of Adam's fundamental moral character. Only in a final and shocking exhibition does Evelyn reveal the nature of her interest in Adam, of her detached artist's perspective and sense of authority--to her, Adam is no more than &quot;flesh.... one of the most perfect materials on earth. Natural, beautiful, and malleable.&quot; Labute's latest work is an intense and disturbing study not only of the uses of power within human relationships, but also of the ethics involved in the relationship of art and life. To what extent is an artist licensed to shape and change her medium or to alter the work of another artist? What is acceptable artistic material? At what point does creation become manipulation, and at what point does creation destroy? Or, is the new Adam, handsome and confident if heart broken, an admirable result of the most challenging artistic endeavor? <em>The Shape of Things</em> challenges society's most deeply entrenched ideas about art, manipulation, and love.<br/>]]>
  </description>
  <published>2001</published>
</book>

    <rating>5</rating>
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  <date_added>Thu Jan 08 07:09:44 -0800 2009</date_added>
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    <body><![CDATA[f***ed up!! uncomfortable, modern, fun! Thanks Becca, for introducing and for the opportunity to hear from him live.]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/42340695]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/42340695]]></link>
</review>
      <review>
  <id>67345767</id>
    <user>
    <id>2624562</id>
    <name><![CDATA[Lorma]]></name>
    <location><![CDATA[The United States]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/2624562-lorma-doone]]></link>
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    <book>
  <id type="integer">987144</id>
  <isbn>0571212468</isbn>
  <isbn13>9780571212460</isbn13>
  <text_reviews_count type="integer">18</text_reviews_count>
  <title>
    <![CDATA[The Shape of Things]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1180021316m/987144.jpg</image_url>
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  <average_rating>3.85</average_rating>
  <ratings_count>291</ratings_count>
  <description>
    <![CDATA[<strong>A startling dissection of cruelty and artistic creation from the author of <em>In the Company of Men</em> and <em>Your Friends and Neighbors</em></strong><br/><br/>In a modern version of Adam's seduction by Eve, <em>The Shape of Things</em> pits gentle, awkward, overweight Adam against experienced, analytical, amoral Evelyn, a graduate student in art. After a chance meeting at a museum, Evelyn and Adam embark on an intense relationship that causes shy and principled Adam to go to extraordinary lengths, including cosmetic surgery, and a betrayal of his best friend, to improve his appearance and character. In the process, Evelyn's subtle and insistent coaching results in a reconstruction of Adam's fundamental moral character. Only in a final and shocking exhibition does Evelyn reveal the nature of her interest in Adam, of her detached artist's perspective and sense of authority--to her, Adam is no more than &quot;flesh.... one of the most perfect materials on earth. Natural, beautiful, and malleable.&quot; Labute's latest work is an intense and disturbing study not only of the uses of power within human relationships, but also of the ethics involved in the relationship of art and life. To what extent is an artist licensed to shape and change her medium or to alter the work of another artist? What is acceptable artistic material? At what point does creation become manipulation, and at what point does creation destroy? Or, is the new Adam, handsome and confident if heart broken, an admirable result of the most challenging artistic endeavor? <em>The Shape of Things</em> challenges society's most deeply entrenched ideas about art, manipulation, and love.<br/>]]>
  </description>
  <published>2001</published>
</book>

    <rating>5</rating>
  <votes>0</votes>
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  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Thu Jan 01 00:00:00 -0800 2009</read_at>
  <date_added>Fri Aug 14 00:00:39 -0700 2009</date_added>
  <date_updated>Fri Aug 14 00:01:50 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[I devour anything this man writes and I think this is one of his stronger pieces.]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/67345767]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/67345767]]></link>
</review>
      <review>
  <id>53919276</id>
    <user>
    <id>278968</id>
    <name><![CDATA[Jenne]]></name>
    <location><![CDATA[The United States]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/278968-jenne]]></link>
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  <isbn>0571212468</isbn>
  <isbn13>9780571212460</isbn13>
  <text_reviews_count type="integer">18</text_reviews_count>
  <title>
    <![CDATA[The Shape of Things]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1180021316m/987144.jpg</image_url>
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  <average_rating>3.85</average_rating>
  <ratings_count>291</ratings_count>
  <description>
    <![CDATA[<strong>A startling dissection of cruelty and artistic creation from the author of <em>In the Company of Men</em> and <em>Your Friends and Neighbors</em></strong><br/><br/>In a modern version of Adam's seduction by Eve, <em>The Shape of Things</em> pits gentle, awkward, overweight Adam against experienced, analytical, amoral Evelyn, a graduate student in art. After a chance meeting at a museum, Evelyn and Adam embark on an intense relationship that causes shy and principled Adam to go to extraordinary lengths, including cosmetic surgery, and a betrayal of his best friend, to improve his appearance and character. In the process, Evelyn's subtle and insistent coaching results in a reconstruction of Adam's fundamental moral character. Only in a final and shocking exhibition does Evelyn reveal the nature of her interest in Adam, of her detached artist's perspective and sense of authority--to her, Adam is no more than &quot;flesh.... one of the most perfect materials on earth. Natural, beautiful, and malleable.&quot; Labute's latest work is an intense and disturbing study not only of the uses of power within human relationships, but also of the ethics involved in the relationship of art and life. To what extent is an artist licensed to shape and change her medium or to alter the work of another artist? What is acceptable artistic material? At what point does creation become manipulation, and at what point does creation destroy? Or, is the new Adam, handsome and confident if heart broken, an admirable result of the most challenging artistic endeavor? <em>The Shape of Things</em> challenges society's most deeply entrenched ideas about art, manipulation, and love.<br/>]]>
  </description>
  <published>2001</published>
</book>

    <rating>4</rating>
  <votes>0</votes>
  <spoiler_flag>false</spoiler_flag>
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          </shelves>
  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Wed Apr 01 00:00:00 -0700 2009</read_at>
  <date_added>Sat Apr 25 08:55:28 -0700 2009</date_added>
  <date_updated>Sat Apr 25 08:56:10 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[Excellent discussion of the meaning of art and personal identity.]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/53919276]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/53919276]]></link>
</review>
      <review>
  <id>49049885</id>
    <user>
    <id>2111025</id>
    <name><![CDATA[Keith]]></name>
    <location><![CDATA[Saint Paul, MN]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/2111025-keith]]></link>
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  <title>
    <![CDATA[The Shape of Things]]>
  </title>
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  <average_rating>4.50</average_rating>
  <ratings_count>4</ratings_count>
  <description>
    <![CDATA[<strong>A startling dissection of cruelty and artistic creation from the author of <em>In the Company of Men</em> and <em>Your Friends and Neighbors</em></strong><br/><br/>In a modern version of Adam's seduction by Eve, <em>The Shape of Things</em> pits gentle, awkward, overweight Adam against experienced, analytical, amoral Evelyn, a graduate student in art. After a chance meeting at a museum, Evelyn and Adam embark on an intense relationship that causes shy and principled Adam to go to extraordinary lengths, including cosmetic surgery, and a betrayal of his best friend, to improve his appearance and character. In the process, Evelyn's subtle and insistent coaching results in a reconstruction of Adam's fundamental moral character. Only in a final and shocking exhibition does Evelyn reveal the nature of her interest in Adam, of her detached artist's perspective and sense of authority--to her, Adam is no more than &quot;flesh.... one of the most perfect materials on earth. Natural, beautiful, and malleable.&quot; Labute's latest work is an intense and disturbing study not only of the uses of power within human relationships, but also of the ethics involved in the relationship of art and life. To what extent is an artist licensed to shape and change her medium or to alter the work of another artist? What is acceptable artistic material? At what point does creation become manipulation, and at what point does creation destroy? Or, is the new Adam, handsome and confident if heart broken, an admirable result of the most challenging artistic endeavor? <em>The Shape of Things</em> challenges society's most deeply entrenched ideas about art, manipulation, and love.<br/>]]>
  </description>
  <published>2001</published>
</book>

    <rating>5</rating>
  <votes>0</votes>
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  <recommended_for><![CDATA[]]></recommended_for>
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  <read_at></read_at>
  <date_added>Thu Mar 12 11:49:44 -0700 2009</date_added>
  <date_updated>Thu Mar 12 11:50:25 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[isbn: 0571212460<br/><br/>This is the correct ISBN for this text.]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/49049885]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/49049885]]></link>
</review>
      <review>
  <id>1922375</id>
    <user>
    <id>78075</id>
    <name><![CDATA[JP]]></name>
    <location><![CDATA[Diamond Bar, CA]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/78075-jp-martinez]]></link>
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  <isbn>0571212468</isbn>
  <isbn13>9780571212460</isbn13>
  <text_reviews_count type="integer">18</text_reviews_count>
  <title>
    <![CDATA[The Shape of Things]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1180021316m/987144.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1180021316s/987144.jpg</small_image_url>
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  <average_rating>3.85</average_rating>
  <ratings_count>291</ratings_count>
  <description>
    <![CDATA[<strong>A startling dissection of cruelty and artistic creation from the author of <em>In the Company of Men</em> and <em>Your Friends and Neighbors</em></strong><br/><br/>In a modern version of Adam's seduction by Eve, <em>The Shape of Things</em> pits gentle, awkward, overweight Adam against experienced, analytical, amoral Evelyn, a graduate student in art. After a chance meeting at a museum, Evelyn and Adam embark on an intense relationship that causes shy and principled Adam to go to extraordinary lengths, including cosmetic surgery, and a betrayal of his best friend, to improve his appearance and character. In the process, Evelyn's subtle and insistent coaching results in a reconstruction of Adam's fundamental moral character. Only in a final and shocking exhibition does Evelyn reveal the nature of her interest in Adam, of her detached artist's perspective and sense of authority--to her, Adam is no more than &quot;flesh.... one of the most perfect materials on earth. Natural, beautiful, and malleable.&quot; Labute's latest work is an intense and disturbing study not only of the uses of power within human relationships, but also of the ethics involved in the relationship of art and life. To what extent is an artist licensed to shape and change her medium or to alter the work of another artist? What is acceptable artistic material? At what point does creation become manipulation, and at what point does creation destroy? Or, is the new Adam, handsome and confident if heart broken, an admirable result of the most challenging artistic endeavor? <em>The Shape of Things</em> challenges society's most deeply entrenched ideas about art, manipulation, and love.<br/>]]>
  </description>
  <published>2001</published>
</book>

    <rating>5</rating>
  <votes>0</votes>
  <spoiler_flag>false</spoiler_flag>
  <shelves>
        <shelf name="read" />
            <shelf name="contemporary_literature" />
      </shelves>
  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at></read_at>
  <date_added>Wed Jun 13 09:24:33 -0700 2007</date_added>
  <date_updated>Wed Dec 16 21:26:08 -0800 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[I loved/hated this book.  if you read it you will know why its so good, and why you will hate it.<br/><br/>this book explores the nature of objectivity and disinterestedness.  I feel like this is in a lot of ways a very postmodern way to look at existentialism.  Sure they are two different realms,...<a href="http://www.goodreads.com/review/show/1922375">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/1922375]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/1922375]]></link>
</review>
      <review>
  <id>23748728</id>
    <user>
    <id>17929</id>
    <name><![CDATA[Catherine]]></name>
    <location><![CDATA[Valley Village, CA]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/17929-catherine]]></link>
    <image_url><![CDATA[http://photo.goodreads.com/users/1173381819p3/17929.jpg]]></image_url>
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    <book>
  <id type="integer">134050</id>
  <isbn>088145222X</isbn>
  <isbn13>9780881452228</isbn13>
  <text_reviews_count type="integer">3</text_reviews_count>
  <title>
    <![CDATA[The Shape Of Things]]>
  </title>
  <image_url>http://www.goodreads.com/images/nocover-111x148.jpg</image_url>
  <small_image_url>http://www.goodreads.com/images/nocover-60x80.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/134050.The_Shape_Of_Things</link>
  <average_rating>3.85</average_rating>
  <ratings_count>291</ratings_count>
  <description>
    <![CDATA[&lt;div&gt;<strong>A startling dissection of cruelty and artistic creation from the author of <em>In the Company of Men</em> and <em>Your Friends and Neighbors</em></strong><br/><br/>In a modern version of Adam's seduction by Eve, <em>The Shape of Things</em> pits gentle, awkward, overweight Adam against experienced, analytical, amoral Evelyn, a graduate student in art. After a chance meeting at a museum, Evelyn and Adam embark on an intense relationship that causes shy and principled Adam to go to extraordinary lengths, including cosmetic surgery, and a betrayal of his best friend, to improve his appearance and character. In the process, Evelyn's subtle and insistent coaching results in a reconstruction of Adam's fundamental moral character. Only in a final and shocking exhibition does Evelyn reveal the nature of her interest in Adam, of her detached artist's perspective and sense of authority--to her, Adam is no more than &quot;flesh.... one of the most perfect materials on earth. Natural, beautiful, and malleable.&quot; Labute's latest work is an intense and disturbing study not only of the uses of power within human relationships, but also of the ethics involved in the relationship of art and life. To what extent is an artist licensed to shape and change her medium or to alter the work of another artist? What is acceptable artistic material? At what point does creation become manipulation, and at what point does creation destroy? Or, is the new Adam, handsome and confident if heart broken, an admirable result of the most challenging artistic endeavor? <em>The Shape of Things</em> challenges society's most deeply entrenched ideas about art, manipulation, and love.<br/>&lt;/div&gt;]]>
  </description>
  <published>2001</published>
</book>

    <rating>4</rating>
  <votes>0</votes>
  <spoiler_flag>false</spoiler_flag>
  <shelves>
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            <shelf name="2008" />
        <shelf name="theatre-and-acting" />
      </shelves>
  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at></read_at>
  <date_added>Thu Jun 05 00:12:26 -0700 2008</date_added>
  <date_updated>Thu Jun 05 00:15:53 -0700 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[I love LaBute's simplicity.  He conveys his ideas with a minimum of words, but the emotions expressed are by no means small.  He does not rely on big words or fancy phrases to make himself understood.  However, &quot;Shape&quot; delivers truely human sentiments and situations.  There is a meanness t...<a href="http://www.goodreads.com/review/show/23748728">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/23748728]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/23748728]]></link>
</review>
      <review>
  <id>41675103</id>
    <user>
    <id>827220</id>
    <name><![CDATA[Cristina]]></name>
    <location><![CDATA[The United States]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/827220-cristina]]></link>
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  <title>
    <![CDATA[The Shape of Things]]>
  </title>
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  <average_rating>3.85</average_rating>
  <ratings_count>291</ratings_count>
  <description>
    <![CDATA[<strong>A startling dissection of cruelty and artistic creation from the author of <em>In the Company of Men</em> and <em>Your Friends and Neighbors</em></strong><br/><br/>In a modern version of Adam's seduction by Eve, <em>The Shape of Things</em> pits gentle, awkward, overweight Adam against experienced, analytical, amoral Evelyn, a graduate student in art. After a chance meeting at a museum, Evelyn and Adam embark on an intense relationship that causes shy and principled Adam to go to extraordinary lengths, including cosmetic surgery, and a betrayal of his best friend, to improve his appearance and character. In the process, Evelyn's subtle and insistent coaching results in a reconstruction of Adam's fundamental moral character. Only in a final and shocking exhibition does Evelyn reveal the nature of her interest in Adam, of her detached artist's perspective and sense of authority--to her, Adam is no more than &quot;flesh.... one of the most perfect materials on earth. Natural, beautiful, and malleable.&quot; Labute's latest work is an intense and disturbing study not only of the uses of power within human relationships, but also of the ethics involved in the relationship of art and life. To what extent is an artist licensed to shape and change her medium or to alter the work of another artist? What is acceptable artistic material? At what point does creation become manipulation, and at what point does creation destroy? Or, is the new Adam, handsome and confident if heart broken, an admirable result of the most challenging artistic endeavor? <em>The Shape of Things</em> challenges society's most deeply entrenched ideas about art, manipulation, and love.<br/>]]>
  </description>
  <published>2001</published>
</book>

    <rating>4</rating>
  <votes>0</votes>
  <spoiler_flag>false</spoiler_flag>
  <shelves>
        <shelf name="read" />
          </shelves>
  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Sun Jul 01 00:00:00 -0700 2007</read_at>
  <date_added>Fri Jan 02 20:08:06 -0800 2009</date_added>
  <date_updated>Sat Jan 31 17:00:44 -0800 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[interesting twists. I just love his writing style]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/41675103]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/41675103]]></link>
</review>
      <review>
  <id>3797568</id>
    <user>
    <id>233687</id>
    <name><![CDATA[UptownHippie]]></name>
    <location><![CDATA[The United States]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/233687-uptownhippie]]></link>
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  <isbn>0571212468</isbn>
  <isbn13>9780571212460</isbn13>
  <text_reviews_count type="integer">18</text_reviews_count>
  <title>
    <![CDATA[The Shape of Things]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1180021316m/987144.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1180021316s/987144.jpg</small_image_url>
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  <average_rating>3.85</average_rating>
  <ratings_count>291</ratings_count>
  <description>
    <![CDATA[<strong>A startling dissection of cruelty and artistic creation from the author of <em>In the Company of Men</em> and <em>Your Friends and Neighbors</em></strong><br/><br/>In a modern version of Adam's seduction by Eve, <em>The Shape of Things</em> pits gentle, awkward, overweight Adam against experienced, analytical, amoral Evelyn, a graduate student in art. After a chance meeting at a museum, Evelyn and Adam embark on an intense relationship that causes shy and principled Adam to go to extraordinary lengths, including cosmetic surgery, and a betrayal of his best friend, to improve his appearance and character. In the process, Evelyn's subtle and insistent coaching results in a reconstruction of Adam's fundamental moral character. Only in a final and shocking exhibition does Evelyn reveal the nature of her interest in Adam, of her detached artist's perspective and sense of authority--to her, Adam is no more than &quot;flesh.... one of the most perfect materials on earth. Natural, beautiful, and malleable.&quot; Labute's latest work is an intense and disturbing study not only of the uses of power within human relationships, but also of the ethics involved in the relationship of art and life. To what extent is an artist licensed to shape and change her medium or to alter the work of another artist? What is acceptable artistic material? At what point does creation become manipulation, and at what point does creation destroy? Or, is the new Adam, handsome and confident if heart broken, an admirable result of the most challenging artistic endeavor? <em>The Shape of Things</em> challenges society's most deeply entrenched ideas about art, manipulation, and love.<br/>]]>
  </description>
  <published>2001</published>
</book>

    <rating>4</rating>
  <votes>0</votes>
  <spoiler_flag>false</spoiler_flag>
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        <shelf name="read" />
          </shelves>
  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at></read_at>
  <date_added>Mon Jul 30 11:09:35 -0700 2007</date_added>
  <date_updated>Mon Jul 30 11:11:49 -0700 2007</date_updated>
  <read_count></read_count>
    <body><![CDATA[A harsh, intriguing modern play that examines a dating relationship and its boundaries.  I found myself cringing at some of the characters' interactions, but the plot twist at the end made the reading worthwhile.  ]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/3797568]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/3797568]]></link>
</review>
      <review>
  <id>33143022</id>
    <user>
    <id>1169086</id>
    <name><![CDATA[Gabrielle]]></name>
    <location><![CDATA[The United States]]></location>
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  <title>
    <![CDATA[The Shape of Things]]>
  </title>
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  <average_rating>3.85</average_rating>
  <ratings_count>291</ratings_count>
  <description>
    <![CDATA[<strong>A startling dissection of cruelty and artistic creation from the author of <em>In the Company of Men</em> and <em>Your Friends and Neighbors</em></strong><br/><br/>In a modern version of Adam's seduction by Eve, <em>The Shape of Things</em> pits gentle, awkward, overweight Adam against experienced, analytical, amoral Evelyn, a graduate student in art. After a chance meeting at a museum, Evelyn and Adam embark on an intense relationship that causes shy and principled Adam to go to extraordinary lengths, including cosmetic surgery, and a betrayal of his best friend, to improve his appearance and character. In the process, Evelyn's subtle and insistent coaching results in a reconstruction of Adam's fundamental moral character. Only in a final and shocking exhibition does Evelyn reveal the nature of her interest in Adam, of her detached artist's perspective and sense of authority--to her, Adam is no more than &quot;flesh.... one of the most perfect materials on earth. Natural, beautiful, and malleable.&quot; Labute's latest work is an intense and disturbing study not only of the uses of power within human relationships, but also of the ethics involved in the relationship of art and life. To what extent is an artist licensed to shape and change her medium or to alter the work of another artist? What is acceptable artistic material? At what point does creation become manipulation, and at what point does creation destroy? Or, is the new Adam, handsome and confident if heart broken, an admirable result of the most challenging artistic endeavor? <em>The Shape of Things</em> challenges society's most deeply entrenched ideas about art, manipulation, and love.<br/>]]>
  </description>
  <published>2001</published>
</book>

    <rating>3</rating>
  <votes>0</votes>
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  <read_at></read_at>
  <date_added>Wed Sep 17 20:40:23 -0700 2008</date_added>
  <date_updated>Wed Sep 17 20:41:36 -0700 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[Yes, yes, it was oh so clever but I couldn't help but feel bad for the guy ... in the end that was just a plain nasty thing to do.  That's what I thought and I'm sticking to it.]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/33143022]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/33143022]]></link>
</review>
      <review>
  <id>1922424</id>
    <user>
    <id>119862</id>
    <name><![CDATA[Nic]]></name>
    <location><![CDATA[The United States]]></location>
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  <isbn13>9780571212460</isbn13>
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  <title>
    <![CDATA[The Shape of Things]]>
  </title>
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  <average_rating>3.85</average_rating>
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  <description>
    <![CDATA[<strong>A startling dissection of cruelty and artistic creation from the author of <em>In the Company of Men</em> and <em>Your Friends and Neighbors</em></strong><br/><br/>In a modern version of Adam's seduction by Eve, <em>The Shape of Things</em> pits gentle, awkward, overweight Adam against experienced, analytical, amoral Evelyn, a graduate student in art. After a chance meeting at a museum, Evelyn and Adam embark on an intense relationship that causes shy and principled Adam to go to extraordinary lengths, including cosmetic surgery, and a betrayal of his best friend, to improve his appearance and character. In the process, Evelyn's subtle and insistent coaching results in a reconstruction of Adam's fundamental moral character. Only in a final and shocking exhibition does Evelyn reveal the nature of her interest in Adam, of her detached artist's perspective and sense of authority--to her, Adam is no more than &quot;flesh.... one of the most perfect materials on earth. Natural, beautiful, and malleable.&quot; Labute's latest work is an intense and disturbing study not only of the uses of power within human relationships, but also of the ethics involved in the relationship of art and life. To what extent is an artist licensed to shape and change her medium or to alter the work of another artist? What is acceptable artistic material? At what point does creation become manipulation, and at what point does creation destroy? Or, is the new Adam, handsome and confident if heart broken, an admirable result of the most challenging artistic endeavor? <em>The Shape of Things</em> challenges society's most deeply entrenched ideas about art, manipulation, and love.<br/>]]>
  </description>
  <published>2001</published>
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    <rating>5</rating>
  <votes>0</votes>
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  <date_added>Wed Jun 13 09:25:52 -0700 2007</date_added>
  <date_updated>Wed Dec 16 21:26:09 -0800 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[A truthful tale about change, perception, goals, and values.  It asks a simple question:  How much will you do for someone you love and will that be enough to have them love you in return?]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/1922424]]></url>
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</review>
      <review>
  <id>32487252</id>
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  <title>
    <![CDATA[The Shape of Things]]>
  </title>
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    <![CDATA[<strong>A startling dissection of cruelty and artistic creation from the author of <em>In the Company of Men</em> and <em>Your Friends and Neighbors</em></strong><br/><br/>In a modern version of Adam's seduction by Eve, <em>The Shape of Things</em> pits gentle, awkward, overweight Adam against experienced, analytical, amoral Evelyn, a graduate student in art. After a chance meeting at a museum, Evelyn and Adam embark on an intense relationship that causes shy and principled Adam to go to extraordinary lengths, including cosmetic surgery, and a betrayal of his best friend, to improve his appearance and character. In the process, Evelyn's subtle and insistent coaching results in a reconstruction of Adam's fundamental moral character. Only in a final and shocking exhibition does Evelyn reveal the nature of her interest in Adam, of her detached artist's perspective and sense of authority--to her, Adam is no more than &quot;flesh.... one of the most perfect materials on earth. Natural, beautiful, and malleable.&quot; Labute's latest work is an intense and disturbing study not only of the uses of power within human relationships, but also of the ethics involved in the relationship of art and life. To what extent is an artist licensed to shape and change her medium or to alter the work of another artist? What is acceptable artistic material? At what point does creation become manipulation, and at what point does creation destroy? Or, is the new Adam, handsome and confident if heart broken, an admirable result of the most challenging artistic endeavor? <em>The Shape of Things</em> challenges society's most deeply entrenched ideas about art, manipulation, and love.<br/>]]>
  </description>
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    <rating>1</rating>
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    <body><![CDATA[didn't like it although it was the starting point for some interesting debates. that is always valuable.]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/32487252]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/32487252]]></link>
</review>
      <review>
  <id>28595887</id>
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  <title>
    <![CDATA[The Shape of Things]]>
  </title>
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  <average_rating>3.85</average_rating>
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  <description>
    <![CDATA[<strong>A startling dissection of cruelty and artistic creation from the author of <em>In the Company of Men</em> and <em>Your Friends and Neighbors</em></strong><br/><br/>In a modern version of Adam's seduction by Eve, <em>The Shape of Things</em> pits gentle, awkward, overweight Adam against experienced, analytical, amoral Evelyn, a graduate student in art. After a chance meeting at a museum, Evelyn and Adam embark on an intense relationship that causes shy and principled Adam to go to extraordinary lengths, including cosmetic surgery, and a betrayal of his best friend, to improve his appearance and character. In the process, Evelyn's subtle and insistent coaching results in a reconstruction of Adam's fundamental moral character. Only in a final and shocking exhibition does Evelyn reveal the nature of her interest in Adam, of her detached artist's perspective and sense of authority--to her, Adam is no more than &quot;flesh.... one of the most perfect materials on earth. Natural, beautiful, and malleable.&quot; Labute's latest work is an intense and disturbing study not only of the uses of power within human relationships, but also of the ethics involved in the relationship of art and life. To what extent is an artist licensed to shape and change her medium or to alter the work of another artist? What is acceptable artistic material? At what point does creation become manipulation, and at what point does creation destroy? Or, is the new Adam, handsome and confident if heart broken, an admirable result of the most challenging artistic endeavor? <em>The Shape of Things</em> challenges society's most deeply entrenched ideas about art, manipulation, and love.<br/>]]>
  </description>
  <published>2001</published>
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    <rating>5</rating>
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  <date_added>Tue Jul 29 05:45:06 -0700 2008</date_added>
  <date_updated>Tue Jul 29 05:45:47 -0700 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[Interesting, a little bit sketchy... makes you think about the nature of art.]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/28595887]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/28595887]]></link>
</review>
      <review>
  <id>32420452</id>
    <user>
    <id>731987</id>
    <name><![CDATA[Jhk]]></name>
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  <title>
    <![CDATA[The Shape of Things]]>
  </title>
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  <average_rating>3.85</average_rating>
  <ratings_count>291</ratings_count>
  <description>
    <![CDATA[<strong>A startling dissection of cruelty and artistic creation from the author of <em>In the Company of Men</em> and <em>Your Friends and Neighbors</em></strong><br/><br/>In a modern version of Adam's seduction by Eve, <em>The Shape of Things</em> pits gentle, awkward, overweight Adam against experienced, analytical, amoral Evelyn, a graduate student in art. After a chance meeting at a museum, Evelyn and Adam embark on an intense relationship that causes shy and principled Adam to go to extraordinary lengths, including cosmetic surgery, and a betrayal of his best friend, to improve his appearance and character. In the process, Evelyn's subtle and insistent coaching results in a reconstruction of Adam's fundamental moral character. Only in a final and shocking exhibition does Evelyn reveal the nature of her interest in Adam, of her detached artist's perspective and sense of authority--to her, Adam is no more than &quot;flesh.... one of the most perfect materials on earth. Natural, beautiful, and malleable.&quot; Labute's latest work is an intense and disturbing study not only of the uses of power within human relationships, but also of the ethics involved in the relationship of art and life. To what extent is an artist licensed to shape and change her medium or to alter the work of another artist? What is acceptable artistic material? At what point does creation become manipulation, and at what point does creation destroy? Or, is the new Adam, handsome and confident if heart broken, an admirable result of the most challenging artistic endeavor? <em>The Shape of Things</em> challenges society's most deeply entrenched ideas about art, manipulation, and love.<br/>]]>
  </description>
  <published>2001</published>
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    <rating>4</rating>
  <votes>0</votes>
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  <date_added>Tue Sep 09 06:30:06 -0700 2008</date_added>
  <date_updated>Tue Sep 09 06:30:25 -0700 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[A surprise of an ending. Great dialogue and characters.]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/32420452]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/32420452]]></link>
</review>
      <review>
  <id>4507176</id>
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    <id>234389</id>
    <name><![CDATA[Erica]]></name>
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    <![CDATA[The Shape of Things]]>
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  <average_rating>3.85</average_rating>
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  <description>
    <![CDATA[<strong>A startling dissection of cruelty and artistic creation from the author of <em>In the Company of Men</em> and <em>Your Friends and Neighbors</em></strong><br/><br/>In a modern version of Adam's seduction by Eve, <em>The Shape of Things</em> pits gentle, awkward, overweight Adam against experienced, analytical, amoral Evelyn, a graduate student in art. After a chance meeting at a museum, Evelyn and Adam embark on an intense relationship that causes shy and principled Adam to go to extraordinary lengths, including cosmetic surgery, and a betrayal of his best friend, to improve his appearance and character. In the process, Evelyn's subtle and insistent coaching results in a reconstruction of Adam's fundamental moral character. Only in a final and shocking exhibition does Evelyn reveal the nature of her interest in Adam, of her detached artist's perspective and sense of authority--to her, Adam is no more than &quot;flesh.... one of the most perfect materials on earth. Natural, beautiful, and malleable.&quot; Labute's latest work is an intense and disturbing study not only of the uses of power within human relationships, but also of the ethics involved in the relationship of art and life. To what extent is an artist licensed to shape and change her medium or to alter the work of another artist? What is acceptable artistic material? At what point does creation become manipulation, and at what point does creation destroy? Or, is the new Adam, handsome and confident if heart broken, an admirable result of the most challenging artistic endeavor? <em>The Shape of Things</em> challenges society's most deeply entrenched ideas about art, manipulation, and love.<br/>]]>
  </description>
  <published>2001</published>
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    <rating>4</rating>
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  <read_at>Thu Sep 01 00:00:00 -0700 2005</read_at>
  <date_added>Mon Aug 13 19:35:49 -0700 2007</date_added>
  <date_updated>Mon Aug 13 19:36:50 -0700 2007</date_updated>
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    <body><![CDATA[A fantastic play. Strong characters and equally strong themes.]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/4507176]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/4507176]]></link>
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      <review>
  <id>10855562</id>
    <user>
    <id>678358</id>
    <name><![CDATA[Barbara]]></name>
    <location><![CDATA[Jersey City, NJ]]></location>
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    <![CDATA[The Shape of Things]]>
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  <average_rating>3.85</average_rating>
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  <description>
    <![CDATA[<strong>A startling dissection of cruelty and artistic creation from the author of <em>In the Company of Men</em> and <em>Your Friends and Neighbors</em></strong><br/><br/>In a modern version of Adam's seduction by Eve, <em>The Shape of Things</em> pits gentle, awkward, overweight Adam against experienced, analytical, amoral Evelyn, a graduate student in art. After a chance meeting at a museum, Evelyn and Adam embark on an intense relationship that causes shy and principled Adam to go to extraordinary lengths, including cosmetic surgery, and a betrayal of his best friend, to improve his appearance and character. In the process, Evelyn's subtle and insistent coaching results in a reconstruction of Adam's fundamental moral character. Only in a final and shocking exhibition does Evelyn reveal the nature of her interest in Adam, of her detached artist's perspective and sense of authority--to her, Adam is no more than &quot;flesh.... one of the most perfect materials on earth. Natural, beautiful, and malleable.&quot; Labute's latest work is an intense and disturbing study not only of the uses of power within human relationships, but also of the ethics involved in the relationship of art and life. To what extent is an artist licensed to shape and change her medium or to alter the work of another artist? What is acceptable artistic material? At what point does creation become manipulation, and at what point does creation destroy? Or, is the new Adam, handsome and confident if heart broken, an admirable result of the most challenging artistic endeavor? <em>The Shape of Things</em> challenges society's most deeply entrenched ideas about art, manipulation, and love.<br/>]]>
  </description>
  <published>2001</published>
</book>

    <rating>3</rating>
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  <date_added>Fri Dec 21 22:28:32 -0800 2007</date_added>
  <date_updated>Fri Dec 21 22:30:48 -0800 2007</date_updated>
  <read_count></read_count>
    <body><![CDATA[i think it's more than shock-value and misogyny?]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/10855562]]></url>
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