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Il rosso e il nero

3.86 of 5 stars 3.86  ·  rating details  ·  30,246 ratings  ·  897 reviews
Con uno scritto di Giuseppe Tomasi di Lampedusa.

La bruciante e tragica ascesa di Julien Sorel, giovane avventuroso, romantico e calcolatore, nella Francia della Restaurazione. Il protagonista del più celebre romanzo dello scrittore francese sfida se stesso e la società che vorrebbe conquistare: i suoi amori travolgenti e la sua arida sete di dominio, che di volta in volta
Paperback, ET Classici, 556 pages
Published 2005 by Einaudi (first published 1830)
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I was taking the train from Geneva to Grenoble, one of the most beautiful routes in the world, and I was reading Le Rouge et le Noir for the second time. I hadn't picked the book because I was visiting Grenoble, it just worked out that way. I was alone in the compartment; it was one of those old-fashioned carriages which still had compartments.

At the fifth or sixth stop, the door opened, and a young woman entered carrying a lot of heavy luggage. She asked me, in French, if I'd mind helping her p
Jeffrey Keeten
”Nothing can distinguish a man as a death sentence,” thought Mathilde. “It’s the only thing one can’t buy.”

 photo le-rouge-et-le-noir_zps083c1744.jpg

Julien Sorel was a young man with an audacious intellect. Such a gift can be a great resource that can be exploited for financial gain or it can be a burden that keeps a person in perpetual misery. Sorel, the hero of our story, experiences both the wonders and the loneliness that sometimes goes hand in hand with being too aware to accept fate without attempting to manipulate a better futur
Quinn Slobodian
It's a book about the dangers of reading. The novel's characters are seduced by ideas, poetic gestures, tragic endings, narratives they might inhabit and soon find themselves enslaved to them, marching lockstep in the footprints of characters whose stories they've read. Stendhal obviously takes pleasure in his position as most recent seducer of the book's reader and he sugar-coats his narrative pills just enough that it's only later, with the feeling of slight corrosion in your stomach, that you ...more
K.D. Absolutely
Jan 21, 2013 K.D. Absolutely rated it 4 of 5 stars  ·  review of another edition
Recommended to K.D. by: 1001 Books You Must Read Before You Die (2006-2012)
I just finished watching the latest movie adaptation of Les Miserables and there is a song there about Red and Black. I got excited because both Les Miserables and this book Scarlet and Black also known as Red and Black were both written by French novelists and set in the 19th century France. So, when I heard the song being sung by those young actors in Les Miz I said so that's the other meaning of those colors!
lesmiserablesRed - the blood of angry men!
Black - the dark of ages past!
Red - a world about to da
Mar 09, 2011 Mariel rated it 3 of 5 stars  ·  review of another edition
Recommends it for: fat cats
Recommended to Mariel by: house cats
Ultimately, Stendhal's The Red and the Black almost pissed me off. If I see this book again I'm tempted to say to it, "I'm not rationally sure why you kinda pissed me off. I just know you did!" It really would have if I had cared enough about any of the people in it to be pissed off. I hate that feeling of self persuasion as inevitable, as people being trapped in mind games. It sucks but I cannot swallow the idea that there is no other outcome. I know it's satire. I kinda hate satire. I don't wa ...more
Chuck LoPresti
It's fairly easy to see why this book isn't more well-known as it was ahead of its time in 1830 and overshadowed by Flaubert, Balzac, and Hugo. And despite the fact that some consider it among the first "modern" novels it is probably a bit too dated to appeal to a more modern-focused crowd. I think I've come to a perfect period in my reading where this makes perfect sense. After Proust, Banffy and Zilahy - another read about courtly high society was a tough sell but I persevered a bit exhausted ...more
David Agraz
If nothing else, read Moncrieff's translation to seep yourself in the highly latinate, generally overeducated and comfortably contorted prose ('But the adroitness with the want of which we are reproaching him would have debarred the sublime impulse of seizing the sword which, at that moment, made him appear so handsome in the eyes of Mademoiselle de La Mole') -- it will do wonders for the style of your work emails. Trust me on this one.

What to say about Stendhal? I think he exists halfway betwee

First published in 1830, The Red and the Black is the bildungsroman of Julien Sorel, an intelligent and ambitious young man from a working class family in a rural area of France. Highly romantic, Julien admires Napoleon Bonaparte and has dreamed of a military career: the "Black" in the title represents the colour of the military uniform. However, a distinguished military career is not something a young man of his class can aspire to and Julien turns his attention to the Church: the uniform of w
معمولاً وقتی اسم رمان های کلاسیک میاد، آدم احساس میکنه باید منتظر یه اثر دراز و خسته کننده باشه، پر از آدمایی که عصا قورت دادن و راجع به اخلاقیات و قضایای کلی حکم صادر میکنن. شرمنده، این رمان هم همین طوریه!
ولی خب، از حق نگذریم، همین مسائل رو، کمابیش ضمن داستان خوبی مطرح کرده. هر چند یه مقداری میشد پریشانی و اضطراب داستان کمتر بشه، ولی میشه شخصیت ها رو دوست داشت. خیلیاشون ملموسن.
Elizabeth K.
I read this for two reasons: First, now, when I die, I can say "Why yes, I've read Stendhal." Right, I don't know who at my deathbed is going to be asking me about Stendhal, but it's one more thing to cross off my worry list. Maybe there's some sort of deathbed reckoning for book snobs that involves a Ghost of Literature Past. Then our conversation could go like this:

Ghost of Literature Past: And you've read Stendhal ... ?
Me: Yes, indeedy!
GLP: Hmmm. Yes. Hmmm ... and it was in translation, I bel
MJ Nicholls
I promised myself I wouldn’t spend too long clacking out a review of this one: usually, after a frenzied Sunday of reading I like to mellow out for the last few hours, and not dissertate (apparently that’s a word!) on a lofty French classic. Plus there are a few tip-top reviews already, like this one and this one and this one, so who cares what the anaemic Scot has to say? Really? In short: loved the epigrams, didn’t mind the frequent blurring of narrator with interior narration and dialogue, an ...more
When I was at university my best friend and I would regularly write to each other as, for the first time, we were at different ends of the country. These letters [yes, letters – we were not being pretentious; neither of us could afford a computer as kids and so didn’t know how to use email until later] would usually contain details of any, uh, girl-related activity, music recommendations and book recommendations. Parts of these letters have stayed with me – certain relationships [one in particul ...more
Buddy-read with Kris

Dear Desert Island Book List,

I'm writing to inform you that, in a week or two, you will have a new member. The name is Stendhal. His novel is
The Red and the Black. He's a bit of a ruffian, rather pessimistic fellow, too. But be congenial. He's much like the rest of you. His heart is too big. That, and social injustice, make him cantankerous. But he only has the best for humanity in mind.

He's a portly fellow, so please prepare a double strength hammock for his many pages. A
Lessons learned: don't sleep with other people's wives, and don't fuck with the class system. Stendhal manages to conflate the two rather elegantly in the social maneuverings of the novel's hero, Julien Sorel. His romantic intrigues are immediately political as well as sensual, encapsulating a good deal of the contemporaneous upheavals in French government, as well as addressing more universal aspects of social tension and class psychology and, of course, the eternal divergence of love and lust. ...more
Alice Poon

This novel is in my view much more than a bildungsroman. Set in the Restoration Period (1814 – 1830) in France (i.e. the restoration of the Bourbon monarchy to power after the fall of Napoleon Bonaparte), it is a story of the social-climbing feats and two separate love pursuits of the lowborn protagonist Julien Sorel from a keen psycho-analytical perspective, threaded through a richly textured social and political fabric with a satirical undertone. This fabric, unique in a historical sense, refl
الأحمر والأسود

تأخرت كثيراً في الكتابة عن ستاندال وكتابيه، ولا أدري لماذا؟ ربما كان انشغالي بالمعرض هو السبب، وربما حقيقة أن الكتابين كانا ضخمين، وأردت فترة أهضمهما فيها وأخرج برأي، ستاندال من الأدباء المثيرين للجدل، فهناك من قدروه واعتبروه أباً للرواية النفسية وروائياً سابقاً لزمانه، وهناك من لا يطيقونه ولا يطيقون أسلوبه الكلاسيكي، عاش ستاندال في فترة حاسمة من تاريخ فرنسا، فهو قد ولد قبل الثورة الفرنسية بسنوات قليلة، وعاصر الحروب النابليونية، وكتب عن هذا بحكم أنه كره نابليون زمناً، وأحبه زمناً
There is a great set-piece where "our hero" Julien Sorel is seen among the clergy taking part in a dazzling spectacle to impress the lower classes of the French countryside with their power. Once a peasant himself he continues to move up the corporate ladder by having no firm convictions whatsoever. This roving spectacle produces one of Stendhal's many great lines: "A day like that undoes the work of a hundred issues of the Jacobin press." It is this aspect I enjoyed the most, the blending in of ...more
Strabordante e bello. Ipnotico. A tratti incantevole. Datato ma universale. Alla fine delle 550 pagine (nella mia versione ppback), si avverte come un senso di sollievo, per la libertà riacquisita da te, lettore, e dai personaggi, affaticati e vinti. La vicenda è complessa e finita, senza strascichi o futuro. Una osservazione meticolosa te l'ha raccontata tutta, in ogni sfumatura e recesso. L'indiscrezione di cui hai potuto godere in posizione privilegiata ti ha tenuto avvinto alle pagine. Ma an ...more
Alex Morfesis
"My loathing for being disdained, which I thought I could control till the moment of my death, now obliges me to speak. Gentlemen, I do not have the honor of belonging to your class. What you see in me is a peasant, in revolt against the barrenness of his fate."

"Only a fool," he (Julien) said to himself, "gets angry at others. A stone falls because it's heavy. Am I going to be forever a child? When will I acquire the good habit of giving these people my soul, only and exactly to the extent they
This is not at all what I expected. I kind of feared this would a stodgy morality story and in a way it was a morality play but it was far from stodgy. I can't count the number of times it made me genuinely laugh because of the brilliant satire.

Our main protagonist Julien seems to be a massive collection of contradictions. He adores Napoleon but hides that to become a member of the clergy. He disparages the rich bourgeois yet aspires to become one. He calls himself a fool and immature for gettin
My grandmother Stella lived north of here. I was closer to her than anyone in my family. She loved classic cinema and read voraciously albeit trashy gothic romances. After my grandfather passed away I tried with varying success to ensure that I was with her every Thanksgiving. It should be noted here that she was a terrible cook. Lacking all facility in the kitchen., she approached the culinary arts with an appropriate cynicism I adored immensely. An agreement was reached and rather than suffer ...more
Mon livre prefere. Mon livre de chevet. Stendhal est vraiment un ecrivain tres francais par sa capacite de decrire un decor de societe et ses individus de provices et de Paris, opposes et en opposition dans la monarchie de juillet. Le rouge et le noir. Entre la vie et le clerge. La vie et la mort. Rouge sang et la religion noire, des soutanes, entre le feu et le froid seminaire. Le feu de la jeunesse, d'un exploit glorieux eclatant et une vie de janseniste, travaillant dans le noir. Un roman de ...more

Il a déjà été dit plusieurs fois, mais je ne me fatigue jamais de le redire, émerveillée – la fascination des classiques se trouve, pardonnez-moi le truisme, dans leur impeccable classicisme – c’est-à-dire, dans le fait qu’ils sont en même temps anciens et actuels, connus et surprenants, lus et à découvrir.

Je relis, pour la troisième fois, je pense, Le Rouge et le Noir, et sa modernité m’éblouit comme si je le lisais pour la première fois. Je sais bien que Stendhal a été un innovateur dans le r
Vabbè, dai, recensioni su “Il rosso e in nero” ne sono state scritte a bizzeffe. Aggiungerne un’altra sarebbe superfluo. Vediamo di farne, allora, qualcosa di diverso: appunti sparsi, annotazioni estemporanee, così come mi vengono. Una recensione un po’ per scherzo, insomma, e molto lacunosa.

Per esempio, io direi che il padre di Stendhal assomiglia in maniera inquietante a Monty Burns, dei Simpson:

[Padre di Stendhal]

[Monty Burns]

A Stendhal non piaceva molto suo padre. E a Julien Sorel non piacev
On completion:

No, I did not like this book. I disliked the intertwining of its two central themes, one being a criticism of French Bourbon society after the fall of Napoleon and the crazy, unbelievable love affairs. The writing becomes more and more absurd the further you progress into the novel. The language is old-fashioned, formal, complicated and wordy. I was bugged to no end by the excessive use of etcetera and etcetera over and over again. Perhaps that was a translation problem? I am not s
Why didn't I read this sooner? The protagonist Julien is a complicated and contradictory character, but to me seemed so much more alive than, for instance, his pessimistic equivalent in War and Peace, Prince Andre. His ambition and passion are always at odds, and although he's intelligent his vanity and romanticism lead him to act as if he were completely naive. What I like is that we're allowed to see all of his really ugly character traits, some of which are scarily relatable.

It's a dark book,
Đong Huynh
Như mọi cuốn sách được gọi là Kinh Điển, Đỏ và Đen thực sự đem lại sự thỏa mãn cho người đọc, và nếu chịu kiên nhẫn vượt qua 700 trang khổ lớn, bạn sẽ được đền đáp xứng đáng.
Không cần mất công đi vào tóm tắt cuốn sách này, vì người đọc còn fải đọc, mà người viết thì lười review nhiều, chưa kể phần tóm tắt đã có trên mạng, chỉ xin nói qua, là cuốn sách có rất nhiều thứ để thỏa mãn một người đọc khó tính:
1. Bạn cần triết lý, có triết lý. Xuyên suốt cuốn sách là những đoạn trích dẫn ở đầu chương từ
Aug 28, 2008 Melody rated it 1 of 5 stars  ·  review of another edition
Recommended to Melody by: Brian Johnson
I don’t like to finish a book by counting the number of pages left to go. But that’s what I found myself doing with The Red and the Black. Wondering, “when the hell is this going to end” and wishing that Julian would just die already.

The first half of the copy of the book I checked out of the library included the penciled notes from someone who felt that even though the book wasn’t THEIR personal copy, they had the right (or probably, the need) to write things such as the definition of “Fie!” (
Jim Coughenour
"We may ask ourselves how it came about that modern consciousness of reality began to find literary form for the first time precisely in Henri Beyle of Grenoble," writes Erich Auerbach in his classic chapter on Stendhal and Balzac. Auerbach notes Stendhal's defects – "his fluctuation between realistic candor in general and silly mystification in particulars, between cold self-control, rapturous abandonment to sensual pleasures, and insecure and sometimes sentimental vaingloriousness" – as well a ...more
David Lentz
The Red and the Black is a profound and witty book about the rise of a poor, handsome and intellectually gifted, young provincial into the salons of High Society in Paris. This novel is also a portrait of an era in 19th century France after the exile of Napoleon to St. Helena. The powerful, witty epigrams that appear in page after page of gorgeous prose left me almost as intrigued by the talent of the author as by the unexpected twists in the exhausting love life and fascinating careers in churc ...more
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Henri-Marie Beyle , better known by his pen name Stendhal , was a 19th-century French writer. Known for his acute analysis of his characters' psychology, he is considered one of the earliest and foremost practitioners of realism in his two novels Le Rouge et le Noir (The Red and the Black, 1830) and La Chartreuse de Parme (The Charterhouse of Parma, 1839). ...more
More about Stendhal...
The Charterhouse of Parma Love Armance Lucien Leuwen Chroniques Italiennes

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“A good book is an event in my life.” 447 likes
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