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Призракът излиза (Complete Nathan Zuckerman #9)

3.47 of 5 stars 3.47  ·  rating details  ·  3,181 ratings  ·  370 reviews
„Призракът излиза” е двайсет и осмият пореден роман на Филип Рот и, както изглежда, последен от поредицата за Цукерман, започната през 1979 г.

Нейтън Цукерман е вече на 71 години, завърнал се в Ню Йорк подобно на Рип ван Уинкъл след десетилетие, прекарано в творческо уединение в селските райони на Нова Англия. Поводът е да отиде на лекар заради простата си, която му създав
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Paperback, 336 pages
Published December 12th 2009 by ИК "Колибри" (first published 2007)
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(showing 1-30 of 3,000)
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Jason Koivu
Reading Roth makes me so depressed. I grew up on Charlie Brown holiday specials and Mr. Rodgers, so I feel right at home!

In Exit Ghost we have an aging writer, greatly concerned with his failing bladder and memory, worrying his way to an early grave. However, before he's allowed a graceful exit, a young woman comes along and reignites his useless libido. As if that wasn't enough, a young man forces himself upon the writer compelling him to defend a revered and long dead author with feeble rage a
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Chance Maree

I need not critique Roth, I think. He is a skilled and professional writer recognized as such through numerous awards, etc. Instead, I'll use this review to remind myself of what was interesting and instructive about this novel: 1) The narrative flow, sentence construction, and all mechanics of writing are smoothly modeled here, and make for good reference. I simply enjoyed the writing. 2) The overwhelming theme, and one that will be useful for understanding a population of humanity that I'll no
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Sam K G
Dec 31, 2007 Sam K G rated it 5 of 5 stars  ·  review of another edition
Recommends it for: Roth fans
Shelves: fiction
In characteristic Roth style, the novel is filled with references to the great writers. Joseph Conrad features prominently; Zuckerman and Jamie discuss his novella ‘The Shadow Line’ in depth. E.I. Lonoff is often compared with Bernard Malamud, and a small biographical conundrum in the life of Nathaniel Hawthorne receives rather intense scrutiny. Passing references are made to Isaac B. Singer, Herman Melville, Ernest Hemingway, T.S. Eliot, and William Faulkner. One of Saul Bellow’s novels is ment ...more
Kathy
If you liked this book, I have some very fine cloth to sell you. It has special properties which make it invisible to the eyes of fools and simpletons. You might want to make a nice sweater out of it. It is very, very expensive, though -- a cloth fit for an emperor.

All right, that's obnoxious of me. But I don't come to this novel as someone who is unfamiliar with Philip Roth (I liked Ghost Writer, loved Goodbye, Columbus and think American Pastoral is almost a masterpiece), and thus I don't feel
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Ginny_1807
”Forse le scoperte più potenti sono riservate all'ultimo”
Nathan Zuckerman è l’ombra dell’uomo che è stato, un morto volontario alla vita nel presente, essendosi ritirato in un luogo isolato da undici anni per dedicarsi unicamente alla scrittura, lontano dai giudizi e dagli occhi indiscreti del mondo.
Una scelta di solitudine estrema, in origine maturata col pretesto di sfuggire a inquietanti, anonime - e forse vuote -, minacce di morte e in seguito consolidatasi come replica orgogliosa e sprezza
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rachelle
Phillip Roth is killing Nathan Zuckerman. And he’s doing it in the least humane – but most human – ways: depriving him of his dignity, stripping him of his sexual prowess. Roth, who for much of his career has allowed readers to view Zuckerman as an extension, if not mirror, of himself, toys with this conceit even more obviously in Exit Ghost. Impotent Zuckerman (living an acetic mountain life shared in reality by reclusive Roth) meets a young woman who excites sexual feelings that he’s by now in ...more
Doug
A phenomenal five star book. Looks like a tiny book to be read on a Friday, but I found that I needed time to read and reread many sentences. So many of the sentences and paragraphs belong in quotes stand there and force you to wonder how one can write so perfectly. I started off reading this in my Film Noir inner voice then shifted to my Tell Tale Heart voice - finally I just read it the way I read Sprinhgsteen lyrics with respect. There is a great story, settings and characters in there too, b ...more
Cynthia
This is only my second Roth novel and my first of his Zuckerman series. Roth does not protect himself. He puts his guts on the page. I like that about him. Zuckerman has become impotent and incontinent and has been Thoreauing it in an isolated cabin when circumstances lead him back to New York City where he runs into his deceased writing mentor’s lover, now 70 something and with a brain tumor that disfigures her ancient face. She’s confused and rambling around in the past. He also meets a young ...more
Jen
Oct 23, 2008 Jen rated it 5 of 5 stars  ·  review of another edition
Recommends it for: anyone who wants to read one of the world's best living writers
With the election around the corner, Exit Ghost struck a nerve with me because it takes place in the weeks around the 2004 election - and in NYC, where the young characters are passionately hoping that Kerry will win.

Nathan Zuckerman is a renowned writer who has lived in isolation in nature for the last 11 years because he started getting death threats in NYC addressed: "Dear Jew Bastard." A prostate cancer survivor, he returns to New York in his 70s for treatment for his incontinence. He's swep
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Dusty
Mar 25, 2008 Dusty rated it 3 of 5 stars  ·  review of another edition
Recommended to Dusty by: Warren Ilchman
Shelves: read-in-2008
So, I know Philip Roth is supposed to be the United States' greatest living novelist and therefore beyond reproach, but I really, really struggled with this book. Thankfully, it was brief (only 300 pages) and so throughout the slow, redundant first half of the book I could remind myself that the end wasn't really that far away. Maybe I'm just not the right audience for a Roth novel. I felt much of the time that I was being lectured to about literature (bad -- I wanted a novel, not a book of lit- ...more
adam
Every few years, grouchy old reclusive misanthrope Philip Roth emerges from his country home in Connecticut with a novel, like Moses at Mt. Sinai bearing the tablets to the Isrealites-no, wait, FUCK THAT, more like Prometheus descending from Mt. Olympus giving fire to the Greeks-and yet again he's done something really special. This book is so sad and so funny, it's maybe the best example yet of the author's famous mission statement: "Sheer playfulness and deadly seriousness are my two best frie ...more
Susie
I'd give it more than five stars if I could. I love Roth, and this book is a distillation of all his classic themes. God, I love Roth. Nathan Zuckerman at 71, returning to New York City after self-exile of 11 years, trying to seduce a 20-something woman, while vowing to do evertyhing in his power to prevent E.I. Lonoff's biography from being written, while meeting with Lonoff's erstwhile young mistress now an old woman close to death, at the time of the Kerry/Bush election. It just has it all. I ...more
Edmole
About a man who briefly forgets to accept his solution to his failing, aged body - retreating into the country, into work, into isolation - and returns to New York. There he gets the scent of the hunger and combat that drove him in his youth, and is battered by the agonies of renewed desire and fantasy in the face of the biological fact of decay.

Roth's distinct, solid lyrical gravity takes a little time to get used to, but once accepted seems the only way to tell his story. The pull and repel of
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Ginny_1807
This review has been hidden because it contains spoilers. To view it, click here.
Adam Dalva
And so with this I come to the end of the Zuckerman books. I can't imagine reading this w/o the context of the earlier writing, particularly without the ghostwriter, which this neatly bookends. As a stand-alone work, it, alone of the Zuckermans, wouldn't quite work. But as the last chapter in a massive writing project - it's lovely. It's melancholy, but there are moments where the Zuckerman of old surfaces that are thrilling. The other strange aspect is encountering, for the first time, Nathan i ...more
Nancy
I never read Philip Roth. I thought he was a "man's" writer and, from the discussions I heard, that he wrote mostly about the fact that young men want to have sex all the time. Which is really not nearly as interesting as young men think it is.

But I picked up this book recently and read it one day, could not put it down. It is the most recent, maybe last book about Roth's protagonist Nathan Zuckerman who the public probably thinks is Roth's alter-ego.

I loved this book. Maybe it was a man's boo
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Marius van Blerck
I'm currently plowing through the gripes of Roth, and Exit Ghost is the fourth and latest book of his that I've completed. As with the others, I started this one really not expecting to enjoy it terribly much, and ended up impressed. I look forward to reading more of the enigmatic Nathan Zuckerman in his earlier life, after having experienced the angst of his ageing experiences. Roth really has a gift for describing interesting situations that in other hands would tend to be tedious episodes. Mo ...more
Casey
May 21, 2007 Casey rated it 4 of 5 stars  ·  review of another edition
Recommends it for: any Roth fan or fan of Jewish lit
Almost seems like a follow up to Everyman rather than the ninth Nathan Zuckerman book, but if you've read any of the Zuckerman series then this is a fitting end to those books. It's not a grand epic, that's not what Roth does anyway. It's a brilliant little tale of a reclusive author re-entering society for a brief couple weeks during the Kerry/Bush cat fight. It also has the most graphic descriptions of a man's incontinence and waning physical abilities that I've ever read. If you like that sor ...more
David
This slender, urgent gem from Philip Roth works like a thriller and a literary high-wire act, a wrily pseudo-autobiographical novel that warns against the temptation to draw connections between art and life. All this may not seem so surprising, but it is at once a timeless and timely book (set around the 2004 election, and serving as a portrait of modern day New York and the plague of cell phones) about death and sex, and, therefore, life. It's prime Roth, and a quick ride. And luckily, I feel o ...more
Malbadeen
I read it, I said it, I stole your momma's credit....I forget the rest of the rhyme.
*at some point I'm hoping my life calms down enough to actually review this book so I can add my voice to the itsy bitsy pool of people out there reading Roth. I mean come on, the guy deserves an audience for his scribblings and until I share MY opinion, I fear he will not get it. Hold on Roth, hold on!
Mauoijenn ~ *Mouthy Jenn* ~
I guess today is not my day with books. Another one I tried to get into but it just lost me about 30 pages into it. The man is dying. Doesn't like modern technology and well that's about all I got out of this.
Gabriel
Zuckerman abandona el silencio y la quietud de su carretera rural de montaña en los Berkshires para someterse en Nueva York a una intervención quirúrgica que podría ayudarle a controlar su incontinencia, producto de la extirpación de su próstata cancerosa hace once años. Durante más de una década se ha mantenido escribiendo en el aislamiento, “había dejado de habitar no solo el gran mundo, sino también el momento presente. Mucho tiempo atrás había aniquilado el impulso de estar en él y formar pa ...more
Leila
This was my first Philip Roth book and it's made me hungry for more. No other writer could make me so interesting in the sexual fantasies of an old man with bladder problems. No other writer could make me sit down and read a book about an old man's bladder problems. So now I understand the genius that everyone talks about. I consumed this book like fire.

This was also one of the few books I've read where at the end, I wasn't rooting for the protagonist to get what he wanted. I was hoping he woul
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Lee
First-person Zuckerman. My fave sort. Enjoyable, readable. Generous conversational narration with typical Shakespearean flourishes. Trailblazes a new genre of chick lit for the geriatric set: instead of being all about men, marriage, fashion, and babies, it's about death, impotence, incontinence, dead 20th century literary figures, senility, and arrow of desires aimed at the much-younger loins of alluring ladies. Like Everyman, I felt this one was a little less than Roth can do. Everyman felt li ...more
Hadar Bechor
I'm a slow reader, so I don't finish books I don't like. I finish every book by Roth I read. I love the way he writes. I find his stories and characters fascinating and I feel he is a master.

In a documentary about his life and work I recently saw on PBS he said that he is not a Jewish-American writer, but rather an American writer who writes about his own life and experiences, which happen to be Jewish. I understand what he said very well. Being Jewish is not necessarily all about religion, as
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Jeremy
Philip Roth is a great novelist, but this book...is once again the last dying efforts, as with the aptly named The Dying Animal that I also read. Why didn't I go back and read one of the older Roth's from his stunning run? Dunno. This was marked down 75%?

Many of Roth's frequent topics are here--Jewishness, sex, literature, New York, politics...so unlike Dying Animal there's more to think about than just sexual obsession, but there's also a lot of that. And the overall obsession with aging and m
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Renee
When Nathan Zuckerman returns to Manhattan from his self-imposed rural retreat for the first time in 11 years in Exit Ghost, what does he find? Along with his surprising and unsettling encounters with an aged and ill woman who had once been a young mystery to him, an aggressive biographer who won't take no for an answer, and an alluring young writer who tempts him back into the adventure of seduction, he is confronted with a city whose streets are filled with people behaving quite differently th ...more
Bistra Ivanova
Тази книга може би не е най-подходяща за първа среща с Филип Рот, но какво път (оказа се последна от поредицата за героя, алтер его на Рот, Цукерман). Историята нормално не би ми харесала - седемдесетгодишен писател-легенда се завръща в Ню Йорк Сити след 11 години тих уединен живот на майната си, запознава се с нови хора, връща се в миналото и у него всичко в един момент се преобръща и си припомня какво беше това да си Жив. През цялото време ми напомняше на друг голям американски автор на 20 век ...more
Noemi Labarga
I may have misinterpreted this novel, but even Roth writes, through Amy Bellette, that "I'd leave the readers alone with the books, to make of them what they would on their own. I'd do this for as many centuries are required to detoxify the society of your poisonous nonsense."

I read this masterpiece in one night, with the aid of a bottle of Argentinian Malbec. I like to read my literature the way I eat my steaks -- classy and drunk(ish).

In my opinion, without the aid of the internet or reading
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Michael
I decided to read late Roth. The books are short, and, although I'm enormously fond of Portnoy's Complaint, I hadn't read a Roth book in a long time I'd liked. Actually, I hadn't read a book by Philip Roth in a long time. Exit Ghost tells the story of an aging writer who lives alone in the Berkshires and due to medical problems comes to New York City where he falls for a beautiful, brilliant young woman. That's about it. And it works, it must be said. The book probably has more quotable sentence ...more
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Philip Milton Roth is an American novelist. He gained early literary fame with the 1959 collection Goodbye, Columbus (winner of 1960's National Book Award), cemented it with his 1969 bestseller Portnoy's Complaint, and has continued to write critically-acclaimed works, many of which feature his fictional alter ego, Nathan Zuckerman. The Zuckerman novels began with The Ghost Writer in 1979, and inc ...more
More about Philip Roth...
American Pastoral (The American Trilogy #1) Portnoy's Complaint The Plot Against America The Human Stain (The American Trilogy, #3) Everyman

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“...The end is so immense, it is its own poetry. It requires little rhetoric. Just state it plainly.” 6 likes
“... and I experienced the bitter helplessness of a taunted old man dying to be whole again.” 5 likes
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