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Handel's Path to Covent Garden

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Many Classical music lovers are familiar with George Frideric Handel's famous oratorio, "Messiah," but are not aware his preferred area of composition was Italian opera seria. Biographical books explore his career as an opera composer and the rise of the new pious genre when Italian opera was no longer popular in London, but rarely do we find detailed accounts or discussio ...more
Hardcover, 2nd Edition -- In Print, 258 pages
Published August 13th 2010 by Batalha Publishers (first published December 30th 2002)
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Free Text Preview~Handel's Path to Covent Garden 1 1 Jul 23, 2012 03:16PM  
Review of "Handel's Path to Covent Garden" 1 1 Apr 17, 2012 03:44PM  
Thank you for visiting. Since trying to be the mysterious, anonymous author is boring, it's time to step out into the Cyber World and say "Hello".

My name is Elizabeth Ann Bucchianeri, ("BOOK-ia-nair-ee" in case you were wondering how to pronounce that! Not too bad for someone who loves to read and write...) I was born in Carson City, Nevada (USA) and grew up in a historic town, Virginia City, made
More about E.A. Bucchianeri...
Faust: My Soul Be Damned for the World Volume 1 Phantom Phantasia: Poetry for the Phantom of the Opera Phan We Are Warned: The Prophecies of Marie-Julie Jahenny Brushstrokes of a Gadfly A Compendium of Essays: Purcell, Hogarth and Handel, Beethoven, Liszt, Debussy, and Andrew Lloyd Webber

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“Having considered Handel's tumultuous opera career and his first term at Covent Garden in the 1730s, perhaps we may dare to suggest he was one of the foremost pioneers in establishing autonomy within the traditional system of music patronage, notwithstanding his efforts to become an independent impressario often proved disappointing.” 1 likes
“Handel's yearning for independence from the traditional chains of patronage and his persistence in monitoring his productions resulted with unique developments concerning Baroque 'opera seria'; however, paradoxically his personal obsession to obtain complete artistic freedom generated disastrous side-effects that eventually impeded the progress of opera in London.” 1 likes
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