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Screenwriting: The Sequence Approach

3.88 of 5 stars 3.88  ·  rating details  ·  91 ratings  ·  9 reviews
The great challenge in writing a feature-length screenplay is sustaining audience involvement from page one through 120. Screenwriting: The Sequence Approach expounds on an often-overlooked tool that can be key in solving this problem. A screenplay can be understood as being built of sequences of about fifteen pages each, and by focusing on solving the dramatic aspects of ...more
Paperback, 224 pages
Published April 27th 2004 by Bloomsbury Academic (first published April 2004)
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Kali Srikanth
Sep 19, 2013 Kali Srikanth rated it 4 of 5 stars
Recommends it for: both novice and experienced screenwriters alike.
Recommended to Kali by: Gopi Mohan
4.5* by 5.

Gulino does not tell us why the sequence approach to writing ended but he does tell us why he believes it should be revived. Any screen-writing method that makes the writer’s task easier and focuses on the audience’s experience is worth examining.

A typical two hour film, Gulino tells us, comprises eight sequences – two in the first act, four in the second and two in the third. Each sequence is a short film which mirrors the structure of a complete film. But while complete films have co
read the first chapter then skim the rest. useful.
Glenn Mitchell
This is a helpful book for screenwriters that will help them avoid a sagging story during the second act. Paul Gulino learned this approach at USC. So did Chris Soth, who markets this same approach in a more formulaic way as the Mini-Movie Method.

I enrolled in the Mini-Movie Method class from ScreenwritingU, after reading partially through this book. I dropped the class because the book is much better. The book avoids the incessant hype, the need to tie it to Joseph Campbell's idea of an heroic
Sequencing seems to lend itself to some good approaches for sustaining audience interest in a story, however, as the author readily admits, don't get the idea that sequencing is the only useful way to look at screenplays.

I do however think this is definitely a good book to have in your screenwriting library, and I did pick up some useful techniques from it. Unlike "Story," it's pretty boring, but it does focus on taking apart scripts sequence by sequence--so if you rent the movies while reading
Abner Rosenweig
An instant classic in the field, STSA is essential reading for any screenwriter, and helpful for novelists, too. Gulino joins Aristotle/Syd Field (3-Act) and Joseph Campbell/Chris Vogler (Mythic) by offering a third paradigm of screenplay structure, the Sequence Approach.

90% of the value of the book lies within its first 19 pages, where Gulino lays out the sequence approach and discusses its merits, in addition to a fine--no, an outstanding--primer on the basic principles of drama. The rest of t
Ramsey Ess
Someone on here said to read the first chapter and skim the rest and they were right, so that's what I did.
Emma Sea
Very useful book, although it ends rather abruptly. I would have liked some kind of conclusion, rather than just being dumped out of the book. The first chapter is definitely the meat of the content, but I highly recommend the analysis of Jackson's Lord of the Rings: The Fellowship of the Ring, to get a very clear unpicking of why the film is so visually attractive and yet utterly unengaging.
Pretty useful. It shows the structure and flow of different genres of films.
Rasha Dbakrly
Very useful and professional. Good to read!
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