Maitreyi
Set in 1930s Calcutta, this is a roman á clef of remarkable intimacy. Originally published in Romanian in 1933, this semiautobiographical novel by the world renowned scholar Mircea Eliade details the passionate awakenings of Alain, an ambitious young French engineer flush with colonial pride and prejudice and full of a European fascination with the mysterious subcontinent.
...morePaperback, 200 pages
Published
March 28th 2003
by Humanitas
(first published 1933)
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I hate him! He gets what he wants, then leaves, doing all kinds of stupid stuff because suffering for love is just so poetic and everybody just loves a sad hero... Or in the beginning when he just couldn't admit what he really thought and mocked everything Indian so that he wouldn't look bad. And in the end he just HAD to be such a cynic about that girl's thoughts <.<
I don't feel like rating this. There were some things I liked but I can't remember them because I'm too furious. I shall rat...more
I don't feel like rating this. There were some things I liked but I can't remember them because I'm too furious. I shall rat...more
I adored Mircea Eliade's work on myth and religion years ago so read this book with my own lingering love in mind. This novel is semi-autobiographic, published in 1950 and reprinted many times. Eliade writes about a young English engineer in love with an Indian girl. That is the story. It is written in the first person and it is intense. The brilliance of the novel is that, despite the intense focus on love and pain, it teaches so much about India and Britain at the time in which it set (1930s)....more
Mircea Eliade m’a entraînée en peu de pages dans un univers étrange et fascinant, celui de l’Inde. Ce pays et ses coutumes apparaît d’autant plus étrange qu’il nous est narré par un européen venu y travailler, comme beaucoup d’autres. D’abord rebuté par les autochtones, il sera accueilli par l’un d’eux et par sa famille, ce qui lui permettra d’observer plus attentivement ce monde. L’évolution de sa perception des Bengalis et de leur culture s’observe ainsi tout au long du récit, par ses incessan...more
I love it and I hate it at the same time, if that is at all possible. I just finished reading it for the second time and, I don't really remember anything like this after reading it the first time, but it hit something inside me, wherever and whatever that is, and a very weird combination of feelings surfaced. I suppose Eliade succeeded in making the reader, or at least me, feel as close as possible to what he must have felt back then, if not towards Maitreyi, at least towards the book itself. B...more
Well-written.
I didn't get bored but that doesn't mean I agree with the narrator's views. She opens her soul to him and he calls her primitive instead of listening. He understands(or does a good job pretending to)next to nothing about their culture and he leads her on/confuses her/uses her to his own liking and with no further use of common sense and good sense or mind now that we're at it.
He dumped her then pretended to go trough rehab
I didn't get bored but that doesn't mean I agree with the narrator's views. She opens her soul to him and he calls her primitive instead of listening. He understands(or does a good job pretending to)next to nothing about their culture and he leads her on/confuses her/uses her to his own liking and with no further use of common sense and good sense or mind now that we're at it.
He dumped her then pretended to go trough rehab
o interactiune instinctuala cu incercari de anulare a anumitor limite/constrangeri... o metamorfoza pe nesimtite ce-o vad a fi inevitabila unui tanar fascinat de cat mai autenticul 'oriental'. Unul din acele lucruri ce trebuie facute cat mai devreme in viata, desi poate ca unii nu reusesc niciodata sa iasa din ei nici macar pentru asa o scurta bucata de timp precum s-a dovedit a fi intreaga poveste cuprinsa in aceasta carte.
O frumoasa poveste despre contrasturi si o anumita iesire din sine prin...more
O frumoasa poveste despre contrasturi si o anumita iesire din sine prin...more
I am definitely giving this book 5 stars. The style is soft, and yet sometimes cut-throat, just as we got used to find in Eliade's books. It is not classified as a tragedy, because the main character doesn't love, or sacrifice enough, for the love story to be called a tragedy.
He is an immutable egocentric, who from the beginning asks himself the question: "How can I be tied down into a marriage?! How can I lose my freedom??".
Thus, by the end of the book, even though one would think that he is...more
He is an immutable egocentric, who from the beginning asks himself the question: "How can I be tied down into a marriage?! How can I lose my freedom??".
Thus, by the end of the book, even though one would think that he is...more
All i can say is WOW! This book really impressed me, and is definetely outstanding among the other literature that i should read for school.The story kept me under pressure,that from the half of the book, i couldn't put it down without reading till the end. The book reverses one's thoughts, beliefs and understanding about indian culture. The author shows in his work the depth of asian spirit and demonstrates the major differences of relationship aproach between european and asian people.
This is another of those books that everybody seems to like except me. I think the main problem is that I found the main character - a thinly veiled author avatar - completely unsympathetic and ofter quite infuriating in his arrogant and clumsy handling of a foreign culture and others' feelings. It almost felt as if this was a 'villain protagonist' book sometimes.
A complicated erotic drama, by the most famous scholar of religious studies in the West of 20th cent. I like many of Eliade's studies, and I share, with his so many readers, the admiration for his erudition, original thought, in general the determined and immense contribution to the study of religious phenomena. But, unfortunately I can't share an analogous admiration for his novels. De gustibus non disputatum.
I was surprised when I show one day in TV the film based upon this novel. I liked the...more
I was surprised when I show one day in TV the film based upon this novel. I liked the...more
Not really my idea of a good book. It focuses way to much on creating an original and believable world that it leaves the character lacking and it makes it hard for the reader to relate to the story and it's meaning. If this wasn't mandatory and I was sure it wouldn't show up on my final exam, I don't think I would have gotten past the first 20 pages.
This book is also called "Bengali Nights". Read with Maitreyi Devi's It Does Not Die: A Romance, written 40 years later.
Dec 29, 2011
Flocosix
rated it
1 of 5 stars
·
review of another edition
Shelves:
love-related,
boring
Deși scrisă frumos și cu detalii deosebite, de obicei foarte puțin prețuite în alte cărți, m-a plictisit. Totul merge încet și previzibil, ba sunt eroii în extaz, ba gîndesc la moarte și plîng, și tot așa pe tot parcursul istoriei, fără mare sens, scenariu și interes. Se presupune că descrierea detaliată a emoțiilor și interacțiunii dintre acești 2 îndrăgostiți, necătînd de cît de ridicole sunt uneori, este destula pentru a capta interesul. Păi, nu este.
Apreciez calitatea cărții, dar nu mi-a tre...more
Apreciez calitatea cărții, dar nu mi-a tre...more
Aug 02, 2011
Raluca
added it
an interesting story well written about cultural and religious differences in old india...
I have not yet read Devi's "It Does Not Die" but I have read what I could find on the Eliade/Devi romance. Much of this book is Orientalist nonsense, vacillating between utter worship of all things Indian and condescension towards the same. Maitreyi is portrayed rather unflatteringly; she is obviously an accomplished and gifted young woman, yet all Alain sees is a fetishized brown goddess. More oddly still, his last line is a hope to see Maitreyi again, and yet he rejects even her attempts to sp...more
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Romanian-born historian of religion, fiction writer, and one of the pre-eminent interpreters of world religion in this century. Eliade was an intensely prolific author of fiction and non-fiction alike, publishing over 1,300 pieces over 60 years. He earned international fame with LE MYTHE DE L'ÉTERNAL RETOUR (1949, The Myth of the Eternal Return), an interpretation of religious symbols and imagery....more
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“Am iubit întotdeauna pe mai multe planuri, n-am ştiut să sacrific totul pentru un sâmbure de adevăr sau de viaţă, de aceea m-am lovit de toate pragurile şi m-au dus valurile cum au vrut.”
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15 people liked it
“Mă leg pe tine, pământule, că eu voi fi a lui Allan, și a nimănui altuia. Voi crește din el ca iarba din tine. Și cum aștepți tu ploaia, așa îi voi aștepta eu venirea, și cum îți sunt ție razele, așa va fi trupul lui mie. Mă leg în fața ta că unirea noastră va rodi, căci mi-e drag cu voia mea, și tot răul, dacă va fi, să nu cadă asupra lui, ci asupră-mi, căci eu l-am ales. Tu mă auzi, mamă pământ, tu nu mă minți, maica mea. Dacă mă simți aproape, cum te simt eu acum, și cu mâna și cu inelul, întărește-mă să-l iubesc totdeauna, bucurie necunoscută lui să-i aduc, viață de rod și de joc să-i dau. Să fie viața noastră ca bucuria ierburilor ce cresc din tine. Să fie îmbrățișarea noastră ca cea dintâi zi a monsoon-ului. Ploaie să fie sărutul nostru. Și cum tu niciodată nu obosești, maica mea, tot astfel să nu obosească inima mea în dragostea pentru Allan, pe care cerul l-a născut departe, și tu, maică, mi l-ai adus aproape.”
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7 people liked it
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Feb 16, 2013 04:45am
Apr 05, 2013 12:19pm