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  <title><![CDATA[Manufactured Landscapes: The Photographs of Edward Burtynsky]]></title>
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  <title>
    <![CDATA[Manufactured Landscapes: The Photographs of Edward Burtynsky]]>
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    <![CDATA[Over the past twenty-five years, the internationally renowned Canadian photographer Edward Burtynsky has been an explorer of unfamiliar places where human activity has reshaped the surface of the land. His astonishing large-scale color photographs of the landscapes of mining, quarrying, railcutting, recycling, oil refining, and shipbreaking uncover a stark, almost sublime beauty in the residue of industrial &quot;progress.&quot; The implicit social and environmental upheavals that underlie these images make them powerful emblems of our times. This handsome catalogue of the first major retrospective of Burtynsky's work features essays by Lori Pauli, Kenneth Baker, and Mark Haworth-Booth, as well as a wide-ranging interview with the artist by Michael Torosian. The book includes sixty-four color plates.]]>
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  <read_at>Tue Jun 09 00:00:00 -0700 2009</read_at>
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    <body><![CDATA[Canadian photographer Burtynsky specializes in photographing landscapes affected by industrialization.  I didn't read most of the text in this book, just the interview, and spent most of my time on the photographs.<br/><br/>In some way, I think one of these pictures is more powerful than a series ...<a href="http://www.goodreads.com/review/show/59010873">more...</a>]]></body>
    
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      <review>
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    <name><![CDATA[Joe]]></name>
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    <![CDATA[Manufactured Landscapes: The Photographs of Edward Burtynsky]]>
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  <average_rating>4.58</average_rating>
  <ratings_count>33</ratings_count>
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    <![CDATA[Over the past twenty-five years, the internationally renowned Canadian photographer Edward Burtynsky has been an explorer of unfamiliar places where human activity has reshaped the surface of the land. His astonishing large-scale color photographs of the landscapes of mining, quarrying, railcutting, recycling, oil refining, and shipbreaking uncover a stark, almost sublime beauty in the residue of industrial &quot;progress.&quot; The implicit social and environmental upheavals that underlie these images make them powerful emblems of our times. This handsome catalogue of the first major retrospective of Burtynsky's work features essays by Lori Pauli, Kenneth Baker, and Mark Haworth-Booth, as well as a wide-ranging interview with the artist by Michael Torosian. The book includes sixty-four color plates.]]>
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  <date_added>Wed Feb 25 10:05:53 -0800 2009</date_added>
  <date_updated>Wed Feb 25 10:12:58 -0800 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[My son gave me this book, probably because I'm always raving about the beauty of the port of Oakland with all its industrial cranes, or the beauty of railroad freight yards...  Anyway, Burtynsky focuses on oil refineries, ship scrapping, mine tailings - I don't find it beautiful, but it's strange an...<a href="http://www.goodreads.com/review/show/47493744">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/47493744]]></url>
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      <review>
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    <name><![CDATA[Jamie]]></name>
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  <title>
    <![CDATA[Manufactured Landscapes: The Photographs of Edward Burtynsky]]>
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  <average_rating>4.58</average_rating>
  <ratings_count>33</ratings_count>
  <description>
    <![CDATA[Over the past twenty-five years, the internationally renowned Canadian photographer Edward Burtynsky has been an explorer of unfamiliar places where human activity has reshaped the surface of the land. His astonishing large-scale color photographs of the landscapes of mining, quarrying, railcutting, recycling, oil refining, and shipbreaking uncover a stark, almost sublime beauty in the residue of industrial &quot;progress.&quot; The implicit social and environmental upheavals that underlie these images make them powerful emblems of our times. This handsome catalogue of the first major retrospective of Burtynsky's work features essays by Lori Pauli, Kenneth Baker, and Mark Haworth-Booth, as well as a wide-ranging interview with the artist by Michael Torosian. The book includes sixty-four color plates.]]>
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    <rating>4</rating>
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  <read_at>Fri Feb 01 00:00:00 -0800 2008</read_at>
  <date_added>Wed Feb 27 21:38:37 -0800 2008</date_added>
  <date_updated>Fri Feb 29 22:45:22 -0800 2008</date_updated>
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    <body><![CDATA[I watched the documentary before picking up the book. I skipped the essays and interview, thumbing through the first 55 pages until the photographs began, and then slowly turned the pages, occasionally glancing at the title to figure out what it was I was looking at. Burtynsky's photos are beautiful...<a href="http://www.goodreads.com/review/show/16579529">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/16579529]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/16579529]]></link>
</review>
      <review>
  <id>29469064</id>
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    <name><![CDATA[Anna]]></name>
    <location><![CDATA[Portland, OR]]></location>
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  <title>
    <![CDATA[Manufactured Landscapes: The Photographs of Edward Burtynsky]]>
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  <link>http://www.goodreads.com/book/show/868295.Manufactured_Landscapes_The_Photographs_of_Edward_Burtynsky</link>
  <average_rating>4.58</average_rating>
  <ratings_count>33</ratings_count>
  <description>
    <![CDATA[Over the past twenty-five years, the internationally renowned Canadian photographer Edward Burtynsky has been an explorer of unfamiliar places where human activity has reshaped the surface of the land. His astonishing large-scale color photographs of the landscapes of mining, quarrying, railcutting, recycling, oil refining, and shipbreaking uncover a stark, almost sublime beauty in the residue of industrial &quot;progress.&quot; The implicit social and environmental upheavals that underlie these images make them powerful emblems of our times. This handsome catalogue of the first major retrospective of Burtynsky's work features essays by Lori Pauli, Kenneth Baker, and Mark Haworth-Booth, as well as a wide-ranging interview with the artist by Michael Torosian. The book includes sixty-four color plates.]]>
  </description>
  <published>2003</published>
</book>

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  <date_added>Wed Aug 06 18:25:53 -0700 2008</date_added>
  <date_updated>Thu Aug 14 12:25:05 -0700 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[Oh, oh my.  I just realized this is a book related to a documentary I saw almost one year ago at Cinema 21, or maybe less than that.  I had thought it to be a different book entirely.]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/29469064]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/29469064]]></link>
</review>
      <review>
  <id>34452556</id>
    <user>
    <id>1438288</id>
    <name><![CDATA[Elizabeth]]></name>
    <location><![CDATA[The United States]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/1438288-elizabeth]]></link>
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    <![CDATA[Manufactured Landscapes: The Photographs of Edward Burtynsky]]>
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  <average_rating>4.58</average_rating>
  <ratings_count>33</ratings_count>
  <description>
    <![CDATA[Over the past twenty-five years, the internationally renowned Canadian photographer Edward Burtynsky has been an explorer of unfamiliar places where human activity has reshaped the surface of the land. His astonishing large-scale color photographs of the landscapes of mining, quarrying, railcutting, recycling, oil refining, and shipbreaking uncover a stark, almost sublime beauty in the residue of industrial &quot;progress.&quot; The implicit social and environmental upheavals that underlie these images make them powerful emblems of our times. This handsome catalogue of the first major retrospective of Burtynsky's work features essays by Lori Pauli, Kenneth Baker, and Mark Haworth-Booth, as well as a wide-ranging interview with the artist by Michael Torosian. The book includes sixty-four color plates.]]>
  </description>
  <published>2003</published>
</book>

    <rating>5</rating>
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  <read_at>Thu May 07 15:36:06 -0700 2009</read_at>
  <date_added>Fri Oct 03 12:31:35 -0700 2008</date_added>
  <date_updated>Thu May 07 15:36:06 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[I was mesmerized by the documentary on Edward Burtynsky. I could not look away from the screen, and this photo book is my new prized possession. ]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/34452556]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/34452556]]></link>
</review>
      <review>
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    <name><![CDATA[Salim]]></name>
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    <![CDATA[Manufactured Landscapes: The Photographs of Edward Burtynsky]]>
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  <average_rating>4.58</average_rating>
  <ratings_count>33</ratings_count>
  <description>
    <![CDATA[Over the past twenty-five years, the internationally renowned Canadian photographer Edward Burtynsky has been an explorer of unfamiliar places where human activity has reshaped the surface of the land. His astonishing large-scale color photographs of the landscapes of mining, quarrying, railcutting, recycling, oil refining, and shipbreaking uncover a stark, almost sublime beauty in the residue of industrial &quot;progress.&quot; The implicit social and environmental upheavals that underlie these images make them powerful emblems of our times. This handsome catalogue of the first major retrospective of Burtynsky's work features essays by Lori Pauli, Kenneth Baker, and Mark Haworth-Booth, as well as a wide-ranging interview with the artist by Michael Torosian. The book includes sixty-four color plates.]]>
  </description>
  <published>2003</published>
</book>

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  <read_at>Sat Oct 01 00:00:00 -0700 2005</read_at>
  <date_added>Mon Nov 26 06:24:12 -0800 2007</date_added>
  <date_updated>Mon Nov 26 06:26:15 -0800 2007</date_updated>
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    <body><![CDATA[<a rel="nofollow" target="_blank" href="http://salim.virji.net/blog/2005/10/11/in_which_the_infrastructure_is_built_anew">blog about this author</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/9548991]]></url>
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      <review>
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    <name><![CDATA[Emma]]></name>
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