Goodreads helps you keep track of books you want to read.
Start by marking “The Influencing Machine: Brooke Gladstone on the Media” as Want to Read:
The Influencing Machine: Brooke Gladstone on the Media
Enlarge cover
Rate this book
Clear rating
Open Preview

The Influencing Machine: Brooke Gladstone on the Media

3.83  ·  Rating Details  ·  1,963 Ratings  ·  357 Reviews
Nearly one million weekly listeners trust NPR's Brooke Gladstone to guide them through the distortions and complexities of the modern media. This brilliant radio personality now bursts onto the page as an illustrated character in vivid comics drawn by acclaimed artist Josh Neufeld. The cartoon of Brooke conducts the reader through two millennia of history-from the newspape ...more
Hardcover, 172 pages
Published May 23rd 2011 by W. W. Norton & Company
More Details... edit details

Friend Reviews

To see what your friends thought of this book, please sign up.

Reader Q&A

To ask other readers questions about The Influencing Machine, please sign up.

Be the first to ask a question about The Influencing Machine

Fun Home by Alison BechdelAnya's Ghost by Vera BrosgolHyperbole and a Half by Allie BroshNimona by Noelle StevensonHark! A Vagrant by Kate Beaton
Comics & Graphic Novels by Women
143rd out of 628 books — 639 voters
The Complete Maus by Art SpiegelmanThe Complete Persepolis by Marjane SatrapiHark! A Vagrant by Kate BeatonPride of Baghdad by Brian K. VaughanMaus I by Art Spiegelman
History through graphic novels
141st out of 327 books — 265 voters

More lists with this book...

Community Reviews

(showing 1-30 of 3,000)
filter  |  sort: default (?)  |  Rating Details
James Payne
Disappointing. This book is not "visionary," nor is it particularly "opinionated"as it has been billed; it is certainly not a "manifesto" as that implies the book is articulating some idea outside of normal liberal-establishment orthodoxy. And man, you need some outsized blinders on to consider that orthodoxy coherent.

Gladstone starts the book by saying there is nothing "conspiratorial" about mainstream media - a remark I can only imagine is an unnamed naming of Manufacturing Consent, which, wh
Nov 27, 2011 Stven rated it it was ok
Recommended to Stven by: The New Yorker
A lively and informative book on the history of public media. I have a few quibbles along the way, but I'm willing to ignore them because I'm learning some interesting history, competently arranged to get me from points A and B to points U and V with the dots nicely connected. The trouble is that I totally reject the conclusion Gladstone presents, that "We get the media we deserve."

That's bogus. We the people don't control journalism -- despite the nice point she makes that journalism does spend
Feb 02, 2015 Aries rated it really liked it  ·  review of another edition
Shelves: fumetti, attualità
Il medium fumetto è da sempre un mezzo di comunicazione molto più versatile e potente di quanto un "non iniziato" possa pensare.
Accanto a storie supereroistiche, a letteratura per immagini quale Sandman, a capolavori dell'umorismo come Peanuts o Calvin e Hobbes, esistono anche fumetti che usano l'immagine esclusivamente come parziale supporto visivo alle parole.
Ecco quindi un capolavoro come Maus, che visivamente è ridotto all'osso, ma ecco anche un saggio (non saprei definirlo altrimenti) come
Very patchy... I really enjoyed Gladstone's exploration of the history of journalism. The first publication of community news was written by scribes of the Egyptian pharaohs, for PR purposes. Bad events were blamed on pharaoh's enemies, good events were credited to his fair leadership.

Skipping ahead, the book delves into trends and biases in the media.

One interesting tidbit: up to the Civil War, journalists' names didn't appear with their stories in print. All articles, investigative or editori
Dan Phillips
Jan 15, 2012 Dan Phillips rated it it was ok
Shelves: 2012
I had high hopes for this "media manifesto in comic book form," as it seemed to be very similar in style (both graphically and narratively) to Scott McCloud's Understanding Comics. McCloud's book maximized the potential of "sequential art" to explain complex issues in an immediate, simple way. And there are some very clever visual choices in The Influencing Machine that manage the same trick.

But ultimately, I ended up feeling the same way about this book as I do about Brooke Gladstone's better-k
Carol Storm
Feb 17, 2016 Carol Storm rated it liked it
A lot of reviewers found this book frustrating and disappointing, and I can certainly see why. The jaunty comic book style drawings and the irreverent tone make it look like it's going to be an all out Michael Moore style attack on the status quo and the mainstream media, but the more you read the less you can figure out where the author really stands on anything.

While giving the history of journalism and censorship in an entertaining way, ideologically Brooke Gladstone is inconsistent, erratic
Jun 06, 2011 Lee added it
Engaging and entertaining, but I disagree with the central claim of the book that "We get the media we deserve." Who are "we" and what does it mean for us to "deserve" our media? What is missing is any kind of sustained examination of the specifically economic (as opposed to technological) frameworks within which the media operate and the way those frameworks affect their performance.
Oct 05, 2012 Matt rated it it was amazing
This book offers a robust opinion on the state of the media and explains why there is still a lot of work to do but no reason to despair. A lot of insight is gleaned from the history of journalism but also from technology experts like Clay Shirky or Cass Sunstein. The author is also the co-host of On The Media. Here are my lecture notes.

# The Influencing Machine

The influencing machine is a typical invention of the mind that is trying to explain in a somewhat paranoiac way how ideas are spreading
Yvonne Powderly
Gladstone is both narrator and visual tour guide, popping up throughout Neufeld's comic panels as both her contemporary self and camouflaged alongside historical figures.

The comic book format permitted me to read and learn about a subject I would not have attempted in a formal book format; the graphic format makes sense as a way to ease the "pain".

Beginning with the Incas, Herodotus, and the Acta Diurna of the Roman Senate, she wends her way to the present. The history’s always interesting, and
This was book 8 for the YALSA Best Books challenge. And yet again it has taken me awhile to write what I thought about it. I think this book has so much information and so many ideas, it just takes time to thoroughly think through everything and digest it all.

So this is a book about media and how it influences (thus the name of the book) the world. It starts from the very basic history about how people learned "news" clear back in the day when ancient civilizations "wrote" things down. Then it
Shannon Appelcline
Jul 05, 2013 Shannon Appelcline rated it it was amazing
This is one of a weird little medium of books that I quite like: non-fiction books illustrated as comic strips. Scott McCloud's trilogy of books about comics are perhaps the best example nowadays, and pretty close in style to The Influencing Machine, as Gladstone takes a similar fourth-wall-breaking style of talking. It's quite well done and I liked the art (two-toned artwork, colored blue and black by Josh Neufeld) enough that I immediately ordered a book from the library that the artist had do ...more
Feb 13, 2012 Becky rated it it was ok
Graphic novel about media bias and information seeking behavior written by NPR correspondent - pretty much my ideal nonfiction book, but somehow I didn't enjoy this very much.

Perhaps because Gladstone is new to the medium, I found the book suffered greatly from a lack of narrative and structural cohesion. Her apparent thesis in the introduction - that consumers and advertisers cause media bias - did not seem to be the guiding thesis of her discussion, which spanned history, psychology, and perso
Jul 07, 2014 Miles rated it liked it
This is a terrific primer on media history and one reporter’s take on how average citizens can promote a free, open news environment. Aided by Josh Neufeld’s clever illustrations, Brooke Gladstone takes the reader on a whirlwind journey through media history’s most tenuous moments, setting her sights on the perennial conflict between authoritarian power, which has traditionally sought to suppress non-propagandist news, and the heroic but flawed individuals and organizations who have fought the l ...more
Feb 13, 2015 Veronica rated it it was ok
Boring. I had to skim through a lot of it. I agree with reviewers who wondered who the audience was for this. No reason for it to be a graphic novel. The pictures added nothing, and there were way too many words, to be honest. I'm saying this as somebody who also reads a variety of things, including regular non-fiction and 1000 page fantasy epics, so it's not necessarily that I have a short attention span... It's just that I was expecting something more engaging from a graphic novel, I guess, an ...more
Jul 11, 2011 Kalen rated it liked it
Shelves: 2011-reads
Not entirely sure what to think of this one just yet. I love the premise but I'm not convinced it was entirely well-written. Having said that, I don't typically read graphic novels or non-fiction so the format took some getting used to and it's possible that was my real challenge.

I laughed when Gladstone cited Douglas Adams' comment that "Anything that is in the world when you're born is normal and ordinary and is just a natural part of the way the world works. Anything that's invented between
Aug 10, 2012 Lisa rated it liked it
Brooke Gladstone is wonderful. And Josh Neufield is an able illustrator/ comic artist. If each could be judged apart from one another, I would rate them both much more highly on their individual merits.

Unfortunately, I think Gladstone should have just written a proper book. The writing achieves its aim of balancing the light and entertaining with the heavy and intellectual but when rendered as a comic it starts to feel super heavy and dense. (A woman next to me at a coffee shop, who clearly rea
Agile Kindergarten
Feb 05, 2013 Agile Kindergarten rated it it was amazing
Gladstone used graphic non-fiction to deftly communicate the historical, psychological and sociological truths of the media's influence in society. From Caesar's Acta Diurna, the first daily news which pressured the Roman Senators to be accountable (and reminiscent of the Daily Stand-Up Meeting) to the digitally borne diseases stemming from the homophily echo chamber (where people only consume media "facts" that substantiate their entrenched belief systems resulting in polarization), our relatio ...more
Dec 11, 2011 Nathan rated it really liked it
Newspapers (now broadened to "the media") influence public opinion and the course of political affairs. This deft little book tells the story of media and influence, historically and technologically, and manages to be not just readable but also extremely difficult to put down. I read it in one sitting and got a lot from it. It is easy to read because it is both well-written and well-illustrated--most of the book is in the form of a comic: panels, pictures, captions. The potentially dry topics ar ...more
Apr 22, 2012 Aneesa rated it liked it
An interesting history of journalism, but I don't think Gladstone quite proves her point that the readers control journalism, despite the fact that journalists to varying degrees at different times in history try to give the people what they want (as opposed to what they need), keeping to the "sweet spot" of "legitimate controversy" but away from the sphere of "deviance," which "the mainstream of society rejects as unworthy of being heard." Perhaps therein lies the problem--she equates "us" with ...more
May 05, 2012 Nichole rated it it was amazing
Brooke Gladstone’s The Influencing Machine is a graphic novel that is crammed with so much useful information while remaining a pleasure to read the entire time due to its format. If the book was written strictly in text, the reader might be bored, but due to the entertaining comics, it manages to hold the reader’s attention and educate at the same time. Gladstone’s purpose with The Influencing Machine is to explain why the media is the way is it and how it got that way. She teaches
Apr 19, 2016 Janice rated it really liked it
My first "graphic novel" structured book and I must admit it was interesting, and all the salient points were presented. The artist is to be commended, as well as Ms. Gladstone for giving me some material to ponder. Thanks for the words and the experience.
Feb 05, 2012 Lisa rated it liked it
Brooke Gladstone gave us all a lot to think about in this book, but I don't think that I agree with her thesis that the media is influenced by public opinion. Yes, there are thousands of blogs and websites but they don't have the power that TV has. As they say, a picture can be worth a thousand words - especially when you keep seeing it over and over again. I think to a large extent, the established media decides what events are important for us to think about by what they decide to talk about. ...more
This was really interesting! Lots to think about, and what an interesting format choice for the subject.
Feb 08, 2012 Adam rated it really liked it
"Adorable" is not usually word you use for media criticism. This book, though, is adorable. Gladstone uses the graphic novel format to present an excellent introduction to media literacy, including the history of the press and a very clear and concise review of media and reader biases.

It's particularly refreshing to find a critic who is equally scathing about biased reporting from the Right and the Left. Most folks who write about media bias are pushing one agenda or the other, but Gladstone do
Aug 16, 2015 Matt rated it liked it
I like books that educate me. And I really like graphic novels that explain things, like Understanding Comics by Scott McCloud or the Chrome graphic novel (also by Scott McCloud), or the Feynman graphic novel.

Judged against those books, The Influencing Machine was just alright. The Influencing Machine is strongest when it talks about the history of the media, e.g. the trial of John Peter Zenger where truth became a defense against libel in the United States. The book is also especially strong wh
Oswego Public Library District
This nonfiction graphic novel provides great insight into the role of the media as it relates to politics, war coverage, social issues, and more. Brooke Gladstone is an award-winning reporter, editor and co-host for NPR. Here she is a tour guide through history as she discusses the role of bias, fairness and influence by the media. Chatty and witty in style, this is written by someone who works in that field and wants to equip readers with a better understanding of how people consume information ...more
Mar 19, 2014 Bruce rated it really liked it  ·  review of another edition
Acknowledging that she wanted to write a comic book about the media, because she felt that “writing in bubbles would be easier [than a conventional book in text], more like radio.” Gladstone, Host and Managing Editor of the National Public Radio program, "On the Media," recruited cartoonist Neufeld, the author and illustrator of A.D.: New Orleans After the Deluge, to work with her on the book. As far as the ease of composing a work written in speech balloons, she goes on to admit, “It was more l ...more
Jan 08, 2015 LeeAnn rated it liked it
Shelves: textbook
I picked this book off a display at the library while waiting for my son. I was curious about the format she chose and the topic. I expected it to be about social media, which it is not. She covers some interesting history about the media and covers divers views, but it's confusing in that she's trying to cover a complex subject in a simplistic way. She also continually refers to Pres. Bush's insistence that Iraq had advanced weaponry and repeating the so-called fact that they did not. I checked ...more
Aug 15, 2014 LovGov added it
I found out about this book because my high school reads another book by the illustrator, Josh Neufeld, called A.D.: New Orleans After the Deluge. I picked it out of our bookroom because I thought, Oh, cool... we talk about Katrina in a case study over federalism.

Flip to the back: the notes on the author point out The Influencing Machine.

It is an incredibly quick read... very witty and direct. And on point. For instance:

The book opens with a really great overview of media history that is perf
Jonathan Hiskes
Aug 18, 2012 Jonathan Hiskes rated it really liked it
A lucid, visual tour of media history and bias. Thesis: We get the media we deserve; mass media reflects its society; the things we don't like about the media are the things we don't like about society at large. Also, most things we loathe about the American media (biases, corruption, sensationalism, vapidity, TV anchors' hair) were present at the nation's founding. The illustrated format works well. If I ever taught high school civics or college communications, I'd use this.
« previous 1 3 4 5 6 7 8 9 99 100 next »
  • Zahra's Paradise
  • Trinity: A Graphic History of the First Atomic Bomb
  • A.D.: New Orleans After the Deluge
  • Economix: How and Why Our Economy Works (and Doesn't Work), in Words and Pictures
  • Thor the Mighty Avenger, Vol. 1
  • How to Understand Israel in 60 Days or Less
  • Daybreak
  • The Hypo: The Melancholic Young Lincoln
  • Studs Terkel's Working: A Graphic Adaptation
  • The Stuff of Life: A Graphic Guide to Genetics and DNA
  • Feynman
  • Vietnamerica: A Family's Journey
  • The Lives of Sacco and Vanzetti
  • One Soul
  • The Carter Family: Don't Forget This Song
  • Return of the Dapper Men
  • 21: The Story of Roberto Clemente
  • Unterzakhn
Brooke Gladstone is cohost of NPR's On the Media and a former senior editor at Weekend Edition and All Things Considered. She lives in Brooklyn, New York.
More about Brooke Gladstone...

Share This Book

“Objectivity works to repel the attacks of critics, like a kind of ethical pepper spray.” 2 likes
“There's a long-standing debate in the media biz over whether the news outlets should give the public what it wants, or what it needs. This debate presupposes that media execs actually know what it wants or needs. And that there actually is a unitary "public.” 0 likes
More quotes…