false 782426 <![CDATA[From Reverence to Rape: The Treatment of Women in the Movies]]> http://photo.goodreads.com/books/1178300030m/782426.jpg http://photo.goodreads.com/books/1178300030s/782426.jpg From Reverence to Rape is the first and the last word on women in the movies--perhaps the best book ever written on the subject. Most feminist film critics produce work that conforms to the academic discipline of cultural studies. Haskell's groundbreaking statement (first published in 1974 but with an added chapter that updates her theme through the 1980s) is accessible, serious, and great fun because its primary source is Hollywood cinema itself. Haskell draws on her amazing knowledge and understanding of American film to comment witheringly upon the ways producers, directors, and critics from the 1920s and onward have treated women. Still, within the attack her passionate love of films and the women who appear in them shines through. For example, in a lovely passage on Greta Garbo, Haskell claims that the actress's appeal, "however provocatively she might array herself, was romantic rather than sexual, and that is the reason women liked her. Her spirit leaped first and her body, in total exquisite accord, leaped after. She yearned not for pleasure in bed but for love in eternity."

Appreciations with this much sensitivity and vigor are as hard to find as a critic who can imaginatively process a lifetime of movie-watching experiences. Moreover, Haskell discusses the larger social significance of the male cinema and male criticism she often finds so infantile. At one point, despairing over critics who either ignore actresses or transform them into love objects, Haskell bemoans the critics' immaturity as "one of the more common and less endearing manifestations of the eternal adolescence that hangs on the American male--who, by the time he is mature enough to appreciate a woman, is almost ready to retire from the arena. There are a few good years in which he can both appreciate and operate, but not enough (particularly with the current defections from heterosexuality) to satisfy the female population, which may be why more and more women are turning to each other, or to themselves." This fine book, as loving and funny as it is angry, is a must for movie fans as well as anyone interested in gender issues. --Raphael Shargel

]]> 782426 5 768441 1974 From Reverence to Rape: The Treatment of Women in the Movies total:46|5:8|4:24|3:13|2:1|1:0| 46 177 99 12 116613 3.65 177 43 47634998 617334 782426 0226318850 9780226318851 11 <![CDATA[From Reverence to Rape: The Treatment of Women in the Movies]]> http://photo.goodreads.com/books/1178300030m/782426.jpg http://photo.goodreads.com/books/1178300030s/782426.jpg http://www.goodreads.com/book/show/782426.From_Reverence_to_Rape_The_Treatment_of_Women_in_the_Movies 3.86 43 From Reverence to Rape is the first and the last word on women in the movies--perhaps the best book ever written on the subject. Most feminist film critics produce work that conforms to the academic discipline of cultural studies. Haskell's groundbreaking statement (first published in 1974 but with an added chapter that updates her theme through the 1980s) is accessible, serious, and great fun because its primary source is Hollywood cinema itself. Haskell draws on her amazing knowledge and understanding of American film to comment witheringly upon the ways producers, directors, and critics from the 1920s and onward have treated women. Still, within the attack her passionate love of films and the women who appear in them shines through. For example, in a lovely passage on Greta Garbo, Haskell claims that the actress's appeal, "however provocatively she might array herself, was romantic rather than sexual, and that is the reason women liked her. Her spirit leaped first and her body, in total exquisite accord, leaped after. She yearned not for pleasure in bed but for love in eternity."

Appreciations with this much sensitivity and vigor are as hard to find as a critic who can imaginatively process a lifetime of movie-watching experiences. Moreover, Haskell discusses the larger social significance of the male cinema and male criticism she often finds so infantile. At one point, despairing over critics who either ignore actresses or transform them into love objects, Haskell bemoans the critics' immaturity as "one of the more common and less endearing manifestations of the eternal adolescence that hangs on the American male--who, by the time he is mature enough to appreciate a woman, is almost ready to retire from the arena. There are a few good years in which he can both appreciate and operate, but not enough (particularly with the current defections from heterosexuality) to satisfy the female population, which may be why more and more women are turning to each other, or to themselves." This fine book, as loving and funny as it is angry, is a must for movie fans as well as anyone interested in gender issues. --Raphael Shargel

]]> 1974 4 0 false Mon Jun 22 00:00:00 -0700 2009 Thu Feb 26 15:57:15 -0800 2009 Mon Jun 22 14:19:31 -0700 2009 From Reverence to Rape is extremely readable, which something I'm always kind of relieved to find out about film and literary criticism. It is also very interesting. A big problem with the book is the fact that Haskell almost entirely neglects women of color, I think they get about a paragraph in th...more...]]> 32598118 929972 782426 0226318850 9780226318851 11 <![CDATA[From Reverence to Rape: The Treatment of Women in the Movies]]> http://photo.goodreads.com/books/1178300030m/782426.jpg http://photo.goodreads.com/books/1178300030s/782426.jpg http://www.goodreads.com/book/show/782426.From_Reverence_to_Rape_The_Treatment_of_Women_in_the_Movies 3.85 46 From Reverence to Rape is the first and the last word on women in the movies--perhaps the best book ever written on the subject. Most feminist film critics produce work that conforms to the academic discipline of cultural studies. Haskell's groundbreaking statement (first published in 1974 but with an added chapter that updates her theme through the 1980s) is accessible, serious, and great fun because its primary source is Hollywood cinema itself. Haskell draws on her amazing knowledge and understanding of American film to comment witheringly upon the ways producers, directors, and critics from the 1920s and onward have treated women. Still, within the attack her passionate love of films and the women who appear in them shines through. For example, in a lovely passage on Greta Garbo, Haskell claims that the actress's appeal, "however provocatively she might array herself, was romantic rather than sexual, and that is the reason women liked her. Her spirit leaped first and her body, in total exquisite accord, leaped after. She yearned not for pleasure in bed but for love in eternity."

Appreciations with this much sensitivity and vigor are as hard to find as a critic who can imaginatively process a lifetime of movie-watching experiences. Moreover, Haskell discusses the larger social significance of the male cinema and male criticism she often finds so infantile. At one point, despairing over critics who either ignore actresses or transform them into love objects, Haskell bemoans the critics' immaturity as "one of the more common and less endearing manifestations of the eternal adolescence that hangs on the American male--who, by the time he is mature enough to appreciate a woman, is almost ready to retire from the arena. There are a few good years in which he can both appreciate and operate, but not enough (particularly with the current defections from heterosexuality) to satisfy the female population, which may be why more and more women are turning to each other, or to themselves." This fine book, as loving and funny as it is angry, is a must for movie fans as well as anyone interested in gender issues. --Raphael Shargel

]]> 1974 3 0 false Sun Oct 19 00:00:00 -0700 2008 Thu Sep 11 07:28:11 -0700 2008 Thu Nov 27 08:14:05 -0800 2008 1 more...]]> 6386097 391125 782426 0226318850 9780226318851 11 <![CDATA[From Reverence to Rape: The Treatment of Women in the Movies]]> http://photo.goodreads.com/books/1178300030m/782426.jpg http://photo.goodreads.com/books/1178300030s/782426.jpg http://www.goodreads.com/book/show/782426.From_Reverence_to_Rape_The_Treatment_of_Women_in_the_Movies 3.85 46 From Reverence to Rape is the first and the last word on women in the movies--perhaps the best book ever written on the subject. Most feminist film critics produce work that conforms to the academic discipline of cultural studies. Haskell's groundbreaking statement (first published in 1974 but with an added chapter that updates her theme through the 1980s) is accessible, serious, and great fun because its primary source is Hollywood cinema itself. Haskell draws on her amazing knowledge and understanding of American film to comment witheringly upon the ways producers, directors, and critics from the 1920s and onward have treated women. Still, within the attack her passionate love of films and the women who appear in them shines through. For example, in a lovely passage on Greta Garbo, Haskell claims that the actress's appeal, "however provocatively she might array herself, was romantic rather than sexual, and that is the reason women liked her. Her spirit leaped first and her body, in total exquisite accord, leaped after. She yearned not for pleasure in bed but for love in eternity."

Appreciations with this much sensitivity and vigor are as hard to find as a critic who can imaginatively process a lifetime of movie-watching experiences. Moreover, Haskell discusses the larger social significance of the male cinema and male criticism she often finds so infantile. At one point, despairing over critics who either ignore actresses or transform them into love objects, Haskell bemoans the critics' immaturity as "one of the more common and less endearing manifestations of the eternal adolescence that hangs on the American male--who, by the time he is mature enough to appreciate a woman, is almost ready to retire from the arena. There are a few good years in which he can both appreciate and operate, but not enough (particularly with the current defections from heterosexuality) to satisfy the female population, which may be why more and more women are turning to each other, or to themselves." This fine book, as loving and funny as it is angry, is a must for movie fans as well as anyone interested in gender issues. --Raphael Shargel

]]> 1974 3 0 false Mon Oct 01 00:00:00 -0700 2007 Tue Sep 18 10:33:38 -0700 2007 Sat Oct 27 21:21:27 -0700 2007 more...]]> 67345843 16533 782426 0226318850 9780226318851 11 <![CDATA[From Reverence to Rape: The Treatment of Women in the Movies]]> http://photo.goodreads.com/books/1178300030m/782426.jpg http://photo.goodreads.com/books/1178300030s/782426.jpg http://www.goodreads.com/book/show/782426.From_Reverence_to_Rape_The_Treatment_of_Women_in_the_Movies 3.85 46 From Reverence to Rape is the first and the last word on women in the movies--perhaps the best book ever written on the subject. Most feminist film critics produce work that conforms to the academic discipline of cultural studies. Haskell's groundbreaking statement (first published in 1974 but with an added chapter that updates her theme through the 1980s) is accessible, serious, and great fun because its primary source is Hollywood cinema itself. Haskell draws on her amazing knowledge and understanding of American film to comment witheringly upon the ways producers, directors, and critics from the 1920s and onward have treated women. Still, within the attack her passionate love of films and the women who appear in them shines through. For example, in a lovely passage on Greta Garbo, Haskell claims that the actress's appeal, "however provocatively she might array herself, was romantic rather than sexual, and that is the reason women liked her. Her spirit leaped first and her body, in total exquisite accord, leaped after. She yearned not for pleasure in bed but for love in eternity."

Appreciations with this much sensitivity and vigor are as hard to find as a critic who can imaginatively process a lifetime of movie-watching experiences. Moreover, Haskell discusses the larger social significance of the male cinema and male criticism she often finds so infantile. At one point, despairing over critics who either ignore actresses or transform them into love objects, Haskell bemoans the critics' immaturity as "one of the more common and less endearing manifestations of the eternal adolescence that hangs on the American male--who, by the time he is mature enough to appreciate a woman, is almost ready to retire from the arena. There are a few good years in which he can both appreciate and operate, but not enough (particularly with the current defections from heterosexuality) to satisfy the female population, which may be why more and more women are turning to each other, or to themselves." This fine book, as loving and funny as it is angry, is a must for movie fans as well as anyone interested in gender issues. --Raphael Shargel

]]> 1974 4 0 false Fri Sep 04 00:00:00 -0700 2009 Fri Aug 14 00:01:57 -0700 2009 Fri Sep 04 10:55:27 -0700 2009 more...]]> 48116865 1943155 782426 0226318850 9780226318851 11 <![CDATA[From Reverence to Rape: The Treatment of Women in the Movies]]> http://photo.goodreads.com/books/1178300030m/782426.jpg http://photo.goodreads.com/books/1178300030s/782426.jpg http://www.goodreads.com/book/show/782426.From_Reverence_to_Rape_The_Treatment_of_Women_in_the_Movies 3.85 46 From Reverence to Rape is the first and the last word on women in the movies--perhaps the best book ever written on the subject. Most feminist film critics produce work that conforms to the academic discipline of cultural studies. Haskell's groundbreaking statement (first published in 1974 but with an added chapter that updates her theme through the 1980s) is accessible, serious, and great fun because its primary source is Hollywood cinema itself. Haskell draws on her amazing knowledge and understanding of American film to comment witheringly upon the ways producers, directors, and critics from the 1920s and onward have treated women. Still, within the attack her passionate love of films and the women who appear in them shines through. For example, in a lovely passage on Greta Garbo, Haskell claims that the actress's appeal, "however provocatively she might array herself, was romantic rather than sexual, and that is the reason women liked her. Her spirit leaped first and her body, in total exquisite accord, leaped after. She yearned not for pleasure in bed but for love in eternity."

Appreciations with this much sensitivity and vigor are as hard to find as a critic who can imaginatively process a lifetime of movie-watching experiences. Moreover, Haskell discusses the larger social significance of the male cinema and male criticism she often finds so infantile. At one point, despairing over critics who either ignore actresses or transform them into love objects, Haskell bemoans the critics' immaturity as "one of the more common and less endearing manifestations of the eternal adolescence that hangs on the American male--who, by the time he is mature enough to appreciate a woman, is almost ready to retire from the arena. There are a few good years in which he can both appreciate and operate, but not enough (particularly with the current defections from heterosexuality) to satisfy the female population, which may be why more and more women are turning to each other, or to themselves." This fine book, as loving and funny as it is angry, is a must for movie fans as well as anyone interested in gender issues. --Raphael Shargel

]]> 1974 4 0 false Tue Mar 03 10:32:48 -0800 2009 Tue Mar 03 10:35:24 -0800 2009 61687779 2417817 782426 0226318850 9780226318851 11 <![CDATA[From Reverence to Rape: The Treatment of Women in the Movies]]> http://photo.goodreads.com/books/1178300030m/782426.jpg http://photo.goodreads.com/books/1178300030s/782426.jpg http://www.goodreads.com/book/show/782426.From_Reverence_to_Rape_The_Treatment_of_Women_in_the_Movies 3.85 46 From Reverence to Rape is the first and the last word on women in the movies--perhaps the best book ever written on the subject. Most feminist film critics produce work that conforms to the academic discipline of cultural studies. Haskell's groundbreaking statement (first published in 1974 but with an added chapter that updates her theme through the 1980s) is accessible, serious, and great fun because its primary source is Hollywood cinema itself. Haskell draws on her amazing knowledge and understanding of American film to comment witheringly upon the ways producers, directors, and critics from the 1920s and onward have treated women. Still, within the attack her passionate love of films and the women who appear in them shines through. For example, in a lovely passage on Greta Garbo, Haskell claims that the actress's appeal, "however provocatively she might array herself, was romantic rather than sexual, and that is the reason women liked her. Her spirit leaped first and her body, in total exquisite accord, leaped after. She yearned not for pleasure in bed but for love in eternity."

Appreciations with this much sensitivity and vigor are as hard to find as a critic who can imaginatively process a lifetime of movie-watching experiences. Moreover, Haskell discusses the larger social significance of the male cinema and male criticism she often finds so infantile. At one point, despairing over critics who either ignore actresses or transform them into love objects, Haskell bemoans the critics' immaturity as "one of the more common and less endearing manifestations of the eternal adolescence that hangs on the American male--who, by the time he is mature enough to appreciate a woman, is almost ready to retire from the arena. There are a few good years in which he can both appreciate and operate, but not enough (particularly with the current defections from heterosexuality) to satisfy the female population, which may be why more and more women are turning to each other, or to themselves." This fine book, as loving and funny as it is angry, is a must for movie fans as well as anyone interested in gender issues. --Raphael Shargel

]]> 1974 2 0 false Tue Jun 30 00:00:00 -0700 2009 Tue Jun 30 17:27:06 -0700 2009 Tue Jun 30 17:28:27 -0700 2009 48327724 83061 782426 0226318850 9780226318851 11 <![CDATA[From Reverence to Rape: The Treatment of Women in the Movies]]> http://photo.goodreads.com/books/1178300030m/782426.jpg http://photo.goodreads.com/books/1178300030s/782426.jpg http://www.goodreads.com/book/show/782426.From_Reverence_to_Rape_The_Treatment_of_Women_in_the_Movies 3.85 46 From Reverence to Rape is the first and the last word on women in the movies--perhaps the best book ever written on the subject. Most feminist film critics produce work that conforms to the academic discipline of cultural studies. Haskell's groundbreaking statement (first published in 1974 but with an added chapter that updates her theme through the 1980s) is accessible, serious, and great fun because its primary source is Hollywood cinema itself. Haskell draws on her amazing knowledge and understanding of American film to comment witheringly upon the ways producers, directors, and critics from the 1920s and onward have treated women. Still, within the attack her passionate love of films and the women who appear in them shines through. For example, in a lovely passage on Greta Garbo, Haskell claims that the actress's appeal, "however provocatively she might array herself, was romantic rather than sexual, and that is the reason women liked her. Her spirit leaped first and her body, in total exquisite accord, leaped after. She yearned not for pleasure in bed but for love in eternity."

Appreciations with this much sensitivity and vigor are as hard to find as a critic who can imaginatively process a lifetime of movie-watching experiences. Moreover, Haskell discusses the larger social significance of the male cinema and male criticism she often finds so infantile. At one point, despairing over critics who either ignore actresses or transform them into love objects, Haskell bemoans the critics' immaturity as "one of the more common and less endearing manifestations of the eternal adolescence that hangs on the American male--who, by the time he is mature enough to appreciate a woman, is almost ready to retire from the arena. There are a few good years in which he can both appreciate and operate, but not enough (particularly with the current defections from heterosexuality) to satisfy the female population, which may be why more and more women are turning to each other, or to themselves." This fine book, as loving and funny as it is angry, is a must for movie fans as well as anyone interested in gender issues. --Raphael Shargel

]]> 1974 3 0 false Sun Feb 01 00:00:00 -0800 2009 Thu Mar 05 10:51:19 -0800 2009 Thu Mar 05 10:51:49 -0800 2009 37922310 374427 782426 0226318850 9780226318851 11 <![CDATA[From Reverence to Rape: The Treatment of Women in the Movies]]> http://photo.goodreads.com/books/1178300030m/782426.jpg http://photo.goodreads.com/books/1178300030s/782426.jpg http://www.goodreads.com/book/show/782426.From_Reverence_to_Rape_The_Treatment_of_Women_in_the_Movies 3.85 46 From Reverence to Rape is the first and the last word on women in the movies--perhaps the best book ever written on the subject. Most feminist film critics produce work that conforms to the academic discipline of cultural studies. Haskell's groundbreaking statement (first published in 1974 but with an added chapter that updates her theme through the 1980s) is accessible, serious, and great fun because its primary source is Hollywood cinema itself. Haskell draws on her amazing knowledge and understanding of American film to comment witheringly upon the ways producers, directors, and critics from the 1920s and onward have treated women. Still, within the attack her passionate love of films and the women who appear in them shines through. For example, in a lovely passage on Greta Garbo, Haskell claims that the actress's appeal, "however provocatively she might array herself, was romantic rather than sexual, and that is the reason women liked her. Her spirit leaped first and her body, in total exquisite accord, leaped after. She yearned not for pleasure in bed but for love in eternity."

Appreciations with this much sensitivity and vigor are as hard to find as a critic who can imaginatively process a lifetime of movie-watching experiences. Moreover, Haskell discusses the larger social significance of the male cinema and male criticism she often finds so infantile. At one point, despairing over critics who either ignore actresses or transform them into love objects, Haskell bemoans the critics' immaturity as "one of the more common and less endearing manifestations of the eternal adolescence that hangs on the American male--who, by the time he is mature enough to appreciate a woman, is almost ready to retire from the arena. There are a few good years in which he can both appreciate and operate, but not enough (particularly with the current defections from heterosexuality) to satisfy the female population, which may be why more and more women are turning to each other, or to themselves." This fine book, as loving and funny as it is angry, is a must for movie fans as well as anyone interested in gender issues. --Raphael Shargel

]]> 1974 4 0 false Sun Nov 16 22:18:03 -0800 2008 Sun Nov 16 22:21:09 -0800 2008 more...]]> 429334 38968 451305 0450023761 9780450023767 1 <![CDATA[From Reverence to Rape the Treatment of Women in the Movies]]> http://www.goodreads.com/images/nocover-111x148.jpg http://www.goodreads.com/images/nocover-60x80.jpg http://www.goodreads.com/book/show/451305.From_Reverence_to_Rape_the_Treatment_of_Women_in_the_Movies 4.00 1 From Reverence to Rape is the first and the last word on women in the movies--perhaps the best book ever written on the subject. Most feminist film critics produce work that conforms to the academic discipline of cultural studies. Haskell's groundbreaking statement (first published in 1974 but with an added chapter that updates her theme through the 1980s) is accessible, serious, and great fun because its primary source is Hollywood cinema itself. Haskell draws on her amazing knowledge and understanding of American film to comment witheringly upon the ways producers, directors, and critics from the 1920s and onward have treated women. Still, within the attack her passionate love of films and the women who appear in them shines through. For example, in a lovely passage on Greta Garbo, Haskell claims that the actress's appeal, "however provocatively she might array herself, was romantic rather than sexual, and that is the reason women liked her. Her spirit leaped first and her body, in total exquisite accord, leaped after. She yearned not for pleasure in bed but for love in eternity."

Appreciations with this much sensitivity and vigor are as hard to find as a critic who can imaginatively process a lifetime of movie-watching experiences. Moreover, Haskell discusses the larger social significance of the male cinema and male criticism she often finds so infantile. At one point, despairing over critics who either ignore actresses or transform them into love objects, Haskell bemoans the critics' immaturity as "one of the more common and less endearing manifestations of the eternal adolescence that hangs on the American male--who, by the time he is mature enough to appreciate a woman, is almost ready to retire from the arena. There are a few good years in which he can both appreciate and operate, but not enough (particularly with the current defections from heterosexuality) to satisfy the female population, which may be why more and more women are turning to each other, or to themselves." This fine book, as loving and funny as it is angry, is a must for movie fans as well as anyone interested in gender issues. --Raphael Shargel

]]> 1974 0 0 false Sun Mar 25 21:05:42 -0700 2007 Sun Mar 25 21:08:12 -0700 2007 20429647 1076724 782426 0226318850 9780226318851 11 <![CDATA[From Reverence to Rape: The Treatment of Women in the Movies]]> http://photo.goodreads.com/books/1178300030m/782426.jpg http://photo.goodreads.com/books/1178300030s/782426.jpg http://www.goodreads.com/book/show/782426.From_Reverence_to_Rape_The_Treatment_of_Women_in_the_Movies 3.85 46 From Reverence to Rape is the first and the last word on women in the movies--perhaps the best book ever written on the subject. Most feminist film critics produce work that conforms to the academic discipline of cultural studies. Haskell's groundbreaking statement (first published in 1974 but with an added chapter that updates her theme through the 1980s) is accessible, serious, and great fun because its primary source is Hollywood cinema itself. Haskell draws on her amazing knowledge and understanding of American film to comment witheringly upon the ways producers, directors, and critics from the 1920s and onward have treated women. Still, within the attack her passionate love of films and the women who appear in them shines through. For example, in a lovely passage on Greta Garbo, Haskell claims that the actress's appeal, "however provocatively she might array herself, was romantic rather than sexual, and that is the reason women liked her. Her spirit leaped first and her body, in total exquisite accord, leaped after. She yearned not for pleasure in bed but for love in eternity."

Appreciations with this much sensitivity and vigor are as hard to find as a critic who can imaginatively process a lifetime of movie-watching experiences. Moreover, Haskell discusses the larger social significance of the male cinema and male criticism she often finds so infantile. At one point, despairing over critics who either ignore actresses or transform them into love objects, Haskell bemoans the critics' immaturity as "one of the more common and less endearing manifestations of the eternal adolescence that hangs on the American male--who, by the time he is mature enough to appreciate a woman, is almost ready to retire from the arena. There are a few good years in which he can both appreciate and operate, but not enough (particularly with the current defections from heterosexuality) to satisfy the female population, which may be why more and more women are turning to each other, or to themselves." This fine book, as loving and funny as it is angry, is a must for movie fans as well as anyone interested in gender issues. --Raphael Shargel

]]> 1974 4 0 false Tue Jan 01 00:00:00 -0800 2008 Thu Apr 17 20:21:18 -0700 2008 Thu Apr 17 20:23:45 -0700 2008 4401314 251564 782426 0226318850 9780226318851 11 <![CDATA[From Reverence to Rape: The Treatment of Women in the Movies]]> http://photo.goodreads.com/books/1178300030m/782426.jpg http://photo.goodreads.com/books/1178300030s/782426.jpg http://www.goodreads.com/book/show/782426.From_Reverence_to_Rape_The_Treatment_of_Women_in_the_Movies 3.85 46 From Reverence to Rape is the first and the last word on women in the movies--perhaps the best book ever written on the subject. Most feminist film critics produce work that conforms to the academic discipline of cultural studies. Haskell's groundbreaking statement (first published in 1974 but with an added chapter that updates her theme through the 1980s) is accessible, serious, and great fun because its primary source is Hollywood cinema itself. Haskell draws on her amazing knowledge and understanding of American film to comment witheringly upon the ways producers, directors, and critics from the 1920s and onward have treated women. Still, within the attack her passionate love of films and the women who appear in them shines through. For example, in a lovely passage on Greta Garbo, Haskell claims that the actress's appeal, "however provocatively she might array herself, was romantic rather than sexual, and that is the reason women liked her. Her spirit leaped first and her body, in total exquisite accord, leaped after. She yearned not for pleasure in bed but for love in eternity."

Appreciations with this much sensitivity and vigor are as hard to find as a critic who can imaginatively process a lifetime of movie-watching experiences. Moreover, Haskell discusses the larger social significance of the male cinema and male criticism she often finds so infantile. At one point, despairing over critics who either ignore actresses or transform them into love objects, Haskell bemoans the critics' immaturity as "one of the more common and less endearing manifestations of the eternal adolescence that hangs on the American male--who, by the time he is mature enough to appreciate a woman, is almost ready to retire from the arena. There are a few good years in which he can both appreciate and operate, but not enough (particularly with the current defections from heterosexuality) to satisfy the female population, which may be why more and more women are turning to each other, or to themselves." This fine book, as loving and funny as it is angry, is a must for movie fans as well as anyone interested in gender issues. --Raphael Shargel

]]> 1974 5 0 false Sat Aug 11 11:59:51 -0700 2007 Thu Dec 17 04:44:54 -0800 2009 1644572 69133 782426 0226318850 9780226318851 11 <![CDATA[From Reverence to Rape: The Treatment of Women in the Movies]]> http://photo.goodreads.com/books/1178300030m/782426.jpg http://photo.goodreads.com/books/1178300030s/782426.jpg http://www.goodreads.com/book/show/782426.From_Reverence_to_Rape_The_Treatment_of_Women_in_the_Movies 3.85 46 From Reverence to Rape is the first and the last word on women in the movies--perhaps the best book ever written on the subject. Most feminist film critics produce work that conforms to the academic discipline of cultural studies. Haskell's groundbreaking statement (first published in 1974 but with an added chapter that updates her theme through the 1980s) is accessible, serious, and great fun because its primary source is Hollywood cinema itself. Haskell draws on her amazing knowledge and understanding of American film to comment witheringly upon the ways producers, directors, and critics from the 1920s and onward have treated women. Still, within the attack her passionate love of films and the women who appear in them shines through. For example, in a lovely passage on Greta Garbo, Haskell claims that the actress's appeal, "however provocatively she might array herself, was romantic rather than sexual, and that is the reason women liked her. Her spirit leaped first and her body, in total exquisite accord, leaped after. She yearned not for pleasure in bed but for love in eternity."

Appreciations with this much sensitivity and vigor are as hard to find as a critic who can imaginatively process a lifetime of movie-watching experiences. Moreover, Haskell discusses the larger social significance of the male cinema and male criticism she often finds so infantile. At one point, despairing over critics who either ignore actresses or transform them into love objects, Haskell bemoans the critics' immaturity as "one of the more common and less endearing manifestations of the eternal adolescence that hangs on the American male--who, by the time he is mature enough to appreciate a woman, is almost ready to retire from the arena. There are a few good years in which he can both appreciate and operate, but not enough (particularly with the current defections from heterosexuality) to satisfy the female population, which may be why more and more women are turning to each other, or to themselves." This fine book, as loving and funny as it is angry, is a must for movie fans as well as anyone interested in gender issues. --Raphael Shargel

]]> 1974 3 0 false Mon Jun 04 06:21:26 -0700 2007 Mon Jun 04 06:24:10 -0700 2007 80736253 2155658 782426 0226318850 9780226318851 11 <![CDATA[From Reverence to Rape: The Treatment of Women in the Movies]]> http://photo.goodreads.com/books/1178300030m/782426.jpg http://photo.goodreads.com/books/1178300030s/782426.jpg http://www.goodreads.com/book/show/782426.From_Reverence_to_Rape_The_Treatment_of_Women_in_the_Movies 3.85 46 From Reverence to Rape is the first and the last word on women in the movies--perhaps the best book ever written on the subject. Most feminist film critics produce work that conforms to the academic discipline of cultural studies. Haskell's groundbreaking statement (first published in 1974 but with an added chapter that updates her theme through the 1980s) is accessible, serious, and great fun because its primary source is Hollywood cinema itself. Haskell draws on her amazing knowledge and understanding of American film to comment witheringly upon the ways producers, directors, and critics from the 1920s and onward have treated women. Still, within the attack her passionate love of films and the women who appear in them shines through. For example, in a lovely passage on Greta Garbo, Haskell claims that the actress's appeal, "however provocatively she might array herself, was romantic rather than sexual, and that is the reason women liked her. Her spirit leaped first and her body, in total exquisite accord, leaped after. She yearned not for pleasure in bed but for love in eternity."

Appreciations with this much sensitivity and vigor are as hard to find as a critic who can imaginatively process a lifetime of movie-watching experiences. Moreover, Haskell discusses the larger social significance of the male cinema and male criticism she often finds so infantile. At one point, despairing over critics who either ignore actresses or transform them into love objects, Haskell bemoans the critics' immaturity as "one of the more common and less endearing manifestations of the eternal adolescence that hangs on the American male--who, by the time he is mature enough to appreciate a woman, is almost ready to retire from the arena. There are a few good years in which he can both appreciate and operate, but not enough (particularly with the current defections from heterosexuality) to satisfy the female population, which may be why more and more women are turning to each other, or to themselves." This fine book, as loving and funny as it is angry, is a must for movie fans as well as anyone interested in gender issues. --Raphael Shargel

]]> 1974 3 0 false Sat Dec 12 00:55:04 -0800 2009 Sat Dec 12 00:55:04 -0800 2009 79199432 2944836 782426 0226318850 9780226318851 11 <![CDATA[From Reverence to Rape: The Treatment of Women in the Movies]]> http://photo.goodreads.com/books/1178300030m/782426.jpg http://photo.goodreads.com/books/1178300030s/782426.jpg http://www.goodreads.com/book/show/782426.From_Reverence_to_Rape_The_Treatment_of_Women_in_the_Movies 3.85 46 From Reverence to Rape is the first and the last word on women in the movies--perhaps the best book ever written on the subject. Most feminist film critics produce work that conforms to the academic discipline of cultural studies. Haskell's groundbreaking statement (first published in 1974 but with an added chapter that updates her theme through the 1980s) is accessible, serious, and great fun because its primary source is Hollywood cinema itself. Haskell draws on her amazing knowledge and understanding of American film to comment witheringly upon the ways producers, directors, and critics from the 1920s and onward have treated women. Still, within the attack her passionate love of films and the women who appear in them shines through. For example, in a lovely passage on Greta Garbo, Haskell claims that the actress's appeal, "however provocatively she might array herself, was romantic rather than sexual, and that is the reason women liked her. Her spirit leaped first and her body, in total exquisite accord, leaped after. She yearned not for pleasure in bed but for love in eternity."

Appreciations with this much sensitivity and vigor are as hard to find as a critic who can imaginatively process a lifetime of movie-watching experiences. Moreover, Haskell discusses the larger social significance of the male cinema and male criticism she often finds so infantile. At one point, despairing over critics who either ignore actresses or transform them into love objects, Haskell bemoans the critics' immaturity as "one of the more common and less endearing manifestations of the eternal adolescence that hangs on the American male--who, by the time he is mature enough to appreciate a woman, is almost ready to retire from the arena. There are a few good years in which he can both appreciate and operate, but not enough (particularly with the current defections from heterosexuality) to satisfy the female population, which may be why more and more women are turning to each other, or to themselves." This fine book, as loving and funny as it is angry, is a must for movie fans as well as anyone interested in gender issues. --Raphael Shargel

]]> 1974 0 0 false Sat Nov 28 09:27:56 -0800 2009 Sat Nov 28 09:27:56 -0800 2009 79083492 170130 782426 0226318850 9780226318851 11 <![CDATA[From Reverence to Rape: The Treatment of Women in the Movies]]> http://photo.goodreads.com/books/1178300030m/782426.jpg http://photo.goodreads.com/books/1178300030s/782426.jpg http://www.goodreads.com/book/show/782426.From_Reverence_to_Rape_The_Treatment_of_Women_in_the_Movies 3.85 46 From Reverence to Rape is the first and the last word on women in the movies--perhaps the best book ever written on the subject. Most feminist film critics produce work that conforms to the academic discipline of cultural studies. Haskell's groundbreaking statement (first published in 1974 but with an added chapter that updates her theme through the 1980s) is accessible, serious, and great fun because its primary source is Hollywood cinema itself. Haskell draws on her amazing knowledge and understanding of American film to comment witheringly upon the ways producers, directors, and critics from the 1920s and onward have treated women. Still, within the attack her passionate love of films and the women who appear in them shines through. For example, in a lovely passage on Greta Garbo, Haskell claims that the actress's appeal, "however provocatively she might array herself, was romantic rather than sexual, and that is the reason women liked her. Her spirit leaped first and her body, in total exquisite accord, leaped after. She yearned not for pleasure in bed but for love in eternity."

Appreciations with this much sensitivity and vigor are as hard to find as a critic who can imaginatively process a lifetime of movie-watching experiences. Moreover, Haskell discusses the larger social significance of the male cinema and male criticism she often finds so infantile. At one point, despairing over critics who either ignore actresses or transform them into love objects, Haskell bemoans the critics' immaturity as "one of the more common and less endearing manifestations of the eternal adolescence that hangs on the American male--who, by the time he is mature enough to appreciate a woman, is almost ready to retire from the arena. There are a few good years in which he can both appreciate and operate, but not enough (particularly with the current defections from heterosexuality) to satisfy the female population, which may be why more and more women are turning to each other, or to themselves." This fine book, as loving and funny as it is angry, is a must for movie fans as well as anyone interested in gender issues. --Raphael Shargel

]]> 1974 0 0 false Thu Nov 26 20:04:27 -0800 2009 Sat Dec 12 19:16:48 -0800 2009 78618269 1287008 782426 0226318850 9780226318851 11 <![CDATA[From Reverence to Rape: The Treatment of Women in the Movies]]> http://photo.goodreads.com/books/1178300030m/782426.jpg http://photo.goodreads.com/books/1178300030s/782426.jpg http://www.goodreads.com/book/show/782426.From_Reverence_to_Rape_The_Treatment_of_Women_in_the_Movies 3.85 46 From Reverence to Rape is the first and the last word on women in the movies--perhaps the best book ever written on the subject. Most feminist film critics produce work that conforms to the academic discipline of cultural studies. Haskell's groundbreaking statement (first published in 1974 but with an added chapter that updates her theme through the 1980s) is accessible, serious, and great fun because its primary source is Hollywood cinema itself. Haskell draws on her amazing knowledge and understanding of American film to comment witheringly upon the ways producers, directors, and critics from the 1920s and onward have treated women. Still, within the attack her passionate love of films and the women who appear in them shines through. For example, in a lovely passage on Greta Garbo, Haskell claims that the actress's appeal, "however provocatively she might array herself, was romantic rather than sexual, and that is the reason women liked her. Her spirit leaped first and her body, in total exquisite accord, leaped after. She yearned not for pleasure in bed but for love in eternity."

Appreciations with this much sensitivity and vigor are as hard to find as a critic who can imaginatively process a lifetime of movie-watching experiences. Moreover, Haskell discusses the larger social significance of the male cinema and male criticism she often finds so infantile. At one point, despairing over critics who either ignore actresses or transform them into love objects, Haskell bemoans the critics' immaturity as "one of the more common and less endearing manifestations of the eternal adolescence that hangs on the American male--who, by the time he is mature enough to appreciate a woman, is almost ready to retire from the arena. There are a few good years in which he can both appreciate and operate, but not enough (particularly with the current defections from heterosexuality) to satisfy the female population, which may be why more and more women are turning to each other, or to themselves." This fine book, as loving and funny as it is angry, is a must for movie fans as well as anyone interested in gender issues. --Raphael Shargel

]]> 1974 0 0 false Sun Nov 22 06:45:36 -0800 2009 Sun Nov 22 06:45:36 -0800 2009 77830029 2427571 782426 0226318850 9780226318851 11 <![CDATA[From Reverence to Rape: The Treatment of Women in the Movies]]> http://photo.goodreads.com/books/1178300030m/782426.jpg http://photo.goodreads.com/books/1178300030s/782426.jpg http://www.goodreads.com/book/show/782426.From_Reverence_to_Rape_The_Treatment_of_Women_in_the_Movies 3.85 46 From Reverence to Rape is the first and the last word on women in the movies--perhaps the best book ever written on the subject. Most feminist film critics produce work that conforms to the academic discipline of cultural studies. Haskell's groundbreaking statement (first published in 1974 but with an added chapter that updates her theme through the 1980s) is accessible, serious, and great fun because its primary source is Hollywood cinema itself. Haskell draws on her amazing knowledge and understanding of American film to comment witheringly upon the ways producers, directors, and critics from the 1920s and onward have treated women. Still, within the attack her passionate love of films and the women who appear in them shines through. For example, in a lovely passage on Greta Garbo, Haskell claims that the actress's appeal, "however provocatively she might array herself, was romantic rather than sexual, and that is the reason women liked her. Her spirit leaped first and her body, in total exquisite accord, leaped after. She yearned not for pleasure in bed but for love in eternity."

Appreciations with this much sensitivity and vigor are as hard to find as a critic who can imaginatively process a lifetime of movie-watching experiences. Moreover, Haskell discusses the larger social significance of the male cinema and male criticism she often finds so infantile. At one point, despairing over critics who either ignore actresses or transform them into love objects, Haskell bemoans the critics' immaturity as "one of the more common and less endearing manifestations of the eternal adolescence that hangs on the American male--who, by the time he is mature enough to appreciate a woman, is almost ready to retire from the arena. There are a few good years in which he can both appreciate and operate, but not enough (particularly with the current defections from heterosexuality) to satisfy the female population, which may be why more and more women are turning to each other, or to themselves." This fine book, as loving and funny as it is angry, is a must for movie fans as well as anyone interested in gender issues. --Raphael Shargel

]]> 1974 5 0 false Sun Nov 15 03:32:49 -0800 2009 Sun Nov 15 03:32:49 -0800 2009 76881868 2890792 782426 0226318850 9780226318851 11 <![CDATA[From Reverence to Rape: The Treatment of Women in the Movies]]> http://photo.goodreads.com/books/1178300030m/782426.jpg http://photo.goodreads.com/books/1178300030s/782426.jpg http://www.goodreads.com/book/show/782426.From_Reverence_to_Rape_The_Treatment_of_Women_in_the_Movies 3.85 46 From Reverence to Rape is the first and the last word on women in the movies--perhaps the best book ever written on the subject. Most feminist film critics produce work that conforms to the academic discipline of cultural studies. Haskell's groundbreaking statement (first published in 1974 but with an added chapter that updates her theme through the 1980s) is accessible, serious, and great fun because its primary source is Hollywood cinema itself. Haskell draws on her amazing knowledge and understanding of American film to comment witheringly upon the ways producers, directors, and critics from the 1920s and onward have treated women. Still, within the attack her passionate love of films and the women who appear in them shines through. For example, in a lovely passage on Greta Garbo, Haskell claims that the actress's appeal, "however provocatively she might array herself, was romantic rather than sexual, and that is the reason women liked her. Her spirit leaped first and her body, in total exquisite accord, leaped after. She yearned not for pleasure in bed but for love in eternity."

Appreciations with this much sensitivity and vigor are as hard to find as a critic who can imaginatively process a lifetime of movie-watching experiences. Moreover, Haskell discusses the larger social significance of the male cinema and male criticism she often finds so infantile. At one point, despairing over critics who either ignore actresses or transform them into love objects, Haskell bemoans the critics' immaturity as "one of the more common and less endearing manifestations of the eternal adolescence that hangs on the American male--who, by the time he is mature enough to appreciate a woman, is almost ready to retire from the arena. There are a few good years in which he can both appreciate and operate, but not enough (particularly with the current defections from heterosexuality) to satisfy the female population, which may be why more and more women are turning to each other, or to themselves." This fine book, as loving and funny as it is angry, is a must for movie fans as well as anyone interested in gender issues. --Raphael Shargel

]]> 1974 3 0 false Thu Nov 05 20:46:02 -0800 2009 Thu Nov 05 20:46:12 -0800 2009 75720312 2870820 782426 0226318850 9780226318851 11 <![CDATA[From Reverence to Rape: The Treatment of Women in the Movies]]> http://photo.goodreads.com/books/1178300030m/782426.jpg http://photo.goodreads.com/books/1178300030s/782426.jpg http://www.goodreads.com/book/show/782426.From_Reverence_to_Rape_The_Treatment_of_Women_in_the_Movies 3.85 46 From Reverence to Rape is the first and the last word on women in the movies--perhaps the best book ever written on the subject. Most feminist film critics produce work that conforms to the academic discipline of cultural studies. Haskell's groundbreaking statement (first published in 1974 but with an added chapter that updates her theme through the 1980s) is accessible, serious, and great fun because its primary source is Hollywood cinema itself. Haskell draws on her amazing knowledge and understanding of American film to comment witheringly upon the ways producers, directors, and critics from the 1920s and onward have treated women. Still, within the attack her passionate love of films and the women who appear in them shines through. For example, in a lovely passage on Greta Garbo, Haskell claims that the actress's appeal, "however provocatively she might array herself, was romantic rather than sexual, and that is the reason women liked her. Her spirit leaped first and her body, in total exquisite accord, leaped after. She yearned not for pleasure in bed but for love in eternity."

Appreciations with this much sensitivity and vigor are as hard to find as a critic who can imaginatively process a lifetime of movie-watching experiences. Moreover, Haskell discusses the larger social significance of the male cinema and male criticism she often finds so infantile. At one point, despairing over critics who either ignore actresses or transform them into love objects, Haskell bemoans the critics' immaturity as "one of the more common and less endearing manifestations of the eternal adolescence that hangs on the American male--who, by the time he is mature enough to appreciate a woman, is almost ready to retire from the arena. There are a few good years in which he can both appreciate and operate, but not enough (particularly with the current defections from heterosexuality) to satisfy the female population, which may be why more and more women are turning to each other, or to themselves." This fine book, as loving and funny as it is angry, is a must for movie fans as well as anyone interested in gender issues. --Raphael Shargel

]]> 1974 4 0 false Sun Oct 25 18:32:20 -0700 2009 Sun Oct 25 18:32:20 -0700 2009 75017483 1074651 782426 0226318850 9780226318851 11 <![CDATA[From Reverence to Rape: The Treatment of Women in the Movies]]> http://photo.goodreads.com/books/1178300030m/782426.jpg http://photo.goodreads.com/books/1178300030s/782426.jpg http://www.goodreads.com/book/show/782426.From_Reverence_to_Rape_The_Treatment_of_Women_in_the_Movies 3.85 46 From Reverence to Rape is the first and the last word on women in the movies--perhaps the best book ever written on the subject. Most feminist film critics produce work that conforms to the academic discipline of cultural studies. Haskell's groundbreaking statement (first published in 1974 but with an added chapter that updates her theme through the 1980s) is accessible, serious, and great fun because its primary source is Hollywood cinema itself. Haskell draws on her amazing knowledge and understanding of American film to comment witheringly upon the ways producers, directors, and critics from the 1920s and onward have treated women. Still, within the attack her passionate love of films and the women who appear in them shines through. For example, in a lovely passage on Greta Garbo, Haskell claims that the actress's appeal, "however provocatively she might array herself, was romantic rather than sexual, and that is the reason women liked her. Her spirit leaped first and her body, in total exquisite accord, leaped after. She yearned not for pleasure in bed but for love in eternity."

Appreciations with this much sensitivity and vigor are as hard to find as a critic who can imaginatively process a lifetime of movie-watching experiences. Moreover, Haskell discusses the larger social significance of the male cinema and male criticism she often finds so infantile. At one point, despairing over critics who either ignore actresses or transform them into love objects, Haskell bemoans the critics' immaturity as "one of the more common and less endearing manifestations of the eternal adolescence that hangs on the American male--who, by the time he is mature enough to appreciate a woman, is almost ready to retire from the arena. There are a few good years in which he can both appreciate and operate, but not enough (particularly with the current defections from heterosexuality) to satisfy the female population, which may be why more and more women are turning to each other, or to themselves." This fine book, as loving and funny as it is angry, is a must for movie fans as well as anyone interested in gender issues. --Raphael Shargel

]]> 1974 0 0 false Mon Oct 19 08:52:32 -0700 2009 Mon Oct 19 08:52:32 -0700 2009 8 http://www.goodreads.com/book_link/follow/8?book_id=782426