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    <![CDATA[Winner of the Levis Reading Prize &quot;Tell me a story / of speed and tell it to me fast for the light is / gaining and I will wake and with this body / break the barrier between what I dream / and what my dreaming means.&quot;  Sometimes a fact swings down like a hammer and we are changed. The fact of loss, the fact of desire, and all the wild, unruly facts of history hammer down and sparks fly up. This, then, is a collection of facts. In a rushing, rolling style, poems sweep to the edge of falling apart, take great delight in defying that dissolution, and come upon a thing redemptive and clarifying: the fact of love. In a world that &quot;doesn't really care / whether we live or die,&quot; Steve Scafidi writes, &quot;tell it you do and why.&quot;  Against the harrowing fact of death, Scafidi celebrates dream and desire and the sweet erotics of springtime. Witnessing the budding of muscle trees, the nakedness of a lover, and the furious plowing of a river in the month of April amounts to a sensual equivalent of hope. And yet, the facts of history - from Troy to Rome to Montgomery, Alabama - arouse a great dread of our own cruelties. The truth of the South, the poems show, is often a brutal mix of ignorance and force that America learned from the great classical civilizations. From the unthinkable to the quietly heroic, somehow we have emerged. Sparks from a Nine-Pound Hammer celebrates that fact most of all.]]>
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    <body><![CDATA[scafidi is a staple of my bedside table, to read a poem or two before going to sleep. i was introduced to his poetry when garrison keillor featured &quot;prayer for a marriage&quot; in his book &quot;good poems,&quot; and have found that this slim volume was well worth the special order purchase. ]]></body>
    
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    <![CDATA[Winner of the Levis Reading Prize &quot;Tell me a story / of speed and tell it to me fast for the light is / gaining and I will wake and with this body / break the barrier between what I dream / and what my dreaming means.&quot;  Sometimes a fact swings down like a hammer and we are changed. The fact of loss, the fact of desire, and all the wild, unruly facts of history hammer down and sparks fly up. This, then, is a collection of facts. In a rushing, rolling style, poems sweep to the edge of falling apart, take great delight in defying that dissolution, and come upon a thing redemptive and clarifying: the fact of love. In a world that &quot;doesn't really care / whether we live or die,&quot; Steve Scafidi writes, &quot;tell it you do and why.&quot;  Against the harrowing fact of death, Scafidi celebrates dream and desire and the sweet erotics of springtime. Witnessing the budding of muscle trees, the nakedness of a lover, and the furious plowing of a river in the month of April amounts to a sensual equivalent of hope. And yet, the facts of history - from Troy to Rome to Montgomery, Alabama - arouse a great dread of our own cruelties. The truth of the South, the poems show, is often a brutal mix of ignorance and force that America learned from the great classical civilizations. From the unthinkable to the quietly heroic, somehow we have emerged. Sparks from a Nine-Pound Hammer celebrates that fact most of all.]]>
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    <body><![CDATA[If you have yet to read the poetry of Steve Scafidi . . . then you are in for a real treat . . . this is a poet with much to say . . .]]></body>
    
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    <![CDATA[Winner of the Levis Reading Prize &quot;Tell me a story / of speed and tell it to me fast for the light is / gaining and I will wake and with this body / break the barrier between what I dream / and what my dreaming means.&quot;  Sometimes a fact swings down like a hammer and we are changed. The fact of loss, the fact of desire, and all the wild, unruly facts of history hammer down and sparks fly up. This, then, is a collection of facts. In a rushing, rolling style, poems sweep to the edge of falling apart, take great delight in defying that dissolution, and come upon a thing redemptive and clarifying: the fact of love. In a world that &quot;doesn't really care / whether we live or die,&quot; Steve Scafidi writes, &quot;tell it you do and why.&quot;  Against the harrowing fact of death, Scafidi celebrates dream and desire and the sweet erotics of springtime. Witnessing the budding of muscle trees, the nakedness of a lover, and the furious plowing of a river in the month of April amounts to a sensual equivalent of hope. And yet, the facts of history - from Troy to Rome to Montgomery, Alabama - arouse a great dread of our own cruelties. The truth of the South, the poems show, is often a brutal mix of ignorance and force that America learned from the great classical civilizations. From the unthinkable to the quietly heroic, somehow we have emerged. Sparks from a Nine-Pound Hammer celebrates that fact most of all.]]>
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    <![CDATA[Winner of the Levis Reading Prize &quot;Tell me a story / of speed and tell it to me fast for the light is / gaining and I will wake and with this body / break the barrier between what I dream / and what my dreaming means.&quot;  Sometimes a fact swings down like a hammer and we are changed. The fact of loss, the fact of desire, and all the wild, unruly facts of history hammer down and sparks fly up. This, then, is a collection of facts. In a rushing, rolling style, poems sweep to the edge of falling apart, take great delight in defying that dissolution, and come upon a thing redemptive and clarifying: the fact of love. In a world that &quot;doesn't really care / whether we live or die,&quot; Steve Scafidi writes, &quot;tell it you do and why.&quot;  Against the harrowing fact of death, Scafidi celebrates dream and desire and the sweet erotics of springtime. Witnessing the budding of muscle trees, the nakedness of a lover, and the furious plowing of a river in the month of April amounts to a sensual equivalent of hope. And yet, the facts of history - from Troy to Rome to Montgomery, Alabama - arouse a great dread of our own cruelties. The truth of the South, the poems show, is often a brutal mix of ignorance and force that America learned from the great classical civilizations. From the unthinkable to the quietly heroic, somehow we have emerged. Sparks from a Nine-Pound Hammer celebrates that fact most of all.]]>
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    <![CDATA[Winner of the Levis Reading Prize &quot;Tell me a story / of speed and tell it to me fast for the light is / gaining and I will wake and with this body / break the barrier between what I dream / and what my dreaming means.&quot;  Sometimes a fact swings down like a hammer and we are changed. The fact of loss, the fact of desire, and all the wild, unruly facts of history hammer down and sparks fly up. This, then, is a collection of facts. In a rushing, rolling style, poems sweep to the edge of falling apart, take great delight in defying that dissolution, and come upon a thing redemptive and clarifying: the fact of love. In a world that &quot;doesn't really care / whether we live or die,&quot; Steve Scafidi writes, &quot;tell it you do and why.&quot;  Against the harrowing fact of death, Scafidi celebrates dream and desire and the sweet erotics of springtime. Witnessing the budding of muscle trees, the nakedness of a lover, and the furious plowing of a river in the month of April amounts to a sensual equivalent of hope. And yet, the facts of history - from Troy to Rome to Montgomery, Alabama - arouse a great dread of our own cruelties. The truth of the South, the poems show, is often a brutal mix of ignorance and force that America learned from the great classical civilizations. From the unthinkable to the quietly heroic, somehow we have emerged. Sparks from a Nine-Pound Hammer celebrates that fact most of all.]]>
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    <![CDATA[Winner of the Levis Reading Prize &quot;Tell me a story / of speed and tell it to me fast for the light is / gaining and I will wake and with this body / break the barrier between what I dream / and what my dreaming means.&quot;  Sometimes a fact swings down like a hammer and we are changed. The fact of loss, the fact of desire, and all the wild, unruly facts of history hammer down and sparks fly up. This, then, is a collection of facts. In a rushing, rolling style, poems sweep to the edge of falling apart, take great delight in defying that dissolution, and come upon a thing redemptive and clarifying: the fact of love. In a world that &quot;doesn't really care / whether we live or die,&quot; Steve Scafidi writes, &quot;tell it you do and why.&quot;  Against the harrowing fact of death, Scafidi celebrates dream and desire and the sweet erotics of springtime. Witnessing the budding of muscle trees, the nakedness of a lover, and the furious plowing of a river in the month of April amounts to a sensual equivalent of hope. And yet, the facts of history - from Troy to Rome to Montgomery, Alabama - arouse a great dread of our own cruelties. The truth of the South, the poems show, is often a brutal mix of ignorance and force that America learned from the great classical civilizations. From the unthinkable to the quietly heroic, somehow we have emerged. Sparks from a Nine-Pound Hammer celebrates that fact most of all.]]>
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