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A Dead Man in Deptford

3.83  ·  Rating Details  ·  928 Ratings  ·  83 Reviews
'One of the most productive, imaginative and risk-taking of writers... It is a clever, sexually explicit, fast-moving, full blooded yarn'
Irish Times

A Dead Man in Deptford re-imagines the riotous life and suspicious death of Christopher Marlowe. Poet, lover and spy, Marlowe must negotiate the pressures placed upon him by theatre, Queen and country. Burgess brings this dazzl
Paperback, 288 pages
Published December 2nd 2010 by Vintage Classics (first published 1993)
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(showing 1-30 of 2,153)
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Jayaprakash Satyamurthy
This was, I think, Burgess' last published novel, and a fine one it is, too. Years after his Shakespeare novel, NOTHING LIKE THE SUN, he goes back to the same era to tackle Christopher Marlowe, the wild, wayward brawler and Master of Arts who went one step further than Thomas Kyd in expanding the scope of English drama with his rollercoaster tales of doomed overreachers and his sonorous lines, like bells tolling in a tottering cathedral to a god or gods unknown. Burgess' immersion in the tone, e ...more
May 05, 2010 Craig rated it really liked it  ·  review of another edition
An excellent biographical novel about Christopher Marlowe, though containing about 300% more buggery than I usually look for in a historical novel.
This is a very complex book. I loved the voice, the vagueness of the theme and the music of the sentences, but ask me what it was all about, I wouldn't be able to tell you with a straight face what it was. I don't know if that makes it a great work of literature, or it's just me who needs to reread it? What I know is it's probably the least fulfilling Burgess I've read.
Aug 07, 2009 Bruce rated it really liked it  ·  review of another edition
Recommends it for: patient readers; language nerds
Shelves: fiction
Patience and focus are required for this fictional rendering of the life of Christopher Marlowe. Burgess, using his version of Elizabethan English, has created a fascinating and atmospheric novel that gives a hair-raising impression of life under what was apparently the paranoid regime of Elizabeth I. Put aside your cinematic impressions of Elizabeth (i.e. Glenda Jackson or Cate Blanchett) --- this, I suspect, is a more nearly accurate portrayal of an era where fabricated evidence, often extract ...more
Kate O'Hanlon
I put off the ill-made disguise and, four hundred years after that death at Deptford, mourn as if it had happened yesterday. [...] But, as the dagger pierces the optic nerve, blinding light is seen not to be the monopoly of the sun. That dagger continues to pierce, and it will never be blunted.

This was just an utterly wonderful book. For the first 50 or so pages a barely paid any notice to the plot because I was so taken with the rich beauty of the prose.
I am of course, well disposed to like th
Oct 23, 2012 Neale rated it really liked it  ·  review of another edition
Anthony Burgess’s novels often promise rather more than they deliver – not that they don’t deliver, it’s just that they promise so much. It’s the downside of being too clever, generous and prolific for your own good, I suppose. A remarkable writer, always interesting, invariably frustrating.

‘A Dead Man in Deptford’ is one of the exceptions. It promises, and it delivers, in equal measure. A late work, not overly long, it is the sordid and amoral story of Kit Marlowe, playwright. What is most rema
Nicki Markus
Dec 30, 2014 Nicki Markus rated it it was amazing
I loved A Dead Man in Deptford from the very first page. Burgess' prose style really evokes the period and he makes a Kit a memorable and loveable character; I just adored him from start to finish. The prose style does make this a little stodgy at times, considering it is only a short novel, but I didn't find that a detraction in this instance. If anything, I had to remind myself it was only fiction a couple of times, and I ended the book with a desire to read some more scholarly works on Marlow ...more
Derek Bridge
Feb 19, 2012 Derek Bridge rated it really liked it  ·  review of another edition
The life of Christopher Marlowe, reimagined by Burgess. It has everything you expect of Burgess: complex, linguistically rich, scholarly, and unafraid to take up positions on Marlowe controversies from his sexuality to the circumstances of his death. It's hard work and, as ever with Burgess, many of the allusions elude someone like me, but I still found it enjoyable and rewarding.
Jul 10, 2014 Sharon rated it really liked it  ·  review of another edition
I must admit, it took me a couple of chapters to really get into A Dead Man in Deptford. Author Anthony Burgess takes advantage of his linguistic gifts in an unusual way with this book: he writes it in the style of Christopher Marlowe, the titular dead man.

Once I got what Burgess was about, I enjoyed the book immensely. The author takes us into the world of both Elizabethan theatre and politics (Marlowe was part of Sir Francis Walsingham's secret spy service) in an entertaining and educational w
Nov 10, 2009 David rated it it was amazing  ·  review of another edition
A poignant, atmospheric novel about the last days of the playwright Christopher Marlowe, who was killed in a brawl in a tavern in Deptford, probably assassinated in connection with spying activities. Burgess's language is rich and evocative as usual and nuanced to the Elizabethan style, and transports one back to the scenes and rumbustious, violent times.
Apr 29, 2008 J rated it it was amazing  ·  review of another edition
Shelves: historical-fic
Burgess’s final novel is a lovingly crafted account of Kit Marlowe’s life and death. Written in a period style, he had trouble getting this novel published. But his love for his subject is ever apparent, bringing tears to this reader and an appreciation for the man ever in Shakespeare’s shadow for over four hundred years.
Anthony Burgess este unul dintre scriitorii britanici pentru care literatura înseamnă și posibilitatea de a recupera ori de a revitalizarea cultura și istoria țării sale. Cunoscut cititorilor români datorită romanului Portocala mecanică, din Anthony Burgess s-au tradus în 2015 alte două romane: Ochii doamnei mele și Moartea la Deptford. Ambele sunt biografii ficționalizate, prima fiindu-i dedicată lui Shakespeare, iar a doua lui Cristopher Marlowe, talentatul dramaturg apreciat de Shakespeare și ...more

This was the last novel Burgess wrote before he died, sometime in the early 90's. As you might expect, it's raucous, bawdy, and linguistically complex. What you might not expect so much (given the unfortunate fact that most people think of him as merely the Clockwork Guy, which is true indeed but aesthetically unjust) is that it's also erudite, witty, historically informed and philosophically engaged.

There isn't a lot necessarily known for sure about Marlowe, though the quality of his plays and
Jan 30, 2009 Isabel rated it it was amazing  ·  review of another edition
I read this when I was living in digs in Deptford. Simply brilliant. Turns out Marlowe's final resting place was behind my digs. Always liked this book.
Jul 02, 2015 Nigel rated it it was amazing  ·  review of another edition
Shelves: fiction
Marlowe has always somehow been more interesting than Shakespeare. The Bard is established canon, taught in schools, safe and accepted and familiar. Marlowe is more secret and dangerous and obscure by comparison. Atheist, homosexual, spy, who wrote the ultimate play of damnation for knowledge, he lurks in the shadows of Elizabethan England, his death a mystery never to be solved. Burgess sheds a little light on the shadows, but it's a fictional light, for what that's worth, itself a kind of shad ...more
This is a book about Christopher Marlowe, based on 'The Reckoning' by Charles Nicholl.

I thought that this book was extraordinary in that it conveys the 'vibe' of what it might be like to be in Elizabethan England. It accomplishes this through an immersion in detail and amazing original prose that could only have been written by Anthony Burgess. The prose is not Elizabethan, but instead is a sort of Elizabethan Nadsat-- an invented a slang that combines Elizabethan and modern English so that it
Feb 10, 2014 Mark rated it really liked it  ·  review of another edition
A much better book than I had expected, the story of Christopher (Kit) Marlowe, playwright and poet, contemporary of Wm. Shakespeare, and spy. The latter more a matter of some financial obligation he takes on as a means of keeping himself in coin, and yet, "The Service" something he is never quite allowed to quit, either, once he has seen and been sickened by how much blood has spilled as a result of his own machinations on its behalf. Indeed, the entire ring of men about Sir Francis Walsingham, ...more
Aug 16, 2015 Steve rated it really liked it  ·  review of another edition
Low 4. Burgess has vividly brought to life the Elizabethan dramatist and possible spy, Kit Marlowe, in this bawdy tale, set in the brothels and alehouses of the capital. The author attempts to unravel centuries of speculation and mystery, by seeking to answer whether Marlowe died in a tavern in deptford in a dispute over a bill or was it a politically-motivated assassination. Marlowe was known to keep company with some of Walsingham's coterie but doubt remains over whether he was on official ser ...more
Raile Bell
Incredibly difficult to begin reading, in large part because of the formatting. The language--specifically the dialogue--can be somewhat denser than Burgess' usual, making it a bit challenging to work your way into at first. This is not a book that you can just pick up and go a few pages, then set down and pick up later and put down, etc. Or you CAN, but I wouldn't recommend it.

That said, once you're into it, you realise what a fantastic work it is.

I won't go into too much detail because I'm ave
Jun 06, 2011 John rated it really liked it  ·  review of another edition
Why haven't I read more of Burgess's novels? This guy was a very challenging, intellectually engaging writer. His books (thinking Clockwork Orange) force you to meet him on his terms, enter the world he is depicting. The thoughts and themes are often troubling, the characters inhabited by spirits that are often alien to the thinking of the reader. Who else can claim this sort of effect.

In this book, we enter the action via the interior monologue of a third-rate, gay Elizabethan stage actor who i
Beatitiful language: Burgess transcends. Honest, forthright sexuality: Burgess understands. Unengaging, overly complex story: two out of three isn't bad.
Feb 06, 2015 Micha rated it it was amazing  ·  review of another edition
Recommends it for: marlowe fans. burgess fans.
I found this book accidentally in a used book shop. I was in a phase where I was completely in love with Burgess. I was also completely in love with Marlowe. So you can imagine when I find a book by Burgess about Marlowe...

It was an excellent story, and I liked it was hardly all flattery. Marlowe's life does make for an interesting book. A wonderful read in Burgess' style, capturing Elizabethan England, and a world of spies, barfights, and some of the world's most beautiful poetry.
Justin Neville
May 10, 2016 Justin Neville rated it did not like it
Shelves: did-not-finish
Frustratingly, I decided to bail on this book when I was about two-thirds of the way through, which is a really bizarre thing for me to feel compelled to do. I would normally either give up earlier or stick with it to the end once I'd got that far.

I just realised that I couldn't give a sh*t anymore and felt I was reading the words but making no sense of them or getting anything out of them and almost anything else I could think of doing would be far more profitable.

i actually enjoyed the book fo
Mar 12, 2009 Sylvia rated it liked it  ·  review of another edition
I took this book with me to Costa Rica in 1996- it was one of the only english books available to me for a long time, and it tookk forever to get through. I remember it being pretty dry. But it will always be memorable because it took so long to read.
Christine Best
May 29, 2016 Christine Best rated it it was amazing  ·  review of another edition
Shelves: favourites
This is an odd coincidence; tomorrow is the anniversary of Christopher Marlowe 's death in Deptford and I finished this book today. Make of that what you will..Anyway, to the review.
I enjoyed this book. Other reviewers have said it's written in Early Modern English. It's not. It's modern English with a few anachronisms ( grab a dictionary) and a few words Mr Burgess made up for the occasion. The first half of the book is not an easy read, a lot of Elizabethan philosophy and politics but it's nec
Nov 04, 2014 Larry rated it it was amazing  ·  review of another edition
A powerful novel about the life of Christopher Marlowe. Burgess' use of language is wonderful.
I am not sure I would have persevered with this novel had I been reading rather than listening to the audiobook version, which is excellently performed. The language has an Elizabethan flavour, rich and ripe but rather dense so it takes a while to get into. At first I wasn't sure half the time what characters were saying, and my confusion was never entirely dispelled, but for all that, Burgess' renowned clever way with words gives his story authenticity without resort to the Gadzooks! and Odds-b ...more
May 14, 2013 Kathleen rated it really liked it  ·  review of another edition
Enjoyed this novelization of Christopher Marlowe's brief, brilliant career. This reminded me a great deal of Colm Toibon's novelization of Henry James's life, The Master, as far as bringing a fairly static historical author to detailed, tragic life; though, I don't read that many fictionalized biographies, so it's possible they're all like this (the successful ones, at least).

Did not realize going in that this was a Burgess-book. Might have been a little more hesitant about diving in if I had k
Jul 21, 2011 Madeline rated it really liked it  ·  review of another edition
Recommends it for: nerds, but only bitchy ones
If you are the kind of reader who likes to be invested in the characters, you probably should skip this book - it's not about caring. It seems to me that A Dead Man in Deptford is mostly an intellectual exercise, which is why 75% of it is composed of arguments about abstract ideas. The remaining 25% is Marlowe having sex, although the math's wrong because these two things sometimes overlap with each other. Also, 100% of it is about language. (This is most obvious in the great delight Burgess tak ...more
Jun 28, 2013 Matt rated it liked it  ·  review of another edition
"Treason, like loyalty, is a wide word; at length the two concepts become one."

This book took longer than usual for me to get into. I always enjoy Burgess, especially his historical fiction, but Dead Man in Deptford was rather tedious in several places, especially since I don't read Latin or French.

There's a scene where several men are sitting around and one of them makes a comment in Latin. Another replies that only the learned among them will have caught what was said. There's no need to rub i
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Anthony Burgess was a British novelist, critic and composer. He was also a librettist, poet, playwright, screenwriter, essayist, travel writer, broadcaster, translator, linguist and educationalist. Born in Manchester, he lived for long periods in Southeast Asia, the USA and Mediterranean Europe as well as in England. His fiction includes the Malayan trilogy (The Long Day Wanes) on the dying days o ...more
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“Blessed tree and blessed birds, that were to be neither saved nor damned.” 5 likes
“The entrant mooed like a calf but in insolence looked about him. Hew saw Kit. Kit saw him. Nay, it was more than pure seeing. It was Jove's bolt. It was, to borrow from the papists, the bell of the consecration. It was the revelation of the possibility nay the certainty of the probability or somewhat of the kind of the. It was the sharp knife of a sort of truth in the disguise of danger. Both went out together, and it was as if they were entering, rather than leaving, the corridor outside with its sour and burly servant languidly asweep with his broom, the major-domo in livery hovering, transformed to a sweet bower of assignation, though neither knew the other save in a covenant familiar through experience unrecorded and unrecordable whose terms were not of time and to which space was a child's puzzle.” 4 likes
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