Hello Everybody!: One Journalist's Search For Truth In The Middle East

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Hello Everybody!: One Journalist's Search For Truth In The Middle East

4.01 of 5 stars 4.01 · rating details · 842 ratings · 62 reviews

Originally published in the Netherlands in 2006 (Het zijn net mensen), Luyendijk reports on his experiences as a news correspondent in the Middle East. This book quickly became a bestseller in the Netherlands and has been translated into many languages (see Luyendijk's website for details: http://www.jorisluyendijk.nl/).

English translation copyright 2009.
UK-English editio...more

Paperback, 243 pages

Published 2010 by Profile Books (first published January 1st 2006)

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Feb 18, 2012 Janelle rated it 5 of 5 stars

I read this book to preview it for possible inclusion in a reading series about war and peace in the Middle East. It's the kind of book I almost certainly wouldn't have picked up otherwise - it's nonfiction about politics in the Middle East. I don't really have a political brain and I find it difficult (and tedious, and frankly, boring) to follow the intricacies of this particular sport.

But Luyendijk's book is different. He is a former M.E. correspondent for a major Dutch newspaper, a journalis...more I read this book to preview it for possible inclusion in a reading series about war and peace in the Middle East. It's the kind of book I almost certainly wouldn't have picked up otherwise - it's nonfiction about politics in the Middle East. I don't really have a political brain and I find it difficult (and tedious, and frankly, boring) to follow the intricacies of this particular sport.

But Luyendijk's book is different. He is a former M.E. correspondent for a major Dutch newspaper, a journalist who constantly questioned the norms of his profession. He stepped away from journalism to reflect on the huge gap between what is actually happening in the region and what is reported in the media. He explains the reasons for the difference in clear and convincing terms. He manages to convey the situation with just the right balance between distance/perspective and personal stories. His analysis of the media machine is both insightful and damning. And his perspective on the role of dictatorships (in the lives of the affected citizens and in British/American interests, too) is different from anything I encounter in the media.

Read this if you care about the U.S. role in the Middle East. Read it if you think you don't care about the U.S. role in the Middle East. Either way, it is a thought-provoking yet readable book.

A note about why you may not have heard of this book: This book was originally published in 2006, in Dutch. The English translation came out in 2010 with an afterword by the author. He mentions that while the book sold an amazing quarter million copies in the Netherlands and was well received in Denmark, France, Germany and Australia, it has been ignored in the U.S., Hungary, and Italy. Today (12/29/10) I checked WorldCat to get a sense of library holdings in the U.S., and only FOUR U.S. libraries are listed as owning it (a public library in Wisconsin + 3 academic libraries). (Of course, I always have to take WorldCat holdings with a grain of salt. My academic library's copy - which I have in hand - isn't reflected there yet. It's a new acquisition and I'm not sure how frequently WorldCat holdings are updated. But still...) If you're a librarian, order this book! It should be on shelves.

Update February 2012: Hello, Everybody! One Journalist's Search for Truth in the Middle East is the UK-English edition title. The US-English edition title is People Like Us: Misrepresenting the Middle East. The Australian-English edition title is Fit to Print: Misrepresenting the Middle East. I'm pleased to report that as of February 2012, 198 libraries own the US-English edition (according to WorldCat).(less)

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Sep 15, 2011 Jan Hidders rated it 5 of 5 stars · review of another edition

A great little book. In my opinion a must-read for anyone who would like to claim to have an informed opinion on the situation in the Middle East. It is written in a very personal and fluent style, which makes it a very pleasant read. Although short, it is a very informative book about the difficulties that Joris experienced as a reporter in the Middle East while attempting to report as objectively and honestly as possible.

Through a combination of personal anecdotes and additional background inf...more

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Jan 31, 2012 Arwa Mobaraki rated it 4 of 5 stars · review of another edition

Shelves: الإعلام

كتاب يتعرض لما قد يقع وراء كواليس الأخبار من تجاهل الأضواء أو تسليطها أو تشويهها لما يقع حقيقة وعلى أرض الواقع, لم يكن الكتاب الأول الذي اقرأه حول هذا الموضوع فسبق أن قرأت كتب تصل إلى نفس النتيجة أن هناك لعبة علاقات عامة ومصالح في صناعة الخبر. مؤلف الكتاب يوريس لونديك وصل إلى نتيجة منذ أن أصبح مراسل صحفي وأصبح مطلع كيف تجري الأمور حوله إلى: "كنت قد تخليت عن الفكرة القائلة إنك تعرف ما يجري في العالم إذا تابعت الأخبار" وأنا كذلك ومنذ فترة طويلة!!

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Sep 06, 2012 Zora O'Neill rated it 5 of 5 stars · review of another edition

Great, straightforward book by a disillusioned Dutch war correspondent. He points out in a very logical way why the West gets such a wrong impression of the Middle East--there's the simple fact that "news" is by definition the exception to the rule, but we never hear what daily life is like in the region. Then there's more complicated issues involving how correspondents choose which stories to cover, and how governments do or don't work to make their jobs easier. He basically calls for journalis...more

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Feb 21, 2012 Kim rated it 3 of 5 stars · review of another edition

Shelves: non-fiction

Ik heb mijn waardering van 2 naar 3 sterren opgekrikt, omdat ik het onderwerp van zijn boek in principe wel goed vind. Jammer dat ik soms zo afgeleid werd door zijn vervelende schrijfstijl dat ik de inhoud niet goed kon waarderen. Teveel spreektaal en teveel niet samenhangende anekdotes. Hoewel het sprekende voorbeelden zijn, kon ik niet gemakkelijk meegaan met zijn verhaal.
Hij maakt 3 punten: In een democratisch land kan je niet beseffen wat een dictatuur inhoudt. De media bepalen wat je wel en...more

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Nov 27, 2011 Rasjel rated it 5 of 5 stars · review of another edition

Brilliant opinion piece written by the former Middle East correspondent for a big NL newspaper and the national news about the media's manipulance and spinning of news output concerning first the Arab nations (eg. Egypt, Libanon) and from within the Israeli/Palestina conflict. People who live in a dictatorship cannot let anyone know what they think, so no one can properly analyze the people's opinion, though the media presents it as if they know. This story is incredibly nuanced, and his example...more

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Aug 28, 2011 Marije rated it 4 of 5 stars · review of another edition

Shelves: non-fiction

Interessant kijkje in de keuken van de buitenlandcorrespondent. Luyendijk laat overtuigend zien dat objectieve verslaggeving vanuit een beladen conflictgebied moeilijk tot onmogelijk is. Ondanks deze treurige conclusie leest het boek als een trein, en gaat het net zoveel over het Midden-Oosteconflict als over de media in het algemeen, culturele eigenaardigheden, en Luyendijk zelf. Aanrader, al blijft het een tikje ironisch om van een boek over verslaggeving te leren hoe onbetrouwbaar en gekleurd...more

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Aug 13, 2011 Shorouq rated it 3 of 5 stars · review of another edition

قرأت الكتاب منذ عدة أيام .. ولعل كلمة " منطقي" هي أقرب ما يمكن وصفه بها
لكن ما بقي عالقاً في ذهني عنوان أحد الفصول "إنهم يقتلون يهوداً أبرياء" ولعله الفصل الأكثر منطقية في الكتاب كله.
ومختصره الفروق الجذرية بين الاعلام العربي والاعلام اليهودي الذي يجعل المتلقي ينحاز بلا شعور للفئة المستضعفة - إعلامياً- اسرائيل .
يغلب على العرب إظهار مظاهر الغضب والكره إبداء للكرامة في حين يعتمد الطرف الآخر على إظهار العكس وهو ما يجعلهم متفوقين إعلامياً وأقدر على كسب تعاطف الغير مع قضيتهم.

(اختيار المناسب من المش...more

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Oct 08, 2011 Jeffrey Otto rated it 5 of 5 stars · review of another edition

Foreign correspondence, especially that reportage from the Middle East and other redoubts of dictatorship, is a house of cards. That’s the conclusion of Joris Luyendijk, the former Dutch correspondent who spent five years reporting from Cairo, Beirut, Jerusalem, and other regional hotspots. People Like Us, however, is more than a simple accounting of his time on the ground. Instead, it’s a hard-hitting critique of the news business, of the concerted efforts to shape what that business reports, a...more Foreign correspondence, especially that reportage from the Middle East and other redoubts of dictatorship, is a house of cards. That’s the conclusion of Joris Luyendijk, the former Dutch correspondent who spent five years reporting from Cairo, Beirut, Jerusalem, and other regional hotspots. People Like Us, however, is more than a simple accounting of his time on the ground. Instead, it’s a hard-hitting critique of the news business, of the concerted efforts to shape what that business reports, and of the often illiterate consumers of that reporting.

Readers might be forgiven for looking to another more influential critic of the news business, the former New Yorker journalist A.J. Liebling, to succinctly capture the spirit of Luyendijk’s short and utterly readable book. For it was Liebling that said famously, “Journalism is what somebody doesn’t want you to print. The rest is publicity.” By describing how foreign reporting works, or more aptly, how it doesn’t work, Luyendijk is able to convincingly extirpate any notion that it’s possible for the casual observer to really understand the situation on the ground in culturally distant or undemocratic places.

Luyendijk writes about his former profession in the same jaded way that an ex-wife might air out the dirty laundry of her former spouse. And though one sided, his account is refreshingly forthright in a way that a current journalist could never be. Furthermore, he doesn’t shy away from self-critique. He very candidly describes his inability to reestablish friendships with ordinary Egyptians that he had met while earlier studying at university there. He says that absent those work-a-day relationships, it was impossible for him to report norms, only distortions. Rather than being a participant-observer, in the classic model of anthropology, he was doomed to be only a removed onlooker.

Being likened to an anthropologist may be the highest form of praise any journalist can receive. But in reading People Like Us it becomes readily apparent that the discipline of anthropology may even be a more appropriate course of study than journalism school for aspiring foreign reporters. “It was a Catch 22 situation: In order to hear what was going on, I needed ‘local contacts’; yet I’d only get those contacts by living in a way that was incompatible with the life of a correspondent,” he writes. One suspects that his remove from those people he was reporting about is not unique to journalists, but to diplomats as well.

At the same time, Luyendijk has a playful and light-hearted streak when it comes to his work. Though not all of the humor translates well from the original Dutch text, he does relate some humorous stories, such as that of doing an interview with Hezbollah leader Hassan Nasrallah in the pious group’s public relations office which happens to sit one floor above a large intimate apparel retailer in South Beirut. In another moment, he relates how he would playfully mock his Palestinian interlocutors who suspected that a Jewish conspiracy could explain media coverage of the region. In the middle of their conversations, Luyendijk would look at his watch and say, “Can I just make a call? My secret boss in Israel is going to dictate tomorrow’s article to me.”

Luyendijk also writes with great force and lucidity about news stories being ‘precomposed’ by governments. His examples range from the Sudanese showing melted pill bottles at a pharmaceutical factory just struck by a U.S. missile to Gazans throwing out baby clothes onto the wreckage of a building just destroyed by Israeli airstrikes. With convincing detail, he describes the media life cycle of a terrorist attack in Israel and also quotes a U.S. military official telling a gathering of foreign reporters at the outset of the Iraq War that they need not worry, that “we’re going to make sure that after the war your boss comes up to you and gives you a slap on the back and compliments you on what a fine job you’ve done.”

The true indictment, however, is not of government spin agents, but instead of editors worshipping at the alter of simplification and nationalistic bias. Robert McChesney, the noted scholar of American mass media might argue that the root of the problem lies not with editors, but with the corporatization of the news business. Others, such as National Public Radio reporter and media critic Brooke Gladstone, have suggested that we get the media we deserve, and that it is a reflection of ourselves. Either way, there couldn’t be a more searing indictment than Luyendijk intoning, “If the Western mass media had done their jobs during the war, viewers would have set in front of their television sets crying and vomiting.”

What perhaps makes People Like Us most prescient, however, is what it has to say about the possibility for democratic change in the Middle East. “Try imagining this report,” Luyendijk writes, “Today in Kuwait, thousands of people marched against Western support of their dictators. They demanded the dismantlement of the secret Western bank accounts in which dictators hoard their loot, and chanted slogans against the generous commissions that Western defense companies pay out to dictators and their entourages. Banners displayed protests against Western training and armament of the Arab secret services who torture and murder on a large scale.” Of course reading such a report today, following the Arab Spring, is entirely imaginable, but when the book was published in 2006, such a report would have been farfetched. Yet, this was precisely the point. Journalists covering the numerous summits and other non-events that shaped news coverage from the region were never going to be able to foresee the mass movements that have shaped Arab politics over the past year.

Though it is far from clear that either the refreshing breeze of the Arab Spring or a new model of more ethnographic reporting will be enough to topple the house of cards that shapes the region’s reporting, Luyendijk has done an admirable job of pulling the curtains open behind the great and powerful wizard that is the mainstream media. While certainly there is another side to the story, one that a more connected and seasoned reporter from the region might be able to tell, this book is a good reminder to the casual media consumer that all is not what it appears in the news. Distortion often trumps reality and it’s very difficult to do good reporting amidst repressive and non-democratic regimes. © Jeffrey L. Otto October 8, 2011
(less)

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Jan 25, 2011 Elsje rated it 4 of 5 stars · review of another edition

Shelves: read-2009

Joris Luyendijk geeft in Het zijn net mensen een onthutsend kijkje op de werking van 'de media'. Hij is jarenlang voor verschillende media (kranten, radio, tv) gestationeerd geweest in het Midden-Oosten, waar hij eerst vanuit Egypte, daarna vanuit Libanon en tenslotte vanuit Oost-Jeruzalem verslag deed van de situatie aldaar.

Met voorbeelden en briljant verzonnen parallellen legt hij uit waarom het onmogelijk is om objectief verslag te leggen vanuit een dictatuur, zoals de meeste landen in het Mi...more

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Oct 16, 2009 BoekenTrol rated it 4 of 5 stars · review of another edition Recommends it for: everyone who reads papers, watches the news and listns to the radio

Shelves: books-i-own, historical_fiction_or_non_fiction, stories-of-life

http://www.bookcrossing.com/journal/8...

When I bought this book I knew it was about journalism, the Middle East, one persons opinion. What surprised me very much is, that I liked the book so very much.

I'll never watch the evening news again without, in the back of my mind, hearing that little voice saying: is this crowd really a crowd or just several people, filmed from a good angle? Or: is there really noone in that particular country that has a different opinion?

To me this book made perfectly...more http://www.bookcrossing.com/journal/8...

When I bought this book I knew it was about journalism, the Middle East, one persons opinion. What surprised me very much is, that I liked the book so very much.

I'll never watch the evening news again without, in the back of my mind, hearing that little voice saying: is this crowd really a crowd or just several people, filmed from a good angle? Or: is there really noone in that particular country that has a different opinion?

To me this book made perfectly clear that what we see as 'news', is made by human beings, with their own backgrounds and filters, led by the 'madness of the day', what the big news agencies dictate, what the public at home wants to hear or see and what news they are able to get background nformation about.

You shouldn't look at the Arab / Palestinian / Israeli world with western eyes. They live under different circumstances, have different cultures. There should be room for correspondents to explain differences, to show the people behind the rhetorics of the officials and the spokes persons.
The other way round should journalists from that region that are covering 'the west' be allowed to get more nsight information on what is going on and why. And be enabled to give a more balanced view on the western world and thoghts.

If a correspondent would start with an explanation of the situation and explain why he cannot know the things the public wants to see or hear, the public might gradually be able to look 'at the other side' too. IF the regimes (western and arabic / israeli / palestinian all the same) will allow voices to be heard and pictures to be seen that go against or differ from the main stream opinion of what they (in their positins of power in whatever form) decide is good for us.

WOW book!

P.S. According to the note in the back of the book this book has been translated in Arabic, German, Danish, Hungarian, Ialian and English. If you're interested, you might try to find it. It is really worth reading! (less)

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Apr 13, 2013 Marc L rated it 2 of 5 stars · review of another edition

Shelves: journalism, international-politics, middle-east

Verplichte lectuur voor elke journalist. Natuurlijk eerder eenzijdig, maar Luyendijk maakt er wel zijn punt mee duidelijk. Zowel interessant als kritiek op de gangbare journalistiek, als introductie tot het Midden-Oosten. Vooral in het nawoord, waarin Luyendijk antwoordt op de kritiek die er intussen is gekomen, komt de auteur iets meer ter zake. Blijft wel de terechte opmerking dat Luyendijk de lat voor de journalistiek erg hoog legt: de waarheid vind je er niet, voor wie die illusie nog had.

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Nov 19, 2011 Akin rated it 3 of 5 stars

Shelves: middle-east, non-fiction

Drags towards the end, and occasionally repetitive. But the central thesis is hard to dispute: journalism, in it's current form, is part of the problem rather than part of the solution as far as the Middle East is concerned. It is fair to be a bit suspicious of a Middle East corraspondent's motives for writing this after he left the patch; bit actually, I'd think that this is rather reasonable, for the simple reason that it is pretty hard swimming against the tide whilst actively reporting for C...more

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Mar 17, 2013 Josepha rated it 4 of 5 stars · review of another edition

Shelves: israeli-palestine-conflict

Such a necessary book on Western journalism in the middle east. Very well balanced yet Luyendijk never holds back his tongue in criticizing CNN, Al-Jazeera and other media sources. His chapters on the conflict between Israel and Palestine and the occupation of Gaza and the West Bank is especially enlightening. Written with humour and sharp insights.

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Aug 03, 2011 Draackje rated it 3 of 5 stars · review of another edition

Shelves: non-fiction

Superinteressant boek over filters, vervormingen en manipulaties bij multimediale beeldvorming. Veel kritiek op journalistiek en media, maar vooral de persoonlijke anekdotes van de schrijver maken het indrukwekkend en zelfs aangrijpend. Uiteraard is de mening van één persoon niet erg objectief, maar het is prettig om eens een tegengeluid te horen richting de gevestigde 'objectieve' media. Lekker om gewoon even tussendoor te lezen!

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May 09, 2013 Mona rated it 3 of 5 stars · review of another edition

الكتاب فتح عيني على طريقة عمل المراسلين الصحفيين , كيف يصنع الخبر و ماذا يجري وراء الكواليس , أجده مرجع ممتاز من هذه الناحية . أعطاني التفسير المنطقي لما يسمى المؤامرة الإعلامية الكونية على العرب و المسلمين و الذي عزاه الكاتب لعدة أسباب أهمها ضعف أدائنا من جهة و قوة الخصم و إمكانتاته اللامحدودة من جهة أخرى .

النقطة السلبية على الكتاب هي تكرار المعلومات و عدم الترابط الظاهري بينها إضافة الى ركاكة الترجمة ما ادى إلى تشويش الفكرة العامة .

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Feb 12, 2013 Hansje rated it 5 of 5 stars · review of another edition

Een heel interessant boek, het gaf mij een andere visie op journalistiek en op hoe de informatievoorziening in Nederland uberhaupt wordt geregeld. Hoe makkelijk neem je aan dat iets waar is alleen omdat het in de krant staat. Een eye-opener!

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Apr 12, 2012 Amy rated it 4 of 5 stars · review of another edition

Very interesting. This book really had me look at the news coverage of the Middle East in a different way. I found it quite thought provoking. I think the translation was not as good as it could have been, since I found the writing awkward at times.

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May 30, 2012 Daniël rated it 4 of 5 stars · review of another edition

Om een situatie in een land te beoordelen moet je er geweest zijn. Luyendijk verbleef jaren in het Midden-Oosten. Zijn inzichten die hij geeft in het boek helpen de situatie in het Midden-Oosten te begrijpen.

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Mar 06, 2011 Robert Bor rated it 3 of 5 stars · review of another edition

Interesting view on the effects of the media and how they changed the modus operandi for warring parties. Dramatic stages are being set for the benefit of the western (and now with Al Jazeera, also the middle eastern) couch potatoes. What I find truly amazing is the indignant reactions that we are being misled and manipulated. How naive. It is called spinning and exists for a long time. Give a man a weapon to reach his goal, any goal, and he will use it.

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Jun 28, 2010 Sarah rated it 4 of 5 stars Recommends it for: People intersted in the middle east and in communications

Shelves: bleak-europeans, non-fiction, 2010-reads

Very good analysis of the short shrift we get from our news media. Using the way that the Western media covers the Middle East, we find ourselves to be on the receiving end of half-truths, bias, and spin. Would love to read more from the author about the perspectives of Al-Jazeera and other arab language media and compare and contrast the styles. His afterword which reflects his thoughts recently was interesting and I'd like more. One criticism: I wasn't that crazy about the translation. I've he...more

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Oct 26, 2012 Diana rated it 5 of 5 stars · review of another edition

Heel interessant boek voor journalisten in spé, maar ook voor iedereen die geinteresseerd of nieuwsgierig naar de journalistiek is. Zeker een must-read!

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Apr 09, 2012 Melissa rated it 4 of 5 stars · review of another edition

Wat kan die Joris Luyendijk toch heerlijk schrijven. De woorden glijden gewoonweg vooruit! Mooi portret van correspondentschap in ht Midden-Oosten, hoewel ik vanuit het principe hoor-wederhoor niet kan wachten op het antwoord hierop: Het Maakbare Nieuws. Duidelijk dus wat mijn volgende boek wordt!

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Aug 31, 2012 Thijs rated it 3 of 5 stars · review of another edition

The middle east will never be the same. Goed boek, goed onderwerp, beetje herhalend maar overall leuk geschreven. Ben benieuwd naar het antwoord van de correspondenten.

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Jun 22, 2009 Niels A. rated it 5 of 5 stars · review of another edition

Very interesting view on journalism in the Middle East. Luyendijk has been a correspondent in the Middle East for five years and describes his experience with how the media are often powerless in conveying reality. He describes how dictatorships produce opaque societies in which it is impossible to know what is really going on because no one can tell you, and how news is colored by the fact that it describes what is out of the ordinary, without the readers knowing what ordinary is.

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Jan 31, 2012 Ron Brooke rated it 4 of 5 stars · review of another edition

Tempted to make this a 5 star. Available in English, & a must-read. Honesty in journalism - right up there with Politkovskaya.

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Oct 31, 2012 Aumgn rated it 4 of 5 stars · review of another edition

Very interesting insight in middle eastern politics, journalism, PR and culture. Great observations.

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Apr 04, 2013 Monica rated it 4 of 5 stars · review of another edition

Heel boeiend om te lezen hoe de wereldpers de gruwelen in het Midden Oosten verslaat.

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Apr 21, 2012 Koos added it · review of another edition

Very self-reflective book, learned a lot about the situation in the Middle-East & about myself too!
Good to have read rhis in combination with Chan Koonchungs' "The Fat Years".

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Dec 26, 2012 Davey rated it 4 of 5 stars · review of another edition

Well written, it does not matter that's hes a journalist also good new insights

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