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The Tempest

3.79 of 5 stars 3.79  ·  rating details  ·  100,528 ratings  ·  1,855 reviews
Shakespeare's last play seems unusually elastic, capable of radically different interpretations, which reflect the social, political, scientific or moral concerns of their period. This edition of The Tempest is the first dedicated to its long and rich stage history. Drawing on a wide variety of sources, it examines four centuries of mainstream, regional and fringe producti ...more
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Published September 1st 2009 by B&R Samizdat Express (first published 1611)
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The Tempest, abridged.
*or maybe not so abridged. But in my defense, this play is really fucking complicated*

MIRANDA: So, um, Daddy, did you notice that huge-ass storm that just crashed a ship on the shore of our previously deserted island?
PROSPERO: Wow, is it exposition time already? Okay, kiddo, listen up: I used to be the duke of Milan, but then my asshole brother and the King of Naples put you and me on a boat and we ended up here on Wherever-The-Hell-Island, but luckily it's full of spirit
Knowing that The Tempest is most likely Shakespeare's final play, it's hard to avoid noticing the hints of retirement in the text. Toward the end of the final act, Prospero solemnly describes the conclusion of his practice of the magic arts, just as Shakespeare might describe the end of his writing career:

Have I given fire and rifted Jove's stout oak
With his own bolt; the strong-based promontory
Have I made shake and by the spurs pluck'd up
The pine and cedar: graves at my command
Have waked their
Jason Koivu
What was that?

I expected a long drawn out battle of mariners versus a violent sea. There's a few lines of sailors fighting a storm at the start and then the rest is played out on land. Ah, "played," there's the nub! For this is an early 17th century play meant for the stage. Not a likely time and place for a lavish production with a water tank, ship and wind machine, though that would've been hella cool. Some Shakespeareanophile tell me my envisioned production went down at least once back in th
Bill  Kerwin

Simple yet profound, The Tempest is a heartbreakingly sincere piece of elaborate theatrical artifice. Shakespeare is a magician at the height of his powers, so accomplished at his craft that he can reveal the mechanisms of his most marvelous tricks and still astonish us.

This time through, I was struck by how closely references to language, freedom, power and transformation are bound up together, and how they all seem to point to some metaphysical resolution, even if they don't finally achieve it
I've not written much of anything about Shakespeare's individual plays for GR, mostly because the in-depth reading I did of them was a long time ago (my senior dissertation in college was on Hamlet)- but I can't let such a wondrous piece of writing as The Tempest go unremarked upon. It is thought to have been written around 1610, that is, around 400 years ago, and also thought to be Shakespeare's final play- there are subtle textual biddings-adieu from the Bard throughout- and to my mind, it is, ...more
Whitney Atkinson
I read this in one day. It wasnt horrible, im just nervous because I have a test over it on friday and I have noooo clue what the theme or anything is because it seemed kinda flat. time to sparknotes an analysis
I think The Tempest would have worked better as a tragedy. I don’t know why William didn’t consult with me first. I would have advised him to end his career with a bang: Sebastian would murder his brother Alonso, Antonio would murder Gonzalo, Caliban would have Stephano kill Prospero, Miranda would cry, Ferdinand would have discovered his father dead and murder his uncle, Miranda wouldn’t have the guts to kill her uncle Antonio, but she and Ferdinand would capture him and Caliban and avenge Pros ...more
Shakespeare's last play without collaboration might represent the consequences of unbridled power and the rewards of forgiveness and possible reconciliation. Much evil has been directed to the central character, Prospero. Stripped of political power and banished to a remote, unsustainable island with his young daughter, he collects under his will all human and mystical powers to bring justice to the perpetrators of the crimes against him.

Psychologically, long separations without imput from othe
I might as well admit I don't understand what it's about - it's still absolutely gorgeous to listen to. Here are my three favourite bits. Bronze goes to what's generally considered Shakespeare's farewell to the dramatic arts:
... Now I want
Spirits to enforce, art to enchant,
And my ending is despair,
Unless I be relieved by prayer,
Which pierces so that it assaults
Mercy itself and frees all faults.
As you from crimes would pardon'd be,
Let your indulgence set me free.
Silver to the following, surely on
Se c’è una cosa che ha reso Shakespeare immortale e degno di tutte le attenzioni possibili è la sua immaginazione. Ovvero, ci sono altre centinaia di ragioni, ma la sua immaginazione prevale su tutte. Sebbene una certa critica contemporanea (si dice il peccato ma non il peccatore) tenti di sminuire i meriti di questo genio sottolineando il fatto che la maggior parte delle trame di Shakespeare non sia originale, ma tratta da fonti a lui più o meno contemporanee, il potere immaginifico non diminui ...more
Henry Avila
William Shakespeare's last play ,that he wrote every word.The burnt-out but rich gentleman ,just wants to go back to his little home town of Stratford-on-Avon.After more than twenty years of writing for the stage, he needs to relax and leave London, far behind.Besides Shakespeare is pushing 50, old for the time. The Tempest story begins with a terrific storm that drives a ship carrying noblemen on the shore, of an unnamed island, off the coast of probably Italy(Shakespeare is vague about the loc ...more
Nov 09, 2012 Miriam rated it 4 of 5 stars  ·  review of another edition
Recommended to Miriam by: Ariel
Shelves: fantasy, theater
What I love about The Tempest is the magical isle, its airy spirits and earthy Caliban. There is also some great commentary on politics, colonialism, and human ambition.

I forget when I'm not reading it how much of it consists of some dudes being assholes.
The Tempest is almost a wisp of a thing. There's little plot and almost no character development. It's like a magic trick: you blow into your hand, and a cloud of flame pops up, and a dove flies out of it, everyone claps.

So the play is the spectacle, and the magic is the language. Prospero's speech, "We are such stuff as dreams are made on," is second maybe only to "All the world's a stage" in crystallizing Shakespeare's philosophy (and better, poetically); and there's Miranda's line, "O brave
Harry Potter and the Tempest of Voldemort*

Act I, Scene ii

(VOLDEMORT and BELLATRIX in a musty, dusty English mansion in a state of disrepair.)

Here cease more questions:
Thou art inclined to sleep; 'tis a good dulness,
And give it way: I know thou canst not choose.

(BELLATRIX sleeps)
Come away, servant, come. I am ready now.
Approach, my WORMTAIL, come.


All hail, great master! grave sir, hail! I come
To answer thy best pleasure; be't to fly,
To s
Sep 20, 2010 Terence rated it 3 of 5 stars  ·  review of another edition
Recommends it for: Who would I not recommend it to?
I finished my rereading of The Tempest earlier today. As usual when I reread one of the Bard's plays, I appreciate it more. I can definitely upgrade my initial reaction to a solid 3 stars. It's still not a favorite; many of the qualms I had from my original review remain. Except perhaps at the end when Prospero gives up the power his magic gives him, though I couldn't tell you why he does so - Shakespeare doesn't give us much in the way of motivation for any of his actions. For example, why does ...more
"We are such stuff
As dream aer made on; and our little life
Is rounded with a sleep."

"Noi siamo della stessa materia
Di cui son fatti i sogni
E la nostra piccola vita
E' circondata da un sonno."

Prendete questo verso, riempitevi il calice di vino, fatelo roteare e ossigenare, accostatevi il vostro naso e godetevi l'aroma, la mistica fragranza, e inebriatevi l'anima. Quanti significati può avere? Quanti? Mi perdo lentamente per labirintici sentieri - con il sorriso di un bambino ogni tanto mi guardo i
Siento que cuando reseño a Shakespeare me vuelvo repetitiva. Cada obra es interesante, única, atrapante… Y sí, “desopilante” también, sobre todo si tomamos en cuenta que hasta en las tragedias hay escenas en donde los payasos de la obra hacen de las suyas. The Tempest es un entrecruce definitivo (digo "definitivo" porque recuerdo lo que sucede en Hamlet, por ejemplo) entre la realidad de una Corte y lo sobrenatural que interrumpe. En este caso, la magia es crucial.

Todo (o casi todo) ocurre e
Joe Valdez
Apr 17, 2014 Joe Valdez rated it 2 of 5 stars  ·  review of another edition
Recommends it for: Cranks, castaways, supernatural beings
Shelves: plays
My game plan for revisiting Shakespeare was to stream video of a staging of the play, listening and watching while reading along to as much of the original text as was incorporated by the staging. Later, I read the entire play in the modern English version.

The staging I found on YouTube for The Tempest was broadcast February 27, 1980 in the U.K. The only actor I recognized from the cast was Nigel Hawthorne as the drunken butler Stephano. Michael Hordern played Prospero. Warren Clarke played Cali
In this very lyrical, poetic play, rich in imagery of water and musical sounds, Shakespeare engages with mystical themes and ideas taken from magic stories. Ariel is like a djinn from the 1001 Nights.

The text also engages with colonialism through the character of Caliban, who like Prospero has been disenfranchised. He is the original inhabitant of the island, demonised in his own description and through his mother, whose 'witch' status is devilish in contrast to Prospero's noble, white 'magician
How do you review Shakespeare?

I read this so that I could read Arno Schmidt's School for Atheists, which according to the back cover draws heavily from The Tempest. I didn't love The Tempest as much as say Hamlet, but I enjoyed it just fine. I'll probably need to re-read it again to really begin to get it.

I should read more Shakespeare. Like the Bible I'm of the firm belief, but not practice, that both should be read in their entirety to even begin to be fully literate in Western literature. T
The Tempest is about some assholes on an island.
I have always felt a little slighted about my middle name - Prosper - even though it is felicitous in the most literal sense of the word, I have always been a bit put out by it's oddness. I inherited it from a great grandfather, or some other, who I have never met. But as the years of easy childish embarrassment recede, I find myself clinging to it with a newly forged appreciation, and in part it is because I have re-styled it as an homage to Prospero, à la Shakespeare's The Tempest.

Sorry guys, I've got to get to class soon, so this review is going to be far from perfect. Forgive me? was disappointing.

So I didn't read this one of my own volition. When my English professor assigned "The Tempest" I was actually pretty excited to start it. I'd heard so much talk about how much of a classic it was, how it was Shakespeare's last play, and how all around awesome it was. Sadly, I didn't really find much awesomeness.

Let's begin with my biggest problem with this
I think this is the most beautifully written of any Shakespeare play, of whatever category. Tragedy, comedy, tragi-comedy, etc. Nothing beats it in terms of the magic that it induces in the audience. Shakespeare is literally able to conjure magic with these words, and it brings tears to my eyes to read it. I think Prospero is one of the more heartbreaking characters. Mostly, perhaps, because of the analogy to Shakespeare. The final speech gets right to the heart. The master at the peak of his po ...more
Huda Aweys
Grandest of what Shakespeare wrote
من أروع ما كتب شكسبير ..
Chiara Pagliochini
“Non avere paura: l’isola è piena di rumori, di suoni, di dolci arie che danno gioia e non malinconia.”

Quando nessuno guarda, io e zio Billy cerchiamo di stabilire se ci piacciamo o meno. Lui ha questo sguardo un po’ sornione, da puttana di classe, che a me irrita da morire. E non c’è mai una volta che non gli tiri una cuscinata. Tuttavia, poi, sappiamo come far pace e se proprio proprio non ci adoriamo (non ancora), se non altro riusciamo a impostare una discussione costruttiva senza sbranarci.
Dec 11, 2009 Rauf rated it 5 of 5 stars  ·  review of another edition
Recommends it for: Everyone

Wouldn't it be interesting if Prospero, Ariel, Sycorax and Caliban are used in another story? A darker, bloodier, gung-hoer story involving time-machines and space lizards? I say yes.
Dec. 2009 --
Above was my old review. I chose not to erase it so I will always remember just how stupid I was. The Tempest was a great play. The dynamics between the characters -- especially Ariel-Prospero, Caliban-Stephano -- were fantastic.
For my NaNoWriMo novel I borrowed the main characters from The Temp
Jeanette  "Astute Crabbist"
What with a desert island and sorcery and spirits and a real live monster (Caliban) born of a witch, I'd expected to be more enchanted by this story. To be fair, I'm sure it's a lot more fun to see it performed than to read. I just wasn't all that thrilled with it, and I found some of the passages hard to get through. The language was at times more difficult to understand than some of Shakespeare's other (better) plays.
Rosa Ramôa
Dizem ter sido a ultima peça escrita por Shakespeare...
Passa-se numa ilha remota
Aug 02, 2014 Owlseyes marked it as to-read  ·  review of another edition
Shelves: british-lit

Notes collected:

Prospero and his daughter Miranda "stranded" in an island after shipwreck; it's been years, he explains her how he got betrayed by his brother back in Milan. It's about time to get things straight vis-a-vis the King of Naples and brother Antonio,so "perfidious" a character.

Prospero is also a Magician,and a lover of books.He "owns" a slave named Caliban, whose mother was the witch Sycorax.For some time, though rebelliously, Caliban serves Prospero.

Under Prospero's command is als
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William Shakespeare (baptised 26 April 1564) was an English poet and playwright, widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's national poet and the "Bard of Avon" (or simply "The Bard"). His surviving works consist of 38 plays, 154 sonnets, two long narrative poems, and several other poems. His plays have been tr ...more
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Romeo and Juliet Hamlet Macbeth A Midsummer Night's Dream Othello

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“Hell is empty and all the devils are here.” 4274 likes
“Our revels now are ended. These our actors,
As I foretold you, were all spirits and
Are melted into air, into thin air:
And, like the baseless fabric of this vision,
The cloud-capp’d towers, the gorgeous palaces,
The solemn temples, the great globe itself,
Yea, all which it inherit, shall dissolve
And, like this insubstantial pageant faded,
Leave not a rack behind. We are such stuff
As dreams are made on, and our little life
Is rounded with a sleep.”
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