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Autonomia: Post-Political Politics (Intervention 0)
Edited by Sylvère Lotringer and Christian Marazzi with the direct participation of the main leaders and theorists of the Autonomist movement (including Antonio Negri, Mario Tronti, Franco Piperno, Oreste Scalzone, Paolo Virno, Sergio Bologna, and Franco Berardi), this volume is the only first-hand document and contemporaneous analysis that exists of the most innovative pos
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Hardcover, 300 pages
Published
December 1st 2007
by Semiotext(e)
(first published November 30th 2007)
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a neat anthology of essays from the Italian autonomist movements of the 1970s, covering the fascinating revolutionary histories of Lotta Continua, Potere Operaio, and the Red Brigades, as well as the theoretical underpinnings of those movements, the working class struggle and composition, auto-reduction...
A fascinating collection of various documents from an era of italian struggle known as autonomia. reading the book front to back can be a bit difficult and puzzling at times as the documents while clearly related in my eyes only sort of formed a narrative and overview. also, even being somewhat familiar with marxist thought the more autonomist-marxists tracts were woefully dense to me and i ended up skipping a few of them. however, the sense of tension and revolutionary motion examplafied in the
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For whatever reason, I was under the impression this book was a lot more history rather than theory. There was some good stuff, and it's interesting to see how a lot of the theoretical discussion is a clear precursor to Tiqqun and runs parallel to communization theory. But at the same time, historical background (or maybe a lengthy summary of events and the situation in Italy) would have added to this greatly and made the denser texts a little clearer.
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Sylvère Lotringer (born in 1938 in Paris, France) is a literary critic and cultural theorist. A younger contemporary of Gilles Deleuze, Félix Guattari, Jean Baudrillard, Paul Virilio and Michel Foucault, he is best known for synthesizing French theory with American literary, cultural and architectural avant-garde movements through his work with Semiotext(e); and for his interpretations of French t
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