Goodreads helps you keep track of books you want to read.
Start by marking “Desperate Characters” as Want to Read:
Desperate Characters
Enlarge cover
Rate this book
Clear rating
Open Preview

Desperate Characters

3.83 of 5 stars 3.83  ·  rating details  ·  1,846 ratings  ·  258 reviews
A Great American Novel -- from the author of Borrowed Finery. 'A masterpiece.' Observer 'Inarguably great. Desperate Characters soars above every other work of American realist fiction since the Second World War.' JONATHAN FRANZEN Otto and Sophie Bentwood live childless in a renovated Brooklyn brownstone. The complete works of Goethe line their bookshelf, their stainless s ...more
Paperback, 176 pages
Published 2003 by Flamingo (first published 1970)
more details... edit details

Friend Reviews

To see what your friends thought of this book, please sign up.

Reader Q&A

To ask other readers questions about Desperate Characters, please sign up.

Be the first to ask a question about Desperate Characters

Community Reviews

(showing 1-30 of 3,000)
filter  |  sort: default (?)  |  rating details
This is the type of small novel that critics and other novelists love. Jonathan Franzen writes in the introduction: "It seemed to me obviously superior to any novel by Fox's contemporaries John Updike, Philip Roth, and Saul Bellow." Irving Howe ranks it up there with The Great Gatsby, Billy Budd, Miss Lonelyhearts, and Seize the Day.

For me that's a bit of a stretch. It reminded me of Patricia Highsmith's A Dog's Ransom, another novel where the urban neighborhood is a place of danger and hostilit
ReemK10 (Paper Pills)
Simply put, this is a good piece of writing.

Bravo to Jonathan Franzen for rediscovering Paula Fox

"A perfect short novel. A few characters, a small stretch of time; setting and action confined- and yet, as in Tolstoy's The Death of Ivan Ilyich, everthing crucial within our souls bared." blurb on the back

I enjoyed reading it.

Sometimes one's experience of reading a book can be marred by excessive hype, and I worried that this might not live up to the expectations created by Jonathan Franzen's idolatrous introduction. Though the book's portrait of the cracks in a foundering marriage between two Brooklyn hipsters (well, late 1960s hipsters) didn't resonate with me nearly quite as deeply as it obviously did with Franzen, it was pretty impressive. As the story opens, the privileged contentment of Otto and Sophie is broke ...more
"The short novel tends to have a history of containing quietism on the one hand and hysteria on the other."

You said it, Charlie Baxter!

Although we will be reading Paula Fox's The Widow's Daughter for Charlie's class, I was not alerted to either his interest in Fox or the short novel when I set out to read Desperate Characters. I kind of wish that I was reading it now though, given my current immersion in this question of narrative efficiency. Sigh.

This book is strange, short, quiet, and hysteric
Jessica Gordon
Its true what they say that this book is just like The Great Gatsby--if Fitzgerald simply told us exactly what all the characters represented and showed us absolutely nothing, and if he had been an awful writer and named his book something ugly and overt like "Rich, Superficial People."

"Oh Gatsby, these pages in your books are uncut which shows that you never read the books and this shows that you are superficial. Oh Nick, said Gatsby, indeed its true--I just so badly want to be like all the pe
5 Dec 2013:

Still got it. It's always risky re-reading a favorite book, since who knows if it'll stand up. This one definitely did. I love how much fury there is in this book, yet Fox manages to keep it from being overwrought. I mean, some of this is straight squalid, and yet you buy it. Also funny at times (rarely, but still). I still don't really understand the garbage theme, unless it's just to underline the point of things sort of falling apart and order disintegrating. Seems a little obviou
Okay. Here is my unsophisticated reaction to this sophisticated novel.

First off, I most assuredly appreciated the writing. The sentences were a work of art, beautifully constructed with just the right amount of detail.

I recognize that this novel was meant to be Symbolic and to offer lots of Great Themes. And that I probably missed a lot of them. But here is my issue with a lot of these lofty novels: I just don't get the dialogue.

Are these people actually talking to each other? Would conversation
Critically acclaimed when it was published in 1970 and then largely forgotten, this small, polished gem of a novel has been rediscovered. It follows a well-to-do, childless couple living in a renovated brownstone in not-yet-gentrified Brooklyn, beset by the intrusions of the neighborhood and by their own unhappiness, over the course of a weekend. Acutely observed, economically written, brilliantly conveys the fissures in society and the characters' mounting desperation. Worthy of the renewed att ...more
John Pappas
A nearly perfectly written depiction of a genteel upper-middle class couple whose whole manner of life seems to be under siege. Stationed in a renovated brownstone in Brooklyn, the Bentwoods rage against their impending cultural irrelevancy and the derelicts and hippies that they view as an increasingly common sign of the changing times of the late sixties and early seventies. Struggling under the oppressive weight of a loveless marriage, and husband Otto's collapsing work partnership, the Bentw ...more
I picked this novel up last weekend at the Harvard Book Store. I had never heard of it or of Paula Fox, but I thought the description on the book jacket looked interesting. A hit in 1970 and out of print for many years since, the book is described as “a perfect short novel…a few characters, a small stretch of time; setting and action tightly confined.” This description reminded me of Ian McEwan’s On Chesil Beach, which is also a short but powerful novel that takes place over just a few days.

Jim Elkins
It is a textbook for aspiring novelists, this book. Descriptions are so perfectly judged, incidents so astonishingly well balanced, episodes so impeccably resonant with one another, hints and allusions so delicately poised, psychological insights so bewilderingly sharp, that almost any novelist will seem dull-headed by comparison. I went from "Desperate Characters" to a novel by Cees Nooteboom, and I could hardly stomach it: Nooteboom, by comparison, seems hulkish and animalistically unreflectiv ...more
I read a manual about writing once, and a paragraph from this book was included as an example of how to write well. Plus, Becca liked it, so it must be good. And it is good. It captures middle class anxiety and bourgeois marriage perfectly--in particular, through non-sequitur-laden dialogue that lets us track characters' neurotic preoccupations and shows how little attention they pay to what others are actually saying. I think it should be more famous than it is.
don't know why but I can't go back to 'Day' yet, so picked this up - this had been lying on my bedside table for almost a year and only now I feel like reading it. Perhaps the same will happen to 'Day'...

review to follow... taken a bit of time to get back to this because I'm busy - getting the new book in order!

Some things in this book got my goat, the idle rich (or idle enough-to- get-by-on) aspect: she doesn't take a taxi not because she can't afford it, but because she can. Her curmudgeon hus
An impeccably written, beautifully stark novel, that is one of the most savage books I've ever read. Interesting (without realizing the connection) that I had read some of Paula Fox's children books (The Slave Dancer, The One Eyed Cat) in earlier years, and the adults in this novel act like children. They are desperate characters, but also miserable and naive to the reality of the world. Sophie and Otto Bentwood are a WASP-ish 1970's New York couple, cringing and in a simultaneously sad and blea ...more
Paula Fox's "Desperate Characters" is a nearly perfect novel, one that I can see myself revisiting more than once in the coming years, and one that deserves a place alongside Richard Yates's "Revolutionary Road" in the pantheon of fiction brilliantly depicting suburban American marital malaise. The superb writing, pitch-perfect dialogue and well-crafted narrative more than make up for some of the late-1960s-in-Brookyln elements that perhaps haven't aged so well. (A contemporary reader, however, ...more
Chris Blocker
There are books out there which are phenomenal examples of writing. Some of these books see the light of day, garner some attention, are even made into a respectable film, but they're forgotten all too quickly. They float away from the literary canon and are out-of-print before anyone notices. Such a book was Paula Fox's poignant novel Desperate Characters.

Fortunately, in the case of this book, all was not lost. Jonathan Franzen pushed it as a classic, "soaring above every other work of American
Anne Sanow
WOW! Okay, here's Goodreads in action: 3 friends highly recommended this, and after getting it from the library yesterday, I frittered away real-work time reading it. Ignored my boyfriend last night for awhile, just to keep going, and finished up today. Well. What a brilliant, brutal, wicked thing this is! I do love that, yes, this is a novel about a cat bite, of all things--the cat and all the obsessive action and thinking related to it are amazing. Really sharp and twisted, with some of the be ...more
Edwin Arnaudin
Only for Jonathan Franzen's undying love of Desperate Characters was I drawn to Fox's novella. It's at the core of his well-known Harper's article on the decline of the serious novel and he wrote the introduction for it's 1999 paperback reprint, in which he lauds its re-readability and the wealth of nuances he discovers each time through.

I don't know what he's talking about. Fox's writing is often beautiful, but her dialogue feel abrupt and false. I don't know anyone who talks in such stilted, u
Kristina Chalmain
I can appreciate the skillful writing, yet I find the book tedious. Another story of the discrete charm of the bourgeoisie and of their petty concerns. I want to scream get a job! Get a life! Create some meaning in your lives, you boring twats!

Some examples: "How quickly the husk of adult life, its importance, was shattered by the thrust of what was, all at once, real and imperative an absurd." (p.112-113).

and: "For God's sake, be a little uncertain!" (p. 113).

The sense of increasing dread crea
I feel a a little stupid not liking this book. However if you needed an example of intellectual navel gazing this book would be a perfect example
Alan Newman
This is a book that deserves to be called great. Slim, dense, disturbing, uncompromising with great psychological depth. The language is full of beauty and nuance yet spare and realistic. Written in 1970, it pertains almost more to this millennium than the last. Really deserves to be lionized as one of the great American novels"
Is understanding ever possible between two people? Can one love without hating? Do we ever understand our own motivations? Are we at our core basically alone. This is a
Linda Mason Hunter
Absolutely love this book. It's a model for creating well-rounded psychological characters.
I recently finished this short novel. Some of Fox's narrative was truly captivating, such as her portrait of a morose city hospital emergency room, and her touching mention of the main character's memory of being a child and having vague, floating, yet magical hopes about being a grown-up. Still, for all the details, I felt strangely detached and disconnected from the main characters: try as I might, I could not find their hearts and souls. I am interested to try something else by Fox, given her ...more
'I'd be better off if I were more like my father. He based his life on the assumption that nothing would come of anything. And hope broke in upon him the way disappointment breaks in on other people's lives. He hated hope. It unmanned him. Assume the worst, my son, and you'll never be disappointed....I was in the hospital room when he died. He couldn't speak or move, and one side of his face was paralyzed. But he broke through that coma just long enough to give me a lopsided smile. I knew what h ...more
This is one of the most powerfully controlled books I have ever read. I went into Desperate Characters thinking that I probably wouldn't enjoy it too much. I am not a particular fan of domestic novels, and the fact that Franzen wrote the introduction was more of a warning than an endorsement for me. However, since it was required for my graduate school class, I had no choice but to read it. Imagine my surprise when I could not put the book down. At one point, I looked up from reading it on my wa ...more
After reading Paula Fox’s 1976 The Widow’s Children, her fourth novel, I immediately opened her second novel Desperate Characters (1970)--The Widow’s Children had been that good. Fox, now 91, wrote many children’s books and several adult books that received high critical acclaim but narrow readership. Fox’s life is unusual, and a key to her writing—-born in 1923 and given up for adoption within two years, she gave birth to Linda Carroll in 1944, and gave her up for adoption. In 1964 Carroll gave ...more
This is the kind of book that I wished were three times its length because I want to continue to explore its themes. It will stay with me for a long time as I contemplate its meaning. In fewer than 200 pages the author thoroughly explored the failing marriage of a couple living an entitled lifestyle in the late 1960's Brooklyn. They seemed cocooned in a privileged life yet were paranoid about social change around them. As 40 year olds they were too old to be part of the counter culture movement ...more
Olivia Haber-Greenwood
This book was compact, gut wrenching, and kind of horrible to read. I think the introduction by Jonathan Franzen was important for me to read at the end to get some closure on what the hell happened. Sophie is a character that so many people could relate to. She lives in a small world, but she knows it's small. She can't make meaningful connections with her husband, lover, mother, or friends. She hates her own privilege but is addicted to it. She's unmotivated, and misses her old ambitions like ...more
Benjamin Kahn
I didn't like this book. It was very dialogue-driven, and felt a lot like a play. Although I like books with a lot of dialogue, this dialogue was unconvincing, and felt like something a character in a play would say, not something someone would say in real life.

I couldn't relate to the characters. Sophie dragging her feet about going to see someone to have her cat bite looked at was just annoying. I couldn't relate to all the angst and unhappiness that seemed to inflict the characters. In genera
A quietly pitch-perfect and devastating novel. I actually read it twice because I was hoping to deconstruct how Fox's writing had managed to get so under my skin. My only theory is that her character sketches are so precise and honest, that no additional writerly exposition is necessary to drive home the book's themes. Every word in Desperate Characters feels necessary and true, and it continues to resonate, if not haunt me.
« previous 1 3 4 5 6 7 8 9 99 100 next »
There are no discussion topics on this book yet. Be the first to start one »
  • Doting
  • Taking Care
  • Searches and Seizures
  • Vintage Baldwin
  • The Stories (So Far)
  • Collected Stories and Later Writings
  • Stories in an Almost Classical Mode
  • Selected Poems
  • The Wonders Of The Invisible World
  • Sleepwalker in a Fog
  • Paris Stories
  • Two Serious Ladies
  • Believers: A novella and stories
  • Story of a Life
  • Angels
  • Goodbye, Columbus and Five Short Stories / Letting Go
  • Eustace Chisholm and the Works: A Novel
  • The Birds Fall Down
Paula Fox is an American author of novels for adults and children and two memoirs. Her novel The Slave Dancer (1973) received the Newbery Medal in 1974; and in 1978, she was awarded the Hans Christian Andersen Medal. More recently, A Portrait of Ivan won the Deutscher Jugendliteraturpreis in 2008.

A teenage marriage produced a daughter, Linda, in 1944. However, given the tumultuous relationship wit
More about Paula Fox...
The Slave Dancer One-Eyed Cat Borrowed Finery: A Memoir Monkey Island The Widow's Children: A Novel

Share This Book

“‎How pleasant to read uncompromised by purpose.” 6 likes
“He smiled and bent forward, a hand on each knee, his truculence gleaming through his smile like a stone under water.” 3 likes
More quotes…