Art Worlds
This classic sociological examination of art as collective action explores the cooperative network of suppliers, performers, dealers, critics, and consumers whoalong with the artist"produce" a work of art. Howard S. Becker looks at the conventions essential to this operation and, prospectively, at the extent to which art is shaped by this collective activity. The book is
...morePaperback, 371 pages
Published
April 26th 1984
by University of California Press
(first published 1982)
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May 02, 2010
Joshua Nomen-Mutatio
rated it
4 of 5 stars
Shelves:
sociology,
study-of-art-and-or-aesthetics
Really, really interesting stuff. I especially like the sections on "Naive Artists" (aka "outsider art"). I used the chapter "Integrated Professionals, Mavericks, Folk Artists, and Naive Artists" as the citation-foundation (Like that? I just made it up.) for a paper and subsequent interactive presentation on The Flaming Lips' parking lot and boom box experiments which segued into their tremendous four-simultaneously-played-discs album entitled Zaireeka. (
Read about it. Do it. Please.
)
I've been...more
I've been...more
The new preface and the first chapter were pure Becker dynamite, but the rest was less inspiring. Partly perhaps because Becker spends a lot of pages in plain descriptive stuff that is not so interesting--particularly if the reader (like me) has any first-hand experience of art worlds. Nevertheless, I don't think you can bypass this book if you even think about writing something about the sociology of art.
My review of this book can be read at http://www.thenation.com/doc/20081201/schwabsky.
May 15, 2013
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