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Tragedy: A Very Short Introduction (Very Short Introductions #131)

3.52  ·  Rating Details ·  79 Ratings  ·  5 Reviews
To your local anchorperson, the word "tragedy" brings to mind an accidental fire at a low-income apartment block, the horrors of a natural disaster, or atrocities occurring in distant lands. To a classicist however, the word brings to mind the masterpieces of Sophocles, Shakespeare, and Racine; beautiful dramas featuring romanticized torment. What has tragedy been made to ...more
Paperback, 148 pages
Published October 20th 2005 by Oxford University Press, USA (first published April 1st 1989)
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Ahmad Sharabiani
Tragedy: A Very Short Introduction (Very Short Introductions #131), Adrian Poole
عنوان: درآمدی بر تراژدی ؛ نویسنده: آدریان پول؛ مترجم: پدرام لعل بخش؛ تهران، افراز، 1386؛ در 181 ص؛ شابک: 9789642430932؛ موضوع: تراژدی قرن 21 م
Sara
Feb 04, 2014 Sara rated it liked it
well-written and intelligent, but for some reason I just could not find it in myself to take any interest in the subject (obviously, not necessarily a deficiency on the part of the author). If only Mr. Poole wrote more extensively - i.e. on topics other than tragedy, as he is really very good
Lorraine
Aug 06, 2016 Lorraine rated it liked it
a fair intro but I had just read a journal article on the subject...
Đại tá Cá Vàng
Oct 17, 2014 Đại tá Cá Vàng rated it it was ok
Mình không đọc được cuốn sách này rồi, không hiểu gì hết. Nội dung đã không dễ mà dịch còn làm khó mình hơn nữa. Biết mặt dịch giả, bữa sau tránh.
Samantha
Sep 14, 2011 Samantha rated it it was amazing
Shelves: for-school
The first "A Very Short Introduction" book I've read, and an amazing introduction to the whole concept of them.
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“Real life’ does not speak for itself. It has to be turned into words, stories, and plots. It is only when these are lifted out of the unstoppable flow that they hold our protracted attention. Where tragedy’s concerned, there is no absolute reason why they have to be told in the form of drama, performed in a theatre. This is why Aristotle is right to insist that the poet’s business is to make plots (mythoi) not verses. That’s what we need from tragedy, he says: good plots.” 0 likes
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