16th out of 16 books
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1 voter
The Grass-Cutting Sword
by
Catherynne M. Valente (Goodreads Author)
A new novel by the author of The Labyrinth and Yume No Hon, The Grass-Cutting Sword explores the strange landscape of primeval Japan, from the Heaven-Spanning Bridge to the hellish Root-Country: the troubled trickster Susanoo-no-Mikoto, god of wind and storms, is banished from heaven and wanders the earth, lost in human form, in search of his demonic mother and charged wit...more
Paperback, 126 pages
Published
August 15th 2006
by Prime Books/Wildside Press
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I wasn't sure, from the description, how much I would like this one. People warned of gore -- which, yes, there is here, mostly the gore of childbirth and creation -- but oddly that didn't bother me. It's poetic, like Yume No Hon, but less heavy with it, and with a plot that's both more important to the experience of the book and easier to follow. Valence echoes the structure of myth well, while bringing her own insight to it, her own images and preoccupations.
One review I read was confused that...more
One review I read was confused that...more
First off, this book is not for everyone. That being said, I kind of loved it. The more I'm thinking about it -- the experience of it, the story itself, the creation myth within/creating the story -- the more I'm loving it. It's a short little book, broken into sections, and it really oftentimes reads like really lush prose poetry, other times it's a kind of Japanese "just-so" story told from the point of view of the fallen storm-god-turned-mortal-man, hunting for a dragon/snake/beast who has ea...more
The Grass-Cutting Sword is a metaphor, comprised almost entirely of exquisite imagery, and every single word has obviously been chosen with a poet’s eye for sound and sight. It is a creation myth and a Grendel for the nuclear age, a story of beginnings and endings, of beauty and hideousness. The images Catherynne M. Valente chooses in The Grass-Cutting Sword will haunt your nightmares and inform your dreams. Close your eyes, for instance, and envision the monster of the tale from this excerpt of...more
Weirdest. Dragon story. Ever.
Don't read this book if you're feeling queasy. It's probably really amazing poetic imagery, but it didn't do good things for me.
I don't really recommend this one. Maybe if you are really, really into Japanese mythology, this would be cool. But it wasn't for me.
I still want to read other books by this author, and I'm hoping that some of the others will be more to my taste.
Don't read this book if you're feeling queasy. It's probably really amazing poetic imagery, but it didn't do good things for me.
I don't really recommend this one. Maybe if you are really, really into Japanese mythology, this would be cool. But it wasn't for me.
I still want to read other books by this author, and I'm hoping that some of the others will be more to my taste.
This book took me forever to get through. It is really much more poetry than fiction, and I can't say that I am that into poetry... For a long time I was just slogging through it, because I really enjoyed a reading the author gave of one of her other books. In particular I found the parts from the perspective of the 8 headed dragon (and the sisters he ate) really hard to get though, though more because of the formatting than the gruesomeness. If nothing else, though, you have give the author the...more
This is my favourite book so far contained in the "Myths of Origin" collection. The story follows the journey of a storm-god forced into a human body and charged with slaying an eight headed dragon. Chapters alternate between the god and the daughters that are each head of the dragon. Admittedly I loved the god's chapters the most. The formatting of the dragon chapters could be difficult to get through. All in all very intriguing and beautifully written.
I read this as part of the Myths of Origin omnibus. It's an interesting reinterpretation of Shinto mythology but not to my taste.
Sep 24, 2008
Zan
rated it
1 of 5 stars
Recommends it for:
people who are really into booger deities
Shelves:
recycling
Um... Gross?
I mean, yeah, mythomagical archetypal gross, but still-eeeew!
Valente and Okri should get together and spew eloquent rhapsodies of vomitous ancestral phlegm incarnate-hopefully until whatever haplessly interesting plot they had gets completely gnashed to oozy, icky bits and can rest in some semblance of peace.
I mean, yeah, mythomagical archetypal gross, but still-eeeew!
Valente and Okri should get together and spew eloquent rhapsodies of vomitous ancestral phlegm incarnate-hopefully until whatever haplessly interesting plot they had gets completely gnashed to oozy, icky bits and can rest in some semblance of peace.
You can read my review of this novel at Green Man Review.
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Catherynne M. Valente was born on Cinco de Mayo, 1979 in Seattle, WA, but grew up in in the wheatgrass paradise of Northern California. She graduated from high school at age 15, going on to UC San Diego and Edinburgh University, receiving her B.A. in Classics with an emphasis in Ancient Greek Linguistics. She then drifted away from her M.A. program and into a long residence in the concrete and cam...more
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“Of course, Storm-Lord! But why would a god marry a poor farm girl?" asked one of the bound novices, his voice thin and chirping as an insect.
"All things must eventually mate," I shrugged, "having been cast into a man's flesh I must do as flesh does. And it hardly matters whether one mates with a woman or a rock or a river - the end result is the same. Once all the world wed stones and trees - but this is a degenerate age, and no one keeps to tradition.”
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"All things must eventually mate," I shrugged, "having been cast into a man's flesh I must do as flesh does. And it hardly matters whether one mates with a woman or a rock or a river - the end result is the same. Once all the world wed stones and trees - but this is a degenerate age, and no one keeps to tradition.”

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